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Books on the topic 'Essay films'

Author: Grafiati

Published: 7 July 2024

Last updated: 31 July 2025

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1

Grizzaffi, Chiara. I film attraverso i film: Dal testo "introvabile" ai video essay. Mimesis, 2017.

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2

Toufic, Jalal. Vampires: An uneasy essay on the undead in films. Post-Apollo Press, 2003.

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3

Toufic, Jalal. Vampires, an uneasy essay on the undead in film. Station Hill, 1993.

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4

Toufic, Jalal. Vampires, an uneasy essay on the undead in film. Post-Apollo Press, 2003.

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5

Ibáñez, Lourdes Monterrubio. Audiovisual Thinking and the Essay Film. Amsterdam University Press, 2025. https://doi.org/10.5117/9789463728584.

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From a semio-pragmatic perspective and drawing on an interdisciplinary and intermedial approach, this book analyses how the audiovisual thinking process manifests itself in essay films. It explores how issues of subjectivity and identity, whether individual, social, political or cultural, prompt thought through the medium of cinema. The volume discusses the European Francophone essay film from its first appearance in cinematic modernity to the present. The study is developed in three stages. The first analyses the intermedial forms that are used: the letter, the (self-)portrait, the dialogue,

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6

Ono, Shuntarō. Shin Gojira ron: Shodai Gojira kara "Shin Gojira" e = New essay on Gojira : Godzilla to Godzilla, resurgence. Sairyūsha, 2017.

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7

1950-, Dixon Wheeler W., ed. Film genre 2000: New critical essays. State University of New York Press, 2000.

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8

Andrew, Birkin, Eichinger Bernd, and Tykwer Tom 1965-, eds. Das Parfum: Das Buch zum Film : das vollständige Drehbuch von Andrew Birkin & Bernd Eichinger & Tom Tykwer, mit zahlreichen Fotos aus dem Film, Berichten über die Entstehung des Films, Gesprächen mit Tom Tykwer und Bernd Eichinger sowie einem Essay von Verena Lueken. Diogenes, 2006.

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9

Sheila, Seacroft, Birch Brian, and University of Hull, eds. Essays on film. University of Hull, 1987.

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10

Kerr, Alfred. Essays: Theater, Film. Argon, 1991.

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11

Leslie, Stratyner, and Keller James R. 1960-, eds. Fantasy fiction into film: Essays. McFarland & Co, 2007.

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12

Désobrie, Jean. Rencontre avec des films remarquables: Essai. Roger, 1994.

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13

Piveteau, Paul. Essays on Global Firms. [publisher not identified], 2016.

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14

Corrigan, Timothy, and Nora M. Alter. Essays on the Essay Film. Columbia University Press, 2017.

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15

Essays on the Essay Film. Columbia University Press, 2017.

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16

Essays on the Essay Film. Columbia University Press, 2017.

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17

Corrigan, Timothy. Essay Film: From Montaigne, after Marker. Oxford University Press, Incorporated, 2011.

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18

Corrigan, Timothy. Essay Film: From Montaigne, after Marker. Oxford University Press, 2011.

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19

Essay Film - Dialogue, Politics, Utopia. Wallflower Press, 2016.

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20

Eades, Caroline, and Elizabeth Papazian. Essay Film: Dialogue, Politics, Utopia. Columbia University Press, 2016.

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21

Eades, Caroline, and Elizabeth Papazian. Essay Film: Dialogue, Politics, Utopia. Wallflower Press, 2016.

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22

Rascaroli, Laura. How the Essay Film Thinks. Oxford University Press, Incorporated, 2017.

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23

How the Essay Film Thinks. Oxford University Press, Incorporated, 2017.

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24

Alter, Nora M. Essay Film after Fact and Fiction. Columbia University Press, 2019.

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25

Williams, Deane, and Julia Vassilieva. Beyond the Essay Film: Subjectivity, Textuality and Technology. Amsterdam University Press, 2020.

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26

Beyond the Essay Film: Subjectivity, Textuality and Technology. Amsterdam University Press, 2020.

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27

Alter, Nora M. The Essay Film After Fact and Fiction. Columbia University Press, 2018.

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28

The Essay Film After Fact and Fiction. Columbia University Press, 2018.

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29

Stuff it: The video essay in the digital age (Edition Voldemeer). Springer, 2003.

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30

Toufic, Jalal. (Vampires): An Uneasy Essay on the Undead in Film. Post Apollo Press, 2003.

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31

Vassilieva, Julia, and Deane Williams, eds. Beyond the Essay Film. Amsterdam University Press B.V., 2020. http://dx.doi.org/10.5040/9789048561605.

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In the wake of the explosion in the production of essay films over the last 25 years and its subsequent theorization in scholarly literature, this volume seeks to historicize these intertwined developments within the ‘long durée’ of the 20th century and into the 21st. By raising the issue of ‘beyond the essay film’, this collection seeks not only to acknowledge the influential predecessors of this — in the view of many critics, the most interesting type of contemporary filmmaking — but also to speculate about its possible transformation as we move forward into the uncharted waters of the 21st

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32

Normann, Nora. Essay zum Film 'If...' - Gewalt verursacht Gewalt: Darstellung des theoretischen Zusammenhangs am Beispiel des Films. GRIN Verlag GmbH, 2011.

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33

Hollweg, Brenda, and Igor Krstić. World Cinema and the Essay Film: Transnational Perspectives on a Global Practice. Edinburgh University Press, 2021.

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34

World Cinema and the Essay Film: Transnational Perspectives on a Global Practice. Edinburgh University Press, 2019.

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35

Broderick, Kirk. Richkkerly Films Present the Rise of John Woo : an Essay: By Kirk Broderick. Independently Published, 2019.

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36

Warner, Rick. Godard and the Essay Film: A Form That Thinks. Northwestern University Press, 2018.

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37

Warner, Rick. Godard and the Essay Film: A Form That Thinks. Northwestern University Press, 2018.

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38

Godard and the Essay Film: A Form That Thinks. Northwestern University Press, 2018.

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39

Boillat, Alain. Cinema As a Worldbuilding Machine in the Digital Era: Essay on Multiverse Films and TV Series. Indiana University Press, 2022.

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40

Boillat, Alain. Cinema As a Worldbuilding Machine in the Digital Era: Essay on Multiverse Films and TV Series. Indiana University Press, 2022.

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41

Boillat, Alain. Cinema As a Worldbuilding Machine in the Digital Era: Essay on Multiverse Films and TV Series. Indiana University Press, 2022.

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42

Alter, Nora M., and Timothy Corrigan, eds. Essays on the Essay Film. Columbia University Press, 2017. http://dx.doi.org/10.7312/alte17266.

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43

Altschuler, Bruce E. Seeing through the Screen. The Rowman & Littlefield Publishing Group, 2017. https://doi.org/10.5040/9781978730939.

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Although films affect and reflect the way Americans look at politics, they have received far less attention than television or newspapers. This is changing, particularly on college campuses, where courses on politics and film are growing in popularity. This book consists of short essays on approximately fifty American political films. It is distinctive in two ways. Firstly, it defines politics broadly enough to include a range of films, not only on obviously political topics such as the presidency, congress, and elections, but also on the media, law and courts, war and peace, and a variety of

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44

Mongin, Olivier. Violencia y cine contemporaneo/ Violence and Contemporary Films: Ensayo sobre etica e imagen/ Essay on Ethics and Image (Cine). Ediciones Paidos Iberica, 1998.

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45

Haltof, Marek. Historical Dictionary of Polish Cinema. 2nd ed. Rowman & Littlefield Publishers, 2015. https://doi.org/10.5040/9798881833367.

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In 1902, scientist and inventor Kazimierz Prószynski made the first Polish narrative film, The Return of a Merry Fellow. Since then, the Polish film industry has produced a diverse body of work, ranging from patriotic melodramas and epic adaptations of the national literary canon to Yiddish cinema and films portraying the corrupt side of communism. Poland has produced several internationally known films, including Andrzej Wajda’s war trilogy, A Generation (1955), Kanal (1957), and Ashes and Diamonds (1958); Roman Polanski’s Knife in the Water (1962); and Andrzej Munk’s The Passenger (1963). Of

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46

Cinema Entertainment: Essays on Audiences, Films and Film Makers. McGraw-Hill Education, 2009.

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47

So-hee, Kim. Interview with Kim Ki-duk. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036699.003.0002.

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This interview was originally published in a promotional booklet, edited by Lee Hae-jin, entitled Kim Ki-duk: From Crocodile to Address Unknown (Seoul: LJ Film, 2001). It is reprinted here with permission of LJ Film America. Although the interview only covers Kim Ki-duk’s first six feature films, many of the issues, themes, and ideas presented here apply to his later films as well. Several Korean-language interviews about Kim’s more recent films are quoted in the main essay to supplement this interview....

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48

Rascaroli, Laura. Sound. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190238247.003.0006.

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In embracing an understanding of essay film’s soundscape that does not stop at voiceover, but extends to all the elements of a complex environment made up of speech, music, sounds, noise, and silence, this chapter moves beyond traditional logocentric and vococentric approaches to the essay film to explore the disjunctive interstice of Deleuze’s sound image. The complexly imbricated auditory space of Language Gulf in the Shouting Valley (2013) by Lawrence Abu Hamdan is considered in light of an essayistic use of voice and sound as political agents. Hypothesizing a genre of musical essay films,

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49

Lehmann, Courtney. Ontological Shivers. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.34.

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This essay explores major movements in film history through the lens of Romeo and Juliet adaptations, including films by Irving Thalberg and George Cukor, Renato Castellani, Franco Zeffirelli, Baz Luhrmann, and Deepa Mehta. More specifically, the essay offers a critical examination of theoretical developments in the notion of realism—including classical realism, neorealism, realismo rosa, and post-realism.

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50

Cholodenko, Alan. Illusion of Life: Essays on Animation. Indiana Univ Pr, 1993.

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