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Relevant bibliographies by topics / Essays in musical analysis

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Academic literature on the topic 'Essays in musical analysis'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Journal articles on the topic "Essays in musical analysis"

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Holm-Hudson, Kevin, John Covach, and Graeme M. Boone. "Understanding Rock: Essays in Musical Analysis." Journal of Music Theory 44, no. 2 (2000): 495. http://dx.doi.org/10.2307/3090685.

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Walser, Robert J. "Understanding Rock: Essays in Musical Analysis (review)." Notes 57, no. 2 (2000): 355–57. http://dx.doi.org/10.1353/not.2000.0111.

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Gligo, Niksa, and Eero Tarasti. "Musical Signification. Essays in the Semiotic Theory and Analysis of Music." International Review of the Aesthetics and Sociology of Music 28, no. 1 (1997): 124. http://dx.doi.org/10.2307/3108439.

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Saslaw, Janna K. "Understanding Rock: Essays in Musical Analysis John R. Covach Graeme M. Boone." Music Theory Spectrum 22, no. 2 (2000): 258–63. http://dx.doi.org/10.2307/745964.

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Saslaw, Janna K. ": Understanding Rock: Essays in Musical Analysis . John R. Covach, Graeme M. Boone." Music Theory Spectrum 22, no. 2 (2000): 258–63. http://dx.doi.org/10.1525/mts.2000.22.2.02a00080.

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Trivedi, S. "Musical Understandings and Other Essays on the Philosophy of Music * By STEPHEN DAVIES." Analysis 72, no. 4 (2012): 857–59. http://dx.doi.org/10.1093/analys/ans097.

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Kogler, Susanne. "Adorno as Critics – Mozart, Wagner and Strauss in the Light of the Aesthetic Theory." Musicological Annual 41, no. 1 (2005): 45–57. http://dx.doi.org/10.4312/mz.41.1.45-57.

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There is no doubt, that Adomo's critical monographs and essays on Wagner and Strauss, as well as the text on Sibelius, number among the most controversially discussed parts of his oeuvre. One important reason for this controversial reception is the fact that these writings combine philosophical and musical views. As far as the musicologists are concerned, the texts lack a detailed analytical perspective; from the philosophical point of view on the other hand, the deliberations are too much dominated by musical phenomena. This text, which was written for a lecture held at the Musicology Departm

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Brackett, David. "Understanding Rock: Essays in Musical Analysis. Edited by John Covach and Graeme M. Boone. New York and Oxford: Oxford University Press, 1997. Expression in Pop-Rock Music: A Collection of Critical and Analytical Essays. Edited by Walter Everett. New York and London: Garland Publishing, Inc., 2000." Popular Music 20, no. 2 (2001): 275–83. http://dx.doi.org/10.1017/s0261143001001477.

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In the intense disciplinary upheavals of the last fifteen years or so within music scholarship, music analysis has been one of the most contentious areas of debate The sense of conflict arises from a confluence of factors: all music scholars who wish to describe the details of musical style must employ some form of music analysis, yet the very strengths of music-analytical practice Ð its ability to describe musical events with precision, its ability to explain details of musical style and demonstrate structural interrelationships Ð are couched in a technical meta-language that seems resistant

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SPECTOR, STEPHEN. "‘ESSAYS IN PAPER ANALYSIS’." Music and Letters 70, no. 4 (1989): 599–600. http://dx.doi.org/10.1093/ml/70.4.599.

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SPECTOR, STEPHEN. "‘ESSAYS IN PAPER ANALYSIS’." Music and Letters 71, no. 4 (1990): 629—a—629. http://dx.doi.org/10.1093/ml/71.4.629-a.

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Dissertations / Theses on the topic "Essays in musical analysis"

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De, Paiva Santana Charles. "The Musical Piece as an Instance : essays in Computer-Aided Musical Analysis." Thesis, Paris 6, 2016. http://www.theses.fr/2016PA066672.

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A partir d'une interprétation musicologique de la notion scientifique de "modélisation et simulation'', cette thèse présente une approche d'analyse assistée par ordinateur où les partitions musicales sont reconstruites à partir de processus algorithmiques et simulées avec différents paramètres à partir desquels des variantes, appelés instances, sont générés. L'étude d'une pièce musicale par modélisation et simulation signifie comprendre l'oeuvre en la (re) composant de nouveau, en brouillant les limites entre le travail analytique et créatif. Cette approche est appliquée à trois études de cas:

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Dansereau, Ginette. "Essai sur la structure de L'offrande I de Serge Garant." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65548.

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Depersin, Françoise. "Les Tombeaux, en France, à l’époque baroque : essai d’analyse rhétorique." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040222.

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Le corpus des Tombeaux français, dont la production s'étend du milieu du XVIIe siècle jusqu'à la troisième décennie du XVIIIe siècle, regroupe des pièces instrumentales dont le titre emprunte un nom de genre poétique. Si le tombeau poétique est un hommage posthume, qu'advient il de cet hommage en musique, quelles sont les stratégies musicales suscitées par ce titre littéraire, qui ne renvoie à rien de musical ?On a choisi, pour répondre à cette question, de tenter une analyse menée grâce à l’emprunt de notions rhétoriques appartenant aux domaines de l’elocutio et de la dispositio. Les stratégi

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Chai, Wei 1972. "Automated analysis of musical structure." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/33878.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2005.<br>Includes bibliographical references (p. 93-96).<br>Listening to music and perceiving its structure is a fairly easy task for humans, even for listeners without formal musical training. For example, we can notice changes of notes, chords and keys, though we might not be able to name them (segmentation based on tonality and harmonic analysis); we can parse a musical piece into phrases or sections (segmentation based on recurrent structural analysis); we can id

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Harrison, L. "Music analysis and musical perception : studies in the psychology of musical structure." Thesis, Lancaster University, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328316.

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LaFleur, Brandon Kyle. "Musical Colors| On Establishing a Methodology for Color Applications in Musical Analysis." Thesis, University of Louisiana at Lafayette, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10271870.

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<p>This thesis explores the potential advantages of incorporating color into musical analysis and musical concepts into art analysis. Music and the visual arts are vehicles of expression using two different perceptible waves as a medium. By comparing the physical attributes of these waves, analogous terminology between the disciplines is highlighted. Terminology parallels allow us to identify relationships between musical ideas and sonorities and color theory concepts and color harmonies. Cross-modal relationships have been explored in synesthetically inspired works in both disciplines. In Scr

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Harper-Scott, J. P. E. "Elgar's musical language : analysis, hermeneutics, humanity." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402979.

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Hellaby, Julian. "Musical performance : a framework for analysis." Thesis, Birmingham City University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.441553.

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Mészáros, Tomáš. "Speech Analysis for Processing of Musical Signals." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2015. http://www.nusl.cz/ntk/nusl-234974.

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Hlavním cílem této práce je obohatit hudební signály charakteristikami lidské řeči. Práce zahrnuje tvorbu audioefektu inspirovaného efektem talk-box: analýzu hlasového ústrojí vhodným algoritmem jako je lineární predikce, a aplikaci odhadnutého filtru na hudební audio-signál. Důraz je kladen na dokonalou kvalitu výstupu, malou latenci a nízkou výpočetní náročnost pro použití v reálném čase. Výstupem práce je softwarový plugin využitelný v profesionálních aplikacích pro úpravu audia a při využití vhodné hardwarové platformy také pro živé hraní. Plugin emuluje reálné zařízení typu talk-box a pos

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Giese, Julia V. "Essays in Applied Cointegration Analysis." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517139.

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Books on the topic "Essays in musical analysis"

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Essays in musical analysis. Oxford University Press, 1989.

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Francis, Tovey Donald. Essays in musical analysis. Oxford University Press, 1989.

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Tovey, Donald Francis. Chamber music: Selections from essays in musical analysis. Dover Publications, 2015.

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Musical form and transformation: 4 analytic essays. Yale University Press, 1993.

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Hepokoski, James A. Music, structure, thought: Selected essays. Ashgate, 2009.

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Hepokoski, James A. Music, structure, thought: Selected essays. Ashgate, 2009.

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Music, structure, thought: Selected essays. Ashgate, 2009.

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Vinther, Orla. Musikalsk analyse: Otte essays om oplevelse og eftertanke. Edition Egtved, 1992.

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Huxley, Aldous. Music at night: And other essays including 'Vulgarity in literature'. Flamingo, 1994.

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Huxley, Aldous. Music at night: And other essays including Vulgarity in literature. Triad, 1986.

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Book chapters on the topic "Essays in musical analysis"

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Che, Rui, Xingda Li, Dongfang Li, and Yujing Guan. "Musical Intelligence Analysis." In Recent Advances in Computer Science and Information Engineering. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-25792-6_102.

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Saint-Dizier, Patrick. "A Rhetoric Analysis of Musical Works." In Musical Rhetoric. John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781119004998.ch5.

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Beach, David. "Schenker’s Conception of Musical Structure." In Schenkerian Analysis. Routledge, 2019. http://dx.doi.org/10.4324/9780429453793-1.

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Sethares, William A. "Consonance-Based Musical Analysis." In Tuning, Timbre, Spectrum, Scale. Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-4177-8_9.

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Giraud, Mathieu, Richard Groult, and Florence Levé. "Computational Analysis of Musical Form." In Computational Music Analysis. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-25931-4_5.

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Hartmann, William M. "Fourier Analysis and Synthesis." In Principles of Musical Acoustics. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-6786-1_9.

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Godøy, Rolf Inge. "Chunking Sound for Musical Analysis." In Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-02518-1_4.

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Maddage, Namunu Chinthaka, Changsheng Xu, Chin-Hui Lee, Mohan Kankanhalli, and Qi Tian. "Statistical Analysis of Musical Instruments." In Advances in Multimedia Information Processing — PCM 2002. Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/3-540-36228-2_72.

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Lewis, Tony. "Musical analysis of Baluan garamut." In Becoming a Garamut Player in Baluan, Papua New Guinea. Routledge, 2018. http://dx.doi.org/10.4324/9781315406503-4.

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Odena, Oscar. "The role of software for qualitative analysis in musical creativity research." In Musical Creativity Revisited. Routledge, 2018. http://dx.doi.org/10.4324/9781315464619-8.

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Conference papers on the topic "Essays in musical analysis"

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Mondelli, Maria Luiza Botelho, Luiz M. R. Gadelha Jr., and Artur Ziviani. "O Que os Países Escutam: Analisando a Rede de Gêneros Musicais ao Redor do Mundo." In VII Brazilian Workshop on Social Network Analysis and Mining. Sociedade Brasileira de Computação - SBC, 2018. http://dx.doi.org/10.5753/brasnam.2018.3586.

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Plataformas de streaming de música são cada vez mais populares, democratizando e facilitando o acesso ao conteúdo musical. Esse efeito amplia o alcance e a penetração de diferentes estilos musicais, incrementando a diversidade de gêneros escutados nos diferentes páıses do mundo. A fim de melhor entender essa diversidade e identificar páıses com interesses em comum, neste artigo foi construída e analisada uma rede complex de artistas, gêneros musicais e páıses utilizando dados do Spotify, uma das plataformas de streaming de música mais utilizadas atualmente. Como resultados, além de identificar

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Knoth, Ina. "Art Criticism and the Professional Perspective: The Functions of Analogies between Music and Painting in Charles Avison’s Essay on Musical Expression and William Hogarth’s Analysis of Beauty." In Musik und die Künste in der englischen Frühaufklärung (ca. 1670–1750). Universität Hamburg, Institut für Historische Musikwissenschaft, 2020. http://dx.doi.org/10.25366/2020.118.

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Kantesaria, Mahek, and Sandhya P. "Argumentative Analysis on Persuasive Essays." In 2018 International Conference on Recent Trends in Advance Computing (ICRTAC). IEEE, 2018. http://dx.doi.org/10.1109/icrtac.2018.8679130.

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Peng, Anhua, and Zhiming Wang. "Illustrations processing analysis in sci-tech essays." In Education (ICCSE 2010). IEEE, 2010. http://dx.doi.org/10.1109/iccse.2010.5593657.

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GRAY, JEREMY J. "NINETEENTH CENTURY ANALYSIS AS PHILOSOPHY OF MATHEMATICS." In Essays in Philosophy and History of Mathematics. WORLD SCIENTIFIC, 2008. http://dx.doi.org/10.1142/9789812812230_0006.

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Syahabuddin, Khairiah, and Aulia Zikra. "An Analysis of Contrastive Discourse Markers in Students’ Essays." In 1st Bandung English Language Teaching International Conference. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0008218500720077.

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Kukreti, Madhur. "Affective analysis of musical chords." In 2015 Science and Information Conference (SAI). IEEE, 2015. http://dx.doi.org/10.1109/sai.2015.7237171.

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Anspoka, Zenta. "Youth Values: Analysis Outcomes of Latvia Secondary School Students’ Essays." In 3rd International Conference on Research in Education, Teaching and Learning. Acavent, 2020. http://dx.doi.org/10.33422/3rd.icetl.2020.02.42.

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Rosé, Carolyn P., Antonio Roque, Dumisizwe Bhembe, and Kurt Vanlehn. "A hybrid text classification approach for analysis of student essays." In the HLT-NAACL 03 workshop. Association for Computational Linguistics, 2003. http://dx.doi.org/10.3115/1118894.1118904.

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SØRENSEN, HENRIK KRAGH. "REPRESENTATIONS AS MEANS AND ENDS: REPRESENTABILITY AND HABITUATION IN MATHEMATICAL ANALYSIS DURING THE FIRST PART OF THE NINETEENTH CENTURY." In Essays in Philosophy and History of Mathematics. WORLD SCIENTIFIC, 2008. http://dx.doi.org/10.1142/9789812812230_0005.

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Reports on the topic "Essays in musical analysis"

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Heynderickx, Haley. A Musical Analysis of the Past: America is in the Heart by Carlos Bulosan Re-told through the Craft of Folk Songs. Portland State University Library, 2015. http://dx.doi.org/10.15760/honors.179.

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Manhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse, and Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), 2020. http://dx.doi.org/10.19088/ids.2020.001.

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This study examines Mozambican popular music to investigate three questions: Are notions of empowerment and accountability present in popular music in Mozambique? If so, what can these existing notions of empowerment and accountability reveal about relations between citizens and state institutions in general and about citizen-led social and political action in particular? In what ways is popular music used to support citizen mobilisation in Mozambique? The discussion is based on an analysis of 46 protest songs, interviews with musicians, music producers and event promoters as well as field int

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Buene, Eivind. Intimate Relations. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481274.

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Blue Mountain is a 35-minute work for two actors and orchestra. It was commissioned by the Ultima Festival, and premiered in 2014 by the Danish National Chamber Orchestra. The Ultima festival challenged me – being both a composer and writer – to make something where I wrote both text and music. Interestingly, I hadn’t really thought of that before, writing text to my own music – or music to my own text. This is a very common thing in popular music, the songwriter. But in the lied, the orchestral piece or indeed in opera, there is a strict division of labour between composer and writer. There a

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