Relevant bibliographies by topics / Essence, genius, nature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic 'Essence, genius, nature'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Essence, genius, nature"

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El Husseiny, Aly Mohamed, and Ahmed Aly El Husseiny. "Redefining Static and Dynamic Spaces Genius integration in Historic Cairo." Asian Journal of Behavioural Studies 3, no. 9 (2018): 161. http://dx.doi.org/10.21834/ajbes.v3i9.71.

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Streets of Historic Cairo are the main essence to constitute a significant community that is reputable by intimacy and provides a pleasure to walk in urban spaces. The monumental town which remained consistent hundreds of years is now seriously threatened by its rapid socio-cultural change. The degree of enclosure, thickness of walls, wideness of openings in the space boundaries, and the nature of activities are all factors to assure either the static or dynamic state of an urban space. An observation study aims to discover how genius is integration of variations of static and dynamic spaces s
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Burney, Fatima. "Locating the World in Metaphysical Poetry." Journal of World Literature 4, no. 2 (2019): 149–68. http://dx.doi.org/10.1163/24056480-00402002.

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Abstract Discussions on world literature often imagine literary presence, movement, and exchange in terms of location and prioritize those literary traditions that can be easily mapped. In many regards, classical ghazal poetry resists such interpretation. Nonetheless, a number of nineteenth-century writers working in Urdu and English reframed classical ghazal poetry according to notions of locale that were particularly underpinned by ideas of natural essence, or genius. This article puts two such receptions of the classical ghazal in conversation with one another: the naičral shāʿirī (natural
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Bychkov, Victor V. "The Way to the Aesthetics of Romanticism: Jean Paul." Voprosy Filosofii, no. 5 (2023): 86–96. http://dx.doi.org/10.21146/0042-8744-2023-5-86-96.

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In his Preschool of Aesthetics the German writer Jean Paul (Johann Friedrich Richter) in some sense has laid the foundation of the aesthetics of German Ro­manticism through an analysis of the main principles of poetry, which is under­stood as artistic word at large. Proceeding from Aristotle’s Poetics, he claims that poetry is a beautiful (as well as spiritual) imitation of nature, both external (the one we perceive by the senses) and internal (the one we become spiritually aware of). As a result, this “imitation” essentially becomes a transformation of reality. Therefore the imagination and f
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Mironov, Vladimir V. "Humboldt, Natural Philosophy and the University As a Universe." Voprosy Filosofii, no. 2 (2021): 19–23. http://dx.doi.org/10.21146/0042-8744-2021-2-19-23.

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The article analyzes the scientific career of Alexander von Humboldt. The scien­tist researched the junction of science and philosophy, set up experiments to study organic life, testing his theory of “life force”. The result of his work was the essay “On irritated muscle and nerve fiber”. The philosophical essay “Life-Force, or the Genius of Rhodes” reveals Humboldt's literary talent. In this essay, in literary form, the problem of “life force” and understanding the essence of life was raised. And it’s not by chance, since Humboldt’s texts have a complete aes­thetic character, which allowed hi
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Kashlyavik, Kira U., and Aleksandr E. Lobkov. "The perception of Blaise Pascal and his legacy by the official Soviet culture of the 1920–1930s." Izvestiya of Saratov University. Philology. Journalism 24, no. 2 (2024): 190–96. http://dx.doi.org/10.18500/1817-7115-2024-24-2-190-196.

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The perception of Blaise Pascal by the official Soviet culture of the 1920–1930s has not yet become the subject of a special study. At a new historical turn, the scientific and spiritual legacy of the French thinker was inevitably subject to revision. The authors set themselves the task of revealing the peculiarities of constructing the image of Pascal and interpreting his ideas in the society of mass intellectual culture. The main material for the article was information about Pascal, which a Soviet citizen could obtain from encyclopedic dictionaries, textbooks, popular science articles and p
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Гололобова, Катерина. "Anthropological Issues in the Work of Ibn Sina." Idei, no. 1(15)-2(16 (November 30, 2020): 49–56. http://dx.doi.org/10.34017/1313-9703-2020-1(15)-2(16)-49-56.

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The article analyzes the scientific and philosophical heritage of Ibn Sina, one of the most prominent representatives of the Middle East philosophy. Ibn Sina, an outstanding scientist and physician of the Eastern Renaissance, is among the first-class scholars in world culture, science, philosophy and medicine. The problem of man takes a central place in the creative work of a scientist. The creative work of Ibn Sina, especially his anthropological teaching, promotes finding answers to questions arising in the process of knowing some aspects of nature and the very essence of man, and partly on
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Mankovskaya, Nadezda Borisovna. "The Man of Action of French Romanticism. Aesthetic Views of Victor Hugo and their Embodiment in Poetry and Dramaturgy." Культура и искусство, no. 8 (August 2023): 50–73. http://dx.doi.org/10.7256/2454-0625.2023.8.39409.

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The subject of the study is the fundamental philosophical and aesthetic problems in the romantic aesthetics of one of its leaders in France - Victor Hugo. The evolution of his aesthetic views is traced - from adherence to the aesthetics of classicism and royalist views to the established theory and artistic practice of romanticism, colored with democratic pathos. The core of Hugo's aesthetics is revealed - the original concept of the grotesque, which has found a convincing embodiment in his poetry, drama, historical novels. Such main themes as the correlation of the tragic and the comic, the b
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Schiavone, Scott William. "Re-defining a decade: Marc Jacobs, Tony Viramontes and the vocabulary of 1980s fashion." Fashion, Style & Popular Culture 7, no. 4 (2020): 407–20. http://dx.doi.org/10.1386/fspc_00036_1.

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Historian James Laver described the cyclical nature of fashion as taking almost 50 years for a particular style or decade to be remembered as romantic. The 1980s are often overlooked by fashion historians as garish or vulgar, best left to the confines of history. During the global financial crisis of 2007‐08, direct quotations from the 1980s and television show Dynasty (1981‐89) appeared on the catwalks of major designers. An interest in the decade of greed and excess was revived in a time of economic austerity: were we dressing up to cover up our financial shortcomings? Fashion is yet again i
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Nurdin, Fauzie. "Integralisme Islam dan Kontribusi Budaya Muakhi Bagi Peradaban Masyarakat Serta Relevansi Nilai-Nilai Filosofis Budaya Lokal dan Pembangunan Masyarakat Lampung." Al-Adyan: Jurnal Studi Lintas Agama 14, no. 1 (2019): 35–50. http://dx.doi.org/10.24042/ajsla.v14i1.4481.

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This study reveals and explains about 'Islamic Integralism and the Contribution of Muakhi Culture to World Civilization, which is focused on the relevance of the philosophical values of Local Culture and Lampung Community Development'. The problems are: (1) Are Islamic values integrated with the philosophical values of the local culture as a philosophy of life for the people of Lampung ?; (2) How is the nature of Islamic values integrated with Lampung culture in relation to the life cycle of humans, nature and the environment; (3) How are the philosophical values of local culture (muakhi) rele
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LAZARENKO, D. M., and I. Y. PAVLENKO. "“LOOK HERE, UPON THIS PICTURE, AND ON THIS”: MYTHOLOGICAL AND LEGENDARY SOURCES IN THE MIRROR OF SHAKESPEARE'S “HAMLET”." АКАДЕМІЧНІ СТУДІЇ. СЕРІЯ «ГУМАНІТАРНІ НАУКИ», no. 3 (December 25, 2023): 36–43. http://dx.doi.org/10.52726/as.humanities/2023.3.6.

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The article is focused on the intertextual level of metatextuality in William Shakespeare's “Hamlet”. Contemporary Shakespeare studies have formed a clear idea of the complete list of possible plot sources that the English playwright could have used when creating his masterpiece. However, the question of how exactly the medieval legendary revenge story is transformed by the Renaissance genius into the tragedy of a reflecting personality seeking to comprehend the essence of existence and put right the time that is out of joint still remains open. In this context, the application of the theory o
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Dissertations / Theses on the topic "Essence, genius, nature"

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Kaya, Muhammad Najt. "Masadir al-tafsir bi al-ma'thur." Thesis, 2014. http://hdl.handle.net/10210/12811.

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Books on the topic "Essence, genius, nature"

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Küng, Hans. Christianity: Essence, history and future. Continuum, 1995.

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Küng, Hans. Christianity: Its essence and history. SCM Press, 1995.

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Jindī, Anwar. al-Ḍ arabāt allatī wujjihat lil-inqiḍāḍ ʻalá al-ummah al-Islāmīyah: Khams muʾamarāt kubrá ʻalá al-Islām min fajr al-Islām-- wa-ḥattá al-ān. Dār al-Iʻtiṣām, 2000.

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Jindī, Anwar. al- Ḍarabāt allatī wujjihat lil-inqiḍāḍ ʻalá al-ummah al-Islāmīyah: Khams muʾammarāt kubrá ʻalá al-Islām min fajr al-Islām ilá al-yawm. Dār al-Qalam, 1998.

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Alkebu-Lan, Horus Muhammad. The African-American identity crisis: It's not a "Black thang", it's a human thing we must understand. Alkebu-Lan, 1991.

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D'Souza, Dinesh. Lo grandioso del cristianismo. Tyndale House Publishers, Inc., 2009.

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Forte, Bruno. The essence of Christianity. William B. Eerdmans Pub., 2004.

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K̲h̲ān, Vaḥīduddīn. Islam, the voice of human nature. Darul Ishaat, 1996.

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McLaren, Brian D. A generous orthodoxy: Why I am a missional, evangelical, post/Protestant, liberal/conservative, mystical/poetic, biblical, charismatic/contemplative, fundamentalist/Calvinist, Anabaptist/Anglican, Methodist, Catholic, green, incarnational, depressed-yet-hopeful, emergent, unfinished Christian. Youth Specialties, 2006.

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Meynell, Hugo Anthony. Is Christianity true? Catholic University of America Press, 1994.

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Book chapters on the topic "Essence, genius, nature"

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Williamson, John. "Inspiration." In The Music of Hans Pfitzner. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198161608.003.0002.

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Abstract In the aesthetic literature of the nineteenth century, the term ‘genius’ is something of a beacon. Mit dem Genius steht die Natur in ewigem Bunde, proclaimed Schiller in Kolumbus, and it was this poem that Pfitzner chose to set for unaccompanied chorus in 1905 to commemorate the hundredth anniversary of the poet’s death. Perhaps no one definition catches the full essence of what effectively was a talisman as much as a concept.
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Cross, Richard. "The Genus Maiestaticum (1)." In Christology and Metaphysics in the Seventeenth Century. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192856432.003.0012.

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Abstract This chapter examines various problems and issues associated with the Lutheran claim that certain divine attributes can be predicated of Christ’s human nature. It opens with the question of semantics, showing some of the different senses of predication in abstracto accepted by Balthasar Meisner and Johann Gerhard. After a brief discussion of early Lutheran treatments of the essence–energies distinction, it shows how the genus maiestaticum depends on divine activity being performed through the human nature. The chapter offers three distinct analyses of the nature of divine activity: those of Ägidius Hunn, Johann Gerhard, and Abraham Calov. It shows how Calov borrows an account of divine activity from Francisco Suárez, one that turns out to be inconsistent with Calov’s insistence that predicating divine attributes of the human nature is not a case of mere extrinsic denomination—a position that Calov reports and rejects from the Colloquy of Kassel (1661) between the theologians of Marburg and Rinteln. The chapter includes discussion of the disagreement between the theologians of Tübingen and those of Giessen. Both sides agree that the genus maiestaticum requires special divine activity in the human nature; but the former date this activity from the Incarnation, whereas the latter date it from the exaltation. The Decisio saxonica effectively decided in favour of the Giessen theologians. A final section considers differences between the two groups of theologians on the question of divine omnipresence, and consequent differences between the two on the nature of bodily omnipresence.
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Stănescu, Ioana. "CLAUDE DEBUSSY AND INSPIRED FUSION OF CREATIVE SPIRITS." In Education, Society, Family. Interdisciplinary Perspectives and Analyses. Eikon Publishing House, 2021. http://dx.doi.org/10.56177/epvl.ch16.2021.en.

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The cultural climate of Claude Debussy's formative years is represented by Paris, during the years of the legendary fin de siècle, in the last two decades of the 19th century, in which a remarkable artistic emulation, expression of numerous exhibitions, publications of posters, music performances, ballet or music-hall, the frequent meetings between artists wrote their history on the background of a radical change of an aesthetic conception. During this period, exhibitions of his own works initiated by painters from the original Impressionist circle, such as Pissaro, Monet, Degas, Renoir and Sisley, led, step by step, to the affirmation and recognition of Impressionism, which promoted a new vision of the world. A meeting with a decisive impact, at the level of the evolution of Claude Debussy's aesthetic vision, would be the one with Stéphane Mallarmé, one of the outstanding personalities of the symbolist French poetry. A few years later, Mallarmé's prose poem, Afternoon of a Faun, will provide the title and inspiration for one of Claude Debussy's most important works for orchestra. Thus, this artistic emulation found its unifying vector in the animus and common interest of overcoming artistic conventions, in the openness to novelty and exoticism, through the power of suggestion and evocation, in the freedom of expression to which Mallarmé or Laforgue's free verse urged, as an innovative form of a spirit that constantly seeks the mystery of life, evading the limits and patterns of an outdated academic tradition. Debussy's affinities in the field of painting will find their correspondence in the vision of the relationship between art and nature articulated by J.A. McNeill Whistler in his Ten O’Clock famous reading and William Turner, being considered the greatest mystery creator in whole art by the French composer. Thus, his work remains a testament to the mastery of his musical instinct to assimilate the essence of the visionary aesthetic ideas of the era, to translate them into artistic creations capable of communicating the sensitivity of his dreams and what he sees in his mind’s eyes. But Debussy's genius intuits the emancipatory power of music in recognizing and eluding description, narrative, or illustration as far too restrictive forms of artistic representation. So the French composer will affirm music on the evolutionary path of an aesthetic, which recognizes the importance of imagination and the vital need for freedom of expression as literary symbolism had generated the liberation of language from the usual uses and meaning of words.
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Cross, Richard. "Concluding Remarks." In Communicatio Idiomatum. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198846970.003.0008.

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This chapter suggests that part of the early seventeenth-century debate between the theologians of Tübingen and the theologians of Giessen on the question of the communicatio idiomatum represents the conflicting structures of Brenzian and Chemnitzian accounts of the hypostatic union. At issue was the human nature’s possession of divine attributes during Christ’s earthly life, affirmed by the Tübingen theologians and denied by the Giessen ones. The 1624 Decisio saxonica ruled in favour of Giessen, and thus in effect against Brenzian understandings of Christ’s kenosis. Lutheran orthodoxy requires that some (and not all) divine attributes are communicated to the human nature. It concludes with puzzles about the way in which the genus maiestaticum might be possible at all, given the denial of any distinction between the divine essence and the divine energies.
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Vogel, Joseph Henry. "Illustrating The Problem And The Property-Rights Solution." In Genes For Sale. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195089103.003.0005.

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Abstract Theory is abstract, and abstractions, by their nature, are difficult to comprehend. Many astute readers will not have the patience to keep track of the definitions and acronyms, plod through the sequence of steps, and deduce the solution. For many, privatization may still seem too abstract to work. As an economist engaged in the enterprise of rhetoric, my job is to persuade multiple audiences that the solution is workable. In other words, I must persuade the readership that privatization does not teeter on abstractions; privatization is both simple and practical. Indeed, it is so simple that the essence of the argument can even be communicated through illustration. There are many reasons for illustrating both the problem and the property­ rights solution. The first is that good illustrations are universally recognizable, while words are not. Many people living in the remote tropics can barely read or write. Inasmuch as these same people are the most affected by any conservation policy, they should know the basic mechanism of the policy and have some say in its design and implementation. This is not just some lofty democratic principle that I espouse (although I do); it is a deductive consequence of the property-rights approach. A policy that poor people see as one in their own best interest will entail the lowest transaction costs in policing, whereas a policy that poor people do not see as in their interest will be frustrated whenever the poor enjoy some de facto property right over the resource allocated by the policy. To discover the most efficient policy, technocrats in the North would do well to speak and listen to the poor of the South. Ideally, an array of policies should be floated among the poor and the illiterate.
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Hernández-Santaolalla, Víctor, and Jorge David Fernández Gómez. "American Psycho Universe." In Advances in Media, Entertainment, and the Arts. IGI Global, 2024. http://dx.doi.org/10.4018/979-8-3693-7416-0.ch007.

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Horror is one of the genres that has most exploited the possibilities of franchises, sequels or remakes. Precisely, the slasher subgenre is capital in the sense that such notorious sagas as Halloween. Thus, the chapter approaches the American Psycho phenomenon from its formulaic nature, analysing the implications of each of its audiovisual products. Based on the novel by Ellis, the film by Harron was a critical and public success: set in the Wall Street of the 1980s, it narrates the life of Bateman, a yuppie who personifies the business elite and at the same time is a bloody serial killer. The success of the film gave rise to American Psycho 2, abusing the slasher formula, this time in a female key and in the university. Also inspired by the novel, the musical adaptation recaptures the critical essence of the original film, while a sequel comic commenced publication in late 2023. En this line, drawing from the novel and the original film, the chapter explores the evolution of the narrative in terms of genre orthodoxy, ideological subtext, and commercial aspects.
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Saccoccio, Antonio. "L’elaborazione del concetto di ius naturale da parte dei giuristi romani tra potere pubblico e chiesa nei primi secoli dell’impero." In Savremeno državno-crkveno pravo : uporednopravni izazovi i nacionalne perspektive. Institut za uporedno pravo, 2023. http://dx.doi.org/10.56461/zr_23.sdcp.28.

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Il diritto romano, fin dalle sue origini, presenta una evidente propensione all’universalità. Essa si manifesta chiaramente alla “ fondazione” del sistema, nelle Costituzioni con cui Giustiniano accompagna il varo del CJC, ma rimonta senza dubbio indietro nel tempo, fino alla individuazione da parte dei romani del ius gentium, alla cui base viene riconosciuta la naturalis ratio. Lo statual-legalismo non è stato in grado di recidere questo cordone ombelicale con il diritto romano e con la ragione naturale che si pone a suo fondamento. Il diritto romano, vigente ancorché non più effettivo, costituisce il motore delle moderne codificazioni, e deve essere custo- dito dai moderni operatori del diritto come un vero e proprio patrimonio comune dell’umanità. Si crea così una sorta di ius naturale degli uomini, inteso in senso non escatologico, ma fondato sul modello costituito dagli homines. La salvaguardia dei valori da esso rappresentati, che ruotano intorno alla centralità della persona umana (bona fides, aequitas, libertas, voluntas ecc.) rappresenta la sfida che tutti noi, in quanto giuristi, dobbiamo dimostrare di essere in grado di raccogliere.
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Reports on the topic "Essence, genius, nature"

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Rousseau, Henri-Paul. Gutenberg, L’université et le défi numérique. CIRANO, 2022. http://dx.doi.org/10.54932/wodt6646.

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Introduction u cours des deux derniers millénaires, il y a eu plusieurs façons de conserver, transmettre et même créer la connaissance ; la tradition orale, l’écrit manuscrit, l’écrit imprimé et l’écrit numérisé. La tradition orale et le manuscrit ont dominé pendant plus de 1400 ans, et ce, jusqu’à l’apparition du livre imprimé en 1451, résultant de l’invention mécanique de Gutenberg. Il faudra attendre un peu plus de 550 ans, avant que l’invention du support électronique déloge à son tour le livre imprimé, prenant une ampleur sans précédent grâce à la révolution numérique contemporaine, résul
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