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Journal articles on the topic 'Estetické aspekty'

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1

Górny, Mirosław. "Aesthetics of movement with sight disabled children - pilot study." Tělesná kultura 33, no. 1 (2010): 26–40. http://dx.doi.org/10.5507/tk.2010.002.

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2

Nero, Agus, Kunto Sofianto, Maman Sutirman, and Dadang Suganda. "SENI BORDIR TASIKMALAYA DALAM KONSTELASI ESTETIK DAN IDENTITAS." Patanjala : Jurnal Penelitian Sejarah dan Budaya 11, no. 1 (2019): 81. http://dx.doi.org/10.30959/patanjala.v11i1.476.

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Penelitian ini berjudul “Seni Bordir Tasikmalaya dalam Konstelasi Estetik dan Identitas”. Penelitian ini mengkaji seni bordir Tasikmalaya dilihat dari aspek estetik dan identitas. Metode yang digunakan adalah metode deskriptif-analitik. Teknik pengumpulan data dalam penelitian ini adalah survei ke lapangan melalui wawancara, pengamatan secara langsung, dan pengambilan sumber-sumber tertulis dari masyarakat dan pemerintah setempat. Sumber data yang digunakan dalam penelitian ini adalah data lapangan melalui participant observation sebagai data primer dan sumber kepustakan sebagai data sekunder.
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3

MILENKOVIĆ, DUŠAN. "DJUIJEVO PRAGMATISTIČKO POIMANJE UMETNOSTI U KNJIZI "ART AS EXPERIENCE"." ARHE 13, no. 26 (2017): 141. http://dx.doi.org/10.19090/arhe.2016.26.141-157.

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U radu se estetičke postavke Džona Djuija iz knjige Art as Experience sagledavaju iz perspektive osnovnih motiva njegove pragmatističke filozofije, sa posebnim osvrtom na Djuijevo učenje iz Logike, teorije istraživanja. Djuijevi stavovi o umetnosti analiziraju se uz pomoć njegovih teza o kvalitativnom iskustvu i odnosa između iskustva svakodnevnog života i estetskog iskustva. Nakon razmatranja određenih aspekata Djuijeve kritike tradicionalne estetike, u radu se Djuijevo odbacivanje teze o samosvrhovitosti umetnosti izdvaja kao posebno relevantno za promišljanje odnosa između Djuijeve estetike
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4

NOVAKOVIĆ, MARKO. "ULOGA UOBRAZILJE U FILOZOFSKOM RAZUMEVANJU UMETNOSTI." ARHE 13, no. 26 (2017): 99. http://dx.doi.org/10.19090/arhe.2016.26.99-118.

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Predmet ovog rada je filozofski pojam estetike. Jedno od njegovih glavnih određenja sadrži ideju da način mišljenja estetičara pored kontemplativne i teorijske strane sadrži i onu kreativnu koja ga približava umetnosti i estetskom iskustvu. Ta ideja mišljenje estetičara pretvara u pozornicu veštine pronalaženja i oslanja se na ulogu estetskih sposobnosti u razumevanju. Među njima se ističe kreativna uobrazilja. Takav način razumevanja omogućava estetičaru pristup istini umetnosti, a određenje umetnosti je jedan od njegovih osnovnih zadataka. Teza koju iznosi ovaj rad je čak i jača i ona domet
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5

Wagner, Christiane. "Aesthetics and cultural aspects of Bauhaus: Towards a new conception." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 473–86. http://dx.doi.org/10.5937/saj1903473w.

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This article covers the new possibilities of the Bauhaus worldview: the creation of new forms for depicting human ideals through a focus on aesthetics and technology, combined with Niemeyer's impact on architecture and design. New styles and shapes have arisen as offshoots from Bauhaus, conveying the values of each culture through the construction of a collective "picture" world. The Bauhaus of today expresses the culture industry, dialectically considering innovation and applied art as a path from the modern design of the industrial revolution to "eco-design." In this sense, Bauhaus is still
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6

Koubová, Alice. "Filosofické aspekty Estetiky performativity Eriky Fischer-Lichte." Theatralia, no. 2 (2020): 13–29. http://dx.doi.org/10.5817/ty2020-2-2.

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7

Ţâncu, Ana Maria Cristina, Mihaela Pantea, Paula Perlea, Anca Nicoleta Temelcea, Ştefan Cristian Popa, and Marina Imre. "Aspects in aesthetic preview in fixed prosthodontic rehabilitation results." Romanian Journal of Stomatology 64, no. 2 (2018): 100–104. http://dx.doi.org/10.37897/rjs.2018.2.4.

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8

Hadiprayitno, Kasidi. "Estetika Wayang." Jurnal Budaya Nusantara 1, no. 1 (2014): 31–39. http://dx.doi.org/10.36456/b.nusantara.vol1.no1.a282.

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The basics are the puppet aesthetic perspective of the relation elements of beauty in the unity of the structure of the wayang. Understanding the true aesthetic beauty rests on the concept of thought that developed and followed by Western thinkers, however, in the operatate of implemeta- tion still refer to terms that are known in the art of traditional puppet convention. Not all data in the beauty of the puppets can be presented in this short article, but limited to the aspects of beauty essentials only such convention and modernity in the universe puppet, puppet or convention in the art of p
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9

Andrijauskas, Antanas. "Prancūzų meno sociologija (ištakos ir prieštaravimai)." Problemos 36 (January 1, 2015): 50–58. http://dx.doi.org/10.15388/problemos.1987.0.7209.

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Straipsnyje nagrinėjamos prancūzų meno sociologijos ištakos, jos raidos bruožai, svarbiausios idėjos ir ryšiai su filosofinėmis-estetinėmis koncepcijomis. Meno sociologija savo idėjiniu turiniu nėra vienalytė, ji Prancūzijoje turi senas tradicijas, ypač estetikos ir meno reikšmę pabrėžė švietėjai. Jų idėjas vaisingai plėtojo XIX a. sociologinė estetika, kurioje išryškėjo skirtingi meno ir visuomenės santykių sprendimo keliai. H. Taine‘o koncepcijos esmė – visuomeninės meno prigimties teigimas. Jis pabrėžė analogiją tarp estetikos ir gamtotyros. Ch. Lalo tęsė pozityvistinę sociologinę estetiką,
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Hadi, Sumasno. "Estetika Lagu Banjar Populer: Suatu Representasi Kultural, Pengalaman Eksistensial, dan Nilai Sosial Masyarakat Banjar." KAMBOTI: Jurnal Sosial dan Humaniora 1, no. 2 (2021): 106–13. http://dx.doi.org/10.51135/kambotivol1iss2pp106-113.

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Abstract The philosophical aspects of art (aesthetics) explored in this study refer to the popular Banjar songs (with a sample of 14 song titles). Therefore, the vision of discussing the aesthetics of the popular Banjar song is appropriate to expose, extract, and uplift its ontological, epistemological and axiological values. This study is a qualitative-descriptive type of research with aesthetic study approach (wetland environmental aesthetics), with the object of popular Banjar songs. From this design, the data analysis method uses two approaches, namely: music analysis and art philosophy an
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Meleșcanu Imre, Marina, Simona Crivățu, Mihaela Pantea, Alexandra Totan, and Ana Maria Cristina Țâncu. "Clinical and technical aspects regarding the aesthetic individualization of the bases of complete dentures." Romanian Journal of Stomatology 65, no. 4 (2019): 395–98. http://dx.doi.org/10.37897/rjs.2019.4.12.

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12

Cokorda Istri Puspawati Nindhia and I. Nyoman Anom Fajaraditya Setiawan. "ESTETIKA lDEATIONAL FOTO PREWEDDING STYLE BALI." Jurnal Bahasa Rupa 3, no. 1 (2019): 42–47. http://dx.doi.org/10.31598/bahasarupa.v3i1.423.

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The combination of technology and art makes photography a complex work of art and a media of images that also gives meaning and message. The work of photography comes from certain creative concepts rooted in basic ideas, which then appear in a photoshoot. Bali prewedding style photo as a form of photographer's creativity, because in the process requires high creativity. The process of photography combining ideas and objects of photographs and photographers can be intertwined perfectly to produce the best photos. This study uses qualitative methods, supported by several theories to dissect the
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13

Šuvaković, Miško. "Fundamental issues and indices: Aesthetics of architecture." SAJ - Serbian Architectural Journal 9, no. 2 (2017): 105–12. http://dx.doi.org/10.5937/saj1702105q.

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The author asks the fundamental questions on aesthetics of architecture. Architecture, as the strategic dispositive of a building, and urbanism, as the strategic dispositive of a city, transform the spatial (geographic) and temporal (historical) condition into the dispositive of a form of life whereby we process ourselves as human individuals and communities of people in our spatiotemporal phenomenality at a given point in time. It is therefore necessary to politicise the different aspects of engineering-architectural and artistic-architectural practice. That means showing where the organisati
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14

Prabowo, Bayu Raditya. "Kualitas personal dalam mencapai estetika “Ngroncongi”." Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni 14, no. 1 (2019): 1–9. http://dx.doi.org/10.33153/dewaruci.v14i1.2531.

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Kualitas personal merupakan salah satu komponen pembentuk karakteristik kualitas dalam musik keroncong. Kualitas personal tersebut terbentuk oleh beberapa aspek yang telah meng-embody dalam diri seniman keroncong. Tulisan ini bertujuan untuk mengungkap aspek-aspek beserta operasionalnya dalam membentuk kualitas personal di musik keroncong. Metode penelitian yang digunakan adalah metode kualitatif. Proyeksi tulisan ini akan membahas karakteristik kualitas musik keroncong, dan menggunakan kerangka konseptual yang berasal dari istilah-istilah lokal yang sering digunakan seniman keroncong saat men
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15

Juzefovič, Agnieška. "CREATIVITY AND AESTHETIC APPLIED TO ECOLOGICAL EDUCATION / KŪRYBIŠKUMAS IR ESTETIKA EKOLOGINĖJE EDUKACIJOJE." Creativity Studies 8, no. 1 (2014): 12–24. http://dx.doi.org/10.3846/23450479.2014.1000410.

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The present research attempts to reveal how ecological (environmental) education could be conveyed through aesthetic, visual art and various creative projects. Over a long time philosophers had developed the implementation of art as a powerful tool of education. Writers, painters themselves also quite often understood their mission as a didactical one which may support and improve system of education of their time. The author will exhibit various reasons why creative education performed with the help of arts were supportive to a cultivation of ecological skills. Different aspects of Chinese th
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16

VLAŠKI, STANKO. "ROMANTIZAM I ROMANTIČNA UMETNOST U HEGELOVOJ "ESTETICI"." ARHE 13, no. 26 (2017): 119. http://dx.doi.org/10.19090/arhe.2016.26.119-139.

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Izlaganje se vodi pitanjem o prirodi odnosa između Hegelovog poimanja romantične forme umetnosti kao umetnosti hrišćanskog sveta i njegove kritike centralnih aspekata poetike nemačkog romantizma kao duhovnog kretanja kojem je Hegel bio savremenik. Nakon poređenja Hegelovog i romantičarskog sagledavanja potrebe za umetnošću i osvrta na Hegelovu karakterizaciju romantične forme ideala, autor pokušava da ukaže na mogućnost da su osnovi poetike nemačkog romantizma, a pre svega romantičarska teorija ironije, za Hegela pojmljivi i kao hrišćanski i kao nedovoljno hrišćanski. Oni su hrišćanski utoliko
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17

Sugiarti, Sugiarti. "Telaah Estetika dalam Novel Nayla Karya Djenar Maesa Ayu." ATAVISME 12, no. 1 (2009): 65–76. http://dx.doi.org/10.24257/atavisme.v12i1.158.65-76.

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Sebuah karya sastra adalah produk kreativitas seorang pengarang dalam memandang kehidupan dan lingkungan sosial ketika karya tersebut diperkenalkan. Dalam proses kreatifnya, seorang pengarang melakukan kerja keras dan serius dalam berbagai dimensi kehidupan dengan realisasi estetiknya dan berujung pada proses imajinatif, kontemplatif, reaktif, reflektif, dan refraktif. Ini dilakukan untuk merepresentasikan karya-karya sastra pengarang. Oleh karena itu, estetika diinternalisasikan ke dalam karya-karya sastra beserta genrenya. Masalah estetika sastra adalah aspek menarik untuk diteliti karena me
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18

Бердичевский, Е., and E. Berdichevskiy. "Aesthetic and Cultural Aspects of Visual Communications." Scientific Research and Development. Modern Communication Studies 7, no. 6 (2018): 65–71. http://dx.doi.org/10.12737/article_5bf51b84302225.39301581.

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The developed classification of the main estetico-culturological aspects of visual communications is given. Semantic characteristics of each aspect, the field of their optimum use are defined. Interrelations between aspects in art and in an applied vizualistica are considered. The conclusion is drawn on expediency of a combination in one communication of several strategic approaches and aspects. Ways of increase in creativity of visual advertizing communications are created.
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Gunawan, Nurul Ara'af, and Mahli Zainuddin. "Estetika Struktural Sastra Dakwah Dalam Bidadari Untuk Dewa Karya Asma Nadia." KOMUNIDA : Media Komunikasi dan Dakwah 10, no. 01 (2020): 1–17. http://dx.doi.org/10.35905/komunida.v10i01.1252.

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This study discusses Nadia's Asma da'wah messages in the Bidadari Untuk Dewa novel and how the delivery of da'wah messages in the story. This research is a study that uses a qualitative approach and discourse analysis of the Van Dijk model. The source of this research is in the form of library literature. The results of this study state that the preaching message contained in this novel covers aspects of aqeedah, sharia, and morality. Aspects of aqeedah include tawakkal, piety and istiqomah values. Sharia aspects include sholat, mu'amalah, and prayer. Then the moral aspects include patience, s
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20

Haryono, Timbul. "Estetika Bawa dalam Karawitan Gaya Surakarta." Resital: Jurnal Seni Pertunjukan 16, no. 1 (2016): 36–51. http://dx.doi.org/10.24821/resital.v16i1.1273.

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Penelitian ini difokuskan pada garap vokal terutama estetika båwå untuk mencapai keselarasanbåwå atau carem. Penelitian ini menggunakan perpektif musikologis dengan menganalisis berbagaiaspek yang berkaitan dengan estetika båwå dalam karawitan meliputi (1) teknik penyuaraan,pernafasan, dinamika, laya, dan kepekaan pathet; (2) jenis-jenis suara yang mendukung capaiankeselarasan sajian båwå; dan (3) pelarasan. Hasil penelitian ini menunjukkan bahwa caremmerupakan perpaduan dari beberapa unsur musikal membentuk satu kesatuan yang utuh (atut), sehinggamenimbulkan keselarasan (runtut). Dengan demik
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Titisantoso, Mutiara Putri, Indriyanto Indriyanto, and Usrek Tani Utina. "ESTETIKA GERAK TARI DADI RONGGENG BANYUMASAN." Imaji 18, no. 1 (2020): 62–71. http://dx.doi.org/10.21831/imaji.v18i1.31649.

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Tari Dadi Ronggeng merupakan sebuah karya tari yang berpijak pada unsur gerak banyumasan. Keindahan Tari Dadi Ronggeng dapat dilihat melalui geraknya. Keindahan gerak tersebut dapat dilihat melalui aspek dasarnya yaitu ruang, waktu, dan tenaga. Tujuan dari penelitian ini adalah untuk mengetahui estetika gerak tari yang terdapat pada Karya Tari Dadi Ronggeng Banyumasan. Metode penelitian yang digunakan adalah metode penelitian kualitatif dengan menggunakan pendekatan deskritif kualitatif, pendekatan etik dan emik dan pendekatan estetis koreografis, dengan menggunakan teknik pengumpulan data waw
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22

Alindo, Risa Monika, Abdul Chalim, and Nur Intan Mangungsong. "Pengaruh Aspek Estetika Visual untuk Pengembangan Lanskap Bogor Green Forest Resort, Bogor, Jawa Barat (The Influence of Visual Aesthetic Aspects to Landscape Development of Bogor Green Forest Resort, Bogor, West Java)." Seminar Nasional Kota Berkelanjutan 1, no. 1 (2018): 218. http://dx.doi.org/10.25105/psnkb.v1i1.2901.

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<span>Bogor Green Forest Resort merupakan salah satunya hotel resort di kawasan Cijeruk, Bogor Selatan <span>dengan suasana sekelilingnya yang masih alami. Dengan karakteristik dan kawasan yang masih alami <span>sehingga Bogor <span>Green Forest Resort <span>memiliki potensi untuk menarik pengunjung. Oleh karena itu<br /><span>diperlukan identifikasi aspek estetika visual dan penataan ruang luar untuk meningkatkan kualitas lanskap <span>yang berkesinambungan dengan kondisi lingkungan Tujuan kajian ini yaitu menentukan aspek visual <span>est
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Putri, Alfi Istiqomah Kusuma, and Muchlisiniyati Safeyah. "KAJIAN ESTETIKA VISUAL BANDUNG CREATIVE HUB SEBAGAI REPRESENTASI IDENTITAS KOTA." BORDER 2, no. 1 (2020): 37–44. http://dx.doi.org/10.33005/border.v2i1.46.

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Observing from the concept of city identity, Bandung has an identity as a creative city. However, there are still many architectural buildings that do not reflect Bandung's identity as a creative city. Bandung Creative Hub is a center of creativity that is used by the people of Bandung City as a means to create, interact, and collaborate. As a center of creative activity for the city residents, Bandung Creative Hub has certain visual aesthetic elements that can reflect the identity of the City of Bandung as a creative city. This study examines the characteristics of the visual aesthetic elemen
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., Iswahyudi. "ESTETIKA DALAM SENI ISLAM MENURUT SAYYED HOSSEIN NASR." Jurnal Budaya Nusantara 3, no. 1 (2019): 32–45. http://dx.doi.org/10.36456/b.nusantara.vol3.no1.a2113.

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The discussion about the phenomenon of religion and the cultural arts system is very interestingbecause the two have a close relationship. Islamic art, according to Nasr, has three elements.First, religious art is art that completely avoids something secular, can be a fence of expressionto hold back pagan art or the like. Secondly, Islamic art must be extracted from aesthetic elementswhich must animate the meaning of monotheism, so that it contributes to always remind againof the majesty of God. Third, Islamic art must be truly wisdom, because it is inspired by spiritualvalues. Associated with
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Waluyo, W. "Transidentalisme Seni dan Budaya: Kajian Apresiasi Kritis Estetika Islam." JURNAL PENELITIAN 12, no. 1 (2018): 65. http://dx.doi.org/10.21043/jp.v12i1.4130.

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<p>This article discusses about art from the point of view of Islamic spirituality. This is a study of the most important aspects of an art inspired by Islamic values, including literature, music, and other forms of art. Thus the deeper a person penetrates the meaning of Islamic art, the wider one understands of the relationship between art and Islamic spirituality. Arts are then refined by Islamic conception. Islam blesses every work of art that is in compliance with the Islamic teaching. The blessed works form a unique way of life that is in accordance with the norms of Islamic values.
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Trisnawaty, Nety. "BUCCAL CORRIDOR YANG LEBIH MENARIK PADA ESTETIK SENYUM." ODONTO : Dental Journal 4, no. 1 (2017): 1. http://dx.doi.org/10.30659/odj.4.1.1-6.

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Background: The objectives of orthodontic treatment are not only to obtain functional occlusion but also to improve facial and dental aesthetics. Three aspects of smile aesthetics have recently received great attention: the amount of gingival display, the presence of the smile arc, and buccal corridor spaces.The purpose of this study was to evaluation that the amount of buccal corridor on smile esthetics of dentists and dental students.Method: The population and subjects this study were dentists and dentalstudents of dental school from Faculty of Dentistry University Prof. Dr. Moestopo (Beraga
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Radusinović, Nemanja. "Aesthetic consciousness in contemporary Serbian architecture: Bulevar oslobodjenja, Novi Sad, Serbia." SAJ - Serbian Architectural Journal 10, no. 3 (2018): 239–64. http://dx.doi.org/10.5937/saj1803239r.

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This paper intends to show that the presence of aesthetic consciousness in the architecture of selected examples implies the existence of aesthetic consciousness of the author and consequently the existence of creative processes of the author-creator. Furthermore, this paper presents and analyses an identified causal link: after an overview of observational aesthetic elements, it focuses on experiential aesthetic elements, which implicate the presence of the author's aesthetic consciousness, as well as the existence of the author-creator's creative processes in the object from the analysed arc
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Musfiroh, Hafshoh. "Kajian komparatif perancangan dan produksi peralatan saji (Studi kasus CV Estetika Indonesia)." Productum: Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) 3, no. 8 (2020): 261–68. http://dx.doi.org/10.24821/productum.v3i8.3326.

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The purpose of this study was to find out: (1) Comparison of the process of designing and producing serving serveware from wood and clay materials in CV Estetika Indonesia. (2) Types of food serveware products at CV Aesthetic Indonesia. (3) Comparison of design aspects of food and wood products from clay in CV Estetika Indonesia. This research was carried out at CV Estetika Indonesia and wood suppliers in Putat Wetan Village and Clay suppliers in Melikan Village, Klaten from 10 May to 10 June 2019. This study used a descriptive comparative method with a qualitative approach. The data used in t
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Pavel, Ioana. "Riegl, Worringer Și „Lecturile Infidele” Ale Stilului În Estetica Lui Lucian Blaga." Lucian Blaga Yearbook 21, no. 1-2 (2020): 86–95. http://dx.doi.org/10.2478/clb-2020-0007.

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Abstract This study aims to illustrate the original assimilation of style in Lucian Blaga’s philosophy. His concept (or idea) of style is developed from the Philosophy of style to the Trilogies, being tributary to the idealistic philosophy and to the Vienna School of Art History. Of course, this inspiration does not represent an innocent reading of different German studies. By invoking Alois Riegl’s “will of art” or Wilhelm Worringer’s dichotomy between “abstraction” and “empathy”, Blaga identifies the weaknesses from their work. Without giving up the contradictory and vulnerable aspects, he i
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Yulianto, Agus. "UNSUR ROMANTIS SEBAGAI PEMBENTUK ESTETIKA DALAM NOVEL KAU, AKU, DAN SEPUCUK ANGPAU MERAH KARYA TERE LIYE." tuahtalino 13, no. 1 (2019): 70. http://dx.doi.org/10.26499/tt.v13i1.1275.

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This research aims to describe the romantic elements that create the nuances of beauty found in the novel Kau, Aku, dan Sepucuk Angpau Merah. The problem of this research is how the romantic elements form create the nuances of beauty found in the novel Kau, Aku, dan Sepucuk Angpau Merah. The research method used is a qualitative descriptive method with literature study techniques. The results of the research prove that the romantic elements in the novel are in two aspects, namely the love aspect and the love expression aspect. The aspects contained in the novel are the romance that occurred be
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Tristiani, Vina Dwi, and Restu Lanjari. "Nilai Estetika Tari Gambang Semarang pada Komunitas Gambang Semarang Art Company." Jurnal Seni Tari 8, no. 2 (2019): 198–204. http://dx.doi.org/10.15294/jst.v8i2.35180.

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Tari Gambang Semarang merupakan salah satu bagian dari pertunjukan Kesenian Gambang Semarang yang dibawakan oleh Gambang Semarang Art Company sebagai hasil akulturasi budaya Cina-Jawa di Kota Semarang. Penelitian ini bertujuan untuk mendeskripsikan dan menginterpretasikan nilai keindahan Tari Gambang Semarang yang meliputi aspek bentuk, isi dan penampilan. Metode penelitian menggunakan metode deskriptif kualitatif dengan pendekatan estetis koreografis dan struktural. Sumber data yang diperoleh berupa person (orang), place (tempat), proccess (kegiatan), dan paper (dokumentasi). Hasil penelitian
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Dahlbäck, Katharina, and Anna Lyngfelt. "Estetiska dimensioner i svenskämnets kursplaner från Lgr 69 till Lgr 11." Educare - vetenskapliga skrifter, no. 1 (August 16, 2019): 152–82. http://dx.doi.org/10.24834/educare.2017.1.8.

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The possibilities young pupils have to express themselves by using verbal, written and aesthetic languages depend on the multilingual discourse at school. In this presentation, multilingualism is defined as languages with roots in different nations and cultures, linked to aesthetic languages (music, fine arts, literature, theatre, film and dance). The term multimodality is used to highlight the variety of communicative forms used by people to utilize and develop knowledge (Selander & Kress, 2010). Although people increasingly communicate by the use of different modalities in today’s societ
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Noreikienė, Jurgita. "Ankstyvasis Wittgensteinas apie etiką, estetiką ir Dievą: iš Loginio filosofinio traktato juodraščių." Problemos 57 (September 29, 2014): 102–10. http://dx.doi.org/10.15388/problemos.2000.57.6826.

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Straipsnyje pristatomos L. Wittgensteino „Užrašų knygelės“ – dienoraščių tipo „Loginio filosofinio traktato“ juodraščiai. Teigiama, kad „Užrašų knygelių“ atradimas nebepajėgė pakeisti įsitvirtinusios „Traktato“ pozityvistinės interpretacijos, bet atvėrė naujas šio L. Wittgensteino veikalo interpretavimo galimybes. Aptariamas metafizinis subjektas, kuris yra formalus konstruktas, aspektas, kurio atžvilgiu galima filosofiškai aptarti pasaulio egzistavimą ir kalbos reprezentacines galimybes. Etika yra kalbėjimas apie absoliučias vertes, kylančias iš to, kad pasaulis yra, ir žmogaus laikyseną egzi
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Nirwana, Aditya, and Evelyne Afriliana Gultom. "Narasi Tragis Dalam Manga : Sebuah Kajian Estetika Aristotelian Terhadap Komik 5 Centimeters per Second." Jurnal Desain Komunikasi Visual Asia 2, no. 2 (2019): 87. http://dx.doi.org/10.32815/jeskovsia.v2i2.320.

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Comics, or in Indonesian, are often referred to as cergam (cerita bergambar), later they have found urgency in the science of art and literature as sequential art, whose existence can be appreciated both in art and literature. This study will highlight literary aspects or ideoplastic aspects of 5 Centimeters per Second, especially in flow and character . The purpose of this study is to reveal or explain how the tragedy was revealed in 5 Centimeters per Second. In achieving these objectives, the theorization in this study was done deductively to answer the research questions. The theory used to
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Rosenberg, Daniel. "Eliciting Deviation." Chiasmi International 21 (2019): 225–38. http://dx.doi.org/10.5840/chiasmi20192121.

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In his discussions on literature, Merleau-Ponty often turns to the notion of deviation as a constitutive principle of literary language. Deviation indicates the capacity of a literary work (and other aesthetic objects) to transgress against its own limits and to offer an experience of otherness, or alterity. This alterity is not given in the work, but is constituted by the recipient through the more visceral and physical aspects of literary language. The recipient of the work thus adopts a second voice: that of the author or creator of the work, which is absent from the text yet is reconstruct
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Kasman, Selvi, Fahmi Marh, and Saaduddin Saaduddin. "Peranan Kesenian Adok Sebagai Sarana Pendidikan Estetika Pada Masyarakat di Korong Ubun-Ubun." Resital: Jurnal Seni Pertunjukan 21, no. 3 (2021): 173–89. http://dx.doi.org/10.24821/resital.v21i3.4467.

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This paper aims to reveal the aesthetic values and ideas contained in the musical art of Adok in Korong Ubun-Ubun, which acts as a means of aesthetic education for the performing arts community and the supporting community. As a virtue contained in Adok art, the aesthetic values and ideas make the position of Adok art different when compared to other traditional arts, so that the research is important. The research location was Jorong Ujuang Ladang, Korong Ubun-Ubun, Kanagarian X Koto Singkarak, Solok Regency. The object of research was Art Adok, focusing on the aesthetic aspects of the perfor
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Koto, Hendri, Andar Indra Sastra, and Asep Saepul Haris. "ESTETIKA TEKS DENDANG KAMPAR BASIANG: CERMINAN BUDAYA MASYARAKAT AGRARIS DI MINANGKABAU (ANALISIS TEKS)." Gorga : Jurnal Seni Rupa 7, no. 2 (2018): 164. http://dx.doi.org/10.24114/gr.v7i2.11033.

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AbstrakDendang kampar basiang adalah salah satu dendang yang terdapat pada kesenian saluang dendang di Minangkabau. Dendang tersebut dinilai memiliki aspek estetis pada teks yang membangun struktur pantunnya. Dilihat dari frase kalimat sampiran maupun isi, kecenderungan dalam teks pantun dendang kampar basiang memiliki kata maupun kalimat yang mengambarkan fenomena kehidupan masyarakat agraris. Penelitian ini bermaksud untuk menganalisis teks yang terdapat pada dendang kampar basiang yang dihubung-kaitkan dengan aspek sosial masyarakat Minangkabau pada umumnya. Dalam mengkaji fenomena tersebut
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Murdaningsih, Murdaningsih. "EVALUASI ASPEK FUNGSI, ESTETIKA DAN AGRONOMIS TANAMAN TEPI JALAN DI JALAN IJEN KOTA MALANG." AGRICA 3, no. 1 (2020): 15–26. http://dx.doi.org/10.37478/agr.v3i1.490.

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The research’s general objective was to study and evaluate; the function, aesthetic and agronomical aspects of side street plants at Ijen Street, Malang. Plant evaluation was needed to optimize plant effectiveness on the side of the streets, in realizing the city’s road concept that gives fluentness, safety, and improving environmental street visual quality. This is important especially for the side street plants to fulfil architectural, functional, and aesthetical values for the city environment. There was a lack of functional effectiveness at the traffic island as a site, caused by none cont
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Meivirina Hanum. "INOVASI KAYU GELAM SEBAGAI KEARIFAN LOKAL UNTUK ESTETIKA RUMAH MURAH BAGI SEKTOR INFORMAL DI PALEMBANG." Jurnal Koridor 9, no. 1 (2018): 31–39. http://dx.doi.org/10.32734/koridor.v9i1.1306.

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All this time Kayu Gelam more used as complementary construction material (kayu racuk) than as main construction or architectural material. Live in wet area like swamps or turf area with 5-10 years sow period, this Kayu Gelam could undertake relative extended time: 10 years or more in changing medium—like land, and up to 40 years in submerged condition.This very entitled “Innovation of Kayu Gelam as Local Wise to Aesthetic of Low-Waged House for Informal Sector at Palembang” research’s purpose is to give society alternative utilization of Kayu Gelam as main construction and architectural façad
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Nassarudin, Muhammad, Sumiharti Sumiharti, and Erlina Zahar. "NILAI ESTETIKA DALAM UNGKAPAN ADAT MELAYU RIAU KARYA TENAS EFFENDY SUNTINGAN MAKMUR HENDRIK DAN KAWAN-KAWAN." Aksara: Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia 2, no. 1 (2018): 165. http://dx.doi.org/10.33087/aksara.v2i1.46.

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This research is aimed at describing the aesthetics values that are found in the expression of Riau Malay Custom by Tenas Effendy in the book Tegak Menjaga Tuah, Duduk Memelihara Marwah edited by Makmur Hendrik and friends. Aesthetics value is the element of beauty in literary work and it is a phenomenon of flowers and smells. The beauty is created byan author with language tools through particular language exploration where the author shows the aspects of beauty optimally. This research is qualitative descriptive by using structural and stylistic. The data is taken from aesthetics values in t
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Zuliati, Zuliati. "Ikonografi Karya Sudjojono “Di Depan Kelamboe Terboeka”." Journal of Urban Society's Arts 1, no. 1 (2014): 1–16. http://dx.doi.org/10.24821/jousa.v1i1.784.

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Tinjauan Ikonografi dalam Karya Sudjojono “Di Depan Kelamboe Terboeka”.Penelitian ini mengupas lukisan “Di Balik Kelamboe Terboeka” karya Sudjojonosecara ikonografi. Sebagai cabang ilmu sejarah seni, Ikonografi mempelajarimakna dari sebuah karya seni melalui kajian aspek internal dan eksternal. Aspekinternal sebuah karya seni seperti subject matter, gaya, dan aliran, sedangkan aspekeksternal berkaitan dengan situasi sosiohistoris yang melingkupi ketika karyaseni tersebut dibuat. Maka dengan menggunakan pendekatan ikonografi akandiperoleh pemaknaan yang lebih luas dari sebuah karya seni. Berdas
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Turković, Hrvoje. "Građenje raspoloženja filmom kao postupak poetizacije." Filozofska istraživanja 40, no. 3 (2020): 515–41. http://dx.doi.org/10.21464/fi40305.

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Visokoumjetnička dostignuća u dugotrajnoj tradiciji zapadnjačke estetičke misli vezuju se uz postizanje poetičnosti, a ova uz pobuđivanje osjećaja, pa se i u filmskoj tradiciji poetičnost uspostavljala kao ideal paradigmatski umjetničkog dostignuća filma. No, među različitim tipovima osjećaja kojima raspolaže čovjek, poetska djela ciljaju u pravilu na pobuđivanje nekog općeg raspoloženja, a ne neke izričite emocije. U radu se prvo daje pregled razlika između emocija i raspoloženja, potom se na primjeru uvodne scene u filmu Građanin Kane demonstrira kojim se različitim sredstvima u opisno orije
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Rosengren, Henrik. "”Vi har redan tillräckligt med judar här”.Tonsättaren Hans Holewa och exilens dubbelhet." Nordisk Judaistik/Scandinavian Jewish Studies 27, no. 1 (2016): 4–23. http://dx.doi.org/10.30752/nj.67603.

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Tonsättaren, radiomedarbetaren och musikern Hans Holewa (1905–1991) anlände till Sverige 1937 som landsflyktig undan den tilltagande antisemitismen i Wien, drygt ett halvår innan Österrike annekterades av Nazityskland. Som invandrad radikal tonsättare med den så kallade tolvtonstekniken som utgångspunkt, med judiskt påbrå och med engagemang inom vänsterrörelsen kom Holewas svenska exiltillvaro utgöra ett spänningsfält med många dimensioner. Följande artikel tar utgångspunkt i två aspekter kopplade till Holewas exiltillvaro, dels Holewa som representant för en radikal musikestetik, dels hans re
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Auliazmi, Rizki, Ganal Rudiyanto, and R. Drajatno Widi Utomo. "KAJIAN ESTETIKA VISUAL INTERFACE DAN USER EXPERIENCE PADA APLIKASI RUANGGURU AESTHETIC STUDIES OF VISUAL INTERFACE AND USER EXPERIENCE OF THE RUANGGURU APPLICATION." Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 4, no. 1 (2021): 21. http://dx.doi.org/10.25105/jsrr.v4i1.9968.

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<pre><strong><em>Abstract</em></strong></pre><pre><strong><em>Aesthetic Studies of Visual Interface and User Experience In the Ruangguru Application</em></strong><em>, Visual interface design is a graphic design medium which in this digital age has been widely seen by the public, in this period of large-scale social restrictions, many daily activities use digital media and internet, one of which is school, many use online-based applications or websites to do learning. It's just that these users still lack the habit of usin
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Junior, Sandi Tramiaji, Autar Abdillah, and Trisakti Trisakti. "Budaya Populer dan Estetika Baru melalui Pesona Make Up dan Kostum dalam Film Asterix at the Olympic Games." SALAM: Jurnal Sosial dan Budaya Syar-i 7, no. 9 (2020): 813–24. http://dx.doi.org/10.15408/sjsbs.v7i9.15640.

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AbstractThis study wants to discuss the new aesthetic or queer aesthetic in the charm of makeup and costumes used in the film Asterix At The Olympic Games by director Frederick Forestier produced in 2008. The perspective taken in this study is charm through makeup and costumes, and its relevance to popular culture and people's interest in fantasy films. This study uses a qualitative method, with film studies as an approach in the analysis of cinematographic studies. Film studies in this study focus on social practice performances about the body, identity, representation, and elements contained
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Abdul Aziz, Sohaimi. "Pola, Sistem dan Estetika Fitrah dalam Puisi daripada Kumpulan Puisi Yang Menyala Karya Norjannah Ma: Satu Kritikan Fitrah." Malay Literature 31, no. 1 (2018): 143–67. http://dx.doi.org/10.37052/ml.31(1)no7.

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Salah satu aspek penting dalam ajaran Islam ialah fitrah. Muslimin diwajibkan mempercayai fitrah sebagai sesuatu yang wujud semenjak azali lagi. Manusia diyakini berpotensi Islam, iaitu mereka diciptakan untuk mengabdikan dirinya kepada Allah. Mereka yang tidak dilahirkan sebagai Muslim seperti Norjannah MA, yang kemudiannya kembali kepada fitrahnya apabila memeluk agama Islam. Penulis yang berstatus mualaf ini melalui proses mengenal dan mendalami agama baharunya. Tujuan kajian dalam makalah ini adalah untuk membincangkan persoalan fitrah yang dilalui oleh Norjannah MA, dan bagaimana persoala
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Ginting, Elvira Yesica, Ganal Rudiyanto, and Krishna Hutama. "BENTUK, ORNAMEN DAN MAKNA PADA CINCIN TAPAK GAJAH TRADISIONAL KARO." Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 3, no. 2 (2021): 145. http://dx.doi.org/10.25105/jsrr.v3i2.9431.

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<pre><strong><em>Abstract</em></strong><strong><em> </em></strong></pre><p><em>Forms, ornaments, and meanings </em><em>of creation are interplayed each other as aesthetic elements. These have a load of wisdom, pieces of the civilization history, and culture of a tribe or society. And, these are very important topic to examine about problems that traditional Karo Tapak Gajah ring face. The ring is just a mere historical artifacts now for the Karo culture actor. Even though, the development of the Karo culture ha
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Baldacci, Maria Cristina. "Bioetica dell’esercizio della sessualità nel portatore di handicap fisico geneticamente trasmissibile." Medicina e Morale 46, no. 3 (1997): 503–32. http://dx.doi.org/10.4081/mem.1997.879.

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Nella maggioranza dei casi la corporeità dell'handicappato viene relegata ad una semplice rieducazione e indirizzata principalmente verso una migliore socializzazione, i sentimenti di tipo erotico sono ridotti alla sfera spirituale e sostituiti da un'affettività e da un amore platonico dettati da ideologie sociali.
 Per un handicappato avere un'immagine del proprio corpo è sicuramente più difficile che per altri: il corpo è concepito come luogo di sentimenti ambivalenti. Perchè sede della propria diversità, rappresentazione di una parte di sè che non risponde ai desideri personali, sia di
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Hashim, Hasrul, Jamaluddin Aziz, and Faridah Ibrahim. "FILEM DAN REVOLUSI TEKNOLOGI: PERSEPSI PENGGUNAAN CGI DARI ASPEK ESTETIK & KREATIVITI (FILM AND THE TECHNOLOGY REVOLUTION: PERCEPTIONS ON THE USE OF CGI FROM THE AESTHETIC AND CREATIVE ASPECTS)." Jurnal Komunikasi, Malaysian Journal of Communication 30, Special Issue (2014): 95–106. http://dx.doi.org/10.17576/jkmjc-2014-30si-06.

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Setiawan, Agus. "Pencapaian Sense of Design dalam Perancangan Desain Komunikasi Visual." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 2, no. 02 (2016): 207–17. http://dx.doi.org/10.33633/andharupa.v2i02.1211.

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AbstrakPenelitian ini membahas tentang kekuatan rasa dalam perancangan desain komunikasi visual. Aktualisasi komukasi visual tidak dapat lepas dari bisnis dan estetika desain. Rasa berperan penting dalam perancangan, jika tidak akan terjadi risalah tragedi. Karya-karya perancangan komunikasi visual tidak bisa lepas dari media sebagai tempat mediasi antara produk, jasa, bahkan aktualisasi diri dengan masyarakat yang menjadi sasaran. Kehadiran rasa pada setiap unsur di dalam perancangan akan membingkai konsep dari suatu rancangan. Metode penelitian menggunakan kualitatif yang lebih menekankan pa
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