Academic literature on the topic 'Estetisk representation'

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Journal articles on the topic "Estetisk representation"

1

M, Muh Farkhan. "ESTETIKA SUFISTIK DAN ESTETIKA TAUHIDIK: PERSPEKTIF FILOSOFIS KOMPARATIF." Jurnal CMES 13, no. 1 (2020): 80. http://dx.doi.org/10.20961/cmes.13.1.44563.

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<p>This article discusses the concept of Islamic aesthetics, which is the view of art and beauty according to Ismail Raji Al Faruqi and Seyyed Hossein Nasr, the representation of the two intellectual figures is seen as representing a pattern of religious understanding, especially with regard to the perspective of art objects in Islam. The aim is to explain descriptively the comparative views of the two modern Islamic thinkers and examine how Muslims respond to their thoughts in the Islamic art world today. furthermore, the article explain conceptually how religious art thought is believe
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Hadi, Sumasno. "Estetika Lagu Banjar Populer: Suatu Representasi Kultural, Pengalaman Eksistensial, dan Nilai Sosial Masyarakat Banjar." KAMBOTI: Jurnal Sosial dan Humaniora 1, no. 2 (2021): 106–13. http://dx.doi.org/10.51135/kambotivol1iss2pp106-113.

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Abstract The philosophical aspects of art (aesthetics) explored in this study refer to the popular Banjar songs (with a sample of 14 song titles). Therefore, the vision of discussing the aesthetics of the popular Banjar song is appropriate to expose, extract, and uplift its ontological, epistemological and axiological values. This study is a qualitative-descriptive type of research with aesthetic study approach (wetland environmental aesthetics), with the object of popular Banjar songs. From this design, the data analysis method uses two approaches, namely: music analysis and art philosophy an
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3

Tripodi, Vera. "Intuition, gender and the under-representation of women in philosophy." Rivista di estetica, no. 58 (April 1, 2015): 136–46. http://dx.doi.org/10.4000/estetica.439.

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Wiratno, Tri Aru. "ESTETIKA FASHION URBAN." Jurnal Sosiologi Reflektif 12, no. 1 (2018): 137. http://dx.doi.org/10.14421/jsr.v12i1.1327.

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The beauty of a reality that exists in the history of human life, which becomes the beauty of a daily life of the urban masyakarat. The beauty is not merely in the form of modern art work that only gives a limit on the value of artwork. While the beauty of a day of society representation on a culture and tradition. That beauty is part of human life, which concerns something good. Not on the art form but also on the behavior of society. Because beautiful, good is good and true in a narrative in the life of society. But in contrast to the beauty of urban reality in which beauty is not a value bu
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Xasay qızı Osmanova, Asiya. "Artistic solution of aesthetic aura in the works of batik masters of modern Azerbaijan." SCIENTIFIC WORK 66, no. 05 (2021): 154–59. http://dx.doi.org/10.36719/2663-4619/66/154-159.

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The people of Azerbaijan have created a rich and different culture, an important part of which is decorative and applied art. It can be said that the growing interest of young creative people in batik over time is the greatest support for the preservation of our national customs and traditions. Continuing the traditions of this art in their future activities is an indication that Azerbaijani national art and batik will always be in the center of attention. Considering that the art of kalagai is a UNESCO non-profit organization under the title "Traditional kalagai art and symbolism, preparation
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Wantoro, Wantoro, and Kankan Kasmana. "Perancangan Font Tapych Berbasis Karakter Visual Motif Tapis Lampung." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 3, no. 01 (2017): 81–91. http://dx.doi.org/10.33633/andharupa.v3i01.1260.

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Abstrak Tapis merupakan kain khas asal Lampung yang terbuat dari tenunan benang kapas berwarna emas dan perak. Sebagai produk budaya, tapis memiliki visualisasi yang khas. Berdasarkan observasi, pemanfaatan tapis yang memiliki representasi nilai dan nilai estetika tinggi masih terbatas pada media dan waktu tertentu. Hal ini tentu saja menimbulkan kekhawatiran tentang pelestarian dan pengembangan tapis karena keterbatasan pemanfaatannya. Contoh pemanfaatan tapis yang dapat dilakukan adalah upaya eksplorasi visual kedalam bentuk produk budaya lain yang lekat dengan keseharian masyarakat. Salah s
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7

Dedić, Nikola. "O vrijednosti: rekonstrukcija pojma nakon „smrti” estetike." Ars Adriatica, no. 5 (January 1, 2015): 211. http://dx.doi.org/10.15291/ars.527.

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The article addresses the issue of value present in Stanley Cavell’s philosophy of art. It focuses on Cavell as the representative of the Anglo-American ordinary language philosophy and his attitude towards the European tradition of post-structuralism as well as his attitude towards the problem of intersocial communication, rationality and poststructuralist antihumanism. The main argument is this: while post-structuralist theory of art deconstructs the notion of value and gives prominence to the notion of transgression, Cavell draws on the philosophy of ordinary language in the late works of W
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Dedić, Nikola. "O vrijednosti: rekonstrukcija pojma nakon „smrti” estetike." Ars Adriatica, no. 5 (January 1, 2015): 211. http://dx.doi.org/10.15291/ars.956.

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The article addresses the issue of value present in Stanley Cavell’s philosophy of art. It focuses on Cavell as the representative of the Anglo-American ordinary language philosophy and his attitude towards the European tradition of post-structuralism as well as his attitude towards the problem of intersocial communication, rationality and poststructuralist antihumanism. The main argument is this: while post-structuralist theory of art deconstructs the notion of value and gives prominence to the notion of transgression, Cavell draws on the philosophy of ordinary language in the late works of W
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9

Soedjono, Soeprapto. "Fotografi Surealisme Visualisasi Estetis Citra Fantasi Imajinasi." REKAM 15, no. 1 (2019): 1–12. http://dx.doi.org/10.24821/rekam.v15i1.3341.

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ABSTRAKSebagaimana yang terjadi pada ranah seni sastra dan seni rupa, pengaruh surealisme sebagai moda artistik penciptaan karya seni, ternyata juga memengaruhi perkembangan bentuk dan genre baru di ranah fotografi. Sebagai bagian dari upaya-upaya penciptaan karya kreatif fotografis, beberapa fotografer menggunakan berbagai aspek dalam domain fotografi untuk juga bisa menampilkan karya-karya yang bernuansa surréal dan terkesan bersifat surealistis dengan berbagai teknik-teknik penciptaan visualnya. Prinsip-prinsip surealisme yang berkaitan dengan upaya memadukan elemen visual yang nyata dan ya
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10

Sunarto, Sunarto. "Pemikiran Hanslick tentang Estetika dan Kritik Musik." PROMUSIKA 3, no. 2 (2015): 163–73. http://dx.doi.org/10.24821/promusika.v3i2.1702.

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Approaching the mid‐19th century began the aesthetics of music, especially Western music aesthetics as an independent science apart from philosophy. In the development of musical aesthetics are always closely related between philosophy and the philosopher. Discussion on the aesthetics of music can not be separated from some of the theories that have been developed by philosophers. Eduard Hanslick is a figure in the history of musical aesthetics of music included in ʺGroup Autonomisʺ. This group believes that music is a world of sounds organized and stand alone without any. For him and the grou
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