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1

Sayre, Henry M. The object of performance: The American avant-garde since 1970. Chicago: University of Chicago Press, 1989.

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2

Esthétique du livre d'artiste: 1960-1980 : une introduction à l'art contemporain. [Paris]: Mot et le reste, 2011.

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3

Minimal et pop art: Socio-esthétique des avant-gardes artistiques (années 1960). Bellecombe-en-Bauges: Éditions du Croquant, 2013.

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4

Delavaud, Gilles. L'art de la télévision: Histoire et esthétique de la dramatique télévisée (1950-1965). Bruxelles: De Boeck, 2004.

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5

Tosser, Grégoire. Les dernières oeuvres de Dimitri Chostakovitch: Une esthétique musicale de la mort, 1969-1975. Paris: Harmattan, 2000.

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6

La géométrie des émotions: Les esthétiques scientifiques de l'architecture en France, 1860-1950. Wavre: Mardaga, 2010.

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7

Roffat, Sébastien. Esthétique et réception du dessin animé français sous l'Occupation (1940-1944): L'émergence d'une école française? Paris: L'Harmattan, 2014.

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8

Steig, Michael. Stories of reading: Subjectivity and literary understanding. Baltimore: Johns Hopkins University Press, 1989.

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9

L'âge du rythme: Cinéma, musicalité et culture du corps dans les théories françaises des années 1910-1930. Lausanne: Payot Lausanne, 2007.

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10

Viguier, Aav. Pour une esthétique administrative: L'objet dans l'art des années 1950 à nos jours en relation à l'oeuvre d'Ad Reinhardt. Verneuil-sur-Avre: Hôtel des bains, 1998.

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11

1965-, Duchesneau Michel, Médicis François de 1964-, Caron Sylvain 1962-, and Observatoire international de la création musicale., eds. Musique et modernité en France, 1900-1945. Montréal: Presses de l'Université de Montréal, 2006.

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12

Fragments of modernity: Theories of modernity in the work of Simmel, Kracauer and Benjamin. Cambridge: Polity Press in association with Basil Blackwell, Oxford, 1985.

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13

Frisby, David. Fragments of modernity: Theories of modernity in the work of Simmel, Kracauer, and Benjamin. Cambridge, Mass: MIT Press, 1986.

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14

Fragments of modernity: Theories of modernity in the work of Simmel, Kracauer and Benjamin. Cambridge, MA: MIT Press, 1985.

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15

Fragments of modernity: Theories of modernity in the work of Simmel, Kracauer and Benjamin. Cambridge: Polity, 1988.

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16

Crawford, Claudia. To Nietzsche: Dionysus, I love you! Ariadne. Albany: State University of New York Press, 1995.

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17

Tradition orale et esthétique romanesque aux sources de l'imaginaire de Kourouma: Les soleils des indépendances (1968), Monnè, outrages et défis (1990), En attendant le vote des bêtes sauvages (1998). Paris: L'Harmattan, 2012.

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18

Matei, Călinescu, ed. Five faces of modernity: Modernism, avant-garde, decadence, kitsch, postmodernism. Durham: Duke University Press, 1987.

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19

Tony, Pinkney, ed. The politics of modernism: Against the new conformists. London [England]: Verso, 1989.

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20

Jacobson, Dan. Adult pleasures: Essays on writers and readers. London: Deutsch, 1988.

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21

Lipstick traces: A secret history of the twentieth century. Cambridge, Mass: Harvard University Press, 1989.

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22

Lipstick traces: A secret history of the twentieth century. London: Secker & Warburg, 1990.

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23

Lipstick traces: A secret history of the twentieth century. Cambridge: Harvard University Press, 1989.

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24

Marcus, Greil. Lipstick traces: Secret history of the twentieth century. Cambridge, MA: Harvard University Press, 1990.

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25

Lipstick traces: A secret history of the twentieth century. London: Penguin, 1993.

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26

The Object of Performance: The American Avant-Garde since 1970. University Of Chicago Press, 1992.

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27

Frédérique, Toudoire-Surlapierre, and Surlapierre Nicolas, eds. Hypnos: Esthétique, littérature et inconscients en Europe (1900-1968). Paris: L'Improviste, 2009.

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28

Frédérique, Toudoire-Surlapierre, and Surlapierre Nicolas, eds. Hypnos: Esthétique, littérature et inconscients en Europe (1900-1968). Paris: L'Improviste, 2009.

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29

Frédérique, Toudoire-Surlapierre, and Surlapierre Nicolas, eds. Hypnos: Esthétique, littérature et inconscients en Europe (1900-1968). Paris: L'Improviste, 2009.

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30

Le rap français: Esthétique et poétique des textes (1990–1995) (Varia Musicologica) (French Edition). Peter Lang AG, Internationaler Verlag der Wissenschaften, 2008.

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31

Vital Forms: American Art and Design in the Atomic Age, 1940-1960. Harry N. Abrams, 2001.

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32

Steig, Michael. Stories of Reading: Subjectivity and Literary Understanding. The Johns Hopkins University Press, 1988.

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33

Stories of Reading: Subjectivity and Literary Understanding. The Johns Hopkins University Press, 1988.

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34

Frisby, David. Fragments of Modernity: Theories of Modernity in the Work of Simmel, Kracauer, and Benjamin (Studies in Contemporary German Social Thought). The MIT Press, 1988.

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35

1920-, Ries Julien, ed. Expérience religieuse et expérience esthétique: Rituel, art et sacré dans les religions : actes du Colloque de Liège et de Louvain-la-Neuve 21-22 mars 1990. Louvain-la-Neuve: Centre d'histoire des religions, 1993.

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36

Crawford, Claudia. To Nietzsche: Dionysus, I Love You! Ariadne. State University of New York Press, 1994.

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37

Jacobson, Dan. Adult Pleasures: Essays on Writers and Readers. Andre Deutsch Ltd, 1989.

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38

Marcus, Greil. Lipstick Traces. Harvard University Press, 1991.

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39

Marcus, Greil. Lipstick Traces. Secker & Warburg, 1989.

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40

Marcus, Greil. Lipstick Traces: A Secret History of the Twentieth Century. Faber & Faber, Limited, 2011.

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41

Marcus, Greil. Lipstick Traces. Faber and Faber, 2002.

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42

Lipstick Traces: A Secret History of the Twentieth Century, Twentieth Anniversary Edition. Belknap Press, 2009.

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43

Marcus, Greil. Lipstick Traces: A Secret History of the Twentieth Century. Harvard University Press, 1990.

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44

Lipstick Traces. 53rd State Press, 2019.

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45

Lipstick traces. Allia, 1998.

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