Relevant bibliographies by topics / Estonian Personal narratives

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Academic literature on the topic 'Estonian Personal narratives'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Estonian Personal narratives"

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Melchior, Inge, and Oane Visser. "Voicing past and present uncertainties." Focaal 2011, no. 59 (2011): 33–50. http://dx.doi.org/10.3167/fcl.2011.590103.

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This article analyzes the politics of memory around the Estonian government’s decision to relocate Tallinn’s World War II memorial of a Soviet soldier. It shows why and how legitimizing national discourses resonated with and influenced personal narratives among ordinary Estonians. It also discusses discourses of Estonians who took a more critical stance on the relocation. The article argues that the dominant discourse in Estonia has been characterized by a notion of suffering and a search for recognition from the West, while turning its back to the East (Estonian Russians and Russia). In a sim
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2

Jürgenson, Aivar. "Kodumaalt lahkumise põhjuste kajastumisest Abhaasia eestlaste rändenarratiivis: kurja mõisniku kuju." Mäetagused 88 (April 2024): 95–120. http://dx.doi.org/10.7592/mt2024.88.jyrgenson.

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When adapting to a new host country, one of the most important issues is social belonging – the question on what basis people feel a sense of belonging. This is a question of group identity. Group identity is based on the group’s shared history and especially on myths of common and special origins. In the narratives of the Estonians of Abkhazia, the main reason for emigration is the difficult economic conditions in the old homeland. These stories are recorded in the written memories and village chronicles of the inhabitants of the Estonian settlements in the Caucasus, which date back to the 19
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3

Davidjants, Brigitta. "Between Women: Narratives of Estonian Lesbians and a Bisexual During the Transition from Soviet Times." Latvijas Vēstures Institūta Žurnāls 120, no. 1 (2024): 143–64. http://dx.doi.org/10.22364/lviz.120.08.

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In this article, I analyse the life narratives of three Estonian women who identify as either lesbian or bisexual. Based on three semi-structured in-depth interviews, I focus on the period when the local LGBTQ+ movement became active, during the 1980s and 1990s, after half a century of Soviet dominance that had crumbled and Estonia regained independence. The process of growing older, combined with the individual’s biography, along with added depths of memory and critical reflection, are key elements in interpreting the social significance of their personal experiences. By using thematic analys
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4

Theo, Lj. "Liminality and Historico-Materialist Readings of Film Genre." Glimpse 22, no. 2 (2021): 145–52. http://dx.doi.org/10.5840/glimpse202122230.

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Film scholars often label cinema that features strange spaces and odd narratives as ‘liminal’. Without further explanation, however, the term is somewhat of a blunt instrument that tends to provide overly neat explanations that are perhaps too broadly abstracted from the larger cultural and creative context. Some cinematic genre statements of ‘liminality’ derive from predominantly historico-materialist framings that see the notion as primarily about politically contingent space/place-based notions of borders, rather a subjective sense of ‘strangeness’ derived from a complex combination of the
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Valle-Noronha, Julia, and Piret Puppart. "Estonian blues: Natural dyes as enhancers of environmental, intergenerational and heritage bonds in fashion design education." Craft Research 15, no. 1 (2024): 41–60. http://dx.doi.org/10.1386/crre_00118_1.

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This article investigates cultural sustainability through the case of the Ethno course, offered to students in the fashion design programme at the Estonian Academy of Arts. It discusses ways to enhance bonds with the environment, heritage and traditional knowledge in fashion design. Via narratives of traditional crafts and situated learning in a textile archive, the course focuses on contemporary craft applications within the various practices that compose fashion, with particular attention to local natural dyes. In this work, we discuss the structure of the course in one of its recent iterati
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Fedorova, Kapitolina, and Natalia Tšuikina. "Nostalgia for Soviet Estonia: Discursive Elements of Shared Memory in the Facebook Group “Sovetskaia Estoniia – Eesti NSV”." AUC STUDIA TERRITORIALIA 23, no. 2 (2024): 73–100. http://dx.doi.org/10.14712/23363231.2023.16.

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This paper explores the role of online platforms in shaping a nostalgic discourse around Estonia’s Soviet past, focusing on the Facebook group “Советская Эстония – Eesti NSV” (Soviet Estonia). Despite official condemnation of the Soviet legacy, this bilingual Russian-Estonian group fosters a positive representation of the era through shared photos and personal memories. Utilizing sociolinguistic methods, the study examines posts and comment threads, unveiling discursive mechanisms employed to reinforce group identity and leverage nostalgia. Members engage in discussions that not only counter t
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Selart, Anti. "Lembitu: A medieval warlord in Estonian culture." Studia Slavica et Balcanica Petropolitana 29, no. 1 (2021): 3–14. http://dx.doi.org/10.21638/spbu19.2021.101.

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The 13th century was undoubtedly a period of upheaval in Baltic history. From the traditional «Estonian» point of view, between 1208 and 1227 ancient Estonians heroically defended their political and personal freedom and native religion, but unfortunately they had to surrender to German invaders and the Catholic Church. This interpretation was adopted by the Estonian audience by the end of the 19th century. However, there were not many individual historical heroes to find in medieval history who could fit the national narrative. The 13th-century sources mention very few Estonians by their name
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Kõresaar, Ene, and Kirsti Jõesalu. "Okupatsioonide muuseumist Vabamuks: nimetamispoliitika analüüs." Eesti Rahva Muuseumi aastaraamat, no. 60 (October 12, 2017): 136–61. http://dx.doi.org/10.33302/ermar-2017-006.

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From “Museum of Occupations” to “Vabamu”: Analysis of Naming Policy This article focuses on the debate around the name Vabamu and is aimed at discussing whether and how the culture of remembering the Soviet era can change in today’s Estonia. In February 2016, the Estonian Museum of Occupations announced its plans to refresh its identity and change the name of the museum to the Museum of Freedom Vabamu. The planned name change sparked controversy in society about the meaning of the (Soviet) military occupation, the sufferings of that period and ways of commemorating them. Over 60 stories were p
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Ljalikova, Aleksandra, Merilyn Meristo, Ene Alas, and Merle Jung. "Narrative Analysis as a Means of Investigating CLIL Teachers’ Meaningful Experiences." Qualitative Research in Education 10, no. 3 (2021): 228–59. http://dx.doi.org/10.17583/qre.7511.

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An ever-increasing need for a bilingual education in globalized societies have set new challenges for all stakeholders from ideological (monoglossic vs heteroglossic) as well as methodological perspectives. Teachers’ persistent interest in different forms of bilingual education has attracted us to explore the potential of Content and Language Integrated Learning (CLIL) as a means of attaining a bilingual education in the second decade of the 21st century, especially the professional development of teachers who work in the given context. In this study, narrative analysis is employed to investig
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Martínez, Francisco, and Patrick Laviolette. "Trespass into the Liminal." Anthropological Journal of European Cultures 25, no. 2 (2016): 1–24. http://dx.doi.org/10.3167/ajec.2016.250201.

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This article outlines narratives of trespass. It analyses relations between the personal and the social in abandoned urban physical surroundings. Grounded in our own duo-auto-ethnographic encounters with off-limit places, the research examines the classic notion of liminality through a set of prisms that are less than orthodox. It does so by stressing the formative and transformative possibilities of those threshold spaces that often get bypassed, surpassed or trespassed. Through a series of vignettes describing moments of urban exploration in different parts of Estonia, our implicit aim is to
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Books on the topic "Estonian Personal narratives"

1

Veisserik, Artur. Ma armastasin Eestit. Ilmamaa, 1995.

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2

Alaküla, Kaljo. 3. eskadrill. Author, 1999.

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Veisserik, Artur. Ma armastasin Eestit. Ilmamaa, 2007.

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4

Pitka, Johan. Minu mälestused suure ilmasõja algusest Eesti vabadussõja lõpuni: 1914-1920. 2nd ed. Olion, 1993.

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Raigo, Vello. Sinule, Tiu. "Eesti Raamat", 1990.

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Angelus, Oskar. Tuhande valitseja maa: Mälestusi Saksa okupatsiooni ajast 1941-1944. Olion, 1995.

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Roos, Jaan. Läbi punase öö. Eesti Kirjanduse Selts, 1997.

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Traks, Eldor. Sõjakeerises ja vangilaagris. Olion, 1992.

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9

Gailit, Karl. Eesti sõdur sõjatules: Rindereporteri sulega. Eesti Riigikaitse Akadeemia, 1995.

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10

Rent, Harri. Ma jäin ellu: Mälestuskilde sõjast ja vangilaagritest. Ortwil, 1997.

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Book chapters on the topic "Estonian Personal narratives"

1

Melchior, Inge. "Making an Emotional ‘History of the People’." In Guardians of Living History. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989023_ch01.

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Chapter 1 explores how historians, political elites, and cultural figures since the National Awakening have been involved in the writing of a ‘collective story of Estonians’. The chapter shows why ‘Estonia’s story’ has become an emotional story of rupture. The independence activists of the Singing Revolution, being non-political actors, have mobilized a sense of collective responsibility among the masses for creating and preserving the nation. As ‘a people’ they wrote a new national history, literally based on Estonians’ personal stories. Since the late 1990s, the intellectual and cultural elite increasingly voice a more open, critical narrative, while remaining loyal to the former independence activists and their family’s stories. In politics a fairly non-pluralist narrative of rupture prevails.
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