Relevant bibliographies by topics / Estrangement and cognition

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Estrangement and cognition'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Estrangement and cognition"

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Noletto, Israel A. C., and Sebastião A. T. Lopes. "ESTRANGEMENT AND COGNITION – TIME TRAVEL PARADOXES AND SOCIAL ENGINEERING IN ISAAC ASIMOV'S THE END OF ETERNITY." Darandina Revista Eletrônica 12, no. 1 (2019): 1–13. https://doi.org/10.5281/zenodo.3242651.

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Science fiction has been described as a genre of estrangement and cognition. HavingThe end of eternity (1955), by Isaac Asimov, as a case study, we demonstrate that temporal paradoxes and moral criticism, common themes of time travel stories, generate such effects. Our analysis is primarily based on authors such as Csicsery-Ronay, Jr. (2008), Nikolajeva (2009), and Suvin (1972).
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Santos, Naira Agostini Rodrigues dos, Antonio Tadeu Cheriff dos Santos, and Rildo Pereira da Silva. "Coping strategies of nurses in the care of patients with head and neck neoplasms." Revista da Escola de Enfermagem da USP 50, no. 4 (2016): 569–78. http://dx.doi.org/10.1590/s0080-623420160000500005.

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Abstract OBJECTIVE To understand and describe the experience of the development of coping strategies during the professional life of nurses providing care to patients with facial image alteration. METHOD Descriptive qualitative study with a hermeneutic-dialectic framework conducted in the head and neck ward of a reference hospital in Rio de Janeiro, with the participation of eight nurses and data produced through semi-structured interviews conducted between June and August 2013. RESULTS Three major impressions were found: initial estrangement and complexity, consisting in the care given to pat
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Rogan, Alcena Madeline Davis, and Patrick Parrinder. "Learning from Other Worlds: Estrangement, Cognition, and the Politics of Science Fiction and Utopia." South Atlantic Review 67, no. 2 (2002): 105. http://dx.doi.org/10.2307/3201974.

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Steble, Janez. "The role of science fiction within the fluidity of slipstream literature." Acta Neophilologica 48, no. 1-2 (2015): 67–86. http://dx.doi.org/10.4312/an.48.1-2.67-86.

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The paper explores the complex and contradictory role of science fiction in slipstream, the type of postmodern non-realistic literature situated between the fantastic genres and the mainstream literary fiction. Because of its unstable status of occupying an interstitial position between multiple literary conventions, the article first deals with an expansive terminology affiliated with slipstream and elucidates upon using a unified term for it. Avantpop, transrealism, and interstitial fiction all help us in understanding the vast postmodern horizon of slipstream. Furthermore, the slipstream's
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Strombeck, Andrew. "The Weird, the Ontological, and the Normal." American Literary History 31, no. 2 (2019): 347–55. http://dx.doi.org/10.1093/alh/ajz002.

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Abstract Benjamin J. Robertson’s None of This Is Normal (2018) addresses the entire fictional project of the New Weird writer Jeff VanderMeer. In doing so, Robertson intervenes within recent discussions of new materialism, accounts of which have been entwined with the New Weird. Robertson finds VanderMeer querying the normalizing discourses of capitalism and colonialism, showing how the New Weird can serve as a site to extend and challenge the sometimes-limiting frameworks of the new materialisms. As its critics have shown, object-oriented ontology and other new materialisms risk reinforcing p
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Partsch, Cornelius. "Paul Scheerbart and the Art of Science Fiction." Science Fiction Studies 29, Part 2 (2002): 202–20. https://doi.org/10.1525/sfs.29.2.0202.

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Science fiction studies has long been an interpretive arena marked by the discontents of the overarching generic classification. Through a reading of Paul Scheerbart’s Lesabéndio: An Asteroid Novel (1910), a text that operates on the edges of several genres, this article examines the historical and conceptual differences between Anglo-American and German sf scholarship and derives from recent genre theory a critical principle of explicit openness, one in which genre can become constitutive of complex and hybrid narratives. Scheerbart’s text refers extensively to its discursive environment, dra
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Šram, Zlatko. "Social–Psychological Underpinning of Anti–Church Sentiment." Obnovljeni život 80, no. 2 (2025): 207–20. https://doi.org/10.31337/oz.80.2.5.

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The aim of this research is to learn whether social alienation, Schwartz’s values, psychopathy, and Machiavellianism contribute to the prediction of results obtained on the scale of anti–Church sentiment. The survey was conducted on a convenience sample of full–aged citizens of Croatian ethnicity. Factor analysis was performed on the scales of anti–Church sentiment, social alienation, and Schwartz’s 10 individual values in order to establish the construct validity of these measurements. The results of the first multiple regression analysis revealed that social alienation and value orientations
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Peel, Ellen. "Learning from Other Worlds: Estrangement, Cognition, and the Politics of Science Fiction and Utopia. Edited by Patrick Parrinder. Durham, NC: Duke University Press, 2001. Pp. viii+312." Modern Philology 102, no. 4 (2005): 578–81. http://dx.doi.org/10.1086/433225.

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Neil Easterbrook. "Cognitive Estrangement Is Us." Science Fiction Studies 40, no. 2 (2013): 364. http://dx.doi.org/10.5621/sciefictstud.40.2.0364.

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Kapusta, Stephanie Julia. "Practice of Cognitive Estrangement." Australasian Philosophical Review 3, no. 1 (2019): 90–94. http://dx.doi.org/10.1080/24740500.2019.1705257.

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Dissertations / Theses on the topic "Estrangement and cognition"

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Whitelaw, Sandra. "The attraction of sloppy nonsense: resolving cognitive estrangement in Stargate through the technologising of mythology." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16547/1/Sandra_Whitelaw_Thesis.pdf.

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The thesis consists of the novel, Stargate Atlantis: Exogenesis (Whitelaw and Christensen, 2006a) and an accompanying exegesis. The novel is a stand-alone tie-in novel based on the television series Stargate Atlantis (Wright and Glassner), a spin-off series of Stargate SG-1 (Wright and Cooper) derived from the movie Stargate (Devlin and Emmerich, 1994). Set towards the end of the second season, Stargate Atlantis: Exogenesis begins with the discovery of life pods containing the original builders of Atlantis, the Ancients. The mind of one of these Ancients, Ea, escapes the pod and possesses D
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Whitelaw, Sandra. "The attraction of sloppy nonsense: resolving cognitive estrangement in Stargate through the technologising of mythology." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16547/.

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The thesis consists of the novel, Stargate Atlantis: Exogenesis (Whitelaw and Christensen, 2006a) and an accompanying exegesis. The novel is a stand-alone tie-in novel based on the television series Stargate Atlantis (Wright and Glassner), a spin-off series of Stargate SG-1 (Wright and Cooper) derived from the movie Stargate (Devlin and Emmerich, 1994). Set towards the end of the second season, Stargate Atlantis: Exogenesis begins with the discovery of life pods containing the original builders of Atlantis, the Ancients. The mind of one of these Ancients, Ea, escapes the pod and possesses D
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Fällman, Linnéa. "Värdegrund genom sci-fi : En didaktisk analys av fyra science fiction-noveller med utgångspunkt i gymnasieskolans värdegrund." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-179797.

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The aim of this essay is to explore the possibilities of using science fiction short stories when discussing the morals and values prescribed by the Swedish curriculum for upper secondary level. The two main focus points are pinpointing the ways in which the four short stories depict cognitive estrangement, and examining how these elements of cognitive estrangement aid in the use of these stories in the classroom. A hermeneutic method, in which the material is analyzed and interpreted from a didactic viewpoint, is used to achieve these two goals. Through the analysis of the four short stories,
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Graves, Robert Christopher. "The Art of Heterotopian Rhetoric: A Theory of Science Fiction as Rhetorical Discourse." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1245638686.

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Runberger, Jonas. "Architectural Prototypes II : Reformations, Speculations and Strategies in the Digital Design Field." Doctoral thesis, KTH, Projektkommunikation, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-95188.

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This doctoral thesis is situated within the digital design field of architecture, and is a continuation of the licentiate thesis Architectural Prototypes: Modes of Design Development and Architectural Practice, presented at the KTH School of Architecture in 2008. The doctoral thesis investigates the current status of the digital design field of architecture, and identifies a number of related discourses. Within this field, it identifies a period of formation, which in recent years has turned into a process of reformation. It contributes to this ongoing reformation by proposing two alternate ar
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Books on the topic "Estrangement and cognition"

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Patrick, Parrinder, ed. Learning from other worlds: Estrangement, cognition and the politics of science fiction and utopia. Liverpool University Press, 2000.

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Parrinder, Patrick. Learning from Other Worlds: Estrangement, Cognition & the Politics of Science Fiction & Utopia. Liverpool University Press, 1999.

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Parrinder, Patrick. Learning from Other Worlds: Estrangement, Cognition and the Politics of Science Fiction and Utopia. Liverpool University Press, 2000.

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(Editor), Patrick Parrinder, and Patrick Parrinder (Editor), eds. Learning from Other Worlds: Estrangement, Cognition, and the Politics of Science Fiction and Utopia (Post-Contemporary Interventions). Duke University Press, 2001.

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(Editor), Patrick Parrinder, and Patrick Parrinder (Editor), eds. Learning from Other Worlds: Estrangement, Cognition, and the Politics of Science Fiction and Utopia (Post-Contemporary Interventions). Duke University Press, 2001.

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Learning from Other Worlds: Estrangement, Cognition and the Politics of Science Fiction (Liverpool Science Fiction Texts & Studies). Liverpool Univ Pr, 1999.

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Book chapters on the topic "Estrangement and cognition"

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Hennessey, John L. "Introduction to History and Speculative Fiction: Essays in Honor of Gunlög Fur." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_1.

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AbstractThis introductory chapter makes the case that despite different epistemological starting points, history and speculative fiction are both arguably “literatures of cognitive estrangement.” Both can help expose invisible problematic aspects of their authors’ and readers’ societies and suggest possible solutions or futures. Summarizing relevant existing literature and theoretical perspectives, the chapter suggests the usefulness of the postcolonial concept of concurrences for both modes and different possible ways to define the two. It also investigates the relationship that history and s
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Salmon, Laura. "Chronotopes of Affectivity in Literature. On Melancholy, Estrangement, and Reflective Nostalgia." In Biblioteca di Studi Slavistici. Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-822-4.02.

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Basing our analysis on the concepts of ‘emotion’, ‘feeling’, and ‘mood’ as defined by data from the cognitive sciences, we argue that human emotions are both universal and intrinsically linked to literary and artistic chronotopes. In her study of 'reflective' and 'restorative' nostalgia, Svetlana Boym (2001) shows that 'nostalgia' itself represents pure ambivalence that takes on a particular shape in response to the mood, thoughts, and psychological state of the author. Its ultimate expression might assume the form of either monological ideology or of paradoxical existential emotion. It is thi
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Friedrich, Jennie. "Concordia Discors." In The Passenger. punctum books, 2017. https://doi.org/10.21983/p3.0190.1.04.

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The quote from Horace’s Epistles in my epigraph succinctly ar-ticulates the complexity of the heart’s physical movements and characteristics in Chaucer’s Troilus and Criseyde: what I will dis-cuss in this essay as a process of concordia discors, or harmoni-ous discord. Hearts in this poem are sometimes just symbols, particularly in the frequent references to Troilus’s heartache.2In other instances, hearts are profoundly material, and even objectified in very specific and consistent ways throughout the narrative. This essay focuses on the removal and exchange of disembodied and objectified hear
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"Cognitions and Estrangements:." In Indian Science Fiction. University of Wales Press, 2020. http://dx.doi.org/10.2307/jj.14491569.8.

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Beck, J. Gayle. "Session 9: Addressing Anger (Part I)—Using the A-B-C-D Approach." In Group Cognitive Behavioral Therapy for PTSD. Oxford University PressNew York, 2025. https://doi.org/10.1093/med-psych/9780197691427.003.0010.

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Abstract This chapter focuses on how Veterans can address their anger by using the A-B-C-D approach. Both the positive and negative aspects of anger are reviewed. Anger can be a component of posttraumatic stress disorder (PTSD) and may result in estrangement from others. Part of what contributes to this anger and irritability is the fact that people's lives are different from what they were before the trauma. Thus, becoming aware of specific situations that often produce angry responses is vital in understanding the beliefs that lead to anger. The downward arrow technique that was introduced i
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Sinnerbrink, Robert. "Affect and Moral Understanding." In Screen Stories and Moral Understanding. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197665664.003.0008.

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Abstract The chapter presents an overview of the relationship between affect and moral understanding in film, followed by an argument that the moral cognitive dissonance effect, by eliciting contradictory or ambiguous emotions and evaluations, can lead to enhanced moral understanding. The chapter first traces differing conceptions of affect from the cognitive/analytic and Continental branches of film and media studies. It goes on to define the various sorts of affect and to show how affect is related to moral evaluation. It then shows how emotional estrangement can lead to moral and cognitive
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Ganeri, Jonardon. "Introduction." In Fernando Pessoa. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197636688.003.0001.

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Abstract This chapter introduces Fernando Pessoa as a philosophical outsider, and provides an overview of the main themes in the book. There are two ways to imagine oneself from the inside: as differently embodied, and as having a different cognitive and affective bearing. The distinction between immersively imagining being differently embodied and immersively imagining having a new bearing crops up often in Indian stories about reincarnation. Pessoa wants to pluralize himself, and does so in both of two ways, pluralization by self-estrangement and pluralization by living a life in parallel.
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Cohn, Jesse S. "Acting Supernaturally (with Notes on the Monster of Anarchy)." In Hot Equations. University Press of Mississippi, 2024. https://doi.org/10.14325/mississippi/9781496850157.003.0013.

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This concluding chapter draws a parallel between critiques of scientism in radical theory and critiques of cognitivism in science fiction studies. The aspiration to modern scientificity in Marxism and anarchism sits ill at ease with the recognition that both owe something crucial to the millenarian, the mystical, and the Indigenous. Likewise, the impetus to define SF as a distinct genre, as “cognitive estrangement,” is troubled by a postwar collapse of faith in science and progress, what Peter Nicholls called “the Monster of Anarchy,” and by the recognition that its scientificity is often a rh
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Miller, Gavin. "Conclusion." In Science Fiction and Psychology. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620603.003.0006.

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The conclusion firstly draws out some broader theses from the preceding chapters. It then provisionally analyses the deployment of science fiction tropes within the body of official psychological literature, whether at a popular or more scholarly level. Although science fiction may be exploited in a very simple way within psychological theory and practice as a popularizing and didactic tool, there are other, more complex and often self-conscious ways that the genre is used. Psychologists as varied as Sandra and Daryl Bem, Randy Thornhill and Craig Palmer, and Steven Pinker, invoke different sp
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Plantinga, Carl. "Film." In The Oxford Handbook of Ethics and Art. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197539798.013.26.

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Abstract Narrative films have long been thought to have the capacity to affect human action and understanding. This chapter examines five major strains of thought, in film theory and philosophy, about the relationship between film spectatorship and ethics. The first section describes early film theories which argue that the medium itself has the capacity to enlarge human understanding of the world and other people. The second section is about apparatus and critical theory in film studies, tracing the major strains of this Marxist-influenced theory and its interest in the ethics implications of
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