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Dissertations / Theses on the topic 'Etching in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Steele, Nancy Joanne. "Etched images of the human form in relation to society and environment." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/941715.

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The vitality of the human figure has been an unending source of curiosity for artists from the beginning to now. Although many artists have focused their creativity to searching for the perfect, in fact, beautiful, human form, others have striven to convey the human experience within the spirit of their own era. The latter is true of this creative project, which has addressed the following problem: hog: could large-scale intaglio printmaking be used to 02arify the negative impact our rigid contemporary notion of beauty can have on individual women? The project was inspired by the work of Kaeth

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2

Kell, Jeff. "Figurative emotion /." Online version of thesis, 1993. http://hdl.handle.net/1850/11918.

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3

Jakas, Algirdas. "(Ne)išpildytos vietos." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_160620-39400.

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Raižau nebaigtus objektus. Pasirinkau Kaliningrade stovinį "Dom Sovietov", jam draugėn atsirado buvusiame Leningrade esantys "Dom Sovietov" (Sovietų namai). Juos jungia ne tik toks pat pavadinimas ,bet ir tai ,kad jie niekada nebuvo iki galo pabaigti - prie pirmojo pastato Kaliningrade darbai sustojo baigus statyti 90 proc. objekto, antrasis ,nors ir baigtas konstrukcine - architektūrine prasme ,niekada nebuvo naudotas pagal paskirtį, kuriai buvo statomas... Taip išsirikiavo vienu ar kitu būdu neužbaigti 7 pastatai - objektai. Vienu atveju tai tik projektas popieriaus lape (administracinis pas

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4

Mazzupappa, Ross Joseph. "A process overview of faux-to-gravure and paper films for photolithography." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1690.

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Tradition begins with innovation. The rich and complicated history of Printmaking is shaped by invention and discovery. I see this advancement for the sole purpose to distribute knowledge and ideas to every person regardless of prosperity and status. At its core intention is the need to make art and knowledge accessible. The procedural research I have been exploring along side my artist research was designed to do just as invention in printmaking has done before. I have applied my knowledge and availability of modern technology with traditional ways print artists create. These new processes ar

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5

O'Donnell, Bridget Rene. "The Revised and Expanded Version: A Series of Etchings." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1354731420.

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6

Robinson, Sarah. "Imperceptible Realities: An exhibition – and – Digitalisation: Re-imaging the real beyond notions of the original and the copy in contemporary printmaking: An exegesis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2017. https://ro.ecu.edu.au/theses/1981.

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This PhD practice-led research project provides a broad overview of how newer print technologies can bring about enhanced understandings of the world whilst simultaneously questioning the value of such processes in contrast to traditional means of image making. My curiosity pivots on the worry that something essential about representation of the real might be lost if humanity were to embrace digital methods only. Through my creative project I address my concerns to re-image representations of the real beyond notions of the original and the copy through contemporary printmaking. The research cu

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7

Crowell-Hilde, Kaki D. "There is a silver lining." [Johnson City, Tenn. : East Tennessee State University], 2003. http://etd-submit.etsu.edu/etd/theses/available/etd-0701103-123004/unrestricted/Crowell-HildeK072203f.pdf.

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Thesis (M.F.A.)--East Tennessee State University, 2003.<br>Title from electronic submission form. ETSU ETD database URN: etd-0701103-123004. Includes bibliographical references. Also available via Internet at the UMI web site.

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8

Charrier, Claire. "Du sublime dans l’œuvre gravé de Rembrandt." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100168/document.

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Très expérimentales, les gravures de Rembrandt ont suscité l’étonnement dès son époque. Les étudier à la lumière de la tradition du sublime aide à dégager la dynamique de la pensée du graveur, tout en offrant à cette tradition l’occasion de se renouveler. Ainsi notre étude confronte l’œuvre gravée de Rembrandt à trois conceptions du sublime. Le sublime poétique de Longin, qui incite le spectateur à cultiver ses dons à l’exemple des héros antiques. Le sublime chrétien comme lien entre l’abaissement du divin et l’élévation de l’homme. Et enfin le sublime du sentiment esthétique de Burke, qui exp

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9

Hamaya, Pedro Yukio de Barros. "Paisagens flutuantes." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-22032017-104803/.

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Este trabalho é o resultado de uma pesquisa envolvendo estudos, reflexões e experimentações poéticas que buscam problematizar a percepção visual sobre a representação bidimensional e sobre a realidade cotidiana - o conjunto aqui apresentado reúne textos reflexivos, imagens produzidas (desenhos, pinturas e gravuras) e anotações sobre o processo. Num primeiro momento, ele centra na exploração das possibilidades em torno da construção de um efeito flutuante na visualidade imagética, tentando tensionar os modos de apreender a representação bidimensional. Num segundo momento, ele acrescenta a seu q

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10

Santos, Tôni Rabello dos, and Tôni Rabello dos Santos. "Percepções de um eletrogravador: experiências poéticas com a corrosão." Universidade Federal de Pelotas, 2014. http://repositorio.ufpel.edu.br/handle/ri/2769.

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Submitted by Aline Batista (alinehb.ufpel@gmail.com) on 2016-03-04T13:33:52Z No. of bitstreams: 2 Percepções de um eletrogravador.pdf: 13125292 bytes, checksum: e3ddba1b8b53b0891f534de04e4764ae (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2016-03-04T14:24:00Z (GMT) No. of bitstreams: 2 Percepções de um eletrogravador.pdf: 13125292 bytes, checksum: e3ddba1b8b53b0891f534de04e4764ae (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved fo

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Bender, Molly. "Between near and far : somewhere in between." Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1357.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>Visual Art

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Azevedo, Paola Cristine Almeida. "Gravura em luz : uma possibilidade holistica da calcogravura e a holografia." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284315.

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Orientador: Jose Joaquim Lunazzi<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-10T03:37:00Z (GMT). No. of bitstreams: 1 Azevedo_PaolaCristineAlmeida_D.pdf: 3042587 bytes, checksum: 6e2407a885f75cbe4b90031a1cadd1f1 (MD5) Previous issue date: 2007<br>Resumo: Esta pesquisa objetivou criar e refletir sobre o alargamento de linguagens usadas na arte e a tecnologia como parâmetros de criação de um trabalho em poéticas visuais. Para estruturar esses conceitos, foram levantadas leituras referentes à mudança paradigmática da segunda

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13

Roche, Lucile. "L'ombre de Dieu : représenter la Création du monde en France (1610-1789)." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H039.

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«Au commencement, Dieu créa le Ciel et la Terre». À l’ouverture du récit de la Genèse, le plus célèbre des incipit condense ce qui a constitué durant des siècles à la fois l’imagerie et le modèle théorique de la Création du monde en Occident. Or, dès le XVIIe siècle, la conception de la Création s’enrichit de considérations savantes qui bousculent l’univoque de la version biblique. Le récit canonique est alors instruit par les notions profanes d’évolution ou de loi mécanique qui bouleversent l’image biblique d’un Dieu-Créateur du monde en six jours dont la tradition avait longtemps fixé le can

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14

Ross, Gail Macdonald. "New Zealand Prints 1900-1950: An Unseen Heritage." Thesis, University of Canterbury. School of Fine Arts, 2006. http://hdl.handle.net/10092/937.

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The vibrant school of printmaking which emerged and flourished in New Zealand between 1900 and 1950 forms the subject of this thesis. It examines the attitudes of the printmakers, many of whom regarded the print as the most democratic of art forms and one that should reflect the realities of everyday life. Their subject matter, contemporary city scenes, people at work and leisure, local landscapes, Maori and indigenous flora and fauna, is analysed and revealed as anticipating by over a decade that of regionalist painters. They are also identified as the first New Zealand artists to draw

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15

Page, Alexandre. ""Sculpsit et delineavit : Léopold Flameng (1831-1911) ou le métier de "graveur-illustrateur" dans la seconde moitié du XIXe siècle." Thesis, Université Clermont Auvergne‎ (2017-2020), 2017. http://www.theses.fr/2017CLFAL015.

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« Graveur-illustrateur », Léopold Flameng incarne dans la seconde moitié du xixe siècle un rapprochement entre les activités de graveur de reproduction et d’illustrateur original. Formé à la gravure « classique » par Luigi Calamatta, à l’Ecole des beaux-arts de Bruxelles, il devint un aquafortiste et buriniste de grande réputation à partir des années 1860, traduisant les maîtres et spécialement Rembrandt. Œuvrant à la Gazette des beaux-arts, à L’Artiste, à L’Art, il collabora aussi avec des revues étrangères et travailla pour des éditeurs d’estampes comme Goupil. Néanmoins, Léopold Flameng ne

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Page, Alexandre. ""Sculpsit et delineavit : Léopold Flameng (1831-1911) ou le métier de "graveur-illustrateur" dans la seconde moitié du XIXe siècle." Electronic Thesis or Diss., Université Clermont Auvergne‎ (2017-2020), 2017. http://www.theses.fr/2017CLFAL015.

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« Graveur-illustrateur », Léopold Flameng incarne dans la seconde moitié du xixe siècle un rapprochement entre les activités de graveur de reproduction et d’illustrateur original. Formé à la gravure « classique » par Luigi Calamatta, à l’Ecole des beaux-arts de Bruxelles, il devint un aquafortiste et buriniste de grande réputation à partir des années 1860, traduisant les maîtres et spécialement Rembrandt. Œuvrant à la Gazette des beaux-arts, à L’Artiste, à L’Art, il collabora aussi avec des revues étrangères et travailla pour des éditeurs d’estampes comme Goupil. Néanmoins, Léopold Flameng ne

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17

Frederick, Amy Reed. "Rembrandt's Etched Sketches and Seventeenth-Century Print Culture." Case Western Reserve University School of Graduate Studies / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=case1390500621.

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18

Zeraffa, Martine. "Max Schoendorff (1934-2012) : l’atelier, laboratoire de l’œuvre." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2104/document.

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L’œuvre plurielle de Max Schoendorff (1934-2012) est approchée au regard du lieu de sa création : l’atelier de l’artiste. Ce lieu foisonnant de matériel, d’images, d’objets et de livres est emblématique de sa pensée. Il livre les traces de ses multiples activités. La monographie de l’artiste est fondée sur l’archéologie de ce laboratoire. Formé à la littérature classique,imprégné de culture allemande, rompu à la transgression, Schoendorff s’engage dès le milieu des années 1950 à Lyon aux côtés de Roger Planchon et d’un petit groupe d’intellectuels et de créateurs. Il s’affirme en tant qu’initi

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19

Lambert, Alexander S. "Application of UV-Vis Spectroscopy to the Monitoring, Characterization and Analysis of Chemical Equilibria of Copper Etching Baths." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011880/.

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The continuously increasing demand for innovation in the miniaturization of microelectronics has driven the need for ever more precise fabrication strategies for device packaging, especially for printed circuit boards (PCBs). Subtractive copper etching is a fundamental step in the fabrication process, requiring very precise control of etch rate and etch factor. Changes in the etching chemical equilibrium have significant effects on etching behavior, and CuCl2 / HCl etching baths are typically monitored with several parameters including oxidation-reduction potential, conductivity, and specific

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20

Upper, Lauren Elizabeth. "Graphic art and institutional identity in Renaissance France: Parisian printers' devices and the Fontainebleu etchings." Thesis, Boston University, 2003. https://hdl.handle.net/2144/27786.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02

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21

Powell, Olly, and n/a. "Fabrication of Micro-Mirrors in Silicon Optical Waveguides." Griffith University. School of Microelectronic Engineering, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040719.115224.

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The conventional large radii bends used in large cross section silicon-on-insulator waveguides were replaced with novel wet etched corner mirrors, potentially allowing much smaller devices, therefore lower costs. If such corners had been based on reactive ion etch techniques they would have had the disadvantage of rougher surfaces and poor alignment in the vertical direction. Wet etching overcomes these two problems by providing smooth corner facets aligned precisely to the vertical {100} silicon crystallographic planes. The waveguides obtained had angled walls, and so numerical analysis was u

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Jones, Jason David. "Modification of Graphene Properties: Electron Induced Reversible Hydrogenation, Oxidative Etching and Layer-by-layer Thinning." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc115101/.

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In this dissertation, I present the mechanism of graphene hydrogenation via three different electron sources: scanning electron microscopy, e-beam irradiation and H2 and He plasma irradiation. in each case, hydrogenation occurs due to electron impact fragmentation of adsorbed water vapor from the sample preparation process. in the proposed model, secondary and backscattered electrons generated from incident electron interactions with the underlying silicon substrate are responsible for the dissociation of water vapor. Chemisorbed H species from the dissociation are responsible for converting g

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23

Barclay, Joshua David. "High Temperature Water as an Etch and Clean for SiO2 and Si3N4." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404614/.

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An environmentally friendly, and contamination free process for etching and cleaning semiconductors is critical to future of the IC industry. Under the right conditions, water has the ability to meet these requirements. Water becomes more reactive as a function of temperature in part because the number of hydronium and hydroxyl ions increase. As water approaches its boiling point, the concentration of these species increases over seven times their concentrations at room temperature. At 150 °C, when the liquid state is maintained, these concentrations increase 15 times over room temperature. Du

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24

Thompson, Thomas S. "The Maturing of Rembrandt (1630-1662): Four Stages of Expressive Development in the Depiction of the Female Nude in Drawings and Etchings." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1400512462.

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25

Ponnuswamy, Thomas Anand. "Hydrogen terminated silicon surfaces: Development of sensors to detect metallic contaminants and stability studies under different environments." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3222/.

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Hydrogen terminated silicon surfaces have been utilized to develop sensors for semiconductor and environmental applications. The interaction of these surfaces with different environments has also been studied in detail. The sensor assembly relevant to the semiconductor industry utilizes a silicon-based sensor to detect trace levels of metallic contaminants in hydrofluoric acid. The sensor performance with respect to two non-contaminating reference electrode systems was evaluated. In the first case, conductive diamond was used as a reference electrode. In the second case, a dual silicon e

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26

Simon, Darren, and s3027589@student rmit edu au. "Chemistry and Morphology of Polymer Thin Films for Electro-Optical Application." RMIT University. Applied Sciences, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20070123.122707.

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Thin polymer films and their properties have been investigated. The characteristics of crystalline polymers according to film thickness have been improved using polycaprolactone (PCL). The melting enthalpy of PCL has increased when the film thickness decreased and the peak melting temperature showed no significant changes with film thickness. Film thickness variation influenced surface roughness and crystal size. Optical microscope images showed the rougher surface of thicker films. The spinning time has shown no influence on film thickness and no significant changes to surface roughness.

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27

Ysasi, Alonso Alejandro. "La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio." Doctoral thesis, Universitat de les Illes Balears, 2014. http://hdl.handle.net/10803/284394.

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És una investigació, anàlisis, i aproximació a l’obra gràfica de l’artista mallorquí, del segle XX, Pere Quetglas, conegut pel pseudònim de “Xam”. La seva activitat s'ha sistematitzat sobre la base la biografia, tècniques treballades i el seu entorn. Xam, es va exercitar en la caricatura, el dibuix, el cartell, el gravat xilogràfic, la pintura, els monotips, la serigrafia i en el gravat calcogràfic. Del conjunt de tota la seva producció l’autor se centra en l'obra gràfica produïda a partir de 1944, quan pot datar-se la seva primera xilografia, i la seva defunció, l’any 2001, en el qual realit

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28

Klingner, Annett. "Die Macht der Sterne." Doctoral thesis, Humboldt-Universität zu Berlin, 2018. http://dx.doi.org/10.18452/19206.

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Darstellungen der Planeten und ihrer Kinder gehörten zu den ersten paganen Bildern, die im Spätmittelalter produziert und rezipiert wurden. Während der rund 200 Jahre ihres hauptsächlichen Auftretens, bis zum Ende des 16. Jahrhunderts, erreichten sie eine enorme Popularität. Im Weltbild des Mittelalters und der frühen Neuzeit war jeder Mensch von dem Gestirn geprägt, unter dessen Einfluss er geboren wurde. Dieser Planet bestimmte, wie man körperlich und charakterlich beschaffen war, welchen Beruf man ausübte und welche gesellschaftliche Stellung man erwarten durfte. Der Geburtsmoment sorgte fü

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29

Herbst, Michael. "Goya's grotesque : abjection in los Caprichos, Desastres de la Guerra, and los Disparates." Thesis, 1999. http://hdl.handle.net/10539/20926.

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Thesis (Ph.D.)--University of the Witwatersrand, Arts Faculty (Fine Arts), 1999<br>My basic premise in this study is, if abjection is a psychosocial phenomenon, even a kind of waste category and mechanism, it should be discernible and analysable as an underlying structure in the form, iconography and purpose of works of art. Certain modes of art will manifest or express it more lucidly and abundantly than others. Satire and the Grotesque, which Goya adopts in his graphic Work, are especially fruitful in this regard. In both, one can find processes and states of degradation and vitiation

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Biłozór-Salwa, Małgorzata. "Twórczość Jana Ziarnki a paryskie środowisko rytowników i wydawców pierwszej ćwierci XVII wieku." Doctoral thesis, 2017. https://depotuw.ceon.pl/handle/item/2559.

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Rozprawa doktorska jest analizą stylistyczną i historyczną oraz reinterpretacją oeuvre graficznego Jana Ziarnki. Urodzony we Lwowie rytownik, czynny w latach 1598-1629 oraz znany także jako Jean le Grain lub A. Grano, związany był całkowicie ze środowiskiem paryskim pierwszej ćwierci XVII wieku. Jego twórczość obejmuje zarówno ryciny luźne, jak i ilustracje do różnorodnych rodzajów publikacji. W pracy stawiam tezę, że dla zrozumienia i nowej interpretacji jego twórczości należy rozpatrywać ją nie tylko w kontekście ówczesnych wydarzeń historycznych, jak czyniono dotychczas, ale także na tle ów

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Gonçalves, Carlos da Silveira. "Adriano de Sousa Lopes (1879-1944). Um pintor na Grande Guerra." Doctoral thesis, 2016. http://hdl.handle.net/10362/18445.

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A presente tese estuda o período dedicado à Grande Guerra na vida e obra de Adriano de Sousa Lopes. Foi o único artista oficial do Corpo Expedicionário Português, em França, nomeado em Agosto de 1917, e por isso se discute as suas motivações, os objectivos que propôs ao ministro Norton de Matos e a sua experiência singular na frente de guerra da Flandres. Centrando a análise nas obras de arte e documentação inédita, a tese examina as múltiplas facetas e realizações do artista de guerra – o capitão equiparado e chefe do Serviço Artístico do CEP, o desenhador, o água-fortista, o pintor – e propõ

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Poirier, Marjolaine. "Imaginer l’Amérique : Québec à travers les vues d’optique des graveurs allemands Habermann et Leizelt." Thèse, 2015. http://hdl.handle.net/1866/15867.

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Publiées dans la Collection des prospects durant la guerre d’Indépendance américaine, les vues d’optique Vuë de la Place capitale dans la Ville basse a Quebec, Vuë de la haute ville a Quebeck, Vuë de la basse Ville a Quebec vers le fleuve St-Laurent, Vuë de la rue des recolets de Quebeck et Vuë de Quebeck gravées par les Allemands Franz Xaver Habermann (1721-1796) et Balthasar Frederich Leizelt (1755-1812) entretiennent des liens ténus avec la configuration réelle de la ville de Québec qu’elles représentent. L’escamotage du paradigme documentaire dans ces images est l’enjeu principal de ce mém

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Meyerhöfer, Dietrich. "Johann Friedrich von Uffenbach. Sammler – Stifter – Wissenschaftler." Doctoral thesis, 2020. http://hdl.handle.net/21.11130/00-1735-0000-0005-13B0-E.

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