Relevant bibliographies by topics / Etchings (prints)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Etchings (prints)'

Author: Grafiati
Published: 11 December 2022
Last updated: 31 July 2025

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Journal articles on the topic "Etchings (prints)"

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Morris, David. "The Clough Collection of Prints at the Whitworth Institute." Bulletin of the John Rylands Library 92, no. 2 (2016): 167–85. http://dx.doi.org/10.7227/bjrl.92.2.10.

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George Clough‘s donation of old master prints raised the Whitworth Institute‘s collection to international standing. Simultaneously, it presented Manchester with a viewing experience that was possibly unique in Britain, and placed on permanent display one of the nations finest collections of engravings, etchings and woodcuts so as to offer a visual history of the medium of print. Clough had a special interest in Marcantonio Raimondi, collecting over forty prints by him at a time when such works commanded high prices. This article examines the history and composition of Clough‘s collection and
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Tyler, Francine. "American Etchings of the Nineteenth Century: 115 Prints." American Art Journal 17, no. 2 (1985): 91. http://dx.doi.org/10.2307/1594406.

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Larsson, Lars Olof. "„Die vornehmsten Plätze und Gebäude, die in Danzig zu sehen sind“. Aegidius Dickmans Ansichten von Danzig 1617." Baltic Journal of Art History 20 (December 27, 2020): 81–107. http://dx.doi.org/10.12697/bjah.2020.20.03.

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The paper discusses a set of etchings depicting different buildingsin Gdansk (Danzig) and different parts of the city, first publishedin 1617. The artist was the little known Ægidius Dickman, active inGdánsk and probably also in the Netherlands in the first quarter ofthe 17th century. In the same year that these etchings were published,Dickman also finished a large birds-eye view of Gdánsk. The setof town views and the panorama were both republished by ClaesJanszoon Visscher in 1625.The author of the article discusses the relationship betweenDickman and Visscher and their collaboration on this
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Friese, Nancy. "Prints of Nature: Poetic Etchings of Mary Nimmo Moran." Woman's Art Journal 7, no. 1 (1986): 52. http://dx.doi.org/10.2307/1358245.

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Baker, Susan. "A Duel with Fernando de Rojas." Janus Head 11, no. 2 (2009): 217–36. http://dx.doi.org/10.5840/jh20091122.

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In 1971, Picasso pulled sixty-six out of 347etchings first executed in 1968 for an edition of Spanish writer Rojas's Celestina. While the complete group of prints, known as the Suite 347, has been discussed in the context of Picasso's late work, few have considered how the location of the sixty-six prints in Rojas's text affects their reading. Understanding where Picasso actually inserted the prints into the text sheds light on the play between narrative and image that Picasso intended when binding his etchings with the Rojas story. Considering the prints as part of a book provides a more comp
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Esko, Claudia T. "American Etchings of the Nineteenth Century: 115 Prints. Francine Tyler." Archives of American Art Journal 25, no. 1/2 (1985): 53–54. http://dx.doi.org/10.1086/aaa.25.1_2.1557463.

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Pawlak, Anna. "Das Feuerwerk der Linie." Artes 2, no. 1 (2023): 29–59. http://dx.doi.org/10.30965/27727629-20230002.

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Abstract In 1637 Claude Lorrain made a series of etchings in which he depicted the elaborate fireworks organized by the Spanish ambassador in Rome in occasion of the election of Ferdinand III as King of the Romans. This article deals with the political and religious dimensions of the performative act as well as the complex aesthetic strategies of transferring the ephemeral event into the more lasting medium of print. Considering the Thirty Years’ War, Lorraine’s ‚explosive‘ prints functioned, I argue, as artistic devices to control the forces of fiery destruction, a crucial issue for the princ
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Steland, Anne Charlotte. "Herman van Swanevelt als Radierer. Zur Chronologie der Entwürfe und der Drucke." Oud Holland - Quarterly for Dutch Art History 118, no. 1-2 (2005): 38–78. http://dx.doi.org/10.1163/187501705x00240.

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AbstractIn the 1630s the Dutch Italianate painter Herman van Swanevelt (ca. 1603-1655) developed in Rome, in collaboration with his colleague and contemporary Claude Lorrain, what in those days was a new type of idyllic ideal landscape whose sunlit 'contrejours' reflected the times of day and which Swanevelt continued to disseminate in the North after he moved to Paris. It was however chiefly his etchings which made this new type of landscape accessible to a large public, and which decisively contributed to the development of the taste for landscape art into the eighteenth century, notably in
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Stocker, Mark, Julia Kasper, and Philip Sirvid. "Wenceslaus Hollar’s Muscarum Scarabeorum, Vermiumque Varie Figure anatomised and identified." Tuhinga 31 (June 1, 2020): 19–41. https://doi.org/10.3897/tuhinga.31.e34254.

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This article examines a series of 12 etchings of invertebrates, Muscarum Scarabeorum … Varie Figure (1646), by the Bohemian artist Wenceslaus Hollar (1607–77). It locates Hollar in the historical and cultural context of this sub-genre and his likely source material. It then discusses the provenance of the series in the Museum of New Zealand Te Papa Tongarewa, Wellington, which can be traced back to the political refugee and former prime minister of Denmark, Bishop Ditlev Monrad (1811–87). Hollar’s prints formed part of the foundation art collection of t
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Jurkowlaniec, Grażyna. "Masterpieces, Altarpieces, and Devotional Prints: Close and Distant Encounters with Michelangelo’s Vatican Pietà." Religions 10, no. 5 (2019): 309. http://dx.doi.org/10.3390/rel10050309.

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Focussing on the response to the Vatican Pietà and perversely using as a point of departure a 1549 remark on Michelangelo as an ‘inventor of filth,’ this article aims to present Michelangelo as an involuntary inventor of devotional images. The article explores hitherto unconsidered aspects of the reception of the Vatican Pietà from the mid-sixteenth into the early seventeenth century. The material includes mediocre anonymous woodcuts, and elaborate engravings and etchings by renowned masters: Giulio Bonasone, Cornelis Cort, Jacques Callot and Lucas Kilian. A complex chain of relationships is t
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Dissertations / Theses on the topic "Etchings (prints)"

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Frederick, Amy Reed. "Rembrandt's Etched Sketches and Seventeenth-Century Print Culture." Case Western Reserve University School of Graduate Studies / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=case1390500621.

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Criss, Erica J. Ms. "No More Writing on the Merry-Go-Round: A series of etchings." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1334546869.

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Upper, Lauren Elizabeth. "Graphic art and institutional identity in Renaissance France: Parisian printers' devices and the Fontainebleu etchings." Thesis, Boston University, 2003. https://hdl.handle.net/2144/27786.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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Yoshitomi, Satoshi. "Application of surface analytical techniques to the characterisation of 60Pb/40Sn solder alloy on PCBs." Thesis, University of Bristol, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294393.

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Ross, Gail Macdonald. "New Zealand Prints 1900-1950: An Unseen Heritage." Thesis, University of Canterbury. School of Fine Arts, 2006. http://hdl.handle.net/10092/937.

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The vibrant school of printmaking which emerged and flourished in New Zealand between 1900 and 1950 forms the subject of this thesis. It examines the attitudes of the printmakers, many of whom regarded the print as the most democratic of art forms and one that should reflect the realities of everyday life. Their subject matter, contemporary city scenes, people at work and leisure, local landscapes, Maori and indigenous flora and fauna, is analysed and revealed as anticipating by over a decade that of regionalist painters. They are also identified as the first New Zealand artists to draw
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Zhang, Yan. "Inkjet etching of micro-via holes in thin polymer layers." Thesis, Loughborough University, 2014. https://dspace.lboro.ac.uk/2134/14201.

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Facilitated by the development of various direct-write techniques and functional polymeric materials including polymer based conductors and semiconductors, printed electronics are flourishing both commercially and as a research topic. This is not only because of their simpler manufacturing routes and lower cost, but also as a result of lower processing temperatures and better compatibility with flexible substrates, compared with conventional electronics. The development of conventional electronics has been guided by Moore s Law, the driver for which lies in the demand for electronic devices wi
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Rohman, Diane. "Journeys." VCU Scholars Compass, 2006. http://hdl.handle.net/10156/1930.

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Mee, Christine. "Spectrophotometric studies of individual components of a cupric chloride etchant used in printed wiring board manufacturing processes /." Online version of thesis, 1986. http://hdl.handle.net/1850/8841.

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Mizer, Sarah Rebekah Byrd. "Lucidity." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/1441.

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This thesis focuses on space, the in-between-ness that exists amidst mental and physical experience. Pith explains personal attachments and rooting systems. The thesis continues with Blessing, narrating love then loss, and finishes with a recipe for making a tomato sandwich. Blessing is followed by Materialize, a collective view of cyclical learning and meandering paths. Finally, the paper concludes with a quirky Women and Swarovski encrusted skulls, which matter-of-factly lists artists (all of whom happen to be women) whose works I find particularly compelling; and also notes on general trend
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Solodovnyk, A. N., Q. Chen, W. Li, and F. Fei. "Involving Low-Pressure Plasma for Surface Pre-Treatment and Post Print Sintering of Silver Tracks on Polymer Substrates." Thesis, Sumy State University, 2012. http://essuir.sumdu.edu.ua/handle/123456789/35392.

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A method of production conductive silver tracks on thermally sensitive polymer (BOPP) was offered, involving plasma for preprint polymer surface activation to enable better adhesion properties and postprint selective etching to reduce amounts of polymer and raise electroconductivity. Inkjet, spin coating, and roll-blade coating were the methods of application of silver nanoparticle inks. We report to achieve two magnitudes lower sheet resistance of silver thin film with no effect on polymer substrate. This method with little modification could be adopted for production of flexible electro
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Books on the topic "Etchings (prints)"

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Pasmore, Victor. Victor Pasmore: Etchings and aquatints. Marlborough Graphics Ltd., 1992.

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Pasmore, Victor. Victor Pasmore: New work : etchings & lithographs. Marlborough Fine Art, 1995.

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Thiebaud, Wayne. Wayne Thiebaud: Prints and hand-coloured etchings. Karsten Schubert, 1990.

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1924-, Schaldach William J., ed. Schaldach etchings: The sporting art of William J. Schaldach. GSJ Press, 1987.

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Pasmore, Victor. Victor Pasmore: New work : etchings & lithographs. Marlborough Graphics Ltd., 1995.

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1904-1972, Dickerson William Judson, and Wichita Art Museum, eds. William J. Dickerson, 1904-1972: Lithographs, block prints & etchings. Barbara J. Thompson, 2016.

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Ardizzone, Nicholas. Edward Ardizzone's world: The etchings and lithographs : an introduction and catalogue raisonné. Unicorn, 2000.

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Angeloch, Robert. Robert Angeloch: Early prints, woodcuts, etchings, and lithographs 1947-1966. Phantom Press, 1988.

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Kollwitz, Käthe. Käthe Kollwitz, 1867-1945: Etchings, lithographs and woodcuts. William Weston Gallery, 1995.

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Piranesi, Giovanni Battista. Giovanni Battista Piranesi: The complete etchings. Alan Wofsy, 1994.

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Book chapters on the topic "Etchings (prints)"

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O’Connell, Sheila. "3. Pictures on the Street: Cheap Pictorial Prints in Eighteenth-Century Britain." In Cheap Print and Street Literature of the Long Eighteenth Century. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0347.03.

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This chapter discusses the range of printed images that would have been familiar during the eighteenth century to people at all levels of society in towns and to a lesser extent in rural areas. These everyday prints ranged from early examples of advertising to grim depictions of the condemned sold at public executions; from moralizing broadsides to cheap patriotic portraits of the royal family and military leaders. Like other commodities sold in large numbers for small sums, they were not valued at the time and so are now rare. Catalogues published in the 1750s and 1760s list hundreds of title
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Clark, Raymond H. "Etching." In Handbook of Printed Circuit Manufacturing. Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-011-7012-3_20.

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Nagendra Prasad, K., and Ismail Syed. "Influence of Surface Textures by Ink-Jet Print Followed by Chemical Etching Process on the Performance of HSS Cutting Tool." In Advances in Applied Mechanical Engineering. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-1201-8_67.

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Sargent Noyes, Ruth. "Introduction." In Reassessing Epistemic Images in the Early Modern World. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463723350_ch02.

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Galileo Galilei’s History and Demonstrations on Solar Spots and Their Properties, a collection of letters on observations of sunspots, came off the Roman presses in spring 1613 with 38 printed illustrations that minutely reproduced Galileo’s telescopic drawings. Printed from etched copperplates by artist Mattheus Greuter, these prints’ production consumed half of the book’s entire budget. This introductory chapter explores the crucial rhetorical and epistemological role that Greuter’s sunspot etchings and the artist’s painstaking methods played in conveying and even constituting Galileo’s cont
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Cook, Karen Severud. "The Contribution of à la poupée Inking to Natural History Illustration in France, 1800–70." In Printing Colour 1700 - 1830. British AcademyLondon, 2024. https://doi.org/10.5871/bacad/9780197267530.003.0022.

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Abstract During the final decades of the 18th century French natural history books were typically illustrated by the established method of inserting a black intaglio print, often with added hand colouring. An upsurge of zoological publishing after 1800, associated with the increasing number of illustrated scientific journals and expedition reports, provided a stimulus for change. The advance of zoological science meant that more accurate illustrations with consistent colouring were needed. An intaglio colour-printing method, already in use in France for separate prints and for illustrating oth
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Chambers, Emma. "Objects of desire: etching and print collecting." In An Indolent and Blundering Art? Routledge, 2018. http://dx.doi.org/10.4324/9780429456800-4.

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"Transalpine Exchange, the Welsch, and the Deutsch." In Picturing German Antiquity in the Age of Print. Amsterdam University Press, 2024. https://doi.org/10.5117/9789048558896_ch03.

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Two distinct artistic styles, verbally indexed by the terms welsch and deutsch, emerged as a by-product of cross-cultural exchange in sixteenth-century Germany. This chapter provides an overview of printmaking in Augsburg and Venice that highlights pictorial experimentation and technological advancements, including color printing and etching, spurred on by contact. It includes a critical examination of the utility of welsch and deutsch as terminology in twenty-first-century scholarship and argues all’antica more accurately describes the classicizing works of art and architecture produced in Au
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Gardner, Eric. "Endings and Not." In Frances Ellen Watkins Harper’s Civil War and Reconstruction. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197804520.003.0007.

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Abstract Challenging how traditional biography treats “endings” and reflecting on the comparative dearth of source material from the mid- and late 1870s, Chapter 7 considers how, as key Reconstruction initiatives were swept aside, Harper seemed to turn away from commenting on race and toward emphasizing temperance—seen most notably in the lack of overt discussion of race in her serialized novel Sowing and Reaping (1876–1877). However, rereading Sowing alongside Harper’s series of “Fancy Etchings”/“Fancy Sketches” for the Christian Recorder and her repeated delivery of a lecture titled “The Col
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Taylor, Lisa. "Etchings from the Attic: looking back at feminist print-making from the 1980s." In Historicising the Women’s Liberation Movement in the Western World. Routledge, 2019. http://dx.doi.org/10.4324/9781351167680-2.

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Taylor, David Francis. "The Literariness of Graphic Satire." In The Politics of Parody. Yale University Press, 2018. http://dx.doi.org/10.12987/yale/9780300223750.003.0001.

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This introductory chapter discusses the literariness of graphic satire. First applied to visual satire in the mid-nineteenth century, the term graphic satire problematically implies a straightforward formal equivalence between the modern editorial cartoon and the political caricature of the Georgian period, which was published and disseminated as a single-sheet etching. However, the fallacy that such images yield their meaning directly and near instantaneously is an old one. To speak of the literariness of caricature is to recognize and attend to its syntactical and narrative structures: struc
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Conference papers on the topic "Etchings (prints)"

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Vandekerckhove, Tom, Ruben Van Assche, Ivo Tanghe, et al. "Highly-Selective Etching of Micro-Transfer-Printed Thin-Film Lithium Niobate for Low Coupling Losses." In CLEO: Science and Innovations. Optica Publishing Group, 2024. http://dx.doi.org/10.1364/cleo_si.2024.sth3f.6.

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Efficient low-loss coupling to micro-transfer-printed lithium niobate remains a challenge. We developed a highly-selective lithium niobate etch that enables selective etching of tapered coupling structures into the lithium niobate thin film after micro-transfer printing.
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Frank, Natalie Hana, Iain Stuart Hall, and Paolo Brunello. "Mitigation of CRU Heater Tube Carburization by Modified High Heat Transfer Ceramic Cladding Materials." In CONFERENCE 2022. AMPP, 2022. https://doi.org/10.5006/c2022-17831.

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Abstract Carburization is a failure mechanism common to the petrochemical industry in Catalytic Reforming Units (CRU’s) where atmospheres containing hydrocarbons and/or carbon monoxide are prominent. Elevated fuel prices cause refineries to run with low excess oxygen to generate cost savings. The resulting atmosphere at elevated temperatures creates an environment where carbon is favorably transferred to iron and low alloy steels, forming a hardened layer of carbides that reduce the life of the steel tubing and vessels. Ceramic coatings have previously been applied in CRUs to increase radiant
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Lall, Pradeep, Kartik Goyal, Kyle Schulze, and Curtis Hill. "Print-Consistency and Process-Interaction for Inkjet-Printed Copper on Flexible Substrate." In ASME 2021 International Technical Conference and Exhibition on Packaging and Integration of Electronic and Photonic Microsystems. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/ipack2021-74063.

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Abstract Printed electronics is a fastest growing and emerging technology that have shown much potential in several industries including automotive, wearables, healthcare, and aerospace. Its applications can be found not only in flexible but also in large area electronics. The technology provides an effective and convenient method to additively deposit conductive and insulating materials on any type of substrate. Comparing with traditional manufacturing processes, which involves chemical etching, this technology also comes to be relatively environmental friendly. Despite its status, it is not
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Lall, Pradeep, Kartik Goyal, Nakul Kothari, Ben Leever, and Scott Miller. "Effect of Process Parameters on Aerosol Jet Printing of Multi-Layer Circuitry." In ASME 2019 International Technical Conference and Exhibition on Packaging and Integration of Electronic and Photonic Microsystems. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/ipack2019-6574.

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Abstract Printing technologies such as Aerosol Jet provides the freedom of miniaturizing interconnects and producing fine pitch components. Aerosol Jet, a direct printing technique replaces the traditional steps of manufacturing a printed circuit board such as lithography or etching, which are quite expensive, and further allowing the circuits to be fabricated onto all kinds of substrates. Wide impact areas range from healthcare to wearables to future automotive applications. The aerosol jet printer from Optomec utilized in this study, consists of two types of atomizers depending on ink viscos
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Lall, Pradeep, Amrit Abrol, Nakul Kothari, Ben Leever, and Scott Miller. "Process Capability of Aerosol-Jet Additive Processes for Long-Runs up to 10-Hours." In ASME 2019 International Technical Conference and Exhibition on Packaging and Integration of Electronic and Photonic Microsystems. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/ipack2019-6569.

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Abstract Traditionally, the printed circuit assemblies have been fabricated through a combination of imaging and plating based subtractive processes involving use of photo-exposure followed by baths for plating and etching to form the needed circuitry on rigid and flexible laminates. Additive electronics is finding applications for fabrication of IoT sensors. The emergence of a number of additive technologies poses an opportunity for the development of processes for manufacture of flexible substrates using mainstream additive processes, which are now commercially available. Aerosol-Jet printin
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Lall, Pradeep, Hyesoo Jang, Jinesh Narangaparambil, and Curtis Hill. "Development and Reliability Evaluation of Additively Printed Biosensing Device for Wearable Applications in Harsh Environment." In ASME 2023 International Technical Conference and Exhibition on Packaging and Integration of Electronic and Photonic Microsystems. American Society of Mechanical Engineers, 2023. http://dx.doi.org/10.1115/ipack2023-111968.

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Abstract Using additive technologies for the production of printed circuit boards avoids the need for costly tooling, such as photomasks or etching containers for removing photoresist and metallization. Design and manufacturing based on software enables production flexibility, as well as speedier tool adjustments and design development. In addition, unlike traditional methods that remove unwanted material from a copper-clad board additive printing methods may be used to several fabrics, vehicles, and polymers with a variety of surfaces and forms. This allows for more flexibility and creativity
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Lall, Pradeep, Hyesoo Jang, and Scott Miller. "Additive Printing of Wearable EDA Sensors on In-Mold Electronics on Automotive Platform." In ASME 2023 International Technical Conference and Exhibition on Packaging and Integration of Electronic and Photonic Microsystems. American Society of Mechanical Engineers, 2023. http://dx.doi.org/10.1115/ipack2023-111973.

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Abstract Additive fabrication techniques for fabricating printed circuit boards obviate the necessity for costly equipment, such as etching vessels or photomasks for eliminating metallization and photoresist. Software-driven design and fabrication enable production flexibility as well as expedited tool modifications and design enhancements. Furthermore, additive printing methods can be utilized on various substrates, vehicles, and polymers with diverse geometries and textures, while previous methods need to have complex and costlier processes. On the regards that it allows for more flexibility
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Cheng, Chen-Yue, Je-Ping Hu, Yi-Hsuan Lai, Hui-Fang Wang, and Chia-Tai Cheng. "Monolithic thermal ink-jet print head combining anisotropic etching and electroplating." In Photonics Taiwan, edited by Yung-Sheng Liu and Thomas S. Huang. SPIE, 2000. http://dx.doi.org/10.1117/12.389452.

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Stevens, Margaret A., Jill A. Nolde, Shawn Mack, and Kenneth J. Schmieder. "Selective Etching of 6.1 Å Materials for Transfer-Printed Devices." In 2022 IEEE 49th Photovoltaics Specialists Conference (PVSC). IEEE, 2022. http://dx.doi.org/10.1109/pvsc48317.2022.9938631.

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Yu, Jun, Jun Chen, S. Z. Deng, and N. S. Xu. "Post Treatment of Screen-Printed Carbon Nanotubes Emitter by Plasma Etching." In 2006 19th International Vacuum Nanoelectronics Conference. IEEE, 2006. http://dx.doi.org/10.1109/ivnc.2006.335220.

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Reports on the topic "Etchings (prints)"

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L'Estampe en France: Thirty-Four Young Printmakers. Inter-American Development Bank, 1999. http://dx.doi.org/10.18235/0006415.

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Forty-five limited edition prints (primarily etching and engraving, but also lithography, silkscreen, and computer-generated images, among others) by French printmakers under forty years of age. Through the Association Française d¿Action Artistique (AFAA) and L¿Association Les Ateliers, an association of Parisian printmaking workshops, the Center brought contemporary works by master printers whose work represents an extraordinary diversity of vision. The exhibition was organized in honor of Paris, France, site of the 40th Annual Meeting of the IDB Board of Governors in March, 1999, and later i
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Canadian Impressions. Inter-American Development Bank, 2011. http://dx.doi.org/10.18235/0006443.

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Canadian Impressions pays tribute to Canada and Calgary, Alberta, home of the 52nd Annual Meeting of the Board of Governors of the Inter-American Development Bank. Twelve Canadian artists who were selected in an open call, present a total of 34 prints in various techniques from etching to monotype. Among the participating artists are: Briar Craig, Delio Delgado, René Derouin, Katie Fife, Joscelyn Gardner, Michel Gautier, Vanessa Hall-Patch, Miriam Rudolph, Tracy Lynn Templeton, Todd Treme, Oscar Danilo Vargas and Laura Widmer.
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