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Dissertations / Theses on the topic 'Etchings (prints)'

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1

Frederick, Amy Reed. "Rembrandt's Etched Sketches and Seventeenth-Century Print Culture." Case Western Reserve University School of Graduate Studies / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=case1390500621.

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2

Criss, Erica J. Ms. "No More Writing on the Merry-Go-Round: A series of etchings." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1334546869.

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3

Upper, Lauren Elizabeth. "Graphic art and institutional identity in Renaissance France: Parisian printers' devices and the Fontainebleu etchings." Thesis, Boston University, 2003. https://hdl.handle.net/2144/27786.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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4

Yoshitomi, Satoshi. "Application of surface analytical techniques to the characterisation of 60Pb/40Sn solder alloy on PCBs." Thesis, University of Bristol, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294393.

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5

Ross, Gail Macdonald. "New Zealand Prints 1900-1950: An Unseen Heritage." Thesis, University of Canterbury. School of Fine Arts, 2006. http://hdl.handle.net/10092/937.

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The vibrant school of printmaking which emerged and flourished in New Zealand between 1900 and 1950 forms the subject of this thesis. It examines the attitudes of the printmakers, many of whom regarded the print as the most democratic of art forms and one that should reflect the realities of everyday life. Their subject matter, contemporary city scenes, people at work and leisure, local landscapes, Maori and indigenous flora and fauna, is analysed and revealed as anticipating by over a decade that of regionalist painters. They are also identified as the first New Zealand artists to draw
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6

Zhang, Yan. "Inkjet etching of micro-via holes in thin polymer layers." Thesis, Loughborough University, 2014. https://dspace.lboro.ac.uk/2134/14201.

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Facilitated by the development of various direct-write techniques and functional polymeric materials including polymer based conductors and semiconductors, printed electronics are flourishing both commercially and as a research topic. This is not only because of their simpler manufacturing routes and lower cost, but also as a result of lower processing temperatures and better compatibility with flexible substrates, compared with conventional electronics. The development of conventional electronics has been guided by Moore s Law, the driver for which lies in the demand for electronic devices wi
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7

Rohman, Diane. "Journeys." VCU Scholars Compass, 2006. http://hdl.handle.net/10156/1930.

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8

Mee, Christine. "Spectrophotometric studies of individual components of a cupric chloride etchant used in printed wiring board manufacturing processes /." Online version of thesis, 1986. http://hdl.handle.net/1850/8841.

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9

Mizer, Sarah Rebekah Byrd. "Lucidity." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/1441.

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This thesis focuses on space, the in-between-ness that exists amidst mental and physical experience. Pith explains personal attachments and rooting systems. The thesis continues with Blessing, narrating love then loss, and finishes with a recipe for making a tomato sandwich. Blessing is followed by Materialize, a collective view of cyclical learning and meandering paths. Finally, the paper concludes with a quirky Women and Swarovski encrusted skulls, which matter-of-factly lists artists (all of whom happen to be women) whose works I find particularly compelling; and also notes on general trend
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10

Solodovnyk, A. N., Q. Chen, W. Li, and F. Fei. "Involving Low-Pressure Plasma for Surface Pre-Treatment and Post Print Sintering of Silver Tracks on Polymer Substrates." Thesis, Sumy State University, 2012. http://essuir.sumdu.edu.ua/handle/123456789/35392.

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A method of production conductive silver tracks on thermally sensitive polymer (BOPP) was offered, involving plasma for preprint polymer surface activation to enable better adhesion properties and postprint selective etching to reduce amounts of polymer and raise electroconductivity. Inkjet, spin coating, and roll-blade coating were the methods of application of silver nanoparticle inks. We report to achieve two magnitudes lower sheet resistance of silver thin film with no effect on polymer substrate. This method with little modification could be adopted for production of flexible electro
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11

Larson, Kevin Eugene. "Zero-Energy Tuning of Silicon Microring Resonators Using 3D Printed Microfluidics and Two-Photon Absorption Induced Photoelectrochemical Etching of Silicon." BYU ScholarsArchive, 2021. https://scholarsarchive.byu.edu/etd/9086.

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This thesis presents a novel method of modulating silicon photonic circuits using 3D printed microfluidic devices. The fluids that pass through the microfluidic device interact directly with the silicon waveguides. This method changes the refractive index of the waveguide cladding, thus changing the effective index of the system. Through using this technique we demonstrate the shift in resonant wavelength by a full free spectral range (FSR) by increasing the concentration of the salt water in the microfluidic device from 0% to 10%. On a 60 μm microring resonator, this equals a resonant wav
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12

Ysasi, Alonso Alejandro. "La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio." Doctoral thesis, Universitat de les Illes Balears, 2014. http://hdl.handle.net/10803/284394.

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És una investigació, anàlisis, i aproximació a l’obra gràfica de l’artista mallorquí, del segle XX, Pere Quetglas, conegut pel pseudònim de “Xam”. La seva activitat s'ha sistematitzat sobre la base la biografia, tècniques treballades i el seu entorn. Xam, es va exercitar en la caricatura, el dibuix, el cartell, el gravat xilogràfic, la pintura, els monotips, la serigrafia i en el gravat calcogràfic. Del conjunt de tota la seva producció l’autor se centra en l'obra gràfica produïda a partir de 1944, quan pot datar-se la seva primera xilografia, i la seva defunció, l’any 2001, en el qual realit
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13

Meeker, RH. "Familiar ground : expressing post-diasporic Scottish identity through collage and print." Thesis, 2015. https://eprints.utas.edu.au/22957/7/Meeker_whole_thesis.pdf.

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The Masters research project was motivated by a desire to explore and represent my identity as a Scottish-Australian through the visual means of collage and printmaking. I aimed to investigate diaspora, displacement, the notion of a hand-medown homeland and an imagined place-based identity, which was pursued through an exploration of the tension between cultural experiences of the authentic (“scottishry”) and the kitch (“tartanry”). The topic looks back to my grandparents’ arrival in Australia a century ago and considers the adherence to Scottish culture pursued by the following generations.
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14

Biłozór-Salwa, Małgorzata. "Twórczość Jana Ziarnki a paryskie środowisko rytowników i wydawców pierwszej ćwierci XVII wieku." Doctoral thesis, 2017. https://depotuw.ceon.pl/handle/item/2559.

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Rozprawa doktorska jest analizą stylistyczną i historyczną oraz reinterpretacją oeuvre graficznego Jana Ziarnki. Urodzony we Lwowie rytownik, czynny w latach 1598-1629 oraz znany także jako Jean le Grain lub A. Grano, związany był całkowicie ze środowiskiem paryskim pierwszej ćwierci XVII wieku. Jego twórczość obejmuje zarówno ryciny luźne, jak i ilustracje do różnorodnych rodzajów publikacji. W pracy stawiam tezę, że dla zrozumienia i nowej interpretacji jego twórczości należy rozpatrywać ją nie tylko w kontekście ówczesnych wydarzeń historycznych, jak czyniono dotychczas, ale także na tle ów
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15

Meyerhöfer, Dietrich. "Johann Friedrich von Uffenbach. Sammler – Stifter – Wissenschaftler." Doctoral thesis, 2020. http://hdl.handle.net/21.11130/00-1735-0000-0005-13B0-E.

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