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Journal articles on the topic 'Ethan Allen'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Kermes, S. "Inventing Ethan Allen." Journal of American History 102, no. 1 (2015): 232. http://dx.doi.org/10.1093/jahist/jav236.

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2

Stern, Judith S. "Ethan Allen Sims (1916-2010)." Obesity 19, no. 3 (2011): 467. http://dx.doi.org/10.1038/oby.2010.334.

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3

Lord, Gary Thomas, J. Kevin Graffagnino, Ethan Allen, and Ira Allen. "Ethan and Ira Allen: Collected Works." New England Quarterly 66, no. 3 (1993): 471. http://dx.doi.org/10.2307/366011.

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4

Parr, Marilyn K., J. Kevin Graffagnino, Ethan Allen, and Ira Allen. "Ethan and Ira Allen: Collected Works." Journal of the Early Republic 12, no. 4 (1992): 562. http://dx.doi.org/10.2307/3123883.

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5

Cihlar, James. "Ethan Allen in Love, House Beautiful." Prairie Schooner 77, no. 1 (2003): 166–69. http://dx.doi.org/10.1353/psg.2003.0006.

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6

Shalhope, Robert E., John J. Duffy, Ralph H. Orth, J. Kevin Graffagnino, and Michael A. Bellesiles. "Ethan Allen and His Kin: Correspondence, 1772-1819." William and Mary Quarterly 58, no. 2 (2001): 486. http://dx.doi.org/10.2307/2674198.

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7

Jones, Daniel P., John J. Duffy, and Ethan Allen. "Ethan Allen and His Kin: Correspondendence, 1772-1819, Vol. 1." Journal of the Early Republic 21, no. 1 (2001): 129. http://dx.doi.org/10.2307/3125101.

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8

Davidson, Cathy N. "Critical Fictions." PMLA/Publications of the Modern Language Association of America 111, no. 5 (1996): 1063–79. http://dx.doi.org/10.1632/s0030812900177004.

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Throughout the first decade of the nineteenth century, Ethan Allen Greenwood, a rather pedantic young diarist, each day recorded the weather and the title of the book he was reading. He sometimes observed that a particular work was “instructive” or “entertaining” and occasionally noted the library from which the volume was borrowed–the Adelphi Fraternity Library, the Social Friends Library, or the unnamed circulating library he joined in 1806. His meticulous account of his activities and expenses–whether he was living at home in Worcester County, Massachusetts, or at Dartmouth College or later

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9

Churner, Rachel, Malcolm Turvey, Giuliana Bruno, et al. "Annette Michelson Remembered." October 169 (August 2019): 105–63. http://dx.doi.org/10.1162/octo_a_00362.

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Nineteen scholars, writers, and friends remember Annette Michelson (1922–2018), cofounder of October. Written tributes by Giuliana Bruno, Scott Bukatman, Enrico Camporesi, Edward Dimendberg, Jean-Michel Frodon, Amos Gitai, Vivian Gornick, Gertrud Koch, Antonia Lant, Stuart Liebman, Anne McCarthy, Tony Pipolo, Robert Polidori, Yvonne Rainer, Ethan Taubes, Allen S. Weiss, and Federico Windhausen, and a series of photographs by Babette Mangolte.

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10

Aldridge, A. Owen. "Natural Religion and Deism in America before Ethan Allen and Thomas Paine." William and Mary Quarterly 54, no. 4 (1997): 835. http://dx.doi.org/10.2307/2953885.

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11

D’Angelo, Mark P., Drew B. Hains, and Aaron D. Miller. "The Sinking of the Ethan Allen: A Fresh Look at the Investigation and Cause." Marine Technology Society Journal 46, no. 6 (2012): 85–110. http://dx.doi.org/10.4031/mtsj.46.6.7.

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AbstractOn October 2, 2005, the New York State Certified Passenger vessel Ethan Allen heeled to port, capsized, and later sank as it rounded Cramer Point on Lake George. Tragically, 20 passengers died and several others were injured. A National Transportation Safety Board (NTSB) investigation ensued which focused on aspects of the intact stability and seakeeping characteristics of the vessel. This article includes a new examination of the NTSB’s lightship determination and an interestingly fundamental analysis of the turn-induced heel and its impact on the resulting capsize. The accident has r

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12

Mancall, Peter C., and Michael A. Bellesiles. "Revolutionary Outlaws: Ethan Allen and the Struggle for Independence on the Early American Frontier." Journal of American History 81, no. 3 (1994): 1288. http://dx.doi.org/10.2307/2081498.

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13

Mintz, Max M., and Michael A. Bellesiles. "Revolutionary Outlaws: Ethan Allen and the Struggle for Independence on the Early American Frontier." American Historical Review 100, no. 3 (1995): 935. http://dx.doi.org/10.2307/2168697.

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14

Daniell, Jere, and Michael A. Bellesiles. "Revolutionary Outlaws: Ethan Allen and the Struggle for Independence on the Early American Frontier." Journal of Interdisciplinary History 26, no. 2 (1995): 330. http://dx.doi.org/10.2307/206652.

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15

Greene, James M. "Ethan Allen and Daniel Shays: Contrasting Models of Political Representation in the Early Republic." Early American Literature 48, no. 1 (2013): 125–51. http://dx.doi.org/10.1353/eal.2013.0000.

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16

Atta, John R. Van, and Michael A. Bellesiles. "Revolutionary Outlaws: Ethan Allen and the Struggle for Independence on the Early American Frontier." Journal of the Early Republic 14, no. 1 (1994): 108. http://dx.doi.org/10.2307/3124611.

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17

Roth, Randolph A., and Michael A. Bellesiles. "Revolutionary Outlaws: Ethan Allen and the Struggle for Independence on the Early American Frontier." William and Mary Quarterly 51, no. 3 (1994): 582. http://dx.doi.org/10.2307/2947460.

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18

Born, John D. "Revolutionary Outlaws: Ethan Allen and the Struggle for Independence on the Early American Frontier." History: Reviews of New Books 24, no. 2 (1996): 53–54. http://dx.doi.org/10.1080/03612759.1996.9951147.

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19

Calloway, Colin G., and Michael A. Bellesiles. "Revolutionary Outlaws: Ethan Allen and the Struggle for Independence on the Early American Frontier." New England Quarterly 67, no. 1 (1994): 173. http://dx.doi.org/10.2307/366474.

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20

Powers. "Diminishing the Discontent: A Biological Perspective on Ethan Allen Hawley and the New Baytown Tide Pool." Steinbeck Review 12, no. 2 (2015): 159. http://dx.doi.org/10.5325/steinbeckreview.12.2.0159.

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21

Williams, Daniel E. "Zealous in the Cause of Liberty: Self-Creation and Redemption in the Narrative of Ethan Allen." Studies in Eighteenth-Century Culture 19, no. 1 (1990): 325–47. http://dx.doi.org/10.1353/sec.1990.0019.

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22

Den Hartog, Jonathan. "Ethan Allen: His Life and Times. By Willard Sterne Randall. (New York, NY: W. W. Norton, 2011. Pp. xiv, 617. $35.00.)." Historian 74, no. 4 (2012): 850–51. http://dx.doi.org/10.1111/j.1540-6563.2012.00334_29.x.

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23

HEAVILIN, BARBARA A. "“Parallels With Our Own Times”: Ethan Allan Hawley as Lancelot Grotesque1." Steinbeck Review 5, no. 1 (2008): 49–61. http://dx.doi.org/10.1111/j.1754-6087.2008.00005.x.

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24

Cotte, Pierre. "Le titre et l'incipit d'un conte d'Edgar Allan Poe." Études anglaises 57, no. 2 (2004): 173. http://dx.doi.org/10.3917/etan.572.0173.

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25

Moulinié, Véronique. "« Allez‑y ! Foncez ! » Daniel Fabre ou la « polygraphie » contagieuse." Ethnologie française 164, no. 4 (2016): 589. http://dx.doi.org/10.3917/ethn.164.0589.

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26

Kreiter, Cornelius G., та Wolfgang Conrad. "Gehinderte Ligandbewegungen in Übergangsmetallkomplexen, XLIV [1]: Photoreaktionen von Hexacarbonyl-μ-η5:5-fulvalen-dimolybdän mit Allen / Hindered Ligand Movements in Transition Metal Complexes, XLIV [1]: Photoreactions of Hexacarbonyl-μ-η5:5 -fulvalene-dimolybdenum with Allene". Zeitschrift für Naturforschung B 49, № 12 (1994): 1707–16. http://dx.doi.org/10.1515/znb-1994-1215.

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Hexacarbonyl-μ-η5:5-fulvalene-dimolybdenum (1) reacts photochemically with allene to η2-allene-pentacarbonyl-μ-η5:5-fulvalene-dimolybdenum (2), μ-η2:2-allene-tetracarbonyl- μ-η5:5-fulvalene-dimolybdenum (4), and dicarbonyl-μ-η5:5-fulvalene-μ-η1:2:3-2-methylene- 4-penten-1,4-diyl-dimolybdenum (5). Complex 2 rearranges readily at room temperature to pentacarbonyl-μ-η1:3-2-propen-1,2-diyl-μ-η5:5-fulvalene-dimolybdenum (3). Upon UV irradiation 4 yields with an excess of allene μ-η2:2-Allene-pentacarbonyl-μ-η5:5-fulvalene-dimolyb-denum (2) shows a hindered rotation of the allene ligand with an ener

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27

Bonrath, Werner, Stephan Michaelis, Klaus R. Pörschke, Barbara Gabor, Richard Mynott, and Carl Krüger. "Reaktion von (1,4-diazabutadien)bis(alken)nickel(0)-Komplexen mit Ethin." Journal of Organometallic Chemistry 397, no. 2 (1990): 255–60. http://dx.doi.org/10.1016/0022-328x(90)80244-t.

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28

Giroux, L., M. H. Back, and R. A. Back. "The photolysis of ethylene at 193 nm." Canadian Journal of Chemistry 67, no. 7 (1989): 1166–73. http://dx.doi.org/10.1139/v89-176.

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The photolysis of ethylene has been studied at pressures from 50 to 3000 Torr using a pulsed ArF excimer laser at 193.3 nm. Major products were acetylene, n-butane, 1-butene, ethane, and 1,3-butadiene, with smaller amounts of propane, propene, methane, and allene. Quantum yields varied with pressure and reaction time; the latter dependence is ascribed to secondary photolysis of butene and butadiene. The reaction products are accounted for by three primary processes:[Formula: see text]followed by reactions of H, [Formula: see text] and C2H5 radicals. The vibrationally excited C2H3radical can de

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29

"Inventing Ethan Allen." Choice Reviews Online 52, no. 03 (2014): 52–1589. http://dx.doi.org/10.5860/choice.185579.

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30

"Ethan Allen: his life and times." Choice Reviews Online 49, no. 07 (2012): 49–4075. http://dx.doi.org/10.5860/choice.49-4075.

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31

"Revolutionary outlaws: Ethan Allen and the struggle for independence on the early American frontier." Choice Reviews Online 31, no. 06 (1994): 31–3396. http://dx.doi.org/10.5860/choice.31-3396.

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32

"Michael A. Bellesiles. Revolutionary Outlaws: Ethan Allen and the Struggle for Independence on the Early American Frontier. Charlottesville: University Press of Virginia. 1993. Pp. xi, 428." American Historical Review, June 1995. http://dx.doi.org/10.1086/ahr/100.3.935-a.

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33

Marshall, P. David. "Seriality and Persona." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.802.

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No man [...] can wear one face to himself and another to the multitude, without finally getting bewildered as to which one may be true. (Nathaniel Hawthorne Scarlet Letter – as seen and pondered by Tony Soprano at Bowdoin College, The Sopranos, Season 1, Episode 5: “College”)The fictitious is a particular and varied source of insight into the everyday world. The idea of seriality—with its variations of the serial, series, seriated—is very much connected to our patterns of entertainment. In this essay, I want to begin the process of testing what values and meanings can be drawn from the idea of

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34

Dixon, Ian. "Film Writing Adapted for Game Narrative: Myth or Error?" M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1225.

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J.J. Gittes (Jack Nicholson) is appalled to learn that his lover is a victim of incest in Robert Towne and Roman Polanski’s definitive, yet subversive film Chinatown (Roman Polanski, 1974). Similarly, Ethan Mars (Pascale Langdale), the hero of the electronic game Heavy Rain (David Cage, 2010), is equally devastated to find his child has been abducted. One a cinema classic of the detective genre, the other a sophisticated electronic game: both ground-breaking, both compelling, but delivered in contrasting media. So, what do Chinatown and Heavy Rain have in common from the writer’s point of view

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35

Shiloh, Ilana. "A Vision of Complex Symmetry." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2674.

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   The labyrinth is probably the most universal trope of complexity. Deriving from pre-Greek labyrinthos, a word denoting “maze, large building with intricate underground passages”, and possibly related to Lydian labrys, which signifies “double-edged axe,” symbol of royal power, the notion of the labyrinth primarily evokes the Minoan Palace in Crete and the myth of the Minotaur. According to this myth, the Minotaur, a monster with the body of a man and the head of a bull, was born to Pesiphae, king Minos’s wife, who mated with a bull when the king of Crete was besieging Athen

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