Academic literature on the topic 'Etherege, George'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Etherege, George.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Etherege, George"
Wilson, Brett D. "The Man of Mode by George Etherege." Restoration: Studies in English Literary Culture, 1660-1700 42, no. 2 (2018): 143–45. http://dx.doi.org/10.1353/rst.2018.0012.
Full textPlaisant, Michèle. "Modes et modèles amoureux dans The Man of Mode de Sir George Etherege." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 37, no. 1 (1993): 39–50. http://dx.doi.org/10.3406/xvii.1993.1264.
Full textSpencer, Christopher. "A Concordance to the Plays and Poems of Sir George Etherege by David D. Mann." Comparative Drama 20, no. 2 (1986): 189–90. http://dx.doi.org/10.1353/cdr.1986.0047.
Full textImbert, Anne-Marie. "Conventions et communication dans The Man of Mode, or, Sir Fopling Flutter de Sir George Etherege." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 25, no. 1 (1987): 29–38. http://dx.doi.org/10.3406/xvii.1987.1116.
Full textHume, Robert D., Michael Cordner, George Etherege, Anthony G. Henderson, and William Congreve. "The Plays of Sir George Etherege: 'The Comical Revenge; Or, Love in a Tub', 'She Would If She Could', 'The Man of Mode; Or Sir Fopling Flutter'." Yearbook of English Studies 17 (1987): 292. http://dx.doi.org/10.2307/3507704.
Full textBEAL, PETER. "SIR GEORGE ETHEREGE'S LIBRARY AT RATISBON." Library 3, no. 3 (September 1, 2002): 315–16. http://dx.doi.org/10.1093/library/3.3.315.
Full textBEAL, PETER. "‘The most constant and best entertainement’: Sir George Etherege's Reading in Ratisbon." Library s6-X, no. 2 (1988): 122–44. http://dx.doi.org/10.1093/library/s6-x.2.122.
Full textLEVINGER, MATTHEW. "THE BIRTH OF MODERN MEMORY." Modern Intellectual History 3, no. 1 (April 2006): 167–78. http://dx.doi.org/10.1017/s1479244305000661.
Full textBarroso, Maria Do Sameiro. "Insights on the history of tuberculosis: Novalis and the romantic idealization." Antropologia Portuguesa, no. 36 (December 10, 2019): 7–25. http://dx.doi.org/10.14195/2182-7982_36_1.
Full textRiddell, Fraser. "Disembodied Vocal Innocence: John Addington Symonds, the Victorian Chorister, and Queer Musical Consumption." Victorian Literature and Culture 48, no. 3 (2020): 485–517. http://dx.doi.org/10.1017/s1060150319000020.
Full textDissertations / Theses on the topic "Etherege, George"
Toner, Paul Michael. "Reform within, a study of satire as inquiry in the plays of sir george etherege." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0003/MQ36187.pdf.
Full textToner, Paul. "Reform within : a study of satire as inquiry in the plays of Sir George Etherege /." 1998.
Find full textAmis, Margaret. "Three couples talking doing it with words in Restoration comedy /." Diss., 1997. http://catalog.hathitrust.org/api/volumes/oclc/38045259.html.
Full textShih-ming, Chang, and 張世明. "The Molding and Development of an Ideal Couple: An Interpretation of the Major Characters in George Etherege's Plays." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/00943458590586793224.
Full text淡江大學
英文學系
91
Abstract In 1660, the exiled son of Charles I returned from France to England and became King Charles II. The Restoration period began. The new king and his followers were pleasure-lovers with good tastes in art, music, and drama. In 1664, George Etherege presented his first play, The Comical Revenge; or, Love in a Tub. A mixture of the old and the new, it was an instant success, also warmly accepted by the Court. The play is generally regarded as the first Restoration comedy because a new type of comedy has been created, and other dramatists soon follow the pattern in writing plays. The main reason of the sensational success of this play is the new hero, a libertine nobleman with a pleasurable lifestyle and spirit of gaiety which appeal to the taste of the Court. The rake-hero does not like the conventional marriage, and Etherege matches him with a widow, a woman of wealth, beauty, and wit. The couple is the first model of Etherege’s ideal couple in its molding stage. This play contributes to the beginning of a new era in British drama. In his second play, She Would If She Could, Etherege presents two realistic ideal couples, with two attractive libertine-rakes to match two young heiresses. It is a better play than the first one in almost every respect, with the characters portrayed much more closer to life. This play is considered the first full-fledged Restoration comedy. Witty conversations and contemporary libertine views, which are explicitly expressed by the major characters, add to the charm and attraction of the play. The main hero resembles the playwright himself in real life, a civilian rake in search of an ideal young lady of wealth, beauty, and wit. The portrayal of the young heiresses in this play is much more powerful than that of the widow in the first play. The young ladies are aware of the inequalities that women are suffering in that society, and they demonstrate a free spirit in trying to break out of the constraints of social custom. The ideal couples in this play are the most realistic in all of Etherege’s plays. Besides, the hypocrisy of the conventional marriage is severely attacked by the playwright through his remarkable creation of a ridiculous couple, Sir Oliver Cockwood and Lady Cockwood. The whole play shows the playwright’s huge progress in every aspect of dramatic writing, especially in characterization. Etherege’s third play, The Man of Mode, or, Sir Fopling Flutter, is his best play, and is widely accepted as one of the best plays in Restoration comedy. This play shows Etherege’s mastery in every aspect of the comedy, especially in the presentation of conversations of wit, satire, and subtlety. It is a play that represents the Restoration comedy in its full maturity. The rake-hero in this play is far more attractive, elegant, and sophisticated than those in the first two plays. The heroine is the playwright’s ultimate ideal woman, with wealth, beauty, wit, free spirit, courage, keen perceptivity, a naturalistic view of life, a firm will, and wisdom. This ideal couple may be too idealized, but it fully represents the playwright’s opinions on love, marriage, and life. Moreover, the contemporary social hypocrisy is heavily ridiculed by the creation of a consummate fop, Sir Fopling Flutter, who represents the utmost of the artificial, unnatural styles in wig, dress, and manners. He is one of the most memorable characters in Restoration comedy. The three plays show the process of the molding and development of Etherege’s ideal couple. It is clear that Etherege keeps improving with each new play, and his ideas and opinions are more and more clearly and masterfully expressed. He creates a new style of comedy, and helps to contribute to its full maturity, making the Restoration comedy one of the most attractive genres in the history of British drama.
"The rakes of George Etherege's and William Wycherley's comedies of manners: A social and dramaturgical analysis based on the experiences of elite Restoration Royalist men." UNION INSTITUTE AND UNIVERSITY, 2008. http://pqdtopen.proquest.com/#viewpdf?dispub=3302258.
Full textBooks on the topic "Etherege, George"
Company, Royal Shakespeare. The man of mode by George Etherege. [Stratford-upon-Avon]: Royal Shakespeare Company, 1989.
Find full text1635?-1691, Etherege George Sir, and Etherege George Sir 1635?-1691, eds. A concordance to the plays and poems of Sir George Etherege. Westport, Conn: Greenwood Press, 1985.
Find full textYoung, Douglas M. The feminist voices in Restoration comedy: The virtuous women in the play-worlds of Etherege, Wycherley, and Congreve. Lanham, Md: University Press of America, 1997.
Find full textThe human Satan in seventeenth-century English literature: From Milton to Rochester. Aldershot, England: Ashgate, 2008.
Find full textBook chapters on the topic "Etherege, George"
Pankratz, Anette. "Etherege, Sir George." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8482-1.
Full textKishi, Tetsuo. "George Etherege and the Destiny of Restoration Comedy." In English Criticism in Japan: Essays by Younger Japanese Scholars on English and American Literature, 156–69. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400870356-012.
Full textKluge, Walter. "Etherege, Sir George: She Wou'd if She Cou'd." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8483-1.
Full textScholz, Susanne. "Etherege, Sir George: The Man of Mode, or, Sir Fopling Flutter." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8484-1.
Full text"Presenting a 16th-century Greek manuscript using 21st-century technology: the autograph encomium on Henry VIII addressed to Elizabeth I by George Etheridge." In Griechisch-byzantinische Handschriftenforschung, 549–62. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110366358-041.
Full textHow, James. "'I have been so long absent from Court': Sir George Etherege's personal and business letters, a courtly enclave in epistolary space (1685-89)." In Epistolary Spaces, 50–77. Routledge, 2019. http://dx.doi.org/10.4324/9781315198828-3.
Full text