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1

Sir George Etherege. Boston: Twayne Publishers, 1987.

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2

Company, Royal Shakespeare. The man of mode by George Etherege. [Stratford-upon-Avon]: Royal Shakespeare Company, 1989.

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3

1635?-1691, Etherege George Sir, and Etherege George Sir 1635?-1691, eds. A concordance to the plays and poems of Sir George Etherege. Westport, Conn: Greenwood Press, 1985.

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4

1936-, Barnard John, ed. The Man of mode. London: Black, 2003.

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5

Etherege, George. The man of mode. London: A & C Black, 1988.

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6

1936-, Barnard John, ed. The man of mode. 2nd ed. London: A & C Black, 2007.

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7

Young, Douglas M. The feminist voices in Restoration comedy: The virtuous women in the play-worlds of Etherege, Wycherley, and Congreve. Lanham, Md: University Press of America, 1997.

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8

The human Satan in seventeenth-century English literature: From Milton to Rochester. Aldershot, England: Ashgate, 2008.

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9

Thorpe, James. Poems of Sir George Etherege. Princeton University Press, 2015.

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10

Thorpe, James. Poems of Sir George Etherege. Princeton University Press, 2016.

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11

Thorpe, James. Poems of Sir George Etherege. Princeton University Press, 2016.

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12

McCamic, Frances Smith. Sir George Etherege: A Study In Restoration Comedy 1660-1680. Kessinger Publishing, LLC, 2007.

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13

First Modern Comedies: The Significance of Etherege, Wycherley, and Congreve. Indiana University Press, 2000.

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14

Perry, Henry Ten Eyck. The Comic Spirit In Restoration Drama: Studies In The Comedy Of Etherege, Wycherley, Congreve, Vanbrugh And Farquhar. Kessinger Publishing, LLC, 2007.

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15

Holland, Norman N. The First Modern Comedies. Harvard University Press, 2014.

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16

Ezell, Margaret J. M. Renovating the Stage: Companies, Actresses, Repertoire, Theatre Innovations, and the Touring Companies. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198183112.003.0009.

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Within three months of Charles II’s return, the London theatres were reopened, with two companies granted royal patents. Thomas Killigrew formed the King’s Company, and William Davenant the Duke’s Company. Initially the repertoire consisted of pre-war plays, with those of Shakespeare, Beaumont, and Fletcher popular. Regular theatre-goer Samuel Pepys recorded his approval of the new actors such as Thomas Betterton, Edward Kynaston, and Charles Hart, and actresses including Nell Gwyn and Elizabeth Barry. The companies invested in new theatres incorporating continental designs for proscenium arches, scenery, and effects at the Theatre Royal in Drury Lane, Lincoln’s Inn Fields, and Dorset Garden. Dramatists providing new plays included John Dryden, Thomas Shadwell, Aphra Behn, William Wycherley, and George Etherege.
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17

Rosenfeld, Nancy. Human Satan in Seventeenth-Century English Literature: From Milton to Rochester. Taylor & Francis Group, 2016.

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