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Dissertations / Theses on the topic 'Ethics and aesthetic'

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1

Godwin, John. "Aesthetic ethics in the De Rerum Natura of Lucretius." Thesis, Open University, 1998. http://oro.open.ac.uk/57862/.

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The avowed purpose of Lucretius' poem is the ethical conversion of the reader, but ethics comes a very poor second to the physics in apparent importance within the text. This thesis argues that for Lucretius ethics is closely linked to aesthetics in the following ways: 1) ethics for Lucretius is a matter of seeing the truth about the world and thus relies on our senses and a'{aeT7OlS 2) the wise man is advised to watch the world aesthetically with all its sufferings rather than become involved in politics and love himself, the aesthetic appreciation of the spectacle being recommended as the et
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2

Wheatley, Catherine. "Michael Haneke's critical aesthetic and the ethics of film spectatorship." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487152.

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Responses to Austrian filmmaker Michael Haneke's work are laden with ethical inflections - as is expressed in the critical reception of the films. However, existing critical traditions fail to fully account for the impact of Haneke's oeuvre, situated as it is between int~llectual projects and popular entertainments. For while philosophy and film studies have for some years now been intersecting, the ethics of spectatorship remains critically understudied. More significantly, previo~s approaches to the subject of ethics and film have tended to focus on the morality 'of the diegetic universe wit
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Coates, Adrian. "Everyday aesthetic existence and discipleship: exploring the connections between aesthetics, faith and ethics in being human and becoming Christian." Doctoral thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/30398.

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The aim of this project is to provide a theological basis for the practice of discipleship in the world as a form of aesthetic existence. The study is framed by Dietrich Bonhoeffer’s cryptic call for a recovery of Søren Kierkegaard’s notion of aesthetic existence in being Christian, set against the backdrop of their mutual concern for the captivity of the church to Christendom. In addition to the contribution by Kierkegaard (discipleship as poetic living) and Bonhoeffer (Christian living as polyphonous this-worldly celebration of Christological reality), three further key intellectuals have be
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4

Rogers, Taylor. "The Ethical Significance of the Aesthetic Experience of Non-Representational Art." Oberlin College Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1306457898.

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5

Roma, Stoll Rebecca Evonne. "The aesthetic pleasures of pain, 1688-1805." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/6258.

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My dissertation examines how representations of physical and mental suffering in literary texts reveal paradoxes in the structure of sympathy that remain under-explored by literary scholars. In the philosophical thought of Shaftesbury, Hutcheson, Hume, and Smith, sympathy was a feature of the "moral sense," an aesthetic intuition that, with proper training, could compel individuals to act ethically in society. However, because sympathy allowed individuals to feel the experiences of others, not just through the imagination, but in connection with the body itself, the motivation for sympathizing
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6

Green, Jennifer Elizabeth. "Aesthetic Excuses and Moral Crimes: The Convergence of Morality and Aesthetics in Nabokov's Lolita." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04272006-134431/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Title from title screen. Paul Schmidt, committee chair ; Marti Singer, Chris Kocela, committee members. Electronic text (60 p.) : digital, PDF file. Description based on contents viewed Apr. 17, 2007. Includes bibliographical references (p. 55-64).
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7

Rodriguez, Aaron. "The Echo of God's Laughter: Aesthetic Experience and the Virtue of Openness within a Pragmatist Ethics." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18345.

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Immanuel Kant's claim that morality is a matter of rational judgment is perhaps the apotheosis of a tradition within ethical philosophy that sought certainty with regards to how one ought to live or what one should to do in any given situation. Although this strand still lingers in various guises in contemporary moral philosophy, pragmatism has set itself up as a response to this quest for ethical certainty. Yet, with its anti-absolutist commitments, pragmatist approaches to ethics struggle with the articulation of a prescriptive moral philosophy. Virtue ethics, however, with its focus on the
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8

O'Hara, Maeve. "Mindscapes and landscapes : an ontological analysis of aesthetic relationships between visual arts and nature." Title page, contents and abstract only, 2000. http://web4.library.adelaide.edu.au/theses/09ENV/09envo36.pdf.

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Bibliography: leaves 99-102. Identifies aesthetic knowledge as a fundamentally linked perceptual and ontological process. Aesthetic processes are identified as criteria relevant for locating and advocating ethics in 'eco-culturally sustainable development'. Cultural actions are ethical evaluations about valuing nature.
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9

McDonald, Trent A. "Between Artifice and Actuality: The Aesthetic and Ethical Metafiction of Vladimir Nabokov and David Mitchell." Ohio University Honors Tutorial College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1400014295.

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10

Kubiak, Monika, and Annie Lindberg. "Slice me nice : A study exploring Swedish young women`s views and responses to marketing of Aesthetic Surgery in social media." Thesis, Högskolan Kristianstad, Sektionen för hälsa och samhälle, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-15598.

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With an increased number aesthetic surgeries performed in Sweden combined with social media used as a marketing tool, potential clients are exposed for persuasive marketing messages. The harder competition has led to a pressure on prices and the requirements of marketers’ creativity have increased. We predicted that this industry faces ethical challenges which makes it worth investigating.  The purpose of the study was to explore how young women view and respond to marketing by aesthetic surgery clinics in social media. In order to fulfill the purpose a qualitative approach was conducted throu
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11

Spirina, Mariia. "Queer sensibility as an aesthetic of inclusion: How non-demographic designers are challenging fashion norms." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1622212794535272.

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12

Shaw, Sarah. "Seventeen : ethics and aesthetics." Thesis, Northumbria University, 2014. http://nrl.northumbria.ac.uk/23587/.

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My practice-led research in Creative Writing consists of composing a novel closely focalised through three members of a dual-heritage family in Suffolk in 2004 after the teenage daughter is diagnosed with leukaemia. ‘Seventeen: Ethics and Aesthetics’ explores the question: what are the tensions between truth, kindness and the form and poetics of the novel? My critical reflection considers techniques used to convince the reader, and my attempts to represent unconscious psychic processes of the novel’s protagonists in relation to trauma fiction. The aim of the research programme has been to disc
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13

Wachs, Anthony M. "The rhetoric of aesthetics : the beauty of the traditional Roman rite of the Mass." Thesis, Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/661.

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14

Ali, Zulfiqar. "Ethics as aesthetics : Michel Foucault's genealogy of ethics." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/35118/.

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15

Armstrong, Kevin Anthony. "Aesthetics/ethics, two modern views." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ37936.pdf.

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16

Silva, Gabriel Ferreira da. ""Esculpir em argila": Albert Camus uma estética da existência." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/11802.

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Made available in DSpace on 2016-04-27T17:27:27Z (GMT). No. of bitstreams: 1 Gabriel Ferreira da Silva.pdf: 726534 bytes, checksum: 92f9c566b8707004c645fea038abb51a (MD5) Previous issue date: 2009-04-16<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The present study aims to reveal the existential analysis undertaken by Albert Camus in sight of the constitution, in his thought, of an éthos that corresponds to the therms of the human demand for sense that is recognized as frustrated. Since his essay Le Mythe de Sisyphe posits as its fundamental problem the suicide as a poss
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17

Hofmeyr, Augusta Benda. "Ethics and aesthetics in Foucault and Levinas /." Nijmegen : Faculty of philosophy, 2005. http://catalogue.bnf.fr/ark:/12148/cb40087927b.

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18

Abbaszadeh, Sepideh. "The Sunshine Necklace : A design inquiry study about digital jewellery and wearable technology for empowerment in sexual harassment situations." Thesis, Södertörns högskola, Medieteknik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-36260.

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This paper addresses a design exploration focusing on interactive jewellery and wearable computing that could affect sexual harassment in social contexts in everyday life. Drawing on a design inquiry study that lead to the creation of an interactive and digital necklace named Sunshine, which is a personal alarm connected to an emergency center, this paper focuses on how a piece of digital jewellery can contribute to women’s empowerment in relation to sexual harassment. The functionality of Sunshine is based on a device that will be activated when the user presses a button on the necklace and a
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19

Kirkham, Nicola. "J18 : movements towards an ethico-aesthetic paradigm." Thesis, University of the Arts London, 2009. http://ualresearchonline.arts.ac.uk/5790/.

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This thesis offers a materialist account of political action from the perspective of the aesthetic, focusing on a global day of action, protest and carnival staged to coincide with the G8 Summit on June 18th 1999. An event known as J18. Part One begins with a review of contemporary literature concerning the sociologies of contemporary political movements, theories of space and locality provided by geography, analyses of public interventions by art practice as well as the tactical deployment of media and writing related specifically to the cultural politics of anti-capitalism. The theory and me
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Johnston, Jennene Louise Hooper. "Angels of desire subtle subjects, aesthetics and ethics /." View thesis, 2004. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20050527.155421/index.html.

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21

MacLeod, Kathryn Dawn. "Transgressing words and silence : aesthetics, ethics and education." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/33789.

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This thesis explores the relationship between ethics, aesthetics and education, using the limit case of art created in response to the Holocaust, and argues that art is not autonomous: The theme of the Holocaust speaks directly to the question of art’s relationship to moral, political and educational purpose. Guided by the philosophy of Maxine Greene, Jean-Francois Lyotard, and Immanuel Kant, this thesis focuses on three works by artists who have addressed the Holocaust in their work: writer Primo Levi, filmmaker Claude Lanzmann, and sculptor Rachel Whiteread. Lyotard’s aesthetic and political
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22

Reeves-Evison, Theodore. "After transgression : ethico-aesthetic paradigms of contemporary art." Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/16065/.

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This thesis investigates the relationship between ethics and aesthetics by analysing several artworks produced over the last fifty years. It argues that ethics and aesthetics relate to one another in historically specific ways, and that artworks represent a privileged point of access for seeing how this relationship forms and changes. I show that within this period it is possible to discern the rise and fall of a paradigmatic bond between ethics and aesthetics articulated around the concept of transgression. The paradigm of transgression has, I argue, suffered a historical decline in a range o
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23

Kovach, Vanya. "Judgement as play: revealing analogies between aesthetics and ethics." Thesis, University of Auckland, 1993. http://hdl.handle.net/2292/2488.

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This thesis is about the similarities of process between aesthetic experience and ethical judgement. I claim that in both cases the activity is best described as a type of play in which elements interact in mutual adjustment and transformation. This conception of play has its roots in Kant's aesthetic theory. Describing aesthetic experience as play results in emphasis on three central characteristics. These characteristics become the basis of constraints on judgement. In the case of ethical judgement these are important because they save from subjectivism a moral theory, particularism, which r
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24

Thiesen, Leopoldo Gabriel. "Por uma etica transitoria : criação etico-estetica para alem da moral." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280554.

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Orientador: Luiz Benedicto Lacerda Orlandi<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-07T23:15:30Z (GMT). No. of bitstreams: 1 Thiesen_LeopoldoGabriel_D.pdf: 1177750 bytes, checksum: 27aa22e7322c19892f56d7a255a93e3e (MD5) Previous issue date: 2006<br>Doutorado<br>Doutor em Filosofia
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25

Fritsch, Ryan. "The ethics of imagination: Levinas, Aesthetics and Poiesis in uTOpia." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=95124.

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Before Al Gore's 2005 documentary "An Inconvenient Truth" ignited general public concern for the worsening environmental crisis, artists played a crucial role in both exemplifying ecological concerns and in building alternative living and social arrangements. They did so with a sense of "creative responsibility" that formal political and legal institutions seemed incapable of harnessing or acting upon. This thesis looks at how such activist aesthetic movements occurring simultaneously in Toronto and Windsor, Ontario, unleashed a form of "constituent imagination" at once critical, constructive
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26

Palladino, Mariangela. "Toni Morrison's late fiction : an investigation into ethics and aesthetics." Thesis, University of Strathclyde, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510673.

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27

Yang, Julianne Qiuling Ma, and 楊秋凌. "Towards a cinema of contemplation: Roy Andersson's aesthetics and ethics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50162810.

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Considered one of Northern Europe’s most renowned art film directors to date, Swedish filmmaker Roy Andersson has been hailed by critics and art cinemagoers alike for his unconventional visual and narrative style. Marked by his use of long, static shots filmed in wide-angle and deep focus, Andersson’s “tableau aesthetic” is intimately linked to his idea that films, like other art forms, can have an important function in contemporary society: to provoke social and moral awareness in its audience. Aiming to counter what he considers a “fear of seriousness” and a dearth of critical contemplation
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Phillips, Andrea. "Walking into trouble : the ethics and aesthetics of the pedestrian." Thesis, University College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406481.

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29

Breel, Astrid. "Conducting creative agency : the aesthetics and ethics of participatory performance." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/64138/.

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The current vogue for experiential performance in contemporary theatre has led to a rise in interactive, immersive and participatory approaches that focus on creating work that attempts to involve and respond to the audience as individuals. This development has in turn led to an interrogation and redefinition of aesthetics, for instance in Claire Bishop's Artificial Hells (2012), which examines spectatorship in participatory art. This thesis examines the aesthetics and ethics of participatory performance and argues that agency is fundamental to both. The research builds on Gareth White's Audie
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Wardle, Huon Oliver Blaise. "Examining aesthetics and ethics in a pragmatic context, Kingston, Jamaica." Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/272781.

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31

Malecka, Joanna. "The ethics, aesthetics and politics of Thomas Carlyle's 'French Revolution'." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8182/.

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‘The Ethics, Aesthetics and Politics of Carlyle’s French Revolution’ examines the work of Thomas Carlyle as a crucial aesthetic intervention in the modern reception of the French Revolution in Europe. It interrogates the prevalent critical constructions of Carlyle’s work and finds them to proceed predominantly from the Whig historical agenda, structured around such key nineteenth-century concepts as utilitarianism and civilisational and moral progress. Within this critical framework, Carlyle’s largely conservative cultural stance and Christian spirituality are hardly allowed any creative poten
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32

Kuzma, Andrew J. "Theo-dramatic ethics| A balthasarian approach to moral formation." Thesis, Marquette University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10102835.

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<p> What role does beauty play in our moral formation? What difference does the perception of beauty make to the way we live our lives? In order to answer these questions, I look to the twentieth-century Catholic theologian, Hans Urs von Balthasar. Relatively little has been written about Balthasar&rsquo;s ethics. He is, perhaps, best known for his retrieval of beauty as a transcendental property of being. Balthasar, though, never set down an extended account of his ethics or moral theology. While he had no explicit ethic, he certainly thought that his theology could be lived. The <i>Theo-Dram
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33

Issa, Theodora. "Ethical mindsets, aesthetics and spirituality: a mixed-methods approach analysis of the Australian services sector." Thesis, Curtin University, 2009. http://hdl.handle.net/20.500.11937/497.

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This thesis reports on an interpretive mixed-methods approach research conducted in the Australian services sector. Deriving from two different yet related literatures on aesthetics and spirituality, this thesis focuses on the examination of ethical mindsets. Data was collected through an online survey of 223 respondents and focus groups interviews with 20 participants. Analysis of the quantitative and qualitative data suggests the presence of aesthetic spirituality and religious spirituality, along with optimism, harmony and balance, contentment, personal truth, making a difference, and inter
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Toyoda, Mitsuyo. "Approaches to Nature Aesthetics: East Meets West." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3305/.

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Nature aesthetics is examined as an approach to environmental ethics. The characteristics of proper nature appreciation show that every landscape can be appreciated impartially in light of the dynamic processes of nature. However, it is often claimed that natural beauty decreases if humans interfere into nature. This claim leads to the separation of human culture and nature, and limits the number of landscapes which can be protected in terms of aesthetic value. As a solution to this separation, a non-dualistic Japanese aesthetics is examined as a basis for the achievement of the coexistence of
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Felstead, Kenneth Desmond 1945. "The metaphysical grounds for the modern relationship between aesthetics and ethics." Monash University, School of Literary, Visual and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8648.

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36

Fedorova, Kseniya. "New media and performance: Aesthetics and ethics of the technological sublime." Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1442970.

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Hernandez, Maria C. "Ethics and Aesthetics in Contemporary Basque Narrative: Three Portrayals of Terrorism." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1553613721523236.

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38

Alexander, Tamar. "The pious sinner : ethics and aesthetics in the medieval Hasidic narrative /." Tübingen : J. C. B. Mohr (P. Siebeck), 1991. http://catalogue.bnf.fr/ark:/12148/cb35773207d.

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Nedeljkovic, Marijana. "Kiš's vigilance : ethics as aesthetics in the prose of Danilo Kiš." Thesis, University of Westminster, 2016. https://westminsterresearch.westminster.ac.uk/item/q0808/ki-s-vigilance-ethics-as-aesthetics-in-the-prose-of-danilo-ki.

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This thesis offers a reading of the late Yugoslav writer Danilo Kiš by looking at how a particular tradition of European aesthetics and ethical philosophy (namely Levinas and Blanchot) can be compared to Danilo Kiš’s poetics. Beyond critically evaluating Kiš, I am to make connections between ethics, literature and philosophy. The major objective of my thesis is to argue that ethical is embedded as aesthetical in Kiš’s poetics as both Blanchotian and Levinasian understanding of ethics, i.e. as a non-dialectical and non-intentional movement from ‘I’ to the ‘other’ in the midst of passivity of dy
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Sullivan, Lindsay M. "'The ethics of art' : incarnation, revelation and transcendence in the aesthetics and ethics of George Eliot and M.M. Bakhtin." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14748.

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This thesis offers an analysis of George Eliot's aesthetics and ethics from the interdisciplinary perspective of literature and theology. I examine the role that religious motifs play in Eliot's "ethics of art," and argue that the motifs of incarnation, revelation, and transcendence are central to Eliot's aesthetic aim of extending her reader's sympathies. Eliot's ethics of art is designed to help her reader transcend his or her inherent egoism, and to improve the way her reader understands his or her own self in relation to the world and to others. An exploration of the religious motifs of in
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Paixão, Maria de Lurdes Barros da. "Re-elaborações esteticas da dança negra brasileira na contemporaneidade : analise das diferenças e similitudes na concepção coreografica do Bale Folclorico da Bahia e do Grupo Grial de Dança." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284678.

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Orientador: Inaicyra Falcão dos Santos<br>Acompanha 1 DVD e 1 anexo: "Projeto Redende: experiencias de fruição e re-elaboração estetica das matrizes africanas na dança negra contemporanea brasileira<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-14T02:48:19Z (GMT). No. of bitstreams: 1 Paixao_MariadeLurdesBarrosda_D.pdf: 925473 bytes, checksum: 0f2bbc6c64e54b9809c6ba027d9e52de (MD5) Previous issue date: 2009<br>Resumo: Esta tese descreve a análise da Dança Negra elaborada e ressignificada em dois diferentes contextos sócio-h
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Pellecchia, Diego. "Aesthetics and ethics in the reception of Noh theatre in the West." Thesis, University of London, 2011. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549590.

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Arguing that fundamental aesthetic elements of Noh are deeply imbued with ethical qualities, the thesis describes how, throughout the different socio-economic scenarios that marked the transition of Japan and the West to new phases of modernity, Noh became part of an international debate on theatre and ethics. Since the beginning of the twentieth century, European practitioners such as Yeats, Pound, Copeau and Brecht sought to ‘restore’ theatre by returning to ideals of honesty and spirituality that were thought to be lost as a consequence of the rise of bourgeois materialism. The promotion of
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Pett, Sarah. "Reading and writing chronic illness, 1990-2012 : ethics and aesthetics at work." Thesis, University of York, 2014. http://etheses.whiterose.ac.uk/6645/.

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This thesis is about autobiographical and fictional accounts of chronic illness professionally published between 1990 and 2012. It begins with a survey of popular and critical thinking about illness accounts, in which I show how both the medical humanities and literary studies have placed restrictions on what these accounts can mean, and thus on the kinds of cultural work they can do: restrictions that frequently belie the complexity of the aesthetics and ethics at work in many of the texts considered in this thesis. I build on this claim through close reading of a cross-section of contemporar
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McIntire, William. "Living as sublimated dying : understanding aesthetics and ethics from Freud and Nietzsche." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/88893/.

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This thesis aims to examine the connection between aesthetic and ethical valuations. Nietzsche and Freud both claim that values are symptoms of underlying psychical constitutions. I elicit an original understanding of aesthetic and ethical valuations through a synthesis of their works. Beginning with drive theory, I argue that the death-drive is an entropic principle guiding all psychical life. Another original contribution is my conceptualization of Eros as reducible to the death-drive as the means by which the death-drive manifests itself as a homeodynamic process in open systems. I argue, f
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Potkalitsky, Nicolas J. "Refracted Realism and the Ethical Dominant in Contemporary American Fiction." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1563283222402333.

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Boetzkes, Amanda. "Beyond perception : the ethics of contemporary earth art." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102788.

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This dissertation considers the aesthetic strategies and ethical implications of contemporary earth art. Drawing from feminist and ecological critiques of phenomenology, it posits that an ethical preoccupation with the earth is identifiable in works that stage the artist's inability to condense natural phenomena into an intelligible art object thereby evidencing the earth's excess beyond the field of perception. Contemporary earth art has the paradoxical goal of evoking the sensorial plenitude of the earth without representing it as such. The first chapter analyzes Robert Smithson's monumental
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Ednie-Brown, Pia Hope, and pia@rmit edu au. "The aesthetics of emergence." RMIT University. Architecture and Design, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080804.161628.

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Principles of design composition are commonly understood to pertain to geometrical systems for arranging parts in assembling a formal whole. Connection to socio-cultural 'meaning' and relevance arguably occurs primarily via the assumed divinity or universality of these systems. In the contemporary architectural world, where explicitly held beliefs in fundamental, geometrically defined principles or values have dissipated, guiding principles of composition appear to be obsolete. This seems particularly true in relation to work that highlights process - or change, responsiveness, interactivity a
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Jin, Lipeng. "Animal ethics and contemporary art : an exploration of the intersections between ethics and aesthetics, humans and animals, human and animal injustices." Thesis, Lancaster University, 2016. http://eprints.lancs.ac.uk/82819/.

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This research provides artistic interventions into the question of institutionalised violence against animals. With a relational and holistic vision in mind, this artistic enquiry explores the intersections between ethics and aesthetics, humans and animals, human and animal injustices. It is dualistic and anthropocentric thinking that underlies both human and animal oppression. A Derridean approach invites us to think about the shared vulnerability among all beings through the presence of the animal other, calling our infinite responsibility towards the animal and dismantling entwined dualisms
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O'Brien, Marianne. "Aesthetics and ethics at the intersection: Contemporary reflections on the philosophy of Arthur Schopenhauer." Thesis, University of Liverpool, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494273.

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In the last hundred years of commentarial literature on Schopenhauer, the breadth and profundity of the relationships that exist between aesthetics and ethics in his philosophy have been overlooked and overshadowed by studies of Schopenhauer as a metaphysician. This exploration of the status of the metaphysical connection between aesthetics and ethics in his philosophy. In order to establish the significance of this connection for contemporary debates on aesthetics and ethics, I elucidate Schopenhauer's philosophy in a manner that addresses its inconsistencies and inadequacies whilst being con
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Naiboglu, Gozde. "Beyond representation : the ethics and aesthetics of change in Turkish German cinema after Reunification." Thesis, University of Manchester, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.634928.

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This thesis explores recent Turkish-German film through a radically postrepresentationalvision of aesthetics and ethics. Post-representationalism as amethodology involves confronting conventional cognitive and hermeneuticapproaches to film, and going beyond representational schemes and nationalparadigms for a closer engagement with the aesthetic. This thesis puts emphasison tropes such as movement, gesture, process and becoming through anengagement with the writings of Gilles Deleuze and Félix Guattari as analternative to the theoretical models that dominate the scholarship on migrant anddiasp
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