Relevant bibliographies by topics / Ethics in documentary

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ethics in documentary'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 January 2023

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Journal articles on the topic "Ethics in documentary"

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Aburghif, Hsham. "Ethics Reflexivity in Documentary Film (An i-doc as a model)." Academic Journal of Research and Scientific Publishing 4, no. 41 (2022): 28–40. http://dx.doi.org/10.52132/ajrsp.e.2022.41.2.

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This article highlights the ethics of documentary filmmaking. It focuses on filmmakers' task to consider these ethics based on the ethical philosophy of Emmanuel Levinas in exploring the dilemmas of representation in documentaries adopted by Nash (2011), who notes that stories and ethics always go hand in hand. Determining the ethics of regulating documentary filmmaking is not easy and has been controversial over time. It is possible to define the ethics of a filmmaker academically. However, in practice, the matter is different as conditions and reality are imposed on the filmmaker, which make
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Nash, Kate. "Documentary-for-the-Other: Relationships, Ethics and (Observational) Documentary." Journal of Mass Media Ethics 26, no. 3 (2011): 224–39. http://dx.doi.org/10.1080/08900523.2011.581971.

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Rangan, Pooja, Brett Story, and Paige Sarlin. "Humanitarian Ethics and Documentary Politics." Camera Obscura: Feminism, Culture, and Media Studies 33, no. 2 (2018): 197–207. http://dx.doi.org/10.1215/02705346-6923166.

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Frohmann, Bernd. "Documentary ethics, ontology, and politics." Archival Science 8, no. 3 (2008): 165–80. http://dx.doi.org/10.1007/s10502-008-9073-y.

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MATTHEWS, HARRIET. "Persuasion, Representation, and Emotional Heightening." Music, Sound, and the Moving Image 15, no. 1 (2021): 71–93. http://dx.doi.org/10.3828/msmi.2021.4.

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Synthesising real events with creative treatment, increasingly emotive and cinematic documentary presents now more than ever an ethically challenging dichotomy between factual broadcasting and fictional entertainment. Within the discussions of documentary ethics, this dichotomy is largely explored in relation to visual and editorial decisions which might be accused of manipulating or reframing the ‘truth’. However, within both ethical guidelines for documentary production, and academic debate around documentary ethics, reference to music is somewhat scarce. Potential challenges faced by non-mu
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Loewy, Monika. "Psychoanalysis and Ethics in Documentary Film." International Journal of Psychoanalysis 97, no. 1 (2016): 225–28. http://dx.doi.org/10.1111/1745-8315.12300.

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Bayley, Nicholas. "Psychoanalysis and ethics in documentary film." European Journal of Psychotherapy & Counselling 16, no. 3 (2014): 288–90. http://dx.doi.org/10.1080/13642537.2014.929261.

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Eadie, Bruce. "Psychoanalysis and ethics in documentary film." New Review of Film and Television Studies 15, no. 3 (2016): 381–84. http://dx.doi.org/10.1080/17400309.2016.1219557.

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Ad-deen, Hafidh Shams. "The Ethics of Representation: Documentary Film and Islam." Khazar Journal of Humanities and Social Sciences 18, no. 3 (2015): 82–103. http://dx.doi.org/10.5782/2223-2621.2015.18.3.82.

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The great artistic potential of the documentary film photograph as well as the filmmakers’ intervention and manipulation impact viewers as well as interviewees to believe that the camera is able to capture a “real” moment in time. Both viewers and documentary subjects are exploited: the latter’s “informed consent” is not built on true, honest and clear relationship. That is, informing subjects, before camera proceeds, about the possible consequences of their participation is absent. For instance, interviewees know nothing of the overall goals of the project and have no idea about the intended
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Ebberfeld, Peter. "Dokumentarfilmens etik: Mellem Den Hemmelige Krig med det hemmelige plot og Michael Moores satiriske dokumentarmassakre." K&K - Kultur og Klasse 36, no. 106 (2009): 142–65. http://dx.doi.org/10.7146/kok.v36i106.22028.

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Ethics of Documentary Films: In Between the Secret Plot of Den Hemmelige Krig and Satirical Documentary- massacre by Michael Moore:In this article I focus on ethics, and the way it is usually interpreted in the context of documentary television – that is normative and aimed at creators. This way of thinking is illustrated in my setting out of Jan Foght Mikkelsen’s contribution to ethics of mediation, and in that respect I argue that the request for ethical sensitivity among creators of mass-mediated communication must be complemented with an offer of a recipient-oriented vocabulary. Audiovisua
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Dissertations / Theses on the topic "Ethics in documentary"

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Piotrowska, Agnieszka. "Psychoanalysis and ethics in documentary film." Thesis, Birkbeck (University of London), 2012. http://bbktheses.da.ulcc.ac.uk/46/.

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Psychoanalysis has been used extensively in film studies from the late 1960s and 1970s onwards. Inspired by Jacques Lacan, the work of Metz and Baudry in France and Mulvey and McCabe in the United Kingdom laid the foundations for film theory that explored the relationship between cinematic systems such as the apparatus and the screen on the one hand and the spectator on the other. The objects of these examinations were exclusively fictional texts. I use psychoanalysis differently through an interrogation of a largely untheorised embodied relationship between the documentary filmmaker and the s
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Schilt, Paige Eileen. "Fables of authority : ethics, power, and authenticity in contemporary documentary film /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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Blackall, David. "John Perceval an ethical representation of a delinquent angel /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050215.154037/index.html.

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Thesis (Ph.D.)--University of Wollongong, 2004.<br>Typescript. EMBARGOED - this thesis is subject to a two year embargo (16/11/2004 to 16/11/2006) and may only be viewed and copied with the permission of the author. For further information please Contact the Archivist. Includes bibliographical references.
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Mitropoulos, Maria Michael. "Regimes of truth : documentary photography in the margins." Queensland University of Technology, 2003. http://eprints.qut.edu.au/16077/.

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This thesis consists of two parts. The first is a series of photographic essays documenting the lived experience of a woman who is HIV positive and a group of young females who are socially marginalised. The written component attempts to underlabour in a philosophical sense for the artistic/creative element of the thesis. That is, it seeks to take on a range of theoretical issues that cluster around the practice of documentary photography. By clarifying these issues the thesis endeavours to act as a stimulus to artistic practice and also to explain and introduce that practice to a wider au
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Hart, Phoebe. "Orchids : intersex and identity in documentary." Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/29712/25/Phoebe_Hart_Thesis_redacted.pdf.

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Orchids: Intersex and Identity in Documentary explores the creative practice challenges of working with bodies with intersex in the long-form auto/biographical documentary Orchids. Just as creative practice research challenges the dominant hegemony of quantitative and qualitative research, so does my creative work position itself as a nuanced piece, pushing the boundaries of traditional cultural studies theories, documentary film practice and creative practice method, through its distinctive distillation and celebration of a new form of discursive rupturing, the intersex voice.
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Hart, Phoebe. "Orchids : intersex and identity in documentary." Queensland University of Technology, 2009. http://eprints.qut.edu.au/29712/.

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Orchids: Intersex and Identity in Documentary explores the creative practice challenges of working with bodies with intersex in the long-form auto/biographical documentary Orchids. Just as creative practice research challenges the dominant hegemony of quantitative and qualitative research, so does my creative work position itself as a nuanced piece, pushing the boundaries of traditional cultural studies theories, documentary film practice and creative practice method, through its distinctive distillation and celebration of a new form of discursive rupturing, the intersex voice.
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Jørgensen, Christine Sander. "Ethical Issues in Documentary Filmmaking - A Case Study of DR's Generation Hollywood." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22615.

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This thesis focus on ethical issues within documentary filmmaking in the largest broadcasting institution in Denmark. It is a case study of the documentary serial Generation Hollywood, produced by Danmarks Radio (DR) in 2016. DR has produced many documentaries, using same style and format as in Generation Hollywood. But something is different with this one, and the thesis aims to find out why this one stands out, from the presumption that ethical issues are involved. It examines the participants’ motives and expectations, DR’s intentions and how ethical issues affected the final product. In th
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Ribera, Deborah. "(Re)Presentation: An Affective Exploration of Ethnographic Documentary Film Production." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428658018.

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Pantoja, Peschard Maria Jose. "The screen as a hospitable border : analysing the ethics, aesthetics and politics of documentary films about migration and border-crossing experiences." Thesis, Goldsmiths College (University of London), 2014. http://research.gold.ac.uk/10724/.

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My project aims to sketch out a theoretical framework to think about documentary films about migration and border-crossings in terms of their political potential. Thus, this work seeks to address the question of whether and how it is possible for these documentaries to give rise to political and ethical relationships that are not directly sanctioned by the nation-state and its sovereign power. In order to do this, I first draw on Jacques Derrida’s proposal of an ethics and politics of hospitality as an alternative conceptualization of political relations that, instead of being determined by me
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Thompson, Angela M. "Ethics of seeing and politics of place : FSA photography and literature of the American South /." view abstract or download file of text, 2006. http://wwwlib.umi.com/cr/uoregon/fullcit?p3211227.

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Thesis (Ph. D.)--University of Oregon, 2006.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 211-224). Also available for download via the World Wide Web; free to University of Oregon users.
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Books on the topic "Ethics in documentary"

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1942-, Kleinig John, and Zhang Yurong, eds. Professional law enforcement codes: A documentary collection. Greenwood Press, 1993.

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Hernández, Ramón Antonio Peláez. Manual para el manejo de la prueba con énfasis en el proceso disciplinario: Legislación, jurisprudencia, doctrina. 2nd ed. Doctrina y Ley, 2009.

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Benjamin, Burton. Fair play: CBS, General Westmoreland, and how a television documentary went wrong. Harper & Row, 1988.

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Stuart, Katz John, Ruby Jay, and Gross Larry P. 1942-, eds. Image ethics: The moral rights of subjects in photographs, film and television. Oxford University Press, 1988.

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1942-, Gross Larry P., Katz John Stuart, and Ruby Jay, eds. Image ethics: The moral rights of subjects in photographs, film, and television. Oxford University Press, 1988.

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Coodley, Lauren. California: A multicultural documentary history. Pearson Prentice Hall, 2009.

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Spiller, Gustav. The ethical movement in Great Britain: A documentary history. Printed for the author at the Farleigh Press, 1991.

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Coodley, Lauren. California: A multicultural documentary history. Pearson Prentice Hall, 2009.

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1934-, Dubofsky Melvyn, and McCartin Joseph Anthony, eds. American labor: A documentary collection. Palgrave Macmillan, 2004.

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California: A multicultural documentary history. Prentice Hall, 2009.

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Book chapters on the topic "Ethics in documentary"

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Fox, Broderick. "Documentary Ethics." In Documentary Media. Routledge, 2017. http://dx.doi.org/10.4324/9781315559438-5.

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Lester, Paul Martin. "Documentary Ethics." In Visual Ethics, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003243045-5.

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Rabiger, Michael, and Courtney Hermann. "Values and Ethics." In Directing the Documentary. Routledge, 2020. http://dx.doi.org/10.4324/9780429280382-29.

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Yosef, Raz. "Documentary Reenactment and Ethics." In Contemporary Israeli Cinema. Routledge, 2022. http://dx.doi.org/10.4324/9781003259091-3.

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Robinson, Luke. "Ethics, the Body and Digital Video." In Independent Chinese Documentary. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137271228_5.

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Rughani, Pratap. "‘The Dance of Documentary Ethics’." In The Documentary Film Book. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92625-1_11.

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Wagner, Paul. "Creating a Documentary About Corporations: A Filmmaker’s Perspective." In Issues in Business Ethics. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-72204-3_30.

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Diniz, Debora. "The House of the Dead—The Ethics and Aesthetics of Documentary." In Ethics and the Arts. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-8816-8_8.

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Dixon, Charlotte, and Helen Haste. "The Dialogic Witness: New Metaphors of Creative and Ethical Work in Documentary Photography." In The Ethics of Creativity. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137333544_14.

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Mak, Monica. "The Visual Ethics of Using Children’s Drawings in the Documentary Unwanted Images." In Picturing Research. SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-596-3_6.

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Conference papers on the topic "Ethics in documentary"

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Vidotto, Danica, Rebecca Hughes, and Karyn Cooper. "VIDEO DOCUMENTARY IN THE GRADUATE CLASSROOM: THE ACADEMIC MERIT, ETHICS, AND TECHNOLOGICAL CONSTRAINTS FOR RESEARCH AND INQUIRY." In 10th International Conference on Education and New Learning Technologies. IATED, 2018. http://dx.doi.org/10.21125/edulearn.2018.2298.

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Erich, Agnes Terezia. "The Importance Of Documentary Research For Defining The Future Career." In 2nd Central and Eastern European LUMEN International Conference - Multidimensional Education and Professional Development. Ethical Values. Cognitive-crcs, 2017. http://dx.doi.org/10.15405/epsbs.2017.07.03.24.

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Olarescu, Dumitru. "Ethnological motifs in the non-fiction film." In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.07.

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The possibilities of the documentary film to fix ethnological and ethnographic phenomena in all their audiovisual integrity contributed to the realization of this category of films right from the beginnings of non-fiction cinema. At the «Moldova-film» studio, despite the very vigilant ideological conditions of the totalitarian regime, especially when it came to the cultural heritage of the native people, our filmmakers released a series of films, dedicated to customs, rituals and traditions – important components of our national identity. This category of films has been talked about and writte
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Ferreira, Vera, Leonore Lukschy, Buachut Watyam, Siripen Ungsitipoonpor, and Mandana Seyfeddinipur. "A Website Is a Website Is a Website: Why Trusted Repositories Are Needed More Than Ever." In International Workshop on Digital Language Archives. University of North Texas, 2021. http://dx.doi.org/10.12794/langarc1851176.

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Over the last two decades there has been a surge in activists, linguists, anthropologists, documenters digitally recording endangered language use. These unique records often are uploaded to corporate social media sites or to privately run websites. Despite popular belief, uploading these materials to a server does not mean they are archived and preserved for future generations. In this paper we discuss the differences between professional archiving systems and content management system (CMS) based approaches to making language materials accessible. Looking at the example of the Archive of Lan
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Nguyen Thi, Dung. "The World Miraculous Characters in Vietnamese Fairy Tales Aspect of Languages – Ethnic in Scene South East Asia Region." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.13-1.

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Like other genres of folk literature, fairy tales of Vietnamese ethnicity with miraculous character systems become strongly influenced by Southeast Asia’s historical-cultural region. Apart from being influenced by farming, Buddhism, Confucianism, urbanism, Vietnamese fairy tales are deeply influenced by ethno-linguistic elements. Consequently, fairy tales do not preserve their root identities, but shift and emerge over time. The study investigates and classifies the miraculous tales of peoples of Vietnam with strange characters (fairies, gods, Buddha, devils) in linguistic and ethnographic gro
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Mortensen Steagall, Marcos. "Reo Rua (Two Voices): a cross-cultural Māori-non-Māori creative collaboration." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.184.

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In the last decades, there has been an emergence of an academic discourse called Indigenous knowledge internationally, creating a myriad of possibilities for research led by creative practice. In Aotearoa, New Zealand, Māori creative practice has enriched and shifted the conceptual boundaries around how research is conducted in the Western academy because they provide access to other ways of knowing and alternative approaches to leading and presenting knowledge. The contributions of Māori researchers to the Design field are evidenced through research projects that navigate across philosophical
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