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Journal articles on the topic 'Ethiopian Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Anderson, Addell Austin. "The Ethiopian Art Theatre." Theatre Survey 33, no. 2 (1992): 132–43. http://dx.doi.org/10.1017/s0040557400002362.

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The Ethiopian Art Theatre was founded in response to the racial strife of early twentieth-century Chicago. From 1910 to 1920, the migration of Southern blacks to Chicago more than doubled the black population from 44,103 to 109,458. White citizens felt threatened by the influx, fearing unemployment and epidemics in crime and health. Racial tensions increased from 1917 to 1919 as white gangs openly assaulted blacks. So-called “neighborhood improvement societies” bombed black homes and realty offices suspected of attempting to break up white residential areas. The Chicago Association of Commerce

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Dekel, Tal. "Black Masculinities and Jewish Identity: Ethiopian-Israeli Men in Contemporary Art." Religions 13, no. 12 (2022): 1207. http://dx.doi.org/10.3390/rel13121207.

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The identity of Jewish-Israeli men of Ethiopian descent has undergone deep-seated changes in the last decade, as evident in visual representations created by contemporary black artists living in Israel. In recent years, a new generation of Ethiopian-Israeli artists has revitalized local art and engendered deep changes in discourse and public life. Ethiopian-Israelis, who comprise less than two percent of the total Jewish population in the country, suffers multiple forms of oppression, especially due to their religious status and given that their visibility—as black Jews—stands out in a society

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Gnisci, Jacopo. "Picturing the liturgy: Notes on the iconography of the Holy Women at the Tomb in fourteenth- and early fifteenth-century Ethiopian manuscript illumination." Bulletin of the School of Oriental and African Studies 78, no. 3 (2015): 557–95. http://dx.doi.org/10.1017/s0041977x15000488.

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AbstractAlmost five decades ago the late Stanislaw Chojnacki, one of the founding fathers of Ethiopian art history, began the task of describing the themes in Christian Ethiopian painting. Since then, others have contributed to the study of different subjects in Ethiopian art. Yet there are still gaps in our understanding of Ethiopian iconography. The aim of this study is to help fill these gaps by offering some remarks on the iconography of the Holy Women at the Tomb in fourteenth-century Ethiopian manuscript illumination.

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Jacoby, Thomas. "ETHIOPIAN ART: THE WALTERS ART MUSEUM. Kelly Holbert." Art Documentation: Journal of the Art Libraries Society of North America 21, no. 2 (2002): 46. http://dx.doi.org/10.1086/adx.21.2.27949210.

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Sinshaw, Girmaw Ashebir. "The analysis of Ethiopian traditional music instrument through indigenous knowledge (kirar, masinko, begena, kebero and washint/flute)." International Journal of Scientific Research and Management 8, no. 01 (2020): 591–96. http://dx.doi.org/10.18535/ijsrm/v8i01.sh02.

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Abstract: This article aims to explore and analytics about Ethiopian traditional music instrument through indigenous knowledge (kirar, masinko, Begena, kebero and washint/flute). The researcher would have observation and referring the difference documentations. Kirar, and masinko are mostly have purposeful for local music including washint, the others which is Kebero, Begena have use full in the majority time for church purpose. Ethiopia has extended culture, art and indigenous knowledge related to original own music. Their studies have qualitative research design that has descriptive methodol

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Muehlbauer, Mikael. "Ethiopian Church Art: Painters, Patrons, Purveyors." Northeast African Studies 22, no. 2 (2022): 179–84. http://dx.doi.org/10.14321/nortafristud.22.2.00179.

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Crowley, Daniel J. "Ethiopian Folk Art: The Leavitt Collection." Journal of American Folklore 111, no. 439 (1998): 57. http://dx.doi.org/10.2307/541320.

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Gusarova, Ekaterina. "Ethiopian Manuscripts in the State and Private Collections of St Petersburg: An Overview." Aethiopica 18 (July 7, 2016): 109–27. http://dx.doi.org/10.15460/aethiopica.18.1.926.

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For more than two centuries St Petersburg, the capital of the former Russian Empire, has been famous for its collections of Ethiopian manuscripts, objects of art and documents concerning Ethiopian history. They are concentrated in three state institutions and in several private collections of African art. This article provides a short history of formation of Ethiopian manuscript collections of Russia and describes the process of their description and study. Some interesting and unpublished items were generally describedand their miniatures published.

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Russell, James R. "The Armenian Magical Scroll and Outsider Art." Iran and the Caucasus 15, no. 1-2 (2011): 5–47. http://dx.doi.org/10.1163/157338411x12870596615313.

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AbstractUnordained clergy make Armenian prayer scrolls, which go back to the amulets against the Child-stealing Witch. They are analogous to the MSS of Ethiopian Christians, made often by charismatic and socially marginal figures. This art found a niche in East Christian society; but none was provided for the appropriately named "outsider" art and the art of the insane in the West, which often expresses religious visions and sentiments that the artistic and mental health establishments—rather than an ecclesiastical order this time!—have forced to the margin of society or beyond it. Despite the

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Wedajo Lemi, Bikila. "Microbiology of Ethiopian Traditionally Fermented Beverages and Condiments." International Journal of Microbiology 2020 (February 14, 2020): 1–8. http://dx.doi.org/10.1155/2020/1478536.

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Globally, fermented beverage and condiments are made by using different conventional practices, raw materials, and microorganisms. This paper presents the available literature review on the technology and microbiology of traditional Ethiopian beverages and condiment products. Traditional fermented beverage and condiment products have essential vitamins, minerals, enzymes, and antioxidants that are all enhanced through the process of traditional fermentation practices. In Ethiopia, fermented beverage and condiment products have practiced in a long history. During the production of traditional f

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11

Jones, Alexandra. "Ethiopian Objects at the Victoria and Albert Museum." African Research & Documentation 135 (2019): 8–24. http://dx.doi.org/10.1017/s0305862x00023864.

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The Victoria and Albert Museum, or V&A, is a museum of art, design and performance based in South Kensington, London. It was established in 1852, following on from the 1851 “Great Exhibition of the Works of Industry of All Nations” spearheaded by Prince Albert. The museum's collections today number over 2.7 million objects, amassed over the past 150 years through active collecting. Amongst them is a small but very significant collection of Ethiopian material, which tells a story about the complex relationship between Britain and Ethiopia during the 19th century, as well as prompting much d

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Jones, Alexandra. "Ethiopian Objects at the Victoria and Albert Museum." African Research & Documentation 135 (2019): 8–24. http://dx.doi.org/10.1017/s0305862x00023864.

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The Victoria and Albert Museum, or V&A, is a museum of art, design and performance based in South Kensington, London. It was established in 1852, following on from the 1851 “Great Exhibition of the Works of Industry of All Nations” spearheaded by Prince Albert. The museum's collections today number over 2.7 million objects, amassed over the past 150 years through active collecting. Amongst them is a small but very significant collection of Ethiopian material, which tells a story about the complex relationship between Britain and Ethiopia during the 19th century, as well as prompting much d

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Dekel, Tal. "Art and Struggle: Ethiopian Women Artists in Israel." International Journal of the Arts in Society: Annual Review 3, no. 5 (2009): 43–52. http://dx.doi.org/10.18848/1833-1866/cgp/v03i05/35521.

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Kuvatova, Valeria. "Eastern and Western Influence in Wall Paintings of Abuna Yemata Guh Church (Ethiopia)." Oriental Courier, no. 3 (2023): 262. http://dx.doi.org/10.18254/s268684310028342-4.

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The rock-hewn church Abuna Yemata Guh, situated in the Gheralta Mountains of the Ethiopian Tigray region, houses one of the best preserved and least studied wall paintings of medieval Ethiopia. The pictorial program is dated to the second half of 15th century, by stylistic and iconographic characteristics. In fact, no well-proved date has been suggested so far. This research seeks to bridge the existing scholarly gap by conducting a comprehensive analysis of the iconographic and stylistic attributes of the paintings. It also considers the historical backdrop of the church, identifying key cond

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Biset Ayalew, Mohammed. "Mortality and Its Predictors among HIV Infected Patients Taking Antiretroviral Treatment in Ethiopia: A Systematic Review." AIDS Research and Treatment 2017 (2017): 1–10. http://dx.doi.org/10.1155/2017/5415298.

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Background. Even though the benefit of antiretroviral therapy (ART) is well established, there is a regional variation in the extent of its benefit. The aim of this review is to highlight mortality and its predictors in Ethiopian adult HIV patients who were on ART. Methods. Relevant articles were searched on PubMed and Google Scholar databases. The search terms used in different combinations were predictor/determinant/factors, mortality/death/survival, HIV, ART/HAART, and Ethiopia. Result. 5–40.8% of the patients died during the follow-up period. More than half (50–68.8%) of the deaths occurre

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Tadesse, Mahlet Demere, Girma Gebresenbet, David Ljungberg, and Lóránt Tavasszy. "Digital Traceability Capabilities: The Case of the Ethiopian Coffee Supply Chain." Future Transportation 4, no. 3 (2024): 780–94. http://dx.doi.org/10.3390/futuretransp4030037.

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Digital technologies are essential tools that enable traceability in supply chains. In low-income countries, traceability represents a challenge due to the complicated structure of supply chains and the involvement of multiple stakeholders. This research developed a framework for a digital traceability system (TS), using the Ethiopian coffee supply chain as a case study. A literature review was conducted to gain an in-depth understanding of state-of-the-art digital traceability technologies. A logistics audit was conducted to map the coffee supply chain in Ethiopia and evaluate the implementat

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Gelaw, Belete, Lemma Dessalegn, Eyasu Alem, et al. "Prevalence and associated factors of treatment failure among children on ART in Ethiopia: A systematic review and meta-analysis." PLOS ONE 17, no. 4 (2022): e0261611. http://dx.doi.org/10.1371/journal.pone.0261611.

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Background As the use of antiretroviral therapy (ART) increases, the issue of treatment failure is still a global challenge, particularly in a resource limited settings including Ethiopia. The results of former studies in Ethiopia were highly variable and inconsistent across studies. Thus, this systematic review and meta-analysis intended to provide the pooled estimation of treatment failure and associated factors among children on antiretroviral therapy. Methods We searched international databases (i.e., PubMed, Google Scholar, Web of Science, Ethiopian Universities’ online repository library

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Thompson, Daniel K. "Border crimes, extraterritorial jurisdiction, and the racialization of sovereignty in the Ethiopia–British Somaliland borderlands during the 1920s." Africa 90, no. 4 (2020): 746–73. http://dx.doi.org/10.1017/s0001972020000303.

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AbstractThis article argues that the politics of extraterritorial jurisdiction in the 1920s reshaped relations between ethnicity and territorial sovereignty in Ethiopia's eastern borderlands. A 1925 criminal trial involving Gadabursi Somalis began as what Britons deemed a ‘tribal matter’ to be settled through customary means, but became a struggle for Ethiopia's regent, Ras Tafari, to assert Ethiopia's territorial authority and imperial sovereignty. British claims of extraterritorial jurisdiction over Somalis amidst 1920s global geopolitical shifts disrupted existing practices of governance in

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Plymoth, Martin, Eduard J. Sanders, Elise M. Van Der Elst, et al. "Socio-economic condition and lack of virological suppression among adults and adolescents receiving antiretroviral therapy in Ethiopia." PLOS ONE 15, no. 12 (2020): e0244066. http://dx.doi.org/10.1371/journal.pone.0244066.

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Introduction The potential impact of socio-economic condition on virological suppression during antiretroviral treatment (ART) in sub-Saharan Africa is largely unknown. In this case-control study, we compared socio-economic factors among Ethiopian ART recipients with lack of virological suppression to those with undetectable viral load (VL). Methods Cases (VL>1000 copies/ml) and controls (VL<150 copies/ml) aged ≥15years, with ART for >6 months and with available VL results within the last 3 months, were identified from registries at public ART clinics in Central Ethiopia. Questionnair

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Zewudie, Bitew Tefera, Shegaw Geze, Yibeltal Mesfin, et al. "A Systematic Review and Meta-Analysis on Depression and Associated Factors among Adult HIV/AIDS-Positive Patients Attending ART Clinics of Ethiopia: 2021." Depression Research and Treatment 2021 (October 20, 2021): 1–9. http://dx.doi.org/10.1155/2021/8545934.

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Introduction. Depression is the most common mental health problem in people living with the human immune virus. It ranges from 11% to 63% in low- and middle-income countries. Depression was high in people living with HIV/AIDS in developing countries, especially in the Ethiopian context. Even though depression has negative consequences on HIV-positive patients, the care given for depression in resource-limited countries like Ethiopia is below the standard in their HIV care programs. Method. International databases (Google Scholar, PubMed, Hinari, Embase, and Scopus) and Ethiopian university rep

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Derillo, Eyob. "Exhibiting the Maqdala Manuscripts: African Scribes: Manuscript Culture of Ethiopia." African Research & Documentation 135 (2019): 102–16. http://dx.doi.org/10.1017/s0305862x0002392x.

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The major purpose of this article is to document the exhibition “African Scribes: Manuscript Culture of Ethiopia” (hereafter “African Scribes”), which opened on 6 February 2018 in the Sir John Ritblat Treasures of the British Library Gallery in London.Items in the Sir John Ritblat Treasures of the British Library Gallery range from the 4th century Codex Sinaiticus to John Lennon's letters. The display tells the I literary history of Europe, Asia and the Middle East. Out of the 240 items on permanent display, there are only two items from Ethiopia representing Africa.The main objectives of the

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Amtate, Getabalew, and Dereje Teferi. "Multiclass classification of Ethiopian coffee bean using deep learning." SINET: Ethiopian Journal of Science 45, no. 3 (2022): 309–21. http://dx.doi.org/10.4314/sinet.v45i3.6.

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Ethiopia is the homeland of Coffee Arabica. Coffee is the major export commodity and a high-income source of foreign currency for the country. In addition to this, coffee has a great role in social interaction between people and is also a source of income for the coffee-producing farmers. Several types of coffee beans grow in Ethiopia. These beans are distinct from each other in terms of quality, color, shape etc. based on their geographical origins. Classification of these coffee beans are based on growing origin, altitude, bean shape and color, preparation method and others. However, the qua

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23

Heldman, Marilyn E. "A chalice from Venice for Emperor Dāwit of Ethiopia." Bulletin of the School of Oriental and African Studies 53, no. 3 (1990): 442–45. http://dx.doi.org/10.1017/s0041977x00151341.

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The various documents concerning Emperor Dāwit's embassy to the Republic of Venice in 1402 have been brought together in Carlo Conti Rossini's article of 1927 on European influence upon Ethiopian art before the coming of Jesuit missionaries in the mid sixteenth century. The purpose of this brief paper is to expand the story of Dāwit's embassy with a short document, which sheds some light upon the motives for this and subsequent Ethiopian embassies to European nations during the period before the Adalite invasions that began in 1529.

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MATTIO, ERIKA. "AT THE STEP OF A DROMEDARY: INTERDISCIPLINARY STUDY TO INTEGRATE CHINESE AND AFRICAN RELATIONS IN ETHIOPIA BEFORE AND AFTER THE COVID-19." Rivista Italiana di Antropologia Applicata 8, no. 2 (2022): 124–38. http://dx.doi.org/10.32054/2499-1848-2022-2-6.

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Abstract: The author holds that the aim of this project is to study the Chinese presence in Ethiopia, following the path of the last salt caravans from Danakil to Tigray region in a multidisciplinary documentation. The first part of the research was carried out before Covid-19. In the immediate aftermath there was a civil war that is continuing to rage. New research is currently underway in the post Pandemic to document how Covid-19 and the civil war are changing Ethiopia. The current political situation has made the return to Ethiopia complex. There are two main objectives of the research. Th

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Dimitrov, Vladimir. "To Follow a Dream: Ethiopia." Sledva : Journal for University Culture, no. 41 (August 19, 2020): 50–61. http://dx.doi.org/10.33919/sledva.20.41.7.

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The author makes a concise survey of the Ethiopian history and art with an accent on the Christian cultural legacy. The article is an introduction to a more detailed travelogue / photo narrative that will be published in a next issue of SLEDVA.

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Sinshaw, Girmaw Ashebir. "ANALISIS KURIKULUM JURUSAN PENDIDIKAN SENI TEATER ETHIOPIA." Imaji 17, no. 2 (2019): 157–65. http://dx.doi.org/10.21831/imaji.v17i2.27808.

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Tujuan penulisan artikel ini adalah untuk menganalisis pendidikan seni teater Ethiopia sebagai bentuk seni kreatif. Di Ethiopia, seni teater baru terbentuk tahun 1978, yang hingga sekarang belum menunjukkan kemajuannya. Kurikulum pendidikan seni teater di Ethiopia belum terlihat baik, dalam arti masih terdapat kekurangan di sana sini, sehingga sampai sekarang masih perlu penyempurnaan. Pendidikan seni teater ditopang oleh jurusan seni yang lain di Universitas Addis Ababa. Hal ini menyebabkan aspek musik, tari, seni rupa, dan seni kriya ikut membentuk terbentuknya pendidikan seni teater. Sekara

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Thompson, Patricia T. "THE INDIGENOUS AND THE FOREIGN IN CHRISTIAN ETHIOPIAN ART: ON PORTUGUESE-ETHIOPIAN CONTACTS IN THE 16TH – 17TH CENTURIES: PAPERS. (International Conference on the History of Ethiopian Art, 1999). Manuel João Ramos , Isabel Boavida." Art Documentation: Journal of the Art Libraries Society of North America 24, no. 1 (2005): 51–52. http://dx.doi.org/10.1086/adx.24.1.27949352.

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Guvakova, Elena V. "Liturgical wooden carved cross from the collection of the Russian Icon Museum." Russian Journal of Church History 1, no. 1 (2020): 47–56. http://dx.doi.org/10.15829/2686-973x-2020-1-9.

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The paper considers a carved priestly cross of the XIX century from the representative collection of Ethiopian art of the Russian Icon Museum. This is one of the typical Ethiopian crosses with a characteristic rhomboid shape, with the image on the front side of the liturgical procession and the icon of the Mother of God, and ornamented on the back with a braided pattern with cross-shaped ornaments woven into it. The image of the dancing participants of the liturgical procession with drums and sistra represents a unique fusion of different traditions, the influence of the Old Testament traditio

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Zealiyas, Kidist, Atsbeha Gebreegziabxier, Yimam Getaneh, et al. "Viral Suppression and HIV Drug Resistance Among Patients on Second-Line Antiretroviral Therapy in Selected Health Facility in Ethiopia." Viruses 17, no. 2 (2025): 206. https://doi.org/10.3390/v17020206.

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HIV drug resistance (HIVDR) presents a significant challenge to antiretroviral therapy (ART) success, particularly in resource-limited settings like Ethiopia. This cross-sectional study investigated viral suppression rates and resistance patterns among patients on second-line ART across 28 Ethiopian health facilities. Blood samples collected from 586 participants were analyzed to measure CD4 count and viral load and assess HIVDR in patients experiencing virological failure (VF) (viral load ≥ 1000 copies/mL). Demographic and clinical data were analyzed using logistic regression to identify fact

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Celentano, Augusto, Renzo Orsini, Fabio Pittarello, and Giuseppe Barbieri. "Design and Evaluation of a Mobile Art Guide on iPod Touch." Interaction Design and Architecture(s), no. 5_6 (March 20, 2009): 77–80. http://dx.doi.org/10.55612/s-5002-005_6-012.

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This paper describes the design principles and the main technical solutions of an interactive multimedia guide for an art exhibition about Ethiopian Christian art at Ca’ Fos- cari in Venice, Italy. The guide has been implemented on an iPod touch, aiming at coupling rich multimedia content with a natural interaction style. The design is based on the Apple version of the Webkit development environment, interfaced with an application layer that intercepts the vis- itor gestures, offering a natural interaction style on top of standard web-oriented gestures.

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Koji, Abdisa Kawo, Roeland Van Malderen, Eric Pottiaux, and Bert Van Schaeybroeck. "Understanding the Present-Day Spatiotemporal Variability of Precipitable Water Vapor over Ethiopia: A Comparative Study between ERA5 and GPS." Remote Sensing 14, no. 3 (2022): 686. http://dx.doi.org/10.3390/rs14030686.

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Atmospheric water vapor plays a crucial role in atmospheric, climate change, meteorological, and hydrological processes. In a country like Ethiopia, with its complex topography and synoptic-scale spatiotemporal circulation patterns, the analysis of the spatiotemporal variability of precipitable water vapor (PWV) is very challenging, and is hampered by the lack of long observational datasets. In this study, we process the PWV over eight Ethiopian global positioning system (GPS) sites and one close to the Ethiopian eastern border, for the available common period 2013–2020, and compare with the P

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Fiseha, Temesgen, Hussen Ebrahim, Endris Ebrahim, and Angesom Gebreweld. "CD4+ cell count recovery after initiation of antiretroviral therapy in HIV-infected Ethiopian adults." PLOS ONE 17, no. 3 (2022): e0265740. http://dx.doi.org/10.1371/journal.pone.0265740.

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Background CD4+ cell count recovery after effective antiretroviral therapy (ART) is an important determinant of both AIDS and non-AIDS morbidity and mortality. Data on CD4+ cell count recovery after initiation of ART are still limited in Sub-Saharan Africa. The aim of this study was to assess CD4+ cell count recovery among HIV-infected adults initiating ART in an Ethiopian setting. Methods A retrospective cohort study of HIV-infected adults initiating ART between September 2008 and June 2019 was carried out. CD4+ cell count recovery was defined as an increase in CD4+ cell count of >100 cell

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Raymond, Claire. "Can there be a feminist aesthetic?" Comunicação e Sociedade 32 (December 29, 2017): 45–57. http://dx.doi.org/10.17231/comsoc.32(2017).2750.

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Can there be a feminist aesthetic?” analyzes the difficulty of finding an ontological position from which to write about photography created by women. It interrogates the discomfort of inhabiting, socially, and in art and literature, the position of the embodied feminine, and seeks through aesthetic analysis to mine this discomfort. The essay argues that despite the social and intellectual discomfort of articulating a space of the feminine, in that this space is always already coded as oppressed, there is a value in interpreting photography created by women through the lens of feminist resista

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Wu, Ying-Li, Federica Villa, Gianmarco Mugnai, Marina Gallinaro, Enza Elena Spinapolice, and Andrea Zerboni. "Geomicrobial Investigations of Colored Outer Coatings from an Ethiopian Rock Art Gallery." Coatings 10, no. 6 (2020): 536. http://dx.doi.org/10.3390/coatings10060536.

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The open rock shelter of Yabelo in Ethiopia hosts diverse Holocene paintings of great cultural importance. The paintings are characterized by the presence of different mineral coatings, whose features have not been studied yet. Our goal was to understand whether different rock samples from the Yabelo paintings collected in close proximity may reveal coatings with different minerology and biology. Thus, elemental analyses combined with microscopic and molecular investigations were performed on two coatings, one whitish (sample 1) and one reddish (sample 2). Although both samples were dominated

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Biasio, Elisabeth. "Contemporary Ethiopian Painting in Traditional Style: From Church-based to Tourist Art." African Arts 42, no. 1 (2009): 14–25. http://dx.doi.org/10.1162/afar.2009.42.1.14.

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James, Erica E. "Technical Study of Ethiopian Icons, National Museum of African Art, Smithsonian Institution." Journal of the American Institute for Conservation 44, no. 1 (2005): 39–50. http://dx.doi.org/10.1179/019713605806082419.

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Biasio, Elisabeth. "Manuel Joao Ramos - Isabel Boavida (eds.): The Indigenous and the Foreign in Christian Ethiopian Art – On Portuguese-Ethiopian Contacts in the 16th–17th Centuries. Papers from the Fifth International Conference on the History of Ethiopian Art (Arrabida)." Aethiopica 8 (November 19, 2012): 264–67. http://dx.doi.org/10.15460/aethiopica.8.1.351.

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Leshargie, Cheru Tesema, Daniel Demant, Sahai Burrowes, and Jane Frawley. "Incidence and predictors of mortality among adolescents on antiretroviral therapy in Amhara Region, Ethiopia: a retrospective cohort analysis." BMJ Open 12, no. 11 (2022): e063879. http://dx.doi.org/10.1136/bmjopen-2022-063879.

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ObjectiveThis study aimed to assess the incidence and predictors of mortality in adolescents receiving antiretroviral therapy (ART) in Ethiopia’s Amhara Region.DesignWe conducted an institution-based retrospective follow-up study.SettingsThe study was conducted at Amhara Region’s comprehensive specialised hospitals in Ethiopia.ParticipantsWe included 961 randomly selected medical records of adolescents receiving ART between January 2005 and June 2020.Primary and secondary outcomesThe incidence of mortality since ART treatment initiation served as the primary outcome, and predictors of mortalit

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Ali, Mohammed Seid, Eleni Tesfaye Tegegne, Mekibib Kassa Tesemma, and Kaleab Tesfaye Tegegne. "Consistent Condom Use and Associated Factors among HIV-Positive Clients on Antiretroviral Therapy in North West Ethiopian Health Center, 2016 GC." AIDS Research and Treatment 2019 (March 17, 2019): 1–10. http://dx.doi.org/10.1155/2019/7134908.

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Background. The burden of Human Immune Deficiency Virus or Acquired Immune Deficiency Syndrome is high in sub-Saharan countries including Ethiopia which have over two-thirds of the global HIV burden. Many would argue that consistent condom use is not most effective method for HIV prevention. Condoms offer protection against unwanted pregnancy and some sexually transmitted infections including Human Immune Deficiency Virus, when used correctly and consistently. Inconsistent use of condom by People Living with Human Immune Deficiency Virus or Acquired Immune Deficiency Syndrome on Antiretroviral

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Shewaye, Sarah. "Questioning the Ethics of Art Acquisition: The Case of the Ethiopian Orthodox Church and the Holy Tabots." Oregon Undergraduate Research Journal 23, no. 2 (2025): 34–46. https://doi.org/10.5399/uo/ourj/23.2.8.

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This paper explores the changing ideas around the legal acquisition of cultural artifacts, focusing on the Ethiopian Orthodox Church tabots taken during the 1868 Battle of Maqdala, now held in the British Museum. Taking art as wartime loot was widely accepted in the past, but today’s evolving sense of morality calls these practices into question. By examining the British Museum’s legal claims alongside the Ethiopian Church’s requests to return these sacred tabots, this study demonstrates that the tabots are unique artifacts that can circumvent existing legal barriers to restitution. Their repa

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Fiseha, Temesgen, and Angesom Gebreweld. "Renal function in a cohort of HIV-infected patients initiating antiretroviral therapy in an outpatient setting in Ethiopia." PLOS ONE 16, no. 1 (2021): e0245500. http://dx.doi.org/10.1371/journal.pone.0245500.

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Aim To evaluate the prevalence and associated factors of abnormal renal function among Ethiopian HIV-infected patients at baseline prior to initiation of antiretroviral therapy (ART) and during follow-up. Methods We conducted a retrospective observational cohort study of HIV infected patients who initiated ART at the outpatient ART clinic of Mehal Meda Hospital of North Shewa, Ethiopia from January 2012 to August 2018. Demographic and clinical data were abstracted from the medical records of patients. Renal function was assessed by estimated glomerular filtration rate (eGFR) calculated using t

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Kaleab Tesfaye, Tegegne, Tegegne Eleni Tesfaye, Tessema Mekibib Kassa, et al. "Spatial distribution of COVID-19 in Ethiopia - geospatial analysis." Global Journal of Infectious Diseases and Clinical Research 8, no. 1 (2022): 001–7. http://dx.doi.org/10.17352/2455-5363.000050.

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Background: COVID-19 was the devastating worldwide public health problem in recent years. COVID19 disease affecting large populations in different continents of the world starting on 11 March 2020. This study will be useful to give information on geographical surveillance of COVID-19 in Ethiopia, to know regions of high or low rates of COVID 19, to give evidence as baseline data for future research on COVID-19 in Ethiopia, and to predict the prevalence of COVID-19 from the untested population in different regions of Ethiopia using the art geospatial techniques. Methods: We have used secondary

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ADERA, Binyam Mekonnen. "SOCIAL MEDIA, PUBLIC SPHERE AND THE POLITICAL TRAGEDIES OF CONTEMPORARY ETHIOPIA." Skhid 1, no. 3 (2021): 5–12. http://dx.doi.org/10.21847/1728-9343.2021.1(3).243268.

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Ethiopia since 1991 G.C has been adopting democracy and federalism as constitutional frameworks of the state. The core objective to maintain the two political cultures is the presence of multiple cultural identities within the state and the actual need for an intersubjective discussion on the public sphere. And one of the major areas of public sphere is the social media. As per the Constitution of the Federal Democratic Republic of Ethiopia citizens of Ethiopia have the democratic rights of Thoughts, Opinion and Expression (Art. 29), so in social media it is natural to expect that individuals

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Sadati, S. M. Hani, and Claudia Mitchell. "Narrative Imagination and Social Change: Instructors in Agricultural Colleges in Ethiopia Address Sexual and Gender-Based Violence." Educational Research for Social Change 10, no. 2 (2021): 1–18. http://dx.doi.org/10.17159/2221-4070/2021/v10i2a8.

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Ethiopia has one of the highest rates of sexual and gender-based violence (SGBV) in the world, making female students particularly vulnerable in its post-secondary institutions. Although there is extensive literature that describes the problem, mainly from the students' perspectives, what remains understudied is the role of instructors, their perception of the current issues, and what they imagine they can do to address campus-based SGBV, particularly in rural settings. In this study, we used the concept of narrative imagination to work with instructors in four Ethiopian agricultural colleges

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Priess, Maija. "24.–26. Juni 2005 in Leipzig: 10. wissenschaftliche Konferenz von Orbis Aethiopicus in Verbindung mit der 7th International Conference of Ethiopian Art: “Ethiopian Art – A Unique Cultural Heritage and a Modern Challenge”." Aethiopica 9 (September 24, 2012): 310–11. http://dx.doi.org/10.15460/aethiopica.9.1.259.

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Bagnole, Rihab Kassatly. "Reflections on Imageries of Seductive Sublimity." Nka: Journal of Contemporary African Art 2024, no. 54 (2024): 24–32. http://dx.doi.org/10.1215/10757163-11205422.

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This essay presents a context for and appreciation of the works of Ethiopian artist Kebedech Tekleab in the exhibition Blue and Gray: This Era of Exile. Examining not only the author’s personal feelings and admiration for the works, the discussion shows how the selections strongly relate to contemporary issues, which are poetically anchored in relevant academic theories. This methodology complements the seductive beauty that infuses the array of colorful media and the aesthetic ideas contained therein. It also highlights the interpreted “truth” of well-grounded works of art. The background of

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Yerday, Efrat. "To Be Black and Beautiful in Israel." Anthropology of the Middle East 14, no. 1 (2019): 70–86. http://dx.doi.org/10.3167/ame.2019.140105.

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This article reviews works of contemporary female artists of Ethiopian origin active in the Israeli art field. I analyse the subjects in their work and argue these artists are presenting their attitudes towards the ‘white gaze’. Though constantly subjected to it by the Israeli hegemony and the Western masculine discourse, they are notably decreasing their consideration of it. They broaden the restricted field of action that seems designated for them and alter its boundaries. Drawing on theorists of gender, postcolonial theory and theory of art, I demonstrate how these artists are promoting an

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Gelaw Walle, Belete, Nigusie Selomon, Chalie Marew Tiruneh, et al. "Prevalence and determinants of under-nutrition among children on ART in Ethiopia: A systematic review and meta-analysis." PLOS ONE 19, no. 6 (2024): e0303292. http://dx.doi.org/10.1371/journal.pone.0303292.

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Background Children living with HIV/AIDS are particularly vulnerable to under-nutrition. Under-nutrition associated with HIV/AIDS infection increases the rate of morbidity and mortality in children. To reaffirm a future objective, there needs to be evidence regarding the current national burden of under-nutrition and related factors among children infected with HIV. Hence, the objective of this systematic review and meta-analysis was to estimate the pooled prevalence of under-nutrition, and the pooled effect sizes of associated factors among HIV-infected children in Ethiopia. Methods We search

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Esler, Philip F., and Angus Pryor. "Painting 1 Enoch: Biblical Interpretation, Theology, and Artistic Practice." Biblical Theology Bulletin: Journal of Bible and Culture 50, no. 3 (2020): 136–53. http://dx.doi.org/10.1177/0146107920934698.

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This article inaugurates a new approach to biblical interpretation that involves close collaboration on a particular text between a biblical interpreter (Philip Esler) and a practicing artist (Angus Pryor), culminating in the production of works of art that generate a new understanding of the text in question. This approach reflects the recent scholarly interest in how artists who paint biblical scenes are active interpreters of biblical texts. Here the text selected is 1 Enoch, while the artworks in question are four 2 x 2 meter paintings, in oil on canvas, that depict pivotal scenes from tha

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Giorgis, Elizabeth Wolde. "Engaging the Image of Art, Culture, and Philosophy: Particular Perspectives on Ethiopian Modernity and Modernism." Northeast African Studies 13, no. 1 (2013): v—xii. http://dx.doi.org/10.1353/nas.2013.0002.

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