Academic literature on the topic '"Ethno-linguistic" identity'

This chapter revolves around the impact of socio-political diaspora to the concept of tribal-ancestral land, which is sacred to the community and the cultural identity of the T'boli, an ethno-linguistic group. A narrative discourse approach is used to illustrate the tribe's struggles to the existing hegemony, particularly with the dynamics between the tribe and other inhabitants, the intrusions of other values and exploitations of their ancestral domains as explored across a changing sociocultural milieu. In an attempt to provide understanding of cultural identity amidst the changing social landscapes, the authors describe, identify, explore, and interpret the subject. Hence, the chapter provides the worldview of T'boli people and offers a narrative juxtaposition of the three opuses from three different fields. Further research is needed to ensure protection and preservation of the T'boli culture and its identity and indigenous significance within Southeast Asia and, specifically, the Philippines to better understand this land-based culture.

In their seminal work The Empire Writes Back Ashcroft et al. (1989) identify code-switching between two or more codes in post-colonial literary texts as ‘the most common method of inscribing alterity’ (p.72). Ashcroft (2001) further develops the idea of installing cultural distinctiveness in the text and posits that, together with a wide range of other linguistic devices (e.g. neologisms, ethno-rhythmic prose), the use of code-switching – whether between the variants of the same language or between languages – has a metonymic function to inscribe cultural difference. In this chapter, I will examine the hybrid nature of post-colonial literary texts through the concepts of nativisation (Kachru, 1982a, 1982b, 1984, 1986, 1987, 1995) and indigenisation (Zabus, 1991, 2007). I will then focus on code-switching, adopting Myers-Scotton’s (1993) approach of matrix language vs. embedded language and considering that ‘EL [embedded language] material of any size, from a single morpheme or lexeme to several constituents, may be regarded as CS [code-switching] material’ (p.5). I will analyse examples of code-switching taken from modern Ghanaian English-language novels and short stories, and I will argue that a synecdochic relationship exists between the code-switched embedded language and the culture it originates from. I will contend that it is along the metonymic gap thus created by language variance that readers can be expected to be divided. I will briefly examine the types of authorial assistance that can be provided in order to make the text accessible to the reader, and I will illustrate, in Sperber and Wilson’s (1995) relevance theoretical framework, how different groups of readers cope with code-switched language left in the texts untranslated and/or unexplained. I will argue that by withdrawing assistance from the reader, the author makes it manifest that he concedes ‘the importance of meanibility’ (Ashcroft, 2001, p.76) and opts for the inscription of difference. I will conclude that the metonymic gap is not a simple bi-polar concept between coloniser and colonised culture but a multi-layered entity where the readers’ position in relation to the gap is indicative of their ability to interpret code-switched language unaided. Full appreciation of the writer’s meanings is shown by those readers who share both the writer’s cultural and linguistic experience. Other readers may be able to cross the metonymic gap to various degrees, but for them code-switched language will be the symbol of the writer’s difference of experience.