Relevant bibliographies by topics / Ethnography in documentary

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ethnography in documentary'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 January 2023

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Journal articles on the topic "Ethnography in documentary"

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Sikand. "Filmed Ethnography or Ethnographic Film? Voice and Positionality in Ethnographic, Documentary, and Feminist Film." Journal of Film and Video 67, no. 3-4 (2015): 42. http://dx.doi.org/10.5406/jfilmvideo.67.3-4.0042.

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Hassard, John, Diane Burns, Paula Hyde, and John-Paul Burns. "A Visual Turn for Organizational Ethnography: Embodying the Subject in Video-Based Research." Organization Studies 39, no. 10 (2017): 1403–24. http://dx.doi.org/10.1177/0170840617727782.

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For organizational ethnography we argue that traditional philosophies of onto-epistemological realism be supplanted by interpretive and reflexive thinking to provide fresh theoretical assumptions and new methodological proposals for film- and video-based research. The argument is developed in three phases: First, to establish analytical context, we explore the historical evolution of the ethnographic organizational documentary and discuss habitual problems – methodological, philosophical and technical – that filmmakers have faced when claiming qualities of directness and objectivity in their w
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Ginsburg, Faye. "Decolonizing Documentary On-Screen and Off: Sensory Ethnography and the Aesthetics of Accountability." Film Quarterly 72, no. 1 (2018): 39–49. http://dx.doi.org/10.1525/fq.2018.72.1.39.

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Over the last decade, ethnographic documentary has evolved in two notable directions, reflecting an ongoing dialectic in the field regarding the on and off-screen possibilities of this work. The “sensory ethnography” films that have emerged from Harvard's Sensory Ethnography Lab are paradigm-shifting works have emphasized the immersive and experiential as strategies of formal experimentation in the field of nonfiction filmmaking. Elsewhere, documentaries and ethno-fiction works are being made that are innovative in terms of their emphasis on the collaborative relationships with the people who
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Ortner, Sherry B. "Subjects and Capital: A Fragment of a Documentary Ethnography." Ethnos 67, no. 1 (2002): 9–32. http://dx.doi.org/10.1080/00141840220122931.

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Rughani, Pratap, Ben Russell, Catherine Russell, Chris Wright, and Erika Balsom. "Round table discussion: Documentary, ethnography and the avant-garde." MIRAJ, Moving Image Review & Art Journal 2, no. 1 (2013): 80–90. http://dx.doi.org/10.1386/miraj.2.1.80_7.

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Slutskaya, Natasha, and Annilee Game. "Examining the Role of Collaborative Documentary in Critical Ethnography." Academy of Management Proceedings 2015, no. 1 (2015): 14784. http://dx.doi.org/10.5465/ambpp.2015.14784abstract.

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Slutskaya, Natasha, Annilee M. Game, and Ruth C. Simpson. "Better Together." Organizational Research Methods 21, no. 2 (2016): 341–65. http://dx.doi.org/10.1177/1094428116676343.

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Despite growing interest in video-based methods in organizational research, the use of collaborative ethnographic documentaries is rare. Organizational research could benefit from the inclusion of collaborative ethnographic documentaries to (a) enable the participation of “difficult to research” groups, (b) better access the material, embodied, or sensitive dimensions of work and organizing, and (c) enhance the dissemination and practical benefits of findings. To increase understanding of this under-explored method, the authors first review the available literature and consider strengths, limi
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Popovschi, Liliana. "Textul dialectal ca sursă pentru cercetarea ştiinţifică." Limba, literatura, folclor, no. 2, 2021 (December 2021): 15–32. http://dx.doi.org/10.52505/llf.2021.2.02.

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The dialectal text is of particular importance for research in different fields of science: dialectology and other linguistic disciplines, history, ethnography, folklore studies, psychology, interdisciplinary fields such as ethnolinguistics, sociolinguistics, psycholinguistics, serving as a documentary source.
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Park, Jinhee. "Departure and Repatriation as Cold War Dissensus: Domestic Ethnography in Korean Documentary." Journal of Korean Studies 22, no. 2 (2017): 433–57. http://dx.doi.org/10.1353/jks.2017.0020.

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Park, Jinhee. "Departure and Repatriation as Cold War Dissensus: Domestic Ethnography in Korean Documentary." Journal of Korean Studies 22, no. 2 (2017): 433–57. http://dx.doi.org/10.1215/21581665-4226514.

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Abstract This article examines autobiographic documentaries about families that expose “dissensus” in the mapping of transborder migration and diasporic desire that were the results of the Cold War in North Korea, South Korea, and Japan. Jae-hee Hong (dir. My Father’s Emails) and Yong-hi Yang (dir. Dear Pyongyang and Goodbye Pyongyang) document the ongoing Cold War in their fathers’ histories through their position as a “familial other,” who embodies both dissensus and intimacy. Hong reveals that anticommunism in South Korean postwar nation building reverberated in the private realm. Yang docu
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Dissertations / Theses on the topic "Ethnography in documentary"

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Massoumi, Nariman. "Home in the frame : diasporic, domestic ethnography in documentary film practice." Thesis, University of Bristol, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690744.

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This practice-as-research project explores the meaning of family filmmaking in diaspora through the making of four documentaries about my parents, their experiences and memories of home as first generation displaced Iranians living in Britain. While displaced film/makers are a growing interest in studies of world and transnational cinema, a neglected area of enquiry is the diasporic family film. To this end, I focus on two aspects of family filmmaking in the context of displacement. Firstly, how conventional family portraits and home mode artefacts operate in diasporic family films, as evident
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Erik, Rosshagen. "Sync Event : The Ethnographic Allegory of Unsere Afrikareise." Thesis, Stockholms universitet, Institutionen för mediestudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-131291.

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The thesis aims at a critical reflexion on experimental ethnography with a special focus on the role of sound. A reassessment of its predominant discourse, as conceptualized by Cathrine Russell, is paired with a conceptual approach to film sound and audio-vision. By reactivating experimental filmmaker Peter Kubelka’s concept sync event and its aesthetic realisation in Unsere Afrikareise (Our Trip to Africa, Peter Kubelka, 1966) the thesis provide a themed reflection on the materiality of film as audiovisual relation. Sync event is a concept focused on the separation and meeting of image and so
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Moore, Andrew Benjamin. "A documentary like no other? : Harvard's Sensory Ethnography Lab, embodied knowledge & the art of non-fiction film." Thesis, University of Leeds, 2017. http://etheses.whiterose.ac.uk/19989/.

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This thesis explores the relationship between cinematic techniques and forms of knowledge in the non-fiction film. The purpose of many documentary films is to convey knowledge about the world to the viewer. But the degree of emphasis on this function varies enormously from film to film. The kind of knowledge that a documentary provides also shifts depending on what formal strategies it employs. The films produced by Harvard’s Sensory Ethnography Lab (SEL), claimed by some commentators to represent a radical new form of documentary filmmaking, often eschew the epistemic and didactic function th
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Hart, Phoebe. "Orchids : intersex and identity in documentary." Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/29712/25/Phoebe_Hart_Thesis_redacted.pdf.

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Orchids: Intersex and Identity in Documentary explores the creative practice challenges of working with bodies with intersex in the long-form auto/biographical documentary Orchids. Just as creative practice research challenges the dominant hegemony of quantitative and qualitative research, so does my creative work position itself as a nuanced piece, pushing the boundaries of traditional cultural studies theories, documentary film practice and creative practice method, through its distinctive distillation and celebration of a new form of discursive rupturing, the intersex voice.
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Hart, Phoebe. "Orchids : intersex and identity in documentary." Queensland University of Technology, 2009. http://eprints.qut.edu.au/29712/.

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Orchids: Intersex and Identity in Documentary explores the creative practice challenges of working with bodies with intersex in the long-form auto/biographical documentary Orchids. Just as creative practice research challenges the dominant hegemony of quantitative and qualitative research, so does my creative work position itself as a nuanced piece, pushing the boundaries of traditional cultural studies theories, documentary film practice and creative practice method, through its distinctive distillation and celebration of a new form of discursive rupturing, the intersex voice.
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Daggett, Liz. "Theoretical and Practical Record of the Making of the Documentary Film, A Native American Dream." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9110/.

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This textual record of the making of the social issue documentary film A Native American Dream examines theoretical and practical considerations of the filmmaker during the pre-production, production, and post-production stages. It also examines the disciplines of anthropology and ethnography in terms of modern documentary filmmaking and evaluates the film within these contexts.
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Ceylan, Tulun Seyhan. "Policies Of Turkish Radio Television Corporation (trt): The Case Of The Directorate Of Documentary Programs." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/3/12607297/index.pdf.

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The objective of this study is to examine historically the policies of theDirectorate of Documentary Programs (DDP) of the Turkish Radio Television Corporation (TRT). Since there is very little research about particular sphere of the public service broadcasting in Turkey it is aimed to contribute to this area of study. In the course of the study, historical conditions, structural factors, broadcasting policies, the conditions of public broadcasting of a country, and the role of individuals and the research methods applied in media studies were taken into consideration. Furthermore, government
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barajas, salvador. "Doing Memory Work in the Third Space Between Self and Community: An Auto-Ethnography." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3665.

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This thesis explores social memory, migration, place and belonging and cultural citizenship in Pulaski, Virginia, after the North American Free Trade Agreement (1994). Through the lens of autoethnography, a participant-researcher model, I look closely at the affects that globalization has had on the economic and cultural life of this semi-rural community. The Autoethnographic approach has allowed me to reflect on my role as the co-author of oral and written narratives, a communal archive of historical images and a collection of collaborative photography. The impact of this thesis is, in part,
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Åsa, Back. "SINNLIG (sensuous) in Beijing : towards an Artistic Ethnography." Thesis, Stockholms konstnärliga högskola, Institutionen för skådespeleri, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-312.

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Projektet bygger på åtta veckors fältarbete på en oberoende teater i Peking våren 2017,baserat på antropologisk och konstnärlig metod. Det är ett försök att utveckla begreppet konstnärlig etnografi, samt tillämpa det praktiskt. I detta är konsten inte huvudsakligen en produkt eller en presentationsform, utan ett sätt att tänka, att förhålla sig till världen. Materialet består av fältanteckningar, video, foto, rörelsematerial, personliga berättelser, minnen av dofter, ljud och smaker och någonting så vagt som stämning – stadens tempo, känslan i en repsituation… Hur kan scenen förmedla en plats
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Rosshagen, Erik. "Sync Event : The Ethnographic Allegory of Unsere Afrikareise." Thesis, Stockholms universitet, Filmvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-183273.

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The thesis aims at a critical reflexion on experimental ethnography with a special focus on the role of sound. A reassessment of its predominant discourse, as conceptualized by Cathrine Russell, is paired with a conceptual approach to film sound and audiovision. By reactivating experimental filmmaker Peter Kubelka’s concept sync event and its aesthetic realisation in Unsere Afrikareise (Our Trip to Africa, Peter Kubelka, 1966) the thesis provide a themed reflection on the materiality of film as audiovisual relation. Sync event is a concept focused on the separation and meeting of image and sou
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Books on the topic "Ethnography in documentary"

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Experimental ethnography. Duke University Press, 1999.

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Russell, Catherine. Experimental ethnography. Duke University Press, 1999.

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Loizos, Peter. Innovation in ethnographic film: From innocence to self-consciousness, 1955-85. Manchester University Press, 1993.

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Mark, Neumann, ed. Recording culture: Audio documentary and the ethnographic experience. Sage, 2009.

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Nordic Anthropological Film Association. Conference, ed. Beyond the visual: Sound and image in ethnographic and documentary film. Intervention Press, 2010.

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Sīnimā-yi qawmʹpizhūhī. Surūsh, 2001.

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Barbash, Ilisa. Cross-cultural filmmaking: A handbook for making documentary and ethnographic films and videos. University of California Press, 1997.

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Steffen, Schleiermacher, ed. Die Ethnographen des letzten Paradieses: Victor von Plessen und Walter Spies in Indonesien. Transcript, 2010.

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Sāzmān-i Mīrās̲-i Farhangī va Gardishgarī-i Kishvar (Iran). Pizhūhishkadah-i Mardumʹshināsī., ред. Sīnimā-yi mardumʹshinākhtī-i Īrān: Naqdī bar qawmʹpizhūhī dar sīnimā-yi mustanad-i Īrān. Nashr-i Afkār, 2006.

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Sāzmān-i Mīrās̲-i Farhangī va Gardishgarī-i Kishvar (Iran). Pizhūhishkadah-i Mardumʹshināsī., ред. Sīnimā-yi mardumʹshinākhtī-i Īrān: Naqdī bar qawmʹpizhūhī dar sīnimā-yi mustanad-i Īrān. Nashr-i Afkār, 2006.

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Book chapters on the topic "Ethnography in documentary"

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Ryan, Kathleen M., and David Staton. "Oral history, visual ethnography, and the interactive documentary." In The Routledge International Handbook of Ethnographic Film and Video. Routledge, 2020. http://dx.doi.org/10.4324/9780429196997-11.

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Chatsis, Annabelle, Mizuki Miyashita, and Deborah Cole. "A documentary ethnography of a Blackfoot language course." In Culture and Language Use. John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/clu.8.10cha.

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Beattie, Keith. "Constructing and Contesting Otherness: Ethnographic Film." In Documentary Screens. Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-62803-8_4.

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Ferrarini, Lorenzo. "Documentary hybrids." In The Routledge International Handbook of Ethnographic Film and Video. Routledge, 2020. http://dx.doi.org/10.4324/9780429196997-18.

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Henley, Paul. "Anthropology: The Evolution of Ethnographic Film." In The Documentary Film Book. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92625-1_35.

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French, Lisa. "Nishtha Jain: An Auto-ethnographic and a Postcolonial Feminist Gaze." In The Female Gaze in Documentary Film. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-68094-7_8.

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Trencsényi, Klára, and Vlad Naumescu. "Migrant Cine-Eye: Storytelling in Documentary and Participatory Filmmaking." In IMISCOE Research Series. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_7.

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AbstractThe so-called European ‘refugee crisis’ has bred a profusion of audiovisual accounts throughout the region, many of which aimed to give voice to hitherto voiceless, uprooted people. But as many of these ‘untold stories’ gain material expression as storylines, we are urged to consider the implications of yet another form of displacement: from the historical person to the film character, from personal stories to media representations. The growing interest into the migrant issue and visual representations of refugees have played an important role in the public construction of the ‘crisis’ but have also, paradoxically, obscured or silenced migrant voices. The authors of this paper, a documentary filmmaker (Trencsényi) and a social anthropologist (Naumescu) seek to explore narrative strategies and ethics of representation in European documentaries made after 2010 as well as their participatory filmmaking project developed in the wake of the 2015 refugee crisis in Hungary. Having collaborated on several documentary films and filmmaking workshops, they approach this issue from the perspective of practitioners, offering a critical reflection as well as possible strategies for those aiming to produce audiovisual works in this field. The inclusion of refugees’ insight and their ways of constructing their own stories as well as their own observations on the receiving societies can open new possibilities for collaboration and creative engagement for social scientists and filmmakers preparing visual fieldnotes, ethnographic and documentary films as well as participatory projects.
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Kelley, Heidi, and Kenneth A. Betsalel. "Teaching Galicia in Appalachia: Lessons from Anthropology, Ethnographic Poetry, Documentary Photography, and Political Theory." In Rerouting Galician Studies. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65729-5_15.

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Braun, Y. A. "Seeing through water: gender, anxiety and livelihoods in large-scale infrastructural development in the era of climate change." In Gender, climate change and livelihoods: vulnerabilities and adaptations. CABI, 2021. http://dx.doi.org/10.1079/9781789247053.0006.

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Abstract A narrative approach is taken in this chapter to document and analyze the gendered social and socio-environmental consequences of globalized river basin development using water as the lens to understand the depth and breadth of these changes in people's lives. The chapter is based on primary multi-site ethnographic field research conducted in all three active dam areas of Lesotho in 1997 and 2000-2002, as well as ongoing documentary research. Water remains central within Lesotho's national development plans and to the stability of the region even amid changing climate conditions. More locally, as water becomes more precarious within the lives of highlands residents living near the Lesotho Highlands Water Project (LHWP), this chapter reveals the multi-layered, complex, embodied experiences of infrastructure policy and its consequences, for the everyday lives and livelihoods of people directly affected by these projects.
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Vannini, Phillip. "Learning from documentary film." In Doing Public Ethnography. Routledge, 2018. http://dx.doi.org/10.4324/9781315111001-7.

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Conference papers on the topic "Ethnography in documentary"

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Geiger, R. Stuart, and David Ribes. "Trace Ethnography: Following Coordination through Documentary Practices." In 2011 44th Hawaii International Conference on System Sciences (HICSS 2011). IEEE, 2011. http://dx.doi.org/10.1109/hicss.2011.455.

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Nguyen Thi, Dung. "The World Miraculous Characters in Vietnamese Fairy Tales Aspect of Languages – Ethnic in Scene South East Asia Region." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.13-1.

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Like other genres of folk literature, fairy tales of Vietnamese ethnicity with miraculous character systems become strongly influenced by Southeast Asia’s historical-cultural region. Apart from being influenced by farming, Buddhism, Confucianism, urbanism, Vietnamese fairy tales are deeply influenced by ethno-linguistic elements. Consequently, fairy tales do not preserve their root identities, but shift and emerge over time. The study investigates and classifies the miraculous tales of peoples of Vietnam with strange characters (fairies, gods, Buddha, devils) in linguistic and ethnographic gro
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Coney, Shun, and Yasunobu Ito. "The production process of films from a relational perspective: A case study of independent films about Parkinson's disease in Japan." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002555.

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The purpose of this paper is to clarify how creativity is produced in filmmaking from a relational perspective. Creativity here refers to the fact that films that contain original ideas and evoke sympathy in the audience are not produced solely through the internal mechanisms of individuals, but rather as a result of the collective actions and activities of various people.In recent years, movies have moved beyond the confines of theaters, and infrastructures such as Amazon Prime and Netflix are rapidly expanding. Against this backdrop, independent Japanese films have been receiving high acclai
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Olarescu, Dumitru. "Ethnological motifs in the non-fiction film." In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.07.

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The possibilities of the documentary film to fix ethnological and ethnographic phenomena in all their audiovisual integrity contributed to the realization of this category of films right from the beginnings of non-fiction cinema. At the «Moldova-film» studio, despite the very vigilant ideological conditions of the totalitarian regime, especially when it came to the cultural heritage of the native people, our filmmakers released a series of films, dedicated to customs, rituals and traditions – important components of our national identity. This category of films has been talked about and writte
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Clara Roberti, Ana, Helena Santos, and Daniel Brandão. "Sobreiro: participation and intervention of local communities in the historical and artistic construction of a stigmatized neighborhood." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001879.

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This paper intends to discuss a collaborative initiative, carried out within the scope of a doctoral scientific research in the field of Arts and Design and an institution that supports socio-economically vulnerable communities. The work took place in the Sobreiro Social Housing, located in the city of Maia, in Portugal, home to more than 600 families. By using methodologies specific to arts and cultural studies, three main outputs were created: a documentary film, a photo exhibition, and a series of community forums that happen throughout 2018. The purpose of this participatory study was to t
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