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Journal articles on the topic 'Ethnography in documentary'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 January 2023

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1

Sikand. "Filmed Ethnography or Ethnographic Film? Voice and Positionality in Ethnographic, Documentary, and Feminist Film." Journal of Film and Video 67, no. 3-4 (2015): 42. http://dx.doi.org/10.5406/jfilmvideo.67.3-4.0042.

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Hassard, John, Diane Burns, Paula Hyde, and John-Paul Burns. "A Visual Turn for Organizational Ethnography: Embodying the Subject in Video-Based Research." Organization Studies 39, no. 10 (2017): 1403–24. http://dx.doi.org/10.1177/0170840617727782.

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For organizational ethnography we argue that traditional philosophies of onto-epistemological realism be supplanted by interpretive and reflexive thinking to provide fresh theoretical assumptions and new methodological proposals for film- and video-based research. The argument is developed in three phases: First, to establish analytical context, we explore the historical evolution of the ethnographic organizational documentary and discuss habitual problems – methodological, philosophical and technical – that filmmakers have faced when claiming qualities of directness and objectivity in their w

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Ginsburg, Faye. "Decolonizing Documentary On-Screen and Off: Sensory Ethnography and the Aesthetics of Accountability." Film Quarterly 72, no. 1 (2018): 39–49. http://dx.doi.org/10.1525/fq.2018.72.1.39.

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Over the last decade, ethnographic documentary has evolved in two notable directions, reflecting an ongoing dialectic in the field regarding the on and off-screen possibilities of this work. The “sensory ethnography” films that have emerged from Harvard's Sensory Ethnography Lab are paradigm-shifting works have emphasized the immersive and experiential as strategies of formal experimentation in the field of nonfiction filmmaking. Elsewhere, documentaries and ethno-fiction works are being made that are innovative in terms of their emphasis on the collaborative relationships with the people who

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Ortner, Sherry B. "Subjects and Capital: A Fragment of a Documentary Ethnography." Ethnos 67, no. 1 (2002): 9–32. http://dx.doi.org/10.1080/00141840220122931.

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Rughani, Pratap, Ben Russell, Catherine Russell, Chris Wright, and Erika Balsom. "Round table discussion: Documentary, ethnography and the avant-garde." MIRAJ, Moving Image Review & Art Journal 2, no. 1 (2013): 80–90. http://dx.doi.org/10.1386/miraj.2.1.80_7.

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Slutskaya, Natasha, and Annilee Game. "Examining the Role of Collaborative Documentary in Critical Ethnography." Academy of Management Proceedings 2015, no. 1 (2015): 14784. http://dx.doi.org/10.5465/ambpp.2015.14784abstract.

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Slutskaya, Natasha, Annilee M. Game, and Ruth C. Simpson. "Better Together." Organizational Research Methods 21, no. 2 (2016): 341–65. http://dx.doi.org/10.1177/1094428116676343.

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Despite growing interest in video-based methods in organizational research, the use of collaborative ethnographic documentaries is rare. Organizational research could benefit from the inclusion of collaborative ethnographic documentaries to (a) enable the participation of “difficult to research” groups, (b) better access the material, embodied, or sensitive dimensions of work and organizing, and (c) enhance the dissemination and practical benefits of findings. To increase understanding of this under-explored method, the authors first review the available literature and consider strengths, limi

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Popovschi, Liliana. "Textul dialectal ca sursă pentru cercetarea ştiinţifică." Limba, literatura, folclor, no. 2, 2021 (December 2021): 15–32. http://dx.doi.org/10.52505/llf.2021.2.02.

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The dialectal text is of particular importance for research in different fields of science: dialectology and other linguistic disciplines, history, ethnography, folklore studies, psychology, interdisciplinary fields such as ethnolinguistics, sociolinguistics, psycholinguistics, serving as a documentary source.

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Park, Jinhee. "Departure and Repatriation as Cold War Dissensus: Domestic Ethnography in Korean Documentary." Journal of Korean Studies 22, no. 2 (2017): 433–57. http://dx.doi.org/10.1353/jks.2017.0020.

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Park, Jinhee. "Departure and Repatriation as Cold War Dissensus: Domestic Ethnography in Korean Documentary." Journal of Korean Studies 22, no. 2 (2017): 433–57. http://dx.doi.org/10.1215/21581665-4226514.

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Abstract This article examines autobiographic documentaries about families that expose “dissensus” in the mapping of transborder migration and diasporic desire that were the results of the Cold War in North Korea, South Korea, and Japan. Jae-hee Hong (dir. My Father’s Emails) and Yong-hi Yang (dir. Dear Pyongyang and Goodbye Pyongyang) document the ongoing Cold War in their fathers’ histories through their position as a “familial other,” who embodies both dissensus and intimacy. Hong reveals that anticommunism in South Korean postwar nation building reverberated in the private realm. Yang docu

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Bowens, Max. "“The Flesh of The Perceptible”: The New Materialism ofLeviathan." Film-Philosophy 22, no. 3 (2018): 428–47. http://dx.doi.org/10.3366/film.2018.0088.

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This article seeks to entangle two current philosophic praxes: New Materialism, and Sensory Ethnography. Jane Bennett has become one of New Materialism's most prominent proponents since the release of her now-seminal text, Vibrant Matter in 2010. Due to the varied ground upon which New Materialism stands (often conflated with object-oriented ontology, post-humanism, and other general turns within nonhumanism), Bennett's work will be looked at idiosyncratically, then pushed into the realm of the cinematic via an analysis of the documentary, Leviathan. Directed by Lucien Castaing-Taylor and Véré

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Bogolepova, L. Z., and N. A. Belousova. "Collections of the Museum of Kemerovo State University as a Basis for Scientific Reconstruction of the Teleut Women’s Costume." Bulletin of Kemerovo State University 21, no. 1 (2019): 1–9. http://dx.doi.org/10.21603/2078-8975-2019-21-1-1-9.

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The research features the historical and cultural heritage of the Teleuts, an indigenous people of Kuzbass, in particular their national costumes stored in the funds of the museum «Archeology, Ethnography, and Ecology of Siberia» (Kemerovo State University). The museum collections form a basis for scientific historical reconstruction of women’s Teleut costume. The paper describes authentic ethnographic items of the main collection and the archives: various collections, field notebooks, expedition diaries, and reports made by scientists of the university, as well as photographs, videos, slides,

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13

Coates, Jennifer. "Blurred Boundaries: Ethnofiction and Its Impact on Postwar Japanese Cinema." Arts 8, no. 1 (2019): 20. http://dx.doi.org/10.3390/arts8010020.

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This article explores the use of ethnofiction, a technique emerging from the field of visual anthropology, which blends documentary and fiction filmmaking for ethnographic purposes. From Imamura Shōhei’s A Man Vanishes (Ningen jōhatsu, 1967) to Hou Hsiao Hsien’s Cafe Lumieré (Kōhi jikō, 2003), Japanese cinema, including Japan-set and Japan-associated cinema, has employed ethnofiction filmmaking techniques to alternately exploit and circumvent the structural barriers to filmmaking found in everyday life. Yet the dominant understanding in Japanese visual ethnography positions ethnofiction as an

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Fitzgerald, Angela, and Magnolia Lowe. "Acknowledging Documentary Filmmaking as not Only an Output but a Research Process: A Case for Quality Research Practice." International Journal of Qualitative Methods 19 (January 1, 2020): 160940692095746. http://dx.doi.org/10.1177/1609406920957462.

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Documentary films play an important role in how we see and position ourselves in the world. While traditionally viewed as a creative practice, documentary filmmaking has been transitioning into the academic world as a way to undertake and engage with research practices. Some question marks remain, however, over the nature of documentary filmmaking as a research method. This paper seeks to build a case for documentary as a research practice using Guba and Lincoln’s quality criteria, which is typically employed to ensure the trustworthiness of collected data, as a frame for sense making. This ca

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Reeves, Madeleine. "Living from the Nerves." Social Analysis 59, no. 4 (2015): 119–36. http://dx.doi.org/10.3167/sa.2015.590408.

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While deportability has elicited interest as a legal predicament facing migrant workers, less attention has been given to the way in which this condition of temporal uncertainty shapes migrants' everyday encounters with state agents. Drawing on ethnography among Kyrgyzstani migrant workers in Moscow, I show that in conditions of documentary uncertainty 'legal residence' depends upon successfully enacting a right to the city and the personalization of the state. Alongside fear and suspicion, this space of legal uncertainty is characterized by a sense of abandon and awareness of the performativi

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Bell, Travis R. "Documentary Film as Collaborative Ethnography: Using a Thirdspace Lens to Explore Community and Race." Critical Arts 32, no. 5-6 (2018): 17–34. http://dx.doi.org/10.1080/02560046.2018.1548027.

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Bahagia, Fachrudin Majeri Mangunjaya, Endin Mujahidin, and Rimun Wibowo. "Traditional Climate and Environment Forecasting Based on Local Knowledge of Urug Societies in Bogor West Java." International Journal of Sustainable Development and Planning 16, no. 7 (2021): 1339–47. http://dx.doi.org/10.18280/ijsdp.160714.

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The aim of this research to find out about Indigenous of Knowledge Urug Community for forecasting climate and environment dynamic toward community resilience. The research method used is the ethnographic approach or cultural anthropology. Ethnography is sorts of qualitative research that need observation, documentary and interview in local societies. Ethnographic deal with discovers about description about culture including local knowledge, behaviour, cultural, ritual, traditional ceremonies, and language of Urug community. The selection of sample as informant exert purposive sampling techniqu

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Sutton, Elizabeth. "Mapping Meaning: Ethnography and Allegory in Netherlandish Cartography, 1570-1655." Itinerario 33, no. 3 (2009): 12–42. http://dx.doi.org/10.1017/s0165115300016247.

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As was the norm with frontispiece illustration in the sixteenth and seventeenth centuries, the figures personifying the four continents on the title page to Abraham Ortelius's Theatrum Orbis Terrarum were allegorical stand-ins, representing both a geographical place and its identifying features, symbolised by their appropriate accoutrements (fig. 1). They were not meant to serve as documentary evidence of diverse peoples, which partially explains why the personifications of the four continents are generalised and generic and adopt classicising ideals for body type and posture. In contrast, Wil

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Sharma, Aparna. "How (not) to clap, cheer or “check the box” on diversity in the film classroom." Alphaville: Journal of Film and Screen Media, no. 24 (December 20, 2022): 146–52. http://dx.doi.org/10.33178/alpha.24.09.

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In this paper, I share approaches I use to develop a critical engagement with diversity in documentary media education. I discuss the inclusion and curation of diverse documentary media and interdisciplinary theoretical materials through which cinema can be recognised as a space of competing discourse formations and aesthetics. My classes on documentary media combine documentary and film studies, postcolonial and feminist thought and ethnography to equip students in developing a historically contextualised understanding of media texts. Through contextualisation, students are equipped to apprec

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Brujić, Marija. "Kratak uvod u istoriju antropologije fotografije." Issues in Ethnology and Anthropology 12, no. 1 (2017): 129. http://dx.doi.org/10.21301/eap.v12i1.6.

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The paper represents a short historical overview of key anthropological figures in Anglo-American and French anthropology of photography such are Boas, Malinowski, Evans-Pritchard, Mead and Bateson, Levi-Strauss and (John) Collier till the current visual anthropologists as Banks, Pink, Ruby, Pinney, and Edwards, among many. Furthermore, the major theoretical ideas such are: objectivity and subjectivity of photography, its material, and intangible aspects, its representative potential, ethical issues and reflexive approach are discussed. At the end, several anthropological projects which includ

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21

Lloyd, David, and Suzanne E. Goopy. "Documenting the Human Condition in Everyday Culture: Finding a Partnership between Ethnography and Photo-Documentary." International Journal of the Humanities: Annual Review 3, no. 5 (2006): 32–37. http://dx.doi.org/10.18848/1447-9508/cgp/v03i05/41676.

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22

Calis, Richard. "Reconstructing the Ottoman Greek World: Early Modern Ethnography in the Household of Martin Crusius." Renaissance Quarterly 72, no. 1 (2019): 148–93. http://dx.doi.org/10.1017/rqx.2018.4.

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This article uses the life and writings of Martin Crusius (1526–1607), professor of Latin and Greek at the university of Tübingen, to explore the methods and tools of early modern ethnographers. For decades Crusius recorded contemporary Greek life under Ottoman rule by investigating a broad array of visual, material, textual, and oral evidence and by mustering various scholarly methods. The documentary record that Crusius compiled demonstrates that early modern ethnography was one among many period forms of knowledge making in which tropes and techniques from several fields and disciplines cam

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23

Belk, Russell. "Examining Markets, Marketing, Consumers, and Society through Documentary Films." Journal of Macromarketing 31, no. 4 (2011): 403–9. http://dx.doi.org/10.1177/0276146711414427.

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Documentary film is over 100 years old and includes subgenres such as ethnography, historical film, docu-drama, propaganda, and advocacy videos. With numerous film archives, film festivals, special DVD issues of journals, inexpensive video recording and editing equipment, Internet distribution, and the phenomenal growth of archival Internet sites such as YouTube and Vimeo, there are now hundreds of millions of documentary films and videos available to the interested researcher. The author argues that the macromarketing field has greatly underutilized this vast resource and suggests examples of

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Valkola, Jarmo. "DOCUMENTARY DISCOURSE: COGNITIVE AND PHENOMENOLOGICAL REFLECTIONS ON MATTERS OF REMEMBERING AND AUDIO-VISUAL MEMORY." Culture Crossroads 14 (November 9, 2022): 70–80. http://dx.doi.org/10.55877/cc.vol14.92.

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The article examines the ramifications of documentary discourse. The approach is formulated to give a voice to interdisciplinary research on documentary. The em- phasis on the close analysis of extracts and larger documentary entities will bring a new level to this meeting of various aspirations. It gives the possibility to create a heightened sensitivity of matters of analysis that covers similarities and differences, as well as causal and empirical reflections. The aim is to create a web of associations for these perspectives and perceive a wider approach on documentary in order to ar- gue t

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Carta, Silvio. "Visual anthropology and sensory ethnography in contemporary Sardinia: A film of a different kind." Modern Italy 17, no. 3 (2012): 305–24. http://dx.doi.org/10.1080/13532944.2012.658154.

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This article reads David MacDougall's Tempus de Baristas (1993) as an instance of the rejection of the didacticism of documentary films driven by the logic of the written text. This ethnographic film about the life of three goat-herders is one of the films that allows the Sardinian-speaking subjects a space and, therefore, a far more prominent role in the total cinematic construction than has usually been the case. Tempus marks the definitive departure from the transmission of written socio-anthropological knowledge that is typical of expository documentaries. The article concludes that the fi

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Nyerges, A. Endre. "Ethnography in the reconstruction of African land use histories: a Sierra Leone example." Africa 66, no. 1 (1996): 122–44. http://dx.doi.org/10.2307/1161515.

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AbstractThe history of vegetation and land use in western Africa includes a pattern of environmental change that can best be described as gradual, subtle, and difficult to measure accurately. As compared, for example, with the process of large-scale felling in Amazonia, deforestation in this context is not readily amenable to analysis and quantification. Local ethnographic, ecological, and ethnohistorical techniques, however, can be used to develop the information required to advance our understanding of the processes of land use and forest change in the region. In this article, research into

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Takudzwa, Munhuweyi Kenneth. "The Politics of Exploitation and Oppression, British Colonization, and Chinese Involvement in Zimbabwe." International Journal of Criminology and Sociology 11 (April 20, 2022): 64–72. http://dx.doi.org/10.6000/1929-4409.2022.11.08.

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In an analog philosophy by Lobengula of the chameleon and the fly, he unveiled the British occupation of Zimbabwe, which I equally translated or is similar to the 21st-century Chinese involvement in Zimbabwe. In understanding the exploitative nature of colonial and post-colonial politics, the research offered a comparative analysis of the British and Chinese involvement in Zimbabwe. The post-colonial economic colonization neo-colonialism, similar to dependency theory proponents, found the African continent under exploitation and oppression in her post-independence. The researcher utilized qual

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Westman, Peter, and Julian McDougall. "Ethnographic Media Literacy in the Third Space." International Journal of Critical Media Literacy 1, no. 2 (2019): 193–213. http://dx.doi.org/10.1163/25900110-00102003.

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As Poveda, Thomson and Ferro (2018) observe, there is a momentum in ethnographic explorations of the arts in education in which “an increasing number of researchers have turned their attention to expressive practices and artistic spaces as contexts and tools for learning, identity construction and social mobilization (p. 269).” However, the distinction between ethnography of education and education by ethnography – i.e. an ethnographic pedagogy – is at least partly maintained within this momentum. This research attempted an ethnographic approach to pedagogy, utilising digital media literacy fo

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Habibi, Zaki. "Participatory as everyday life: from creativity-based initiative to the production of networked space in Southeast Asian cities." Asian Journal of Media and Communication 1, no. 2 (2017): 123–36. http://dx.doi.org/10.20885/asjmc.vol1.iss2.art3.

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The notion of creative city has been extensively discussed both in academic debate as well as public discourse, including on Asian context. However, a tendency to study only on strategic government policies in relation to this matter has led many multidimensional aspects being left behind. One of these important aspects is the creativity-based activities initiated and conducted by local groups, communities, or collectives on a daily basis apart from so-called the official city programmes. This paper that derives from participatory paradigm takes into account this kind of practice, and seek the

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Herbig, Art, and Aaron Hess. "Convergent Critical Rhetoric at the “Rally to Restore Sanity”: Exploring the Intersection of Rhetoric, Ethnography, and Documentary Production." Communication Studies 63, no. 3 (2012): 269–89. http://dx.doi.org/10.1080/10510974.2012.674617.

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31

Galloway, Kate. "Curating the aural cultures of the Battery: Soundwalking, auditory tourism and interactive locative media sound art." Tourist Studies 18, no. 4 (2017): 442–66. http://dx.doi.org/10.1177/1468797617723764.

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Inside Outside Battery is a mobile media sound art installation for smartphone technologies that uses global positioning system (GPS) locative software to narrate walking visitors through the Battery, a heritage neighbourhood of St. John’s (Newfoundland, Canada). Auditory tourists, or soundwalkers, come to know the aural cultures of the Battery through the dynamic interactions of sound and place using site- and time-specific archival materials, stories, soundscapes, and expressive culture sourced from the Battery that play alongside real-time encounters with the physical and sonic materiality

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Turner, Tim. "‘Just Knocking out Pills’: An Ethnography of British Drug Dealers in Ibiza." Journal of Extreme Anthropology 3, no. 1 (2019): 102–20. http://dx.doi.org/10.5617/jea.6694.

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Background: Drawing on ethnographic fieldwork with British seasonal workers and tourists, this paper provides an extensive overview of the methodological processes of researching drug users and drug dealers within the international nightlife resort of Ibiza. In an innovative application of Bryman’s (2004) Disneyization framework, it is argued that seasonal workers are engaged in a deep form of performative labour. As mediators of Ibiza’s hedonistic atmosphere, this social group are revealed to be deeply immersed in the island’s renowned drug market. Methods: Ethnographic fieldwork employing a

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Senelick, Laurence. "Odysseus in Academe." Theatre Survey 57, no. 3 (2016): 383–85. http://dx.doi.org/10.1017/s0040557416000338.

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The past sixty years of theatre studies recall the travels of Odysseus. It had a narrow escape from being devoured and digested by the Gallic Cyclops that dwelt in the Cave of Theory. It lingered in the Lotos-land of performance studies, gorging on a bottomless buffet of human activity. It hearkened to siren songs luring it to seductive but slippery shoals of anthropology, ethnography, sociology, and neuroscience. Some of its crew has suffered a Circean transformation into omnivorously rooting cultural critics. Its vocabulary has been inflated by Aeolus, king of winds. Meanwhile, back home the

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Shaygozova, Zhanerke, and Madina Sultanowa. "Polish artists in Kazakhstan: with love to the steppe." Przegląd Wschodnioeuropejski 12, no. 1 (2021): 369–80. http://dx.doi.org/10.31648/pw.6482.

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The article analyzes the cultural and creative heritage of artists of Polish descent who found themselves in Kazakhstan for various reasons in the period from the middle of the 19th to the end of the 20th centuries. In addition to their unconditional artistic value, the results of their creative efforts are of great scientific importance for modern Kazakhstan as unique ethnographic sources and documentary evidence of the daily graft and life of the Kazakh steppe. Domestic historical science already has a certain reserve dedicated to various sociopolitical, cultural and economic aspects of Kaza

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Bao, Weihong. "Archaeology of a Medium: The (Agri)Cultural Techniques of a Paddy Film Farm." boundary 2 49, no. 1 (2022): 25–69. http://dx.doi.org/10.1215/01903659-9615389.

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This essay explores a critical dialogue between methods and conceptions of cultural techniques—the second wave of media archaeology—and a case in contemporary Chinese documentary. I examine filmmaker Mao Chenyu, who is also an organic farmer, a critical thinker and writer, and a film exhibitor. Mao provides an intriguing case of how ethnography, ecology, and cosmology intertwine; how media art can take the form of media activism by redefining its boundaries and exhibition space; and how media art can be rethought by replacing its usual focus on media as object with a focus on media as space, c

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Baghoolizadeh, Beeta. "From Religious Eulogy to War Anthem." Comparative Studies of South Asia, Africa and the Middle East 41, no. 3 (2021): 441–54. http://dx.doi.org/10.1215/1089201x-9407988.

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Abstract This article looks to two songs, “Layla Said” and “Mammad, You Weren't There to See,” to examine the politics of representation, race, religion, and nationalism in late twentieth-century Iran. “Layla Said,” a religious eulogy sung by Jahanbakhsh Kurdizadeh, would serve as inspiration for the most popular song of the Iran-Iraq War (1980–88) in terms of melody, rhythm, and lyrics. Kurdizadeh, a visibly Black Iranian, is not popularly remembered as the source of the eulogy, an omission that compounds many of the politics of Black representation in Iran. Through an investigation of film,

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Ahmad Latif Mahruf and Diniyati Kesuma Sari. "Teachers’ Strategies in Teaching Speaking at English Courses as a Foreign Language in Kampung Inggris." SAGA: Journal of English Language Teaching and Applied Linguistics 3, no. 1 (2022): 41–50. http://dx.doi.org/10.21460/saga.2022.31.89.

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A successful learning process is determined by teaching strategies that are used by teachers. The strategies will affect the learning output of students. Many graduated students claim that they need more experience to study English. One alternative way to improve their ability is to join an English Course in Pare East Java-“Kampung Inggris”. The aim is to investigate how teaching speaking is done and what the strategies used to make and help students to speak in fun way. The focus of this research is to expose the uniqueness of those strategies. It belongs to ethnography research using observa

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Тинякова, Елена, and Elena Tinyakova. "“Live history” of tourist routes." Servis Plus 10, no. 1 (2016): 24–29. http://dx.doi.org/10.12737/17479.

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The study focuses on such lines of modern understanding of history as the creation of “living history” in the modern museum complexes, recreation of past historical events in documentary maximum proximity to the time of their occurrence. This way of understanding history was inspired by many unresolved problems of the past interpretations and the author’s opinions, and devoid of the human factor documents of the archives, which failed to rise to objective conclusions. Time raised the question about the basis of psychological factor for the interpretation of histor

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Barrera, Leticia. "Files Circulation and the Forms of Legal Experts." Journal of Legal Anthropology 1, no. 1 (2008): 3–24. http://dx.doi.org/10.3167/jla.2008.010101.

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A common assumption in Western legal cultures is that judicial law-making is materialised in practices that resemble the operation of a professional bureaucracy, practices that are also central to the construction of knowledge in other systems, such as accounting, audit, science, and even ethnography (Dauber 1995; Strathern 2000; Riles 2000, 2004, 2006; Maurer 2002; Yngvesson and Coutin 2006). This argument situates the judiciary as a formalistic organization that builds its ambition of universality on the procurement and dissemination of knowledge on a rational basis. Drawing on ethnographic

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Zeneidi, Djemila. "“We ain’t nothing but white trash”: The ethnography of poor whites and the politics of stigma in Zora Neale Hurston’s Seraph on the Suwanee." Cultural Dynamics 34, no. 1-2 (2021): 45–62. http://dx.doi.org/10.1177/09213740211053392.

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This article aims to demonstrate the documentary value of Zora Neale, Hurston’s descriptions, in her novel Seraph on the Suwanee, of the condition of the poor white US Southerners known as “crackers.” By, depicting a “cracker” woman’s upward social trajectory through, marriage, Hurston reveals the social and existential reality of this, segment of the white population. Her novel presents an objective, analysis of the crackers as a socio-historical group distinct from other, whites. However, Hurston also explores the subjective side of belonging to this discredited group by offering an account

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Hanun, Aliyah Nur'aini. "Komunikasi Antarpribadi Tunagrahita." Jurnal Penelitian Komunikasi 16, no. 2 (2013): 137–52. http://dx.doi.org/10.20422/jpk.v16i2.36.

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Tunagrahita were a terminology to called the children with mentally retarded conditions. This conditions caused these children having difficulties at least on four areas, related with attention, memory, language, and academics. The research problem is how interpersonal communication tunagrahita in Dormitory Extraordinary Education Foundation (YPLB) Cipaganti Bandung. This research’s aim is to seek the interpersonal communication phenomenon of children with mentally retarded in YPLB Cipaganti Dormitory. The research method which were used is the qualitative method with communication Ethnography

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Emelyanenko, Tatyana G. "Materials of I.M. Pulner on the Ethnography of the Georgian Jews in the Аrchive of the Russian Ethnographic Museum: 1926–29". Herald of an archivist, № 2 (2021): 603–14. http://dx.doi.org/10.28995/2073-0101-2021-2-603-614.

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The article introduces one of the documentary sources on the history and ethnography of the Georgian Jews stored in the archive of the Russian Ethnographic Museum – field materials collected by I. M. Pulner in his expeditions to Georgia in 1926, 1928, and 1929. The introductory part of the article provides a brief summary of the main stages of his professional activity, wherein his study of the Georgian Jews ethnography dates back to his student years. The expeditions he carried out at that time were the first experience of purposeful ethnographic study of this Jewish ethnic group. Pulner's fi

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Farhan. "Religiusitas Komunitas Muslim di Media Sosial." Asy-Syari’ah : Jurnal Hukum Islam 4, no. 2 (2019): 151–73. http://dx.doi.org/10.36835/assyariah.v4i2.106.

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Abstract: This research reveals about the religious culture of Muslim community alike the Qur'an in overcoming the anxiety of the soul because it is caused by the guide of social media. This continues to be done because it can be a problem solving in balancing the experience of ritual worship as well as social worship. This research, including the study of virtual ethnography and using the phenomenology approach and based on the foundation of communication science, especially the study of media related siber.Object field in question is an online field in social media Whatsapp, scout group sang

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Black, Liza. "The Exiles: Native Survivance and Urban Space in Downtown Los Angeles." American Indian Culture and Research Journal 42, no. 3 (2018): 155–82. http://dx.doi.org/10.17953/aicrj.42.3.black.

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The 1961 independent film The Exiles is remarkable for many reasons. Nonprofessional Native actors played themselves, created their own dialogue, and developed the storyline, for example, and the film positions itself as documentary and ethnography in ways that validate these Native interventions. Although The Exiles is fundamentally a portrait of American Indian life in Los Angeles, readings from film and urban studies primarily focus on filmmaking technique. As a result of this critical focus, the film's significance in regard to the cultural agency and urban history of Native peoples become

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Bolgar, Vitaliy. "Synthesis of Scientific and Creative Picture of the World on the Example of the Genre of Thought in the Research of F. Kolessa and the Composer's Interpretation of D. Sichinsky." Ukrainian musicology 46 (October 27, 2020): 140–51. http://dx.doi.org/10.31318/0130-5298.2020.46.234612.

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The relevance and novelty of the research lies in the specific nature of the musical tradition in the context of the relationship between scientific and creative picture of the world, especially folk art, which has always been central in the research of Ukrainian historians, ethnographers, folklorists (scientific field), and also was the main vector in the works of many composers: M. Lysenko, K. Stetsenko, S. Lyudkevych, F. Kolessa, D. Sichynsky, L. Dychko, M. Skoryk, and others (creative sphere). A striking example of this phenomenon is the Duma - one of the brightest "pages" of Ukrainian fol

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Halligan, Benjamin. "American Music Documentary: Five Case Studies of Ciné-Ethnography. By Benjamin J. Harbert. Middletown, Connecticut: Wesleyan University Press, 2018. 312 pp. ISBN 9780819578013." Popular Music 40, no. 1 (2021): 174–76. http://dx.doi.org/10.1017/s0261143021000209.

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Kudriavtceva, Anna, Efim Rezvan, and Maryam Rezvan. "Russian Sources of the Qur’anic Ethnography II. Alexander A. Adamov and His “Arabic Iraq”." Manuscripta Orientalia. International Journal for Oriental Manuscript Research 27, no. 1 (2021): 45–60. http://dx.doi.org/10.31250/1238-5018-2021-27-1-45-60.

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The scholarly and documentary heritage, the museum collections associated with the name of Alexander A. Adamov (1870—1938), one of the leading Russian diplomats and practicing orientalists at the eve of the First World War, are undoubtedly an important source for studying the history of the Middle East at the turn of the 19th and 20th centuries, the history of the rivalry of the great powers in the region. Today, however, the significance of Adamov's texts and collections takes on yet another dimension. It is Qur’anic ethnography, a new scientific field, based on the results of specialized stu

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Vandecasteele, Marieke, Elisabeth De Schauwer, Inge Blockmans, and Geert Van Hove. "Re-touche." Art/Research International: A Transdisciplinary Journal 6, no. 2 (2021): 478–504. http://dx.doi.org/10.18432/ari29568.

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Creativity and affect in families with a family member, who is labelled as disabled, is central in this article. These families are often pinned down to individual, closed categories where everything revolves around the label “disability.” Our research goes beyond binary thinking in terms of abled/disabled and other linear explanations by using artistic processes as ethnography. We start from encounters between two people who both created something about their “non-ordinary” brothers. One (first author) made a shortfilm/documentary about her own family, the other (research participant) wrote a

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Indrayuda, Indrayuda. "Acting, Movements, and the Three Important Components Configuration in Marginalizing Randai as an Entertainment Show." Harmonia: Journal of Arts Research and Education 19, no. 1 (2019): 98–110. http://dx.doi.org/10.15294/harmonia.v19i1.19185.

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The purpose of this research is to reveal how marginalized Randai as a performing art in the life of Minangkabau’s people and their social culture in West Sumatra. This research is based on qualitative methodology with a descriptive method; this research is focused on the marginalization of Randai as the consequences of its lack of acting techniques, movement, and configuration. This research involved traditional artists, dance and Randai artists, indigenous elites, and the people managing the show. Data collection using live monitoring on the Randai performance and doing many interviews relat

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Bertolazo, Telma, Rejane Sartori, and Nelson Tenório. "Knowledge management: an exploratory study for knowledge transfer in a university." Conhecimento & Diversidade 12, no. 28 (2020): 70. http://dx.doi.org/10.18316/rcd.v12i28.7691.

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At present time educational and scientific organizations face dynamic and competitive environments that urge for innovation in their knowledge transfer processes. For that, they can count on a set of tools and techniques to better manage knowledge. Thus, the objective of this study is to suggest Knowledge Management tools and techniques that favor the transfer of knowledge in the development of organizational processes. The study carried out in the lato sensu postgraduate sector of a university located in the south of Brazil which started its activities 30 years ago, has a qualitative and expl

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