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1

Hemetek, Ursula, Hande Sağlam, and Marko Kölbl, eds. Ethnomusicology Matters. Wien: Böhlau Verlag, 2019. http://dx.doi.org/10.7767/9783205232872.

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2

Theory for ethnomusicology. Upper Saddle River, N.J: Pearson Prentice Hall, 2008.

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3

ANGELIS, Nicolas de. Guitar guitar. London: London Records, 1987.

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4

Bernard, Ndomondo Mathayo, Sanga Imani, Strumpf Mitchel, and Chuo Kikuu cha Dar es Salaam. Department of Fine and Performing Arts, eds. Readings in ethnomusicology: A collection of papers presented at Ethnomusicology Symposium, 2013. Dar es Salaam: University of Dar es Salaam, College of Arts and Social Sciences, Department of Fine and Performing Arts, 2013.

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5

Mitchel, Strumpf, and Chuo Kikuu cha Dar es Salaam. Department of Fine and Performing Arts, eds. Readings in ethnomusicology: A collection of papers presented at Ethnomusicology Symposium, 2012. Dar es Salaam: University of Dar es Salaam, Department of Fine and Performing Arts, 2012.

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6

Bartók, Béla. Bela Bartók studies in ethnomusicology. Lincoln: University of Nebraska Press, 1997.

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7

Ethnomusicology: A guide to research. New York: Routledge, 2004.

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8

Czekanowska, Anna. Pathways of ethnomusicology: Selected essays. Warsaw: Institute of Musicology ofWarsaw University, 2000.

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9

Ethnomusicology of the Flathead Indians. New Brunswick: AldineTransaction, 2011.

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10

New Guinea Ethnomusicology Conference (1993 Port Moresby, Papua New Guinea). New Guinea Ethnomusicology Conference, proceedings. Edited by Reigle Robert. Auckland, N.Z: Archive of Maori and Pacific Music, Dept. of Anthropology, University of Auckland, 1995.

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11

Moitse, Sindile Adelgisa. The ethnomusicology of the Basotho. Roma, Lesotho: Institute of Southern African Studies, National University of Lesotho, 1994.

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12

Institution, Smithsonian, ed. Guitar. New York: Collins, 2006.

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13

Guitar. New York: PowerKids Press, 2010.

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14

Wesson, Seb. Guitar. London: Wayland, 2009.

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15

Guitar. Mankato, Minn: Creative Paperbacks, 2014.

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16

Guitar. Mankato, MN: Creative Education, 2014.

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17

Mantie, Roger, and Gareth Dylan Smith. Grasping the Jellyfish of Music Making and Leisure. Edited by Roger Mantie and Gareth Dylan Smith. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190244705.013.33.

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This chapter sets out the editors’ rationale for the book, and walks readers through the structure of this rich, multifaceted, and interdisciplinary volume. Music making as leisure has in the past and in some contexts been construed as vital to the pursuit of the good life, yet today the notion has become marginalized, and music making is frequently regarded as a dyadic domain for only professionals and consumers. Chapters include perspectives from psychology, sociology, ethnomusicology, community music making, and leisure studies in physical, online, and hybrid environments. Contributors provide rich analyses of a broad range of topics, including guitar playing, gaming, hip-hop, happiness and fulfillment, motivation, death metal, DIY and DAW (digital audio workstations), illegal raves, and reconnecting with former musician identities. Music making and leisure is a dynamic and vital framework for understanding more about the ways in which music making plays a part in the day-to-day lives of people.
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18

1946-, Myers Helen, ed. Ethnomusicology. New York: W.W. Norton, 1992.

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19

Jaap, Kunst. Ethnomusicology. Scholarly Pr, 1989.

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20

Shelemay, Kay Kaufman, ed. Ethnomusicology. Routledge, 2013. http://dx.doi.org/10.4324/9780203063347.

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21

Post, Jennifer C. Ethnomusicology. Routledge, 2013. http://dx.doi.org/10.4324/9780203036037.

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22

Helen, Myers, ed. Ethnomusicology. London: Macmillan, 1992.

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23

Post, Jennifer. Ethnomusicology. Routledge, 2013. http://dx.doi.org/10.4324/9780203814161.

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24

Helen, Myers, ed. Ethnomusicology. London: Macmillan, 1993.

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25

Modeling ethnomusicology. 2017.

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26

Ethnomusicology Reader. Taylor & Francis Group, 2017.

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27

Post, Jennifer C. Ethnomusicology Reader. Taylor & Francis Group, 2017.

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28

Solis, Ted, ed. Performing Ethnomusicology. University of California Press, 2004. http://dx.doi.org/10.1525/9780520937178.

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29

Ethnomusicology: Journal of the Society for Ethnomusicology. Illinois: University of Illinois Press, 1994.

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30

Ethnomusicology: Journal of the Society for Ethnomusicology. Illinois: University ofIllinois Press, 1994.

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31

Stone, Ruth. Theory for Ethnomusicology. Prentice Hall, 2007.

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32

Ethnomusicology in India. New Delhi: Library of Congress Office, 1998.

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33

Stone, Ruth. Theory for Ethnomusicology. Prentice Hall, 2007.

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34

Lloyd, A. L., and Constantin Brailoiu. Problems of Ethnomusicology. Cambridge University Press, 2009.

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35

Berger, Harris, and Ruth Stone. Theory for Ethnomusicology. Edited by Harris M. Berger and Ruth M. Stone. Routledge, 2019. http://dx.doi.org/10.4324/9781315408583.

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36

Stone, Ruth M. Theory for Ethnomusicology. Routledge, 2015. http://dx.doi.org/10.4324/9781315662442.

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37

McLean, Mervyn. Pioneers of Ethnomusicology. Llumina Press, 2006.

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38

Secakuku, Alph H. Laura Boulton Ethnomusicology Lecture Series (Laura Boulton Ethnomusicology Lecture). Heard Museum, 1994.

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39

Hal Leonard Publishing Corporation (COR). Guitar Presents Classical Guitar (Guitar Presents). Cherry Lane Music, 2000.

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40

British journal of ethnomusicology. London: International Council for Traditional Music, UK Chapter, 1992.

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41

Ethnomusicology and African Music. Afram Publications, 2000.

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42

Post, Jennifer C. Ethnomusicology: A Contemporary Reader. Routledge, 2005.

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43

Ranade, Ashok D. Essays in India Ethnomusicology. Munshirm Manoharlal Pub Pvt Ltd, 1998.

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44

European meetings in ethnomusicology. Bucharest: Romanian Society for Ethnomusicology, 2002.

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45

British journal of ethnomusicology. London: International Council for Traditional Music, UK Chapter, 1993.

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46

British journal of ethnomusicology. London: International Council for Traditional Music, UK Chapter, 1994.

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47

Post, Jennifer C. Ethnomusicology: A Contemporary Reader. Routledge, 2005.

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48

Cottrell, Stephen, and Angela Impey. Community Music and Ethnomusicology. Edited by Brydie-Leigh Bartleet and Lee Higgins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219505.013.12.

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This chapter reflects on the similarities and differences between community music and applied ethnomusicology. We argue that to describe a particular study as belonging to one or the other of these sub-disciplines is often as much a reflection of scholarly networks and frameworks as it is evidence of differences in methodology or approach. The chapter introduces a number of case studies from South Africa, and focuses in particular on a community archiving project in the iSimangaliso Wetlands Park. These case studies are used to illustrate the different inflections that may pertain to the terms ‘community music’ or ‘applied ethnomusicology’, while also demonstrating the overlaps between them. Finally, attention is drawn to the risks that are always involved in cultural interventions, regardless of from where they may emanate.
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49

Mackinlay, Elizabeth. Decolonization and Applied Ethnomusicology. Edited by Svanibor Pettan and Jeff Todd Titon. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199351701.013.14.

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50

Lundberg, Dan. Archives and Applied Ethnomusicology. Edited by Svanibor Pettan and Jeff Todd Titon. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199351701.013.22.

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