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Relevant bibliographies by topics / Ethnomusicology

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Academic literature on the topic 'Ethnomusicology'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Ethnomusicology"

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Reyes, Adelaida. "Urban Ethnomusicology." Lidé města 14, no. 2 (2012): 193–206. https://doi.org/10.14712/12128112.3510.

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The nature of urban ethnomusicology and its relations with its parent discipline have been nebulous almost from the start. Some four decades ago, when urban ethnomusicology first entered the ethnomusicological scene, the term was taken to signal an expansion of ethnomusicology's research field beyond self-contained societies into the urban area. It has now become clear that that expansion required a re-thinking of prevailing practices and theoretical orientations. To better define the issues at stake, this paper traces the development of urban ethnomusicology not as praxis but as idea. The ess

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Sella, Tamar. "Sour Solidarities: Musicians, Academics, and Precarity in the Pandemic's Wake." Ethnomusicology 68, no. 2 (2024): 300–324. http://dx.doi.org/10.5406/21567417.68.2.08.

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Abstract This article reflects on precarity in ethnomusicology by connecting the precarities of interlocutors and academics. Based on research conducted for the Society for Ethnomusicology's project “Musicians in America during the Covid-19 Pandemic,” I propose sour solidarities as a structural relationship that shows that while contingent ethnomusicologists and independent musicians confront similar worsening conditions under pandemic precarity, we also face a broader racialized class differentiation mediated by the institution of the neoliberal university and the field of ethnomusicology. I

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Suppan, Wolfgang, and Helen Myers. "Ethnomusicology." Jahrbuch für Volksliedforschung 40 (1995): 173. http://dx.doi.org/10.2307/847955.

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Giuriati, Giovanni. "Italian Ethnomusicology." Yearbook for Traditional Music 27 (1995): 104. http://dx.doi.org/10.2307/768106.

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Ramzy, Carolyn. "A Letter in Times of Genocide." Resonance: The Journal of Sound and Culture 5, no. 4 (2024): 439–42. https://doi.org/10.1525/res.2024.5.4.439.

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At the Society for Ethnomusicology’s 68th annual conference in Ottawa, Canada, several Indigenous graduate students, postdocs, as well as un/tenured faculty teamed up to present the conference keynote known as the Charles Seeger Lecture. Titled “Listen, Watch Your Step,” the performative lecture aimed to unsettle the “structural normativity that conscripts Indigenous experience to a narrow range of telling, sensing, and feeling” in the field of music knowledge-making and research. Importantly, the collaborators invited listeners to think carefully about the “structural weaknesses, epistemologi

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Ceribašić, Naila. "Musings on ethnomusicology, interdisciplinarity, intradisciplinarity, and decoloniality." Etnološka tribina 49, no. 42 (2019): 3–79. http://dx.doi.org/10.15378/1848-9540.2019.42.01.

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Thinking from the perspective of Croatian ethnomusicology as one of ethnomusicologies "at home", the author muses on the position of ethnomusicology on a global scale, and in particular how it relates to mainstream English-language ethnomusicology and other fringe ethnomusicologies, the interdisciplinary links with sister disciplines (primarily ethnology and cultural anthropology), and endeavours to decolonize ethnomusicology. By taking into account the issue of reciprocity (or the lack thereof) between various disciplines and the linguocentric predicament of (ethno)musicological studies, she

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Greve, Martin. "Writing against Europe: On the Necessary Decline of Ethnomusicology. By Martin Greve. Translated by Férdia J. Stone-Davis." Ethnomusicology Translations, no. 3 (August 19, 2016): 1–13. http://dx.doi.org/10.14434/emt.v0i3.22461.

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In this appraisal of then-current German-speaking ethnomusicology, Martin Greve calls for much more critical acknowledgment and consideration of recent key debates in cultural studies and cultural anthropology. The essay and its provocative title, certainly written in a constructive spirit, hit a trouble spot, fueling the fear of losing ethnomusicology’s disciplinary raison d’être. A short but telling discussion among German-speaking ethnomusicologists ensued.Originally published in German as “‘Writing against Europe’: Vom notwendigen Verschwinden der Musikethnologie,” Musikforschung 55 (2002)

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Hanshi, Bao, Sularso Sularso, and Marie-Christinne B. Clarisse. "The Change of Concept: the Formation and Reflection of Applied Ethnomusicology." Gelar : Jurnal Seni Budaya 19, no. 2 (2021): 114–20. http://dx.doi.org/10.33153/glr.v19i2.3978.

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If the study of Jesse Fewkes and Frances Densmore in the late 19th century is taken into account, western Applied Ethnomusicology is entering its second century. After more than one hundred years of development, Applied Ethnomusicology has basically become a relatively mature research path in the West, which not only provides scholars with a new research perspective but also enriches the subject connotation of Ethnomusicology to a certain extent with its research philosophy and value pursuit. In China, Applied Ethnomusicology has attracted more and more attention. Therefore, reviewing the deve

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Dumnic, Marija. "Applied ethnomusicology in Serbia: Politics and policies of Serbian ethnomusicological Society." Muzikologija, no. 12 (2012): 79–102. http://dx.doi.org/10.2298/muz120319003d.

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This paper deals with ethnomusicological research methodologies, the application of ethnomusicological knowledge outside academic institutions and ideologies which have contributed to ethnomusicological discourses in Serbia. Furthermore, state policy on ethnomusicology and folk music is analyzed. The recent institutionalisation of applied ethnomusicology, i.e. direct ethnomusicological engagement in society, which represents a turning point in the development of ethnomusicology, is particularly emphasized. The difference between contemporary applied ethnomusicology and ethnomusicology is in di

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Aduonum. "Ethnomusicology, Ayε Kradow?" Ethnomusicology 65, № 2 (2021): 203. http://dx.doi.org/10.5406/ethnomusicology.65.2.0203.

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Dissertations / Theses on the topic "Ethnomusicology"

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Tebbs, Philip. "Studying the blues as ethnomusicology." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321017.

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Kruger, Simone. "Experiencing ethnomusicology : student experiences of the transmission of ethnomusicology at universities in the UK and Germany." Thesis, University of Sheffield, 2007. http://etheses.whiterose.ac.uk/3648/.

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Using ethnographic research-and attendant methods of participant-observation and informal interviewing-at twelve universities in the UK and Germany, Experiencing Ethnomusicology studies the transmission of ethnomusicology, while exploring the ways in which students experience and make sense of their (world) musical encounters. Discussions begin with the contexts and broader organisational structure of higher education in which ethnomusicology is transmitted. Drawing on the voices of ethnomusicologists, the first chapter illustrates the ideological and social practices that inform the disciplin

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Wendt, Christopher Lee. "Culture mediation and sound preservation : methodologies in ethnomusicology." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1285584.

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This thesis explores how the study of culture can benefit from Western technology by reviewing anthropological theoretical and methodological processes and issues concerning reciprocity between the ethnographers and research subjects. In this case I am exploring the process of digitizing and dissemination of 400 hours of Kiowa song recordings. New digitizing equipment has made audio preservation and access relatively easy and affordable. These issues are most critical to groups like the Kiowa whose songs I have already started digitizing. In this thesis I closely examine existing collaborative

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Bethencourt, Llobet Francisco Javier. "Rethinking tradition : towards an ethnomusicology of contemporary flamenco guitar." Thesis, University of Newcastle Upon Tyne, 2011. http://hdl.handle.net/10443/1305.

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This thesis consists of four chapters, an introduction and a conclusion. It asks the question as to how contemporary guitarists have negotiated the relationship between tradition and modernity. In particular, the thesis uses primary fieldwork materials to question some of the assumptions made in more ‘literary’ approaches to flamenco of so-called flamencología. In particular, the thesis critiques attitudes to so-called flamenco authenticity in that tradition by bringing the voices of contemporary guitarists to bear on questions of belonging, home, and displacement. The conclusion, drawing on t

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Chiang, May May. "Research on music and healing in ethnomusicology and music therapy." College Park, Md. : University of Maryland, 2008. http://hdl.handle.net/1903/8236.

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Thesis (M.A.) -- University of Maryland, College Park, 2008.<br>Thesis research directed by: School of Music. Musicology Division. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Lumbwe, Kapambwe. "Ubwinga, a subset of Bemba indigenous knowledge systems : a comparative study of pre-colonial and post-independence wedding ceremonies in Lusaka and Kitwe, Zambia." Doctoral thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/12141.

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Includes abstract.<br>Includes bibliographical references (p. 258-284).<br>This study has, by way of ethnographic investigation, compared the Bemba ubwinga ceremonies performed in Lusaka and the Copperbelt during the pre-colonial era and the white wedding ceremonies performed during the post-independence era. It has further investigated the nature and existence of Bemba IKS. This study employed qualitative research methods involving extensive fieldwork in Lusaka and the Copperbelt. Apart from audio-visual recordings and analysing 25 marriage ceremonies, individual and focus group interviews we

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Miya, Florence Ngale. "Educational content in the performing arts : tradition and Christianity in Kenya." Doctoral thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/7973.

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Includes bibliographical references (p.235-263).<br>The performing arts (a combination of music, dance and dramatisation) in the church in Kenya have not received much scholarly attention. These performing arts as adopted by Christian dance groups in Kenya have not been fully accepted into Christian circles because of the indigenous and popular music influences that govern them. This study therefore sets out to determine the educational role that the performing arts in the church in Nairobi play as demonstrated by a Nairobi Christian dance group, the Maximum Miracle Melodies.

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Aranha, Mark. "Jews and Mappilas of Kerala: A study of their history and selected song traditions." Master's thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/33626.

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This dissertation restudies the history and selected archival musical recordings relating to the Jews and Mappila Muslims on the Malabar coast of Kerala, India. These two communities arose out of transoceanic migrations and interactions over the longue durée, and in reconstructing their past, this work aims to uncover traces of their links to each other and to others across the seas. This is a part of a larger project, Re-Centring AfroAsia, which seeks to trace human and musical migrations between 700-1500CE. Previous studies, apart from suffering from colonial biases, have tended to focus on

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Cam, François. "Le mélos dans la musique grecque antique : une approche expérimentale par la restitution de strophes tragiques." Thesis, Normandie, 2017. http://www.theses.fr/2017NORMR147.

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On parle toujours de mélodie quand on analyse la musique grecque antique sans avoir suffisamment questionné la genèse des performances musicales qui ont contribué au développement décisif de la théorie musicale dès le cinquième siècle. Il est grand temps de réévaluer cet essor décisif dans le champ de la musique méditerranéenne autant que de la théorie occidentale de la musique à partir de cette notion essentielle de mélos qui doit modifier notre perception des formes musicales de cette période, induisant un type de représentation et un rapport du spectateur à la scène. Cette recherche s'appui

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Poussin, Adeline. "Le chant militaire et sa pratique actuelle dans les Troupes de marine." Thesis, Nice, 2014. http://www.theses.fr/2014NICE2044/document.

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Cette thèse de doctorat vise à comprendre quel peut être l’apport du chant dans la construction sociale et identitaire d’un ensemble fermé en dégageant les différentes fonctions de ce répertoire. Elle a également pour objectif d’analyser la mesure dans laquelle il intervient dans l’intégration des personnels ainsi que l’impact qu’il peut avoir sur la cohésion des groupes. En ce sens, une place importante a été donnée à l’analyse des aspects contextuels et humains du chant, tels que le rapport au corps dans les pratiques rituelles.Souhaitant aborder les différents enjeux du chant au sein de l’i

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Books on the topic "Ethnomusicology"

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Helen, Myers, ed. Ethnomusicology. Macmillan, 1993.

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1946-, Myers Helen, ed. Ethnomusicology. W.W. Norton, 1992.

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Helen, Myers, ed. Ethnomusicology. Macmillan, 1992.

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Herndon, Marcia. Music as culture. 2nd ed. MRI Press, 1990.

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Hemetek, Ursula, Hande Sağlam, and Marko Kölbl, eds. Ethnomusicology Matters. Böhlau Verlag, 2019. http://dx.doi.org/10.7767/9783205232872.

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Amico, Stephen. Ethnomusicology, Queerness, Masculinity. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-15313-6.

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Colloque "L'ethnomusicologie de la France" (2006 Université de Nice-Sophia-Antipolis). L'ethnomusicologie de la France: De l'ancienne civilisation paysanne à la globalisation : actes du Colloque "L'ethnomusicologie de la France", 15-18 novembre 2006. Harmattan, 2008.

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Colloque "L'ethnomusicologie de la France" (2006 Université de Nice-Sophia-Antipolis). L'ethnomusicologie de la France: De l'ancienne civilisation paysanne à la globalisation : actes du Colloque "L'ethnomusicologie de la France", 15-18 novembre 2006. Harmattan, 2008.

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C, Post Jennifer, ed. Ethnomusicology: A contemporary reader. Routledge, 2006.

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Cottrell, Stephen, Dafni Tragaki, and Stephen Wilford. Ethnomusicology and its Intimacies. Routledge, 2023. http://dx.doi.org/10.4324/9781003365792.

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Book chapters on the topic "Ethnomusicology"

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Beech, Nic, and Stephen Broad. "Ethnomusicology." In The SAGE Handbook of Qualitative Business and Management Research Methods: Methods and Challenges. SAGE Publications Ltd, 2018. http://dx.doi.org/10.4135/9781526430236.n24.

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Kheshgi, Rehanna. "Ethnomusicology." In The Routledge Companion to Northeast India. Routledge India, 2022. http://dx.doi.org/10.4324/9781003285540-25.

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Reigersberg, Muriel E. Swijghuisen. "Ethnomusicology." In The Routledge Handbook of Research Methods in the Study of Indigenous Religions. Routledge, 2025. https://doi.org/10.4324/9781003265207-19.

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Wilkins, Frances, and Barbara Alge. "Exhibiting Ethnomusicology." In The Routledge Companion to Applied Musicology. Routledge, 2023. http://dx.doi.org/10.4324/9781003042983-11.

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Engelhardt, Jeffers. "9. An Ethnomusicology of Spiritual Realities." In Music and Spirituality. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0403.09.

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This chapter surveys some of ethnomusicology’s attitudes toward religion and other-than-human agency in its disciplinary histories and practices. Since the early 1900s, the field has moved from positivist, comparative origins through a cultural turn and into nonsecular methodologies. This is the story of a long pivot from disentangling music and religion as secular categories toward recognizing the entanglements of sound, spiritual realities, and ethnomusicologists. Alongside its methodologically atheist or methodologically agnostic disciplines in the social sciences, mainstream ethnomusicolog

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"Ethnomusicology." In Women in Music. Routledge, 2005. http://dx.doi.org/10.4324/9780203954430-12.

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Nettl, Bruno. "Ethnomusicology:." In Musics of Many Cultures. University of California Press, 2023. http://dx.doi.org/10.2307/jj.5233102.10.

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Blacking, John. "Ethnomusicology." In Folklore, Cultural Performances, And Popular Entertainments. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069198.003.0012.

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Abstract A discipline that combines scientific and humanistic methods of research to study human musical communication. The claims of ethnomusicology to be scientific are supported by its use of the phonograph and electrical instruments, enabling people to measure accurately the varieties of musical scales and to listen repeatedly to the subtleties and complexities of aurally trans mitted PERFORMANCE. Its aims and methods are humanistic in that it does not postulate a universal definition of music but rather takes into account the socially shared perceptions and definitions of music makers. Si

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"ETHNOMUSICOLOGY." In Storytime in India. Indiana University Press, 2019. http://dx.doi.org/10.2307/j.ctvj7wm64.38.

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"Ethnomusicology." In Worship Music & Culture. Fortress Press, 2021. http://dx.doi.org/10.2307/j.ctv1v09045.8.

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Conference papers on the topic "Ethnomusicology"

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Irawati, Eli. "Ethnomusicology and Music Ecosystem." In 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008546200880094.

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Арутюнян, А. Г. "О НЕКОТОРЫХ ВОПРОСАХ ИЗУЧЕНИЯ СОВРЕМЕННОГО МУЗЫКАЛЬНОГО ФОЛЬКЛОРА". У Proceedings of the XXIII International Scientific and Practical Conference. RS Global Sp. z O.O., 2020. http://dx.doi.org/10.31435/rsglobal_conf/25112020/7245.

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The modern stage in the development of ethnomusicology is marked by the emergence of large-scale fundamental research. However, the problems of ethnomusicology are essentially not discussed in them, being peripheral for the authors. In this regard, it seems timely to analyze the refraction of ideas and methods of ethnomusicology in the research of scientists - representatives of various regional scientific centers and schools. The lack of interest in the study of modern processes and dynamics of culture is partly due to objective circumstances. Scientists do not always have collections of mate

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Simion, Adrian, and Stefan Trausanmatu. "E-LEARNING TOOLS FOR ETHNOMUSICOLOGICAL STUDENTS BASED ON MUSIC INFORMATION RETRIEVAL TECHNIQUES." In eLSE 2014. Editura Universitatii Nationale de Aparare "Carol I", 2014. http://dx.doi.org/10.12753/2066-026x-14-025.

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The content analysis of audio data is a paradigm in which algorithms are created and deducted from the data, allowing machines to "understand" the content of the audio signals and to process it further. This paper emphasis on applying musical information retrieval methods in order to provide a set of tools that could aid students in Musicology and Ethnomusicology. The analysis is done in a similar way that the famous composer Bela Bartok conducted his analytic study on folk songs, but making this process automatic through machine learning. Aesthetic reasoning has been used throughout this proc

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Ranaweera, Rasika, Michael Frishkopf, and Michael Cohen. "Folkways in Wonderland: A Cyberworld Laboratory for Ethnomusicology." In 2011 International Conference on Cyberworlds (CW). IEEE, 2011. http://dx.doi.org/10.1109/cw.2011.33.

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Ji, Yi. "Thoughts on Cultural Consciousness, Self-confidence and Ethnomusicology Research Status." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.161.

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Yu, Linhan. "Different Theoretical Logic Study of Ethnomusicology and the Anthropology of Music." In 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.259.

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Cunningham, Sally Jo, Daniel B. Sharp, and David Bainbridge. "Designing a Spatial Hypermedia Musical “Lab Notebook” to Support Ethnomusicology Research." In DLfM 2023: 10th International Conference on Digital Libraries for Musicology. ACM, 2023. http://dx.doi.org/10.1145/3625135.3625138.

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Pyper, Brett, Renan Moutinho Ribeiro, Pedro Mendonca, Juliana Freire, and Felipe Carneiro De Sousa. "Transatlantic African Sound Praxis: Communitarian Practices, Pedagogies and Research." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35889.

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This paper summarizes the exploration of sound praxis, a decolonial approach in South African universities inspired by the work of Brazilian educator and philosopher Paulo Freire. The paper discusses the history and development of sound praxis, focusing on articles and research by Samuel Araújo and the Ethnomusicology Laboratory of the Federal University of Rio de Janeiro. The concept of sound praxis integrates dialogue, participation, and collective authorship in research, challenging traditional academic norms. The abstract also highlights the collaboration between Brazilian and South Africa

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Kalaberda, A. V. "On the contribution of J. Ling to the formation and development of the Swedish scientific school ethnomusicology." In SCIENCE OF RUSSIA: GOALS AND OBJECTIVES. L-Journal, 2020. http://dx.doi.org/10.18411/sr-10-08-2020-30.

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Yu, Linhan. "Study on the Gradient and Difference of the Anthropology of Music and Ethnomusicology in the Perspective of Epistemology." In 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.258.

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