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Relevant bibliographies by topics / Ethopoiia

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Academic literature on the topic 'Ethopoiia'

Author: Grafiati

Published: 20 February 2023

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Journal articles on the topic "Ethopoiia"

1

Eikeland, Kristin. "Ethopoiia in the life of Zosima." Scando-Slavica 40, no. 1 (1994): 15–22. http://dx.doi.org/10.1080/00806769408601035.

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2

Fredal, James. "The Enthymizing of Lysias." Journal for the History of Rhetoric 20, no. 1 (2017): 1–27. http://dx.doi.org/10.5325/jhistrhetoric.20.1.0001.

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ABSTRACT Lysias is best known for his portrayal of character (ethopoiia), his believable narratives, his plain or “Attic” style, and for the role he plays as inferior foil to Socrates in Plato’s Phaedrus. But he was also an important figure in developing, refining, and employing types of argument, including the rhetorical technique that would later be called the enthymeme. In On the Death of Eratosthenes, Lysias not only uses enthymemes, he highlights their use, selects a term (enthymizing), and demonstrates how “enthymizing” could be central to rhetorical artistry, to narrative development, to legal reasoning, and to political activism. Examining Lysias 1 not only deepens our understanding of Lysias’ rhetorical abilities, but it suggests that the orators had an important role to play in the development of rhetorical theory.

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3

Zervoudaki, Alexandra. "Hymnography in a form of rhetoric: an interesting “marriage” of genres in a late Byzantine hymnographic ethopoiia." Revue des études byzantines 69, no. 1 (2011): 49–79. http://dx.doi.org/10.3406/rebyz.2011.4928.

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4

Piepenbrink, Karen. "‚Wertorientierung‘ als rhetorisches Argument: Die ‚Rhetorik‘ des Aristoteles und die soziale Praxis im Athen des 4. Jahrhunderts v. Chr. im Vergleich." Rhetorica 34, no. 2 (2016): 121–40. http://dx.doi.org/10.1525/rh.2016.34.2.121.

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Different from some of his other works on practical philosophy Aristotle's Rhetoric has a rather strong orientation towards the everyday life world of the poleis of his time. That applies to many of his reflections on the conditions of communication in the poleis as well as to his utterances about social values which are based on common sense. In Aristotle's view the orator's ethos and thus his consequent reference to intersubjectively valid values is the most important instrument for a rhetor to claim credibility. In comparison with the ethopoiia of fourth-century rhetorical practice at Athens there are several structural similarities which, however, are neither due to interdependencies nor manifest themselves in intertextual references, but are due to the fact that Aristotle refers to the orators' conditions of action in a democratic system. Besides, there are also strong differences which seem to have two main reasons: Aristotle's inclination to differentiate and to systematize his topics as well as his tendency to ‘elitism’ which might have philosophical and socio-political components, whereby in the Rhetoric the socio-political ones predominate.

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Bruss, Kristine S. "Persuasive Ethopoeia in Dionysius's Lysias." Rhetorica 31, no. 1 (2013): 34–57. http://dx.doi.org/10.1525/rh.2013.31.1.34.

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Dionysius of Halicarnassus's account of ethopoeia at Lysias 8 is often cited as evidence of Lysias mastery of character portrayal, but the passage itself has received little in-depth analysis. As a consequence, Dionysius's meaning has at times been misinterpreted, and some of his insights on characterization have been neglected. When the account is examined closely, three unique points of emphasis emerge which, taken together, constitute a particular type of characterization: persuasive, as opposed to propriety-oriented, ethopoeia. Making this distinction promotes conceptual clarity with regard to ethopoeia while calling attention to Dionysius's insights on the role of style and composition in the creation of persuasive ethos.

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Hammond, Norman. "Back-looking curiosities: the ethopoeia of archaeology." Antiquity 64, no. 242 (1990): 163–67. http://dx.doi.org/10.1017/s0003598x00077474.

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7

Appel, Jana, Astrid von der Pütten, Nicole C. Krämer, and Jonathan Gratch. "Does Humanity Matter? Analyzing the Importance of Social Cues and Perceived Agency of a Computer System for the Emergence of Social Reactions during Human-Computer Interaction." Advances in Human-Computer Interaction 2012 (2012): 1–10. http://dx.doi.org/10.1155/2012/324694.

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Empirical studies have repeatedly shown that autonomous artificial entities elicit social behavior on the part of the human interlocutor. Various theoretical approaches have tried to explain this phenomenon. The agency assumption states that the social influence of human interaction partners (represented by avatars) will always be higher than the influence of artificial entities (represented by embodied conversational agents). Conversely, the Ethopoeia concept predicts that automatic social reactions are triggered by situations as soon as they include social cues. Both theories have been challenged in a2×2between subjects design with two levels of agency (low: agent, high: avatar) and two interfaces with different degrees of social cues (low: textchat, high: virtual human). The results show that participants in the virtual human condition reported a stronger sense of mutual awareness, imputed more positive characteristics, and allocated more attention to the virtual human than participants in the text chat conditions. Only one result supports the agency assumption; participants who believed to interact with a human reported a stronger feeling of social presence than participants who believed to interact with an artificial entity. It is discussed to what extent these results support the social cue assumption made in the Ethopoeia approach.

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8

Olson, A. D. "Elegiac Ethopoeia in Marlowe's Dido Queene of Carthage and Doctor Faustus." Journal for Early Modern Cultural Studies 21, no. 2 (2021): 84–113. http://dx.doi.org/10.1353/jem.2021.0014.

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9

MULLIGAN, BRET. "CONIURATIO! ETHOPOEIA AND “REACTING TO THE PAST” IN THE LATIN CLASSROOM (AND BEYOND)." Classical Journal 110, no. 1 (2014): 107–23. http://dx.doi.org/10.1353/tcj.2014.0024.

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10

Rybko, I. A. "Stuart Sillars. Shakespeare and the visual imagination." Voprosy literatury, no. 4 (August 22, 2019): 280–83. http://dx.doi.org/10.31425/0042-8795-2019-4-280-283.

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The review is devoted to S. Sillars’ book Shakespeare and the Visual Imagination. Sillars introduces the concept of ‘visual imagination’ and examines it through the works of Shakespeare. Other key notions for the study include copia and ethopoeia. Sillars uses them to combine analyses of different Shakespearean plays. In his examination of the playwright’s legacy Sillars employs a variety of methods, which counts as a merit rather than a flaw of this work. However, his arguments justifying a special place for As You Like It and The Winter’s Tale among Shakespeare’s oeuvre are not convincing. In his study Sillars turns to subjects well known to researchers, but also references less common works for comparison (Hypnerotomachia Poliphili ).

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Dissertations / Theses on the topic "Ethopoiia"

1

Kennedy, William John. "Antisthenes' Literary Fragments: Edited with Introduction, Translations, and Commentary." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16595.

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This thesis deals with the most important fragments of Antisthenes. The closest companion of Socrates, Antisthenes was himself a major thinker and far-famed writer of the late fifth and early fourth centuries BC. In antiquity he enjoyed a stellar reputation in the fields of literature and ethical philosophy, and was known as the equal of writers such as Plato, Xenophon, and Critias. In modern times, however, he has been largely ignored. The literary fragments are some of the most interesting and display Antisthenes' extraordinary variety and versatility. Compared with his more philosophical fragments, they have been the most neglected. These fragments throw positive light on all of Antisthenes' work. The major goal of this thesis is to demonstrate that Antisthenes was at least as much a literary as a philosophical figure. Another is to show that, in so far as Antisthenes was a philosophical figure, he was thoroughly Socratic, holding ethical values consistent with the elite, aristocratic class he kept company with, and undeserving of his reputation as a founder of Cynicism. The reputation of being a Cynic he only acquired in later antiquity, and yet it remains mostly unchallenged in modern scholarship. In demonstrating that Antisthenes was an important literary figure, this thesis will show that he played a seminal role in a range of literary innovations, including: the portrayal of character in prose writing (ethopoiia); the development of dialogue form; and the deployment of a systematic method of literary criticism. Among the very first Greek writers of prose fiction, Antisthenes used dialogue as a vehicle to convey his entire ethical programme – centred on excellence and justice. He wrote dialogues interpreting Homer, and he deployed a greater variety of strategies in his dialogues than most of his contemporaries – e.g. including mythical characters and himself as speaker.

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Heusch, Christine. "Die Achilles-Ethopoiie des Codex Salmasianus : Untersuchungen zu einer spätlateinischen Versdeklamation /." Paderborn ; München ; Wien [etc.] : F. Schöningh, 1997. http://catalogue.bnf.fr/ark:/12148/cb369683013.

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Messias, Jessica da Silveira. "Ethopoi?sis e Heavy Metal: Subjetiva??o e consumo na cena de Natal-RN." Universidade Federal do Rio Grande do Norte, 2013. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13672.

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Made available in DSpace on 2014-12-17T14:20:09Z (GMT). No. of bitstreams: 1 JessicaSM_DISSERT.pdf: 4464945 bytes, checksum: 1436f4eaf0ddca5a64460da0b3822df7 (MD5) Previous issue date: 2013-03-15<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior<br>Our research intends to comprehend the configuration of the resistance (Foucault) as the stylization of life in the contemporary world, taking Heavy Metal as the specific object of study. We believe that Heavy Metal is an ethopoietical device which admits practices of freedom withstanding the reified moral habits since the beginning of the socialization. This is reflected, mainly, in the creation of new individual and communal ways to stylize the life. We also suggest an expansion of Foucault s concept of resistance, considering the idea of consumer society described by Zygmunt Bauman. Our hypothesis understands that the contact with the underground of Heavy Metal provides new ethical manners (Foucault), where the individual take the Heavy Metal as a way of life. At this point, the consumption becomes a key-word since the participation in the underground of Heavy Metal is a way of consumption out of the rules of marketing a practice of freedom, a way of particular existence , being different in both mode and duration<br>Nossa pesquisa visa compreender a configura??o da resist?ncia (Foucault) enquanto estiliza??o da vida na contemporaneidade, tendo o Heavy Metal enquanto objeto de estudo espec?fico. Acreditamos que o Metal se configure em um dispositivo ethopoi?tico possibilitador de pr?ticas de liberdade frente aos h?bitos morais reificados desde os prim?rdios da socializa??o do sujeito. Isso se reflete, principalmente, na cria??o de novas maneiras de estilizar a vida que s?o individuais e grupais, ao mesmo tempo. Sugerimos tamb?m uma amplia??o do pensamento sobre o tema da resist?ncia, em Foucault, tendo em vista a sociedade de consumo descrita por Zygmunt Bauman. Nossa hip?tese ? a de que o contato com o mundo underground do Heavy Metal ? o possibilitador de novas formas ?ticas (Foucault), onde h? a ades?o e o comprometimento do sujeito com o Heavy Metal enquanto um modo de vida. A partir da?, o consumo se torna uma palavra chave, na medida em que, participar do underground do Heavy Metal - enquanto uma pr?tica de liberdade, um modo de exist?ncia particular constitui tamb?m uma forma de consumo que foge ?s regras gerais do mercado, sendo um consumo diferenciado tanto na forma quanto na sua dura??o

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Books on the topic "Ethopoiia"

1

Heusch, Christine. Die Achilles-Ethopoiie des Codex Salmasianus: Untersuchungen zu einer spätlateinischen Versdeklamation. F. Schöningh, 1997.

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2

Constructing relationships, constructing faces: Hypertextuality and ethopoeia in the New Testament writings. Peter Lang, 2011.

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3

Eugenio, Amato, and Schamp Jacques, eds. Ēthopoiïa: La représentation de caractères entre fiction scolaire et réalité vivante à l'époque impériale et tardive. Helios, 2005.

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4

Adamczewski, Bartosz. Constructing Relationships, Constructing Faces: Hypertextuality and Ethopoeia in the New Testament Writings. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2011.

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Book chapters on the topic "Ethopoiia"

1

"Speaking: Ethopoiia Introduction." In Sources for Byzantine Art History. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108672450.0117.

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2

Smith, R. Scott, and Stephen M. Trzaskoma. "Mythography and Education." In The Oxford Handbook of Greek and Roman Mythography. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190648312.013.31.

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Abstract Tracing the role of myth and mythography throughout the main periods of a student’s career, this chapter articulates the way that educational practices reflect and reinforce a mythographical mindset, one that organizes and employs mythical data in a variety of ways. From the very beginning students were asked to learn mythical names and combine like with like, then (under a grammaticus) copy and create their own mythical narratives (systematic mythography); as their rhetorical training progressed (under a rhetor), these same students were asked to manipulate myths in new ways, to raise objections (similar to rationalization), to defend the account (similar to allegorizing), and to create more advanced compositions in encomium, comparison and ethopoiia.

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3

"John Kinnamos: Ethopoiia on a Painter Trying to Paint Apollo on an Uncooperative Panel of Laurel Wood." In Sources for Byzantine Art History. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108672450.0118.

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4

Hispalensis], Isidore of Seville [Isidorus. "XIV De Ethopoeia." In Oxford Classical Texts: Isidori Hispalensis Episcopi Etymologiarvm Sive Originvm, Vol. 1: Libros I–X, edited by W. M. Lindsay. Oxford University Press, 1985. http://dx.doi.org/10.1093/oseo/instance.00127174.

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5

"Ethopoiie, Struktur und Mythopoiie in den profanen Epyllien des Nordafrikaners Dracontius." In Städte und Stadtstaaten zwischen Mythos, Literatur und Propaganda. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110656893-013.

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6

Spalinger, Roland. "Ethopoeia: Charakterpraktiken zwischen Anthropologie und Rhetorik in J. J. Bodmers 'Critischen Betrachtungen über die Poetischen Gemählde der Dichter' (1741)." In Johann Jacob Bodmers Praktiken: Zum Zusammenhang von Ethik und Ästhetik im Zeitalter der Aufklärung. Wallstein Verlag, 2022. http://dx.doi.org/10.46500/83535228-005.

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7

Hutson, Lorna. "9. Ethopoeia, Source-Study and Legal History: A Post-Theoretical Approach to the Question of ’Character’ in Shakespearean Drama." In Post-Theory. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474470926-012.

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Conference papers on the topic "Ethopoiia"

1

Nass, Clifford, Jonathan Steuer, Ellen Tauber, and Heidi Reeder. "Anthropomorphism, agency, and ethopoeia." In INTERACT '93 and CHI '93 conference companion. ACM Press, 1993. http://dx.doi.org/10.1145/259964.260137.

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2

Charlton, J. P. "How human is your computer? Measuring ethopoeic perceptions of computers." In INTERNET SOCIETY 2006. WIT Press, 2006. http://dx.doi.org/10.2495/is060171.

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