Relevant bibliographies by topics / Eugène (1962-....)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Eugène (1962-....)'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Eugène (1962-....)"

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Fuzier, Jean-Philippe. "Eminent Structural Engineer: Eugène Freyssinet (1879–1962)." Structural Engineering International 17, no. 3 (August 2007): 264–65. http://dx.doi.org/10.2749/101686607781645851.

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Jartoux, Pierre. "The Work of Eugène Freyssinet: The Most Significant Bridges of his Career." Bridges and Infrastructures, no. 45 (2011): 30–41. http://dx.doi.org/10.52200/45.a.vfkhftle.

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From 1904, when his career began, until 1962, when he died, Eugène Freyssinet did not stop building or advising on all aspects related with his work. To give an idea of his interest in the field of bridges, we selected the following: the Veurdre and Plougastel bridges as reinforced concrete examples and the Luzancy, the Marne and the Caracas La Guaira highway bridges as prestressed concrete works. In these brief descriptions, rather than the technical nature of the design, we have focused on intuition and innovation which made these works models and which inspired many engineers to continue working respecting quality.
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SONG, Yiwei. "The Experience of L’Internationale in Modern China." Cultura 15, no. 2 (January 1, 2018): 157–72. http://dx.doi.org/10.3726/cul.2018.02.09.

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Abstract During the 20th-century Chinese revolution, L’Internationale was one of the most important political symbols. After the failure of the Paris Commune in 1871, Eugène Pottier wrote the poem titled “L’Internationale” which was published for the first time until 1887. It was set to music by Pierre Degeyter in 1888 and introduced into China from both France and the Soviet Union (USSR). Qu Qiubai and Xiao San made great contribution to the work of translation that influenced the official version in 1962. From a hymn for the International Workingmen’s Association to the revolutionary song of all the proletariats, L’Internationale was the historical witness of the National Revolution, the Chinese Communist Revolution and the Continuous Revolution, whose symbolic meanings were connected closely to the tensions between nationalism and internationalism.
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van Erven, Eugène. "Spanish Political Theatre under Franco, Suarez, and Gonzalez." New Theatre Quarterly 4, no. 13 (February 1988): 32–52. http://dx.doi.org/10.1017/s0266464x00002566.

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In Spain, alone among western nations, political theatre has arguably had a real impact upon the course of social and political change – yet it remains little noticed or assessed in other countries. This article examines the leading Spanish theatre groups which operated first in Franco's declining years, under strict though often incompetent government censorship, then in the period of transition to democracy – and now facing very different challenges under a nominally socialist government. The author. Eugène van Erven, who contributed a study of the popular theatre movement in the Philippines to NTQ 10, focuses in particular on the work of El Joglars (‘The Jesters’) from Barcelona – a company which, under the leadership of Albert Boadella, has been performing almost continuously since 1962. at first subverting the censorship by evolving a style of ‘politicized mime’, then through controversial works on overtly political themes, and more recently in a ‘provocative’ style intended to engage audiences in an active process of questioning the consumerist direction being taken by a democratic Spain.
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Simon, L. "Joseph-Eugène Claustre, 1932–2008." Médecine et Chirurgie du Pied 25, no. 1 (March 2009): 2. http://dx.doi.org/10.1007/s10243-009-0177-8.

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BLAKE, JAMES A., MARGARET DUTCH, and NANCY J. MACIOLEK. "Obituary: Robert Eugene Ruff (1947–2017)." Zoosymposia 19, no. 1 (December 28, 2020): 31–32. http://dx.doi.org/10.11646/zoosymposia.19.1.7.

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Robert Eugene Ruff (Fig. 1A) was born on 13 April 1947 in Allendale, Michigan, USA, and died on 26 November 2017 at his home in Puyallup, Washington, at the age of 70. Shortly after his birth, his family moved to the State of Washington where he lived for much of his life. He graduated from Clover Park High School, Tacoma, WA, in 1965 and subsequently attended the University of Washington, where he graduated with a B.S. in Biological Oceanography in 1971. While a student at the University of Washington, he married his high school sweetheart, Lorraine Marie Charlton on 17 July 1968.
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Rang, H. P. "Joseph Murdoch Ritchie. 10 June 1925 — 9 July 2008." Biographical Memoirs of Fellows of the Royal Society 55 (January 2009): 241–55. http://dx.doi.org/10.1098/rsbm.2009.0011.

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Murdoch Ritchie was a neuroscientist whose initial training in mathematics and physics led him first into the field of biophysics and later into physiology and pharmacology. From 1968 until he retired in 2003 he was Eugene Higgins Professor of Pharmacology at Yale University. His shift from physics to biology was encouraged by his distinguished mentor, Professor A. V. Hill FRS, who had himself made the same sidestep early in his career and had been awarded the Nobel Prize in Physiology or Medicine in 1922 for his work on muscle.
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Wojchowski, Don. "Eugene Goldwasser (1922–2010)." Nature 470, no. 7332 (February 2011): 40. http://dx.doi.org/10.1038/470040a.

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Borim Junior, Dário. "Mad tricks in modern drama: The interplay of dramatic techniques and perplexing themes in O'Neill and Pirandello." Aletria: Revista de Estudos de Literatura 7 (December 31, 2000): 161–67. http://dx.doi.org/10.17851/2317-2096.7..161-167.

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Abstract: This study assesses the degree of harmony within the interaction between thematic configuration and dramatic effect in two pioneering and exponent works of Modem Drama: The Emperor Jones (1920), by Eugene O’Neill, and Henry IV (1922), by Luigi Pirandello.Keywords: expressionismo; existentialism; identity; colonialismo.Resumo: Este estudo avalia o grau de harmonia na interação entre configuração temática e efeito dramático em duas obras pioneiras e expoentes do drama moderno: The Emperor Jones (1920), de Eugene O’Neill, e Henry IV (1922), de Luigi Pirandello.Palavras-chave: expressionismo; existencialismo; identidade; colonialismo.
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Atkins, G. Pope. "Harold Eugene Davis, 1902-1988." Americas 45, no. 3 (January 1989): 420–21. http://dx.doi.org/10.1017/s0003161500075799.

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Dissertations / Theses on the topic "Eugène (1962-....)"

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Essono, Ella Victor. "La crise de l’identité à travers l’écriture de Valentin Yves Mudimbe, Eugène Ebodé et Fatou Diome." Rennes 2, 2008. http://www.bu.univ-rennes2.fr/system/files/theses/theseEssono.pdf.

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L’actualité de l’identité reste liée à des domaines disciplinaires comme la sociologie, l’anthropologie, la psychologie sociale, l’histoire, la linguistique. Dans le champ littéraire, le réseau thématique autour de l’existence de l’homme africain construit la notion de l’identité. Les approches thématiques sont différentes, mais les dissemblances résultent de la préoccupation des auteurs, des visions aussi parallèles que divergentes ; il faudrait ajouter le style qui se renouvelle d’un écrivain à l’autre. Pour ces créateurs, le roman est semblable à un vaste univers symbolique, chaque artiste peut construire, à ses propres goûts, ses fictions, et édifier une écriture particulière. Ces auteurs n’abordent pas les mêmes faits, et ils ne traitent pas de la même façon l’embarras de l’identité. Nous avons voulu comprendre, dans le cadre d’une thèse, la « fortune » littéraire des écrits sur l’identité africaine. Ce désir de clarifier la problématique de l’identité de l’écriture africaine, nous amène à plus de précision, à l’analyse de l’identité selon les démarches et l’imagination de trois auteurs africains : Valentin Yves Mudimbe, Eugène Ebodé et Fatou Diome. Notre particularité est non seulement d’intégrer l’écriture dans la thématique de l’identité, mais aussi d’étudier son évolution à partir de la prise de parole de la femme, surtout lorsque celle-ci est une intellectuelle. L’orientation de notre sujet s’articule selon les rapports entre l’identité africaine et l’écriture romanesque moderne. Au fond, cette étude pourrait nous amener à retracer l’histoire de la littérature africaine, car elle a engendré des liens de l’identité avec la langue, la référence spatiale et temporelle des textes étant l’insularité
The news of identity remains tied to disciplinary fields like sociology, anthropology, social psychology, history, linguistics. In the literary field, the thematic network around human existence Africa built the notion of identity. The thematic approaches are different, but the differences result from the concern of authors, also parallel visions that differ; should be added style which is renewed for a writer to another. For these creators, the novel is like a huge symbolic universe, each artist can build at its own tastes, his fiction, and build a handwriting. These authors do not have the same facts, and they do not address the same way the embarrassment of identity. We wanted to understand, through a thesis, "fortune" literary writings on African identity. This desire to clarify the issue of the identity of African writing, leads us to more precisely, analysis of identity according to the procedures and imagination of three African writers: Valentin Yves Mudimbe, and Eugene Ebodé Fatou Diome. Our feature is not only to integrate writing in the theme of identity, but also to study its evolution from the speech of women, especially when it is an intellectual. The focus of our topic is based on the relationship between African identity and writing modern fiction. Basically, this study could lead us to trace the history of African literature, because it has created bonds of identity with language, spatial and temporal texts being insular
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Raffaele, Colette. "Une école d'architecture et son système d'enseignement (1942-1968), Eugène Beaudouin et Genève /." [S.l.] : [s.n.], 2004. http://library.epfl.ch/theses/?nr=2943.

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Burns, Dave B. "The soul of socialism : American citizenship and Christian civilization in the thought of Eugene Debs." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1286398.

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This thesis examines how Christianity and citizenship shaped the ideology of Eugene Debs, the most popular radical in Progressive Era America. It argues that scholars have failed to conduct a thorough exploration of Debs' religious thought. This thesis also challenges the belief among historians that Debs' Christianity was a variant of the alternative Americanism he used to legitimate his agitation against industrial capitalism. This misconception has led historians to follow the lead of Nick Salvatore and conclude that Debs' Christianity was merely an aspect of his attempt to renew the values of republican citizenship associated with the American Revolution. A more accurate representation is that the concept of citizenship formed the core of Debs' ideology as a trade and industrial unionist, but that he found citizenship to be too restrictive and turned to Christianity to address the concerns of humanity and civilization as a socialist.
Department of History
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Radcliffe, Nicholas. "The Hopeless Hope or The Poet's Passion in The Farmer's Pragmatic World: Directing Eugene O'Neill's Beyond the Horizon." OpenSIUC, 2016. https://opensiuc.lib.siu.edu/theses/1922.

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AN ABSTRACT OF THE THESIS OF NICHOLAS B. RADCLIFFE, for the Master of Fine Arts degree in THEATER, presented on December 14, 2015, at Southern Illinois University Carbondale. TITLE: THE HOPELESS HOPE OR THE POET’S PASSION IN THE FARMER’S PRAGMATIC WORLD: DIRECTING EUGENE O’NEILL’S BEYOND THE HORIZON MAJOR PROFESSOR: Olusegun Ojewuyi The Hopeless Hope… documents the process of directing Beyond the Horizon, presented December 11-13, 2015 in the McLeod Theater at Southern Illinois University Carbondale. The document specifically details the development of the director’s vision for the production, from the initial readings and research through rehearsal, performance and post-production evaluations. The document is organized chronologically, beginning in Chapter 1 with a discussion of the director’s research and how that research influenced the analysis of the play, progressing to the development of the vision and concept. Chapter 2 details the production process from design and casting, through rehearsal and into performance. Chapter 3 is a personal evaluation of the overall process and production, including the discovery of opportunities for future growth and experimentation in the art of directing. Chapter 4 examines collaboration as a tool for the director, specifically exploring the commonalities between successful and failed collaborations, aiming to arrive at possible strategies for preventing breakdowns in collaborative partnerships.
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Beckman, Karin. "J.A.G. Ackes och Eugène Janssons vitalistiska måleri 1904 - 1912 : En receptionsestetisk analys." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-128871.

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I uppsatsen analyseras J.A.G. Ackes friluftsmåleri och Eugène Janssons figurmåleri från flottans badhus ur ett idéhistoriskt perspektiv, med tonvikt lagd på de vitalistiska tankar som var aktuella vid tiden för sekelskiftet 1900, liksom på Friedrich Nietzsches och Henri Bergsons inflytande på motivsfären. Därefter följer en receptionsestetisk analys av de fyra verk vardera som tidigare analyserats. Resultatet visar att Ackes och Janssons verk inte kan tolkas utifrån samma förståelse av vitalismen. Den receptionsestetiska undersökningen uppmärksammar dock att deras verk kan ha tilltalat samma implicite betraktare år 1912, trots deras olika förhållningssätt till vitalismens innebörd.
In the thesis four paintings by J.A.G.Acke depicting figures in nature and four by Eugène Jansson from the navys bathhouse are compared and analysed. The analysis is based on the vitalistic ideas of Friedrich Nietzsche and Henri Bergson, as well as on different readings of vitalism as a concept. Their works are also analysed using the methodology of the aesthetic of reception. The result of the survey shows that Ackes and Janssons paintings differ in their interpretation of the vitalistic ideas. The analysis of the aesthetic of reception on the other hand, concludes that an implicit beholder could have read both artists paintings as vitalistic, in spite of their different approach to the vitalistic ideas.
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Pouvreau, Benoît. "Eugène Claudius-Petit, un politique en architecture." Paris 1, 2002. http://www.theses.fr/2002PA010529.

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À travers cette biographie, nous avons voulu restituer l'itinéraire d'un homme politique " engagé " en architecture, mais aussi réévaluer son apport de maître d'ouvrage et de défenseur du mouvement moderne dans 1 'histoire de l' architecture. Né à Angers en 1907, Eugène Petit devient ouvrier ébéniste et milite à la C. G. T. U. , puis rejoint la Jeune République (J. R. ) de Marc Sangnier. En 1928, il s'installe à Paris, s'inscrit aux cours du soir de l'École nationale supérieure des Arts décoratifs puis devient professeur de dessin. Il se passionne pour l'architecture moderne et découvre Le Corbusier. Démobilisé en juin 1940, il refuse l' Armistice puis entre dans la Résistance en fabriquant des faux papiers sous le pseudonyme de " Claudius ". Membre du mouvement Franc-Tireur, il en devient le délégué à l'Assemblée consultative d' Alger en 1943 où il prépare activement la reconstruction du pays. À la Libération, il s'affirme comme le porte-parole politique du mouvement moderne dans le débat sur la reconstruction et se lie d'amitié avec Le Corbusier. Élu député de la Loire en 1945, il est un des leaders de l'Union démocratique et socialiste de la Résistance, parti " charnière " de la IVème République. De 1948 à 1953, il est ministre de la Reconstruction et de l'Urbanisme, mène une ambitieuse politique de relance de la construction et dresse les bases de l'aménagement du territoire. En 1953, élu maire de Firminy, près de Saint-Étienne, il développe un plan de modernisation novateur et confie plusieurs chantiers à Le Corbusier. . . /. . .
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You, Kwang-Joo. "Eléments d'analyse comparée du théâtre de Beckett et de Ionesco." Paris 8, 1999. http://www.theses.fr/1999PA081657.

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Le theatre de beckett et de ionesco peut faire illusion. La verdeur, les outrances, les defis au bon sens, dont ces oeuvres regorgent, peuvent laisser croire que leur lecture ne necessite aucun effort d'ajustement, qu'il est inutile de s'appliquer a la recherche de grilles de lecture adequates, les auteurs n'ayant fait apparemment que se laisser aller au gre de la facilite. Il n'en est rien cependant, l'un et l'autre ont consacre tout le genie dont ils disposaient, a etayer, baliser le terrain qu'ils s'etaient choisi comme champ d'action. Beckett a jete dans son oeuvre le poids de l'experience accumulee au cours d'annees d'apprentissage du << dur metier de vivre >>, du combat contre l'illusion que << demain sera beau >>, qui demeure vivace au coeur des << naufrages de la vie >>. En ce qui concerne ionesco, la magie d'annees d'enfance privilegiees l'avait prepare a surmonter les difficultes de la tache qu'il s'etait fixee. Tous deux se sont atteles au deboulonnage des faux-semblants, a la chasse aux automatismes, et a la mise en cause des fausses securites liees aux stereotypes et a la predetermination des comportements sociaux.
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García, Salazar José. "La puesta en escena: Investigación sobre el teatro de Eugène Ionesco para entender la autonomía de lo esenciantemente técnico." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/140639.

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Tesis para optar al grado de Magíster en Filosofía
La presente investigación tiene como objetivo analizar el fenómeno de la puesta en escena y su actual potestad en el campo de los estudios teatrales. Para esto, se establecerá un análisis de la obra teatral de Eugène Ionesco, con el fin de elaborar ciertos conceptos que nos permitan entender el por qué de la preponderancia hoy en día por los recursos técnicos a la hora de la materialización escénica, demostrando no sólo una confirmación de la autonomía de la puesta en escena por sobre el texto dramático sino, además, la producción de una experiencia estética planteada como acontecimiento por parte del espectador. La pregunta por la técnica, establecida por el filósofo alemán Martin Heidegger, los pensamientos de Walter Benjamin y su respectivo análisis político-cultural que determina una tecnificación del arte, los aportes de Erika Fisher-Lichte en relación a la ciencia teatral, el análisis histórico de la puesta en escena de André Veinstein, y las investigaciones estéticas de Sergio Rojas anunciando el agotamiento histórico, se entrecruzarán con la obra de Ionesco para entender qué es hoy la puesta en escena, cuya reflexión radica en que viene a detectar el agotamiento del arte teatral, exponiendo así de manera apocalíptica su actual crisis.
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Jeong, Eun Young. "The early photographic work of Eugène Atget : 1892-1902." Diss., Connect to online resource - MSU authorized users, 2006.

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Reymond, Adrien. "Zola et le droit public d'après son Excellence Eugène Rougon." Thesis, Paris 2, 2014. http://www.theses.fr/2014PA020033.

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Le but de ce travail de recherche est d’étudier la pensée politique et juridique de Zola dans Son Excellence Eugène Rougon et de comprendre dans quelle mesure l’auteur peut être considéré comme un historien du droit. Ce sixième roman du cycle Les Rougon Macquart, ne semble guère avoir été étudié que d’un point de vue littéraire ou purement historique. Or, en ouvrant pour la première fois ce roman, le juriste est surpris d’entendre l’écrivain lui parler si bien des notions et des institutions qu’il connait. Il s’aperçoit alors que la littérature naturaliste de l’écrivain fait revivre avec une grande perspicacité le Second Empire, époque fondamentale dans l’histoire des institutions, du droit administratif et des libertés publiques. Le romancier reconstitue ainsi sous ses yeux deux procès devant le Conseil d’Etat, au moment même où le recours pour excès de pouvoir est en pleine expansion et la théorie du « ministre-juge », en déclin. De même, près de trente ans avant les travaux de Moisei Ostrogorski, la« bande » de Rougon apparait, comme un « parti politique » avant la lettre et permet à Zola - au fil de ses descriptions - de montrer ses fines qualités d’analyste politique. Quant aux libertés publiques (la liberté de la presse notamment), elles n’échapperont pas à la critique acerbe d’un écrivain républicain. Ces critiques - qui ont longtemps laissé penser que Zola était l’auteur privilégié de la « légende noire du Second Empire » - sont en réalité, bien plus subtiles qu’il n’y parait. La clairvoyance de l’homme de Lettres permet ainsi plus que jamais d’éclairer l’homme de Droit désireux de comprendre son propre univers
The purpose of this research work is to study the political and legal thought of Zola in Son Excellence Eugène Rougon and to understand to what extent the author can be considered as a historian of law.This sixth novel of the cycle Les Rougon Macquart, hardly seems to have been studied that from a literary or purely historic point of view. Yet, by opening for the first time this novel, the jurist is surprised hearing the writer to speak to him so well notions and institutions which he knows. He notices while the naturalistic literature of the writer makes relive with a big perspicacity the Second Empire, fundamental time in the history of institutions, administrative law and public liberties.The novelist so reconstitutes under the eyes two trials in front of the Council of State, at the very moment when the « recours pour excès de pouvoir » is growing and the « ministre juge » theory, in decline. Also, about thirty years before the works of Moisei Ostrogorski, the Rougon’s« bande » appears, as a « political party » before the term existed and allows Zola - in the course of its descriptions - to show its fine qualities of political analyst.As for the public liberties (the freedom of the media in particular), they will not escape the acerbic criticism of a republican writer.These criticisms - which let for a long time think that Zola was the privileged author of the « légende noire du Second Empire » - are in reality, more subtle than it countered there.The clear-sightedness of the man of letters allows so more than ever to light the man of right avid to understand its own univers
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Books on the topic "Eugène (1962-....)"

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Baecque, Solange de. Vatican II: Une espérance neuve : un précurseur et temoin, le Père Eugène Joly. Paris: Editions du Cerf, 1996.

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Menzel, Galerie Silvia, ed. Eugen Schönebeck, Zeichnungen, 1960-1963. Berlin: Galerie S. Menzel, 1986.

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Ionesco, Eugène. Rhinocéros. [Paris]: Gallimard, 1999.

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Eugène, cardinal Tisserant (1884-1972): Une biographie. Paris: Desclée de Brouwer, 2011.

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Eugène Brosseau, 1895-1968: Un boxeur gentilhomme. Sillery, Québec: Septentrion, 2005.

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Carcassonne, Musée de, ed. Eugène Buland, 1852-1926: Aux limites du réalisme. Paris: Éditions du Panama, 2007.

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Schock, Ralph, and Eugen Helmlé. "Cher Georges"-"cher Eugen": Die Korrespondenz zwischen Eugen Helmlé und Georges Perec, 1966-1982. St. Ingbert: Conte Verlag, 2015.

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1955-, Kort Pamela, Hollein Max, and Schirn Kunsthalle Frankfurt, eds. Eugen Schönebeck, 1957-1967. München: Hirmer, 2011.

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Forcano, Eugeni. Eugeni Forcano: Fotografías, 1960-1996. Barcelona: Lunwerg Editores, 2005.

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Winkler, Eugen Gottlob. Eugen Gottlob Winkler (1912-1936): Zum 80. Geburtstag am 1. Mai 1992. Warmbronn: Ulrich Keicher, 1992.

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Book chapters on the topic "Eugène (1962-....)"

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Garrabé, Jean. "Eugène Minkowski (1885-1972)." In WPA Anthology of French Language Psychiatric Texts, 507–30. Chichester, UK: John Wiley & Sons, Ltd, 2009. http://dx.doi.org/10.1002/9780470986738.ch30.

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der Wissenschaft, Wegbereiter. "Eugene Wigner (1902–1995)." In “The shoulders on which we stand”-Wegbereiter der Wissenschaft, 202–5. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-642-18916-6_51.

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Senarclens de Grancy, Antje. "Eugen Székely (1894–1962)." In Architektur. Vergessen, 253–72. Wien: Böhlau Verlag, 2010. http://dx.doi.org/10.7767/boehlau.9783205791003.253.

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der Wissenschaft, Wegbereiter. "Eugen Sänger (1905–1964)." In “The shoulders on which we stand”-Wegbereiter der Wissenschaft, 146–49. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-642-18916-6_37.

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Judd, Brian R. "Applied Group Theory 1926–1935." In The Collected Works of Eugene Paul Wigner, 17–33. Berlin, Heidelberg: Springer Berlin Heidelberg, 1993. http://dx.doi.org/10.1007/978-3-662-02781-3_2.

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Buchheim, Gisela, and Rolf Sonnemann. "Eugen Gottfried Julius Hausbrand (1845 bis 1922)." In Lebensbilder von Ingenieurwissenschaftlern, 106–15. Basel: Birkhäuser Basel, 1989. http://dx.doi.org/10.1007/978-3-0348-5701-7_9.

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Breysse, Jacques. "Eugène Houdry (1892-1962) : Une personnalité majeure en terme d'innovation industrielle." In Entre reconstruction et mutations, les industries de la chimie entre les deux guerres, 293–320. EDP Sciences, 2020. http://dx.doi.org/10.1051/978-2-7598-2237-9-011.

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Breysse, Jacques. "Eugène Houdry (1892-1962) : Une personnalité majeure en terme d'innovation industrielle." In Entre reconstruction et mutations, les industries de la chimie entre les deux guerres, 293–320. EDP Sciences, 2020. http://dx.doi.org/10.1051/978-2-7598-2237-9.c011.

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Ribeill, Georges. "Pierre-Eugène Fournier (1892-1972)." In Dictionnaire historique des inspecteurs des Finances 1801-2009, 327–28. Institut de la gestion publique et du développement économique, 2012. http://dx.doi.org/10.4000/books.igpde.3683.

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Nash, Philip. "Eugenie M. Anderson." In Breaking Protocol, 104–31. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813178394.003.0006.

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Abstract:
This chapter studies the appointments of Eugenie Anderson as ambassador to Denmark (1949–1953) and minister to Bulgaria (1962–1964). Anderson began as a prominent activist in Minnesota’s Democratic-Farmer-Labor Party. Dispatched to Cold War Denmark by President Harry S. Truman, Anderson reached out publicly like Owen and Harriman had, calling this approach “people’s diplomacy.” For example, she learned Danish, which wowed her hosts. After Anderson returned to Minnesota politics, President John F. Kennedy appointed her minister to Bulgaria, making her the first female US chief of mission in a Communist country. This was a hardship post, but Anderson drew rave reviews for the job she did standing up to an odious Stalinist regime. Anderson’s record, including being the first American woman to sign a treaty, likely establishes her as the most gifted of the early woman envoys.
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