Relevant bibliographies by topics / Eugene (or.), fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Eugene (or.), fiction'

Author: Grafiati
Published: 11 December 2022
Last updated: 19 July 2025

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Journal articles on the topic "Eugene (or.), fiction"

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Palmer, David, and J. Chris Westgate. "Representations of Eugene O'Neill: Fiction, Autobiography, and Adaptation." Eugene O'Neill Review 37, no. 2 (2016): 165–67. http://dx.doi.org/10.5325/eugeoneirevi.37.2.165.

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Palmer and Westgate. "Representations of Eugene O'Neill: Fiction, Autobiography, and Adaptation." Eugene O'Neill Review 37, no. 2 (2016): 165. http://dx.doi.org/10.5325/eugeoneirevi.37.2.0165.

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Odehnalová, Lenka. "On a Borderline between Fact and Fiction. Literary Output of Eugene Vodolazkin." Przegląd Rusycystyczny, no. 1 (185) (February 12, 2024): 133–45. https://doi.org/10.31261/pr.16044.

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The paper On a Borderline between Fact and Fiction. Literary Output of Eugene Vodolazkin concentrates on two works of the contemporary Russian writer Eugene Vodolazkin (born 1964) that met with the highest response in the Czech milieu, i.e. Laurus (2012) and The Aviator (2015). Using the methods of genre analysis and comparison, the essay examines their specific genre features and a borderline made up by mediaeval historical facts, traits of a chronicle, biographical novel, hagiography and legend in the case of Laurus and, in the case of The Aviator, the genre of a diary achieved by placing th
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Bradshaw, James Stanford. "The Science Fiction of Robert Barr." Science Fiction Studies 16, Part 2 (1989): 201–8. https://doi.org/10.1525/sfs.16.2.201.

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Robert Barr (1850-1912) was a late Victorian writer and editor now remembered chiefly for completing Stephen Crane’s The O’Ruddy and for creating the French detective Eugene Valmont. But he also produced two novels and a number of short stories with S-F elements in them. He used developing technologies—explosives, nitrogen extraction, Röntgen rays—as essential ingredients in his melodramatic fictions, which were designed to entertain rather than to instruct. There is in them, however, an undertone of satire as well as a Victorian distaste for the new technological facts of life—a form of “civi
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Claggett, Shalyn. ""Fiction over Fact: Narrative Ethics in Edward Bulwer-Lytton's Eugene Aram"." Journal of Narrative Theory 46, no. 2 (2016): 171–95. http://dx.doi.org/10.1353/jnt.2016.0012.

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Raynkhardt, R. O. "Fan Fiction as Phenomenon of Modern Literature: Case of “Eugene Onegin”." Nauchnyy dialog, no. 4 (2018): 161–68. http://dx.doi.org/10.24224/2227-1295-2018-4-161-168.

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Carbonell, Curtis D. "Answering Lovecraft: Clive Barker’s embodied fiction." Horror Studies 12, no. 1 (2021): 97–117. http://dx.doi.org/10.1386/host_00031_1.

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This article asks how Clive Barker responds to H. P. Lovecraft as a horror writer. It sees in Barker a particular example of how cosmic horror emerges, even as expected Gothic tropes become renewed with interesting variations. In particular, it foregrounds a resistance by Barker to Lovecraft’s insistence that the Weird be a place where writers hint at the monsters that cause ultimate dread rather than drawing them. Barker, though, refuses to balk at such a demand, channelling the same instinct that the later Lovecraft himself developed in categorizing with scientific-like granularity the often
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Yuldoshov, Oybek Umid oʻgʻli, and F.B Sa'dullayev. "A BRIEF ANALYSIS OF THOMAS WOLFE'S FICTION: "LOOK HOMEWARD, ANGEL"." GOLDEN BRAIN 2, no. 1 (2024): 578–84. https://doi.org/10.5281/zenodo.10465679.

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<em>A writer of great reputation and recognition, presenting sound dramatic and narrative works, rich in theme, tightly controlled, often with an objective point of view. It vividly reflects his first and best novel, Look Homeward, Angel, which, like Woolf&rsquo;s best novel, deals with the plight of small-town American life, particularly the strain of "loneliness" in the character of the novel&rsquo;s protagonist, Eugene Gant. Dealing with life&rsquo;s problems, trying to avoid feelings of loneliness, and trying to show "Look Home," Angel demonstrates Woolf&rsquo;s rhetorical techniques to de
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Yuldoshov, Oybek Umid oʻgʻli, and F.B Sa'dullayev. "A BRIEF ANALYSIS OF THOMAS WOLFE'S FICTION: "LOOK HOMEWARD, ANGEL"." GOLDEN BRAIN 2, no. 1 (2024): 540–46. https://doi.org/10.5281/zenodo.10466716.

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<em>A writer of great reputation and recognition, presenting sound dramatic and narrative works, rich in theme, tightly controlled, often with an objective point of view. It vividly reflects his first and best novel, Look Homeward, Angel, which, like Woolf&rsquo;s best novel, deals with the plight of small-town American life, particularly the strain of "loneliness" in the character of the novel&rsquo;s protagonist, Eugene Gant. Dealing with life&rsquo;s problems, trying to avoid feelings of loneliness, and trying to show "Look Home," Angel demonstrates Woolf&rsquo;s rhetorical techniques to de
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Smirnova, Lyudmila Evgenievna, and Maksim Ruslanovich Kuharuk. "Linguostylistic features of fan fiction (based on the English-language fandom “Pushkin”)." Philology. Issues of Theory and Practice 17, no. 4 (2024): 1310–14. http://dx.doi.org/10.30853/phil20240190.

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The paper presents a linguostylistic analysis of English-language fan fiction works based on the novel “Eugene Onegin” by Alexander Pushkin. The studied texts are stylistically dependent speech works – stylizations and parodies, and, therefore, the characteristics of the works are considered taking into account the criteria of the theory of secondary texts by M. V. Verbitskaya. The research is comparative in nature and reveals the methods of linguistic transformation of the source text when creating fan fiction works. In addition, the paper touches upon various aspects of “secondariness” as a
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Dissertations / Theses on the topic "Eugene (or.), fiction"

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Chevasco, Berry Palmer. "The reception of the fiction of Eugene Sue in Britain 1838-1860." Thesis, University College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.393870.

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Katsanos, Filippos. "La fiction mystériographique : émergence et dissémination d’une poétique en France, en Grèce et en Grande-Bretagne au XIXe siècle." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30013.

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Suite au succès commercial des Mystères de Paris (1842-1843) d’Eugène Sue, les marchés littéraires de nombreux pays ont été saturés par un nombre incalculable d’ouvrages qui proposaient d’infinies variations sur le titre du romancier français. À partir d’une étude approfondie de la réception du célèbre roman de Sue et de toute la « littérature des mystères » dont il a été à l’origine en France, en Grèce et en Grande-Bretagne, cette thèse s’interroge sur la place qu’il convient d’accorder, dans l’histoire culturelle, à cette « mystériographie » compulsive qui promettait aux lecteurs de leur rév
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Bysell, Lina Emilia. "En revolutionerande översättning : En översättningsteoretisk uppsats om att översätta en skildring av det ryska inbördeskriget." Thesis, Stockholms universitet, Tolk- och översättarinstitutet, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-130581.

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Denna kandidatuppsats består av en längre översättning av en skönlitterär text från ryska till svenska och en kommentar till denna översättning som behandlar den översättningsproblematik som åtföljt just det här arbetet. Källtexten utgörs av första kapitlet i Aleksej Tolstojs Chmuroe utro (Grå gryning), tredje delen av hans trilogi Choždenie po mukam (Lidandets väg). I mitt översättningsarbete följer jag Eugene Nidas princip om dynamisk ekvivalens och i min kommentar fokuserar jag på att förklara hur jag arbetat med min översättning utifrån Nidas teorier och hur ja
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Kiddie, Thomas James. "Eros and ataraxy : a study of love and pleasure in the fiction of Zola, Cambaceres and Fontane /." New York ; London : Garland, 1988. http://catalogue.bnf.fr/ark:/12148/cb35031555k.

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Almeida, José Domingues de. "Auteurs inavoues, belges inavouables : la fiction, l'autofiction et la fiction de la Belgique dans l'oeuvre romanesque de Conrad Detrez, Eugène Savitzkaya et Jean-Claude Pirotte : Une triple mitoyenneté." Doctoral thesis, Porto : [Edição do Autor], 2004. http://hdl.handle.net/10216/10868.

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Este estudo visa uma contextualização histórico-crítica, identitária e geográfica da prosa narrativa de três autores belgas francófonos contemporâneos (Conrad Detrez, Eugène Savitzkaya e J-Cl. Pirotte). Funda-se essencialmente nas intuições prospectivas avançadas por Marc Quaghebeur no início dos anos oitenta, as quais punham a ficção belga em contacto com a História, nomeadamente a história pessoal. Para tal este trabalho sistematiza, por um lado, o estado do romance contemporâneo de língua francesa; por outro lado, a especificidade problemática da ficção belga e, por fim, o conceito paradoxa
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Almeida, José Domingues de. "Auteurs inavoues, belges inavouables : la fiction, l'autofiction et la fiction de la Belgique dans l'oeuvre romanesque de Conrad Detrez, Eugène Savitzkaya et Jean-Claude Pirotte : Une triple mitoyenneté." Tese, Porto : [Edição do Autor], 2004. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000158170.

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Este estudo visa uma contextualização histórico-crítica, identitária e geográfica da prosa narrativa de três autores belgas francófonos contemporâneos (Conrad Detrez, Eugène Savitzkaya e J-Cl. Pirotte). Funda-se essencialmente nas intuições prospectivas avançadas por Marc Quaghebeur no início dos anos oitenta, as quais punham a ficção belga em contacto com a História, nomeadamente a história pessoal. Para tal este trabalho sistematiza, por um lado, o estado do romance contemporâneo de língua francesa; por outro lado, a especificidade problemática da ficção belga e, por fim, o conceito paradoxa
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Wardle, Nancy E. "Representations of African identity in nineteenth and twentieth century Francophone literature." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180554301.

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Huguley, Piper Gian. "Why Tell the Truth When a Lie Will Do?: Re-Creations and Resistance in the Self-Authored Life Writing of Five American Women Fiction Writers." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04252006-174728/.

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Thesis (Ph. D.)--Georgia State University, 2006.<br>Title from title screen. Audrey Goodman, committee chair; Thomas L. McHaney, Elizabeth West, committee members. Electronic text (253 p.) : digital, PDF file. Description based on contents viewed May15, 2007. Includes bibliographical references (243-253).
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Beting, Graziella. "Au fil de la plume : du feuilleton à la chronique, une histoire croisée de la presse entre France et Brésil (1830-1930) à partir des parcours de ses journalistes et écrivains." Thesis, Paris 2, 2014. http://www.theses.fr/2014PA020089/document.

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La presse française du XIXe siècle a été marquée par une conjugaison du journalisme avec la littérature qui se déclinait en plusieurs types de rubriques et genres – de la chronique de variétés aux romans-feuilletons, des interviews-enquêtes aux grands récits de voyages et chroniques-reportages. Tout se passait dans le bas de page des journaux, qui devenait un espace d’expérimentation pour les gens de lettres, qui prêtaient alors leurs plumes aux quotidiens. Or, on retrouve ces mêmes caractéristiques dans les journaux brésiliens de cette époque. En effet, des innovations de la presse française
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Hale, Frederick. "Literary challenges to the heroic myth of the Voortrekkers : H.P. Lamont's War, wine and women and Stuart Cloete's Turning wheels." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52325.

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Thesis (PhD)--University of Stellenbosch, 2001.<br>ENGLISH ABSTRACT: This dissertation is an interdisciplinary study of various historical novels which dealt to a greater or lesser degree with the Great Trek and were written between the 1840s and the 1930s in Dutch, Afrikaans and English but with particular emphasis on H.P. Lamont's War, Wine and Women and Stuart Cloete's Turning Wheels (1937). The analysis of all these fictional reconstructions focuses on the portrayal of the Voortrekkers found in them. Much attention is also paid to the historical contexts in which the two principal wo
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Books on the topic "Eugene (or.), fiction"

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Marshall, James. Eugene. Houghton Mifflin, 2000.

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Lytton, Lytton Edward Bulwer. Eugene Aram. Routledge, 1998.

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Lytton, Lytton Edward Bulwer. Eugene Aram. Routledge/Thoemmes Press, 1998.

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Tchaikovsky, Peter Ilich. Eugene Onegin. J. Calder, 2004.

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Pushkin, Aleksandr Sergeevich. Eugene Onegin. Penguin Group UK, 2010.

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Pushkin, Aleksandr Sergeevich. Eugene Onegin. Dedalus, 2004.

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Pushkin, Aleksandr Sergeevich. Eugene Onegin =: Evgeniĭ Onegin. Bristol Classical Press, 1991.

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O'Neill, Eugene. Four Plays By Eugene O'Neill. Penguin USA, Inc., 2009.

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Pushkin, Aleksandr Sergeevich. Evgenii Onegin =: Eugene Onegin. Bristol Classical Press, 1993.

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Pushkin, Aleksandr Sergeevich. Eugene Onegin and other poems. Knopf, 1999.

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Book chapters on the topic "Eugene (or.), fiction"

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Mutch, Deborah. "Eugene Sue, ‘``Stop Thief!" The Proletariat and Slummery (An Incident of the Revolution of 1848, told by Eugene Sue)' (1911)." In British Socialist Fiction, 1884-1914, Volume 5. Routledge, 2024. http://dx.doi.org/10.4324/9781003553359-30.

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Gillard, Bill. "“The End of the World” (1872) by Eugène Mouton Translated from the French by Meghan McCallum." In The Routledge Anthology of Climate Fiction. Routledge, 2024. http://dx.doi.org/10.4324/9781032701523-5.

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Richardson, Angelique. "‘People Talk a Lot of Nonsense about Heredity’: Mona Caird and Anti-Eugenic Feminism." In The New Woman in Fiction and in Fact. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1007/978-1-349-65603-5_12.

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Ellmann, Maud. "Borderation: Fictions of the Northern Irish Border." In The Edinburgh Companion to Irish Modernism. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474456692.003.0005.

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This chapter examines the impact on recent Irish fiction of the border dividing British Northern Ireland from the Irish Republic, ‘the most militarised border in the archipelago’. This border is deplored as a spatial heresy by Irish nationalists who envision a united Ireland, but defended as an orthodoxy by Unionists who insist on their political allegiance to the British state. This chapter compares two thrillers set in borderland territory, Eugene McCabe’s Victims and Benedict Kiely’s Proxopera, with Anna Burns’s deconstructed bildungsroman No Bones, set in Belfast. While McCabe’s and Kiely’s novellas rework the conventions of the Big House novel, with its traditional focus on domestic space, at once imprisoning and open to invasion, Burns shows how the border spreads division through the home, the city, and the mind, undermining the distinction between outside and inside, public strife and private madness.
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Loving, Jerome. "The Political Roots of Leaves of Grass." In A Historical Guide to Walt Whitman. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195120813.003.0004.

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Abstract Late life in working-class Camden, New Jersey, Walt Whit as surrounded by an array of liberal thinkers and literessives. Visitors to 328 Mick.le Street included the prairie naturalist and future author of Main-Traveled Roads, Hamlin Garland; the future author of Dracula, Bram Stoker; the future wife of art critic Bernard Berenson, Mary Smith Costolloe; the future (first) wife of philosopher Bertrand Russell, Mary’s sister Alys; the painter Thomas Eakins; and Julian Hawthorne, the son of Whitman’s main literary model when he was writing fiction in the 1840s. For most of them (even Eakins, whose realistic, some times stark paintings were then considered untutored), the operative word was “future.” Certainly, it was the shibboleth for such socialists and activists as the poet’s biographer Horace Traubel, editor of the Conservator, who corresponded at length with radicals like Emma Goldman and Eugene Debs, and the silver-tongued agnostic and attorney Robert G.
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Rowson, Martin. "Whose daughter is Nancy?" In The Literary Detective. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780192100368.003.0065.

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Abstract The Good Soldier is, Eugene Goodheart claims, ‘one of the most puzzling works of modern fiction’. It is notoriously hard to make sense of Ford’s characters, their backgrounds, and their actions. There is critical dissension on such issues as whether the title (in so far as it refers to Captain Edward Ashburnham’s ‘goodness’) is ironic or not. The narrative is speckled with what look like factual contradictions (about such crucial data as when and where the Dowells first met the Ashburnhams). Close inspection reveals that the chronology is awry at almost every point. ‘Is this’, Martin Stannard asks, ‘Fordian irony or simply carelessness about details?’ Should we lay the inconsistencies at the door of an artfully unreliable narrator (John Dowell), or at the door of a slipshod writer (Ford Madox Ford)? Some critics, Vincent Cheng for instance (who has assembled a convincing chronology of The Good Soldier), believe that Ford is writing in ‘the French mode of vraisemblance’, and that it is legitimate to ask ‘what actually happens?’ with a reasonable expectation of getting ‘right’ answers.
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Crowley, Patrick. "Eugène Savitzkaya." In What Forms Can Do. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620658.003.0010.

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With the publication of his novel Fraudeur in 2015, Eugène Savitzkaya appears to return us to his first novel Mentir published in 1977. In the intervening years Minuit has published nine novels by Savitzkaya and each of them has put the form of the novel in play through a variety of devices ranging from paratextual commentary on the generic status of the novel to the integration of autobiographical materials. The focus of this chapter will be on the figure of the mother as inscribed within Mentir and Fraudeur and how she is at once both a biographème that signals the author’s past and referential horizon yet also a source of fiction that exceeds the autobiographical even as it draws upon it. In reading both these novels I want to explore the formal relationship between the novel and auto/biography in terms of fiction.
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"Eugène de Monglave." In Haitian Revolutionary Fictions. University of Virginia Press, 2022. https://doi.org/10.2307/jj.26526654.128.

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"Eugène Chapus and Victor Charlier." In Haitian Revolutionary Fictions. University of Virginia Press, 2022. https://doi.org/10.2307/jj.26526654.53.

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"Charles Voirin and Eugène Labiche." In Haitian Revolutionary Fictions. University of Virginia Press, 2022. https://doi.org/10.2307/jj.26526654.181.

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