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Journal articles on the topic 'Eugene (or.), fiction'

Author: Grafiati

Published: 11 December 2022

Last updated: 31 July 2025

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1

Palmer, David, and J. Chris Westgate. "Representations of Eugene O'Neill: Fiction, Autobiography, and Adaptation." Eugene O'Neill Review 37, no. 2 (2016): 165–67. http://dx.doi.org/10.5325/eugeoneirevi.37.2.165.

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Palmer and Westgate. "Representations of Eugene O'Neill: Fiction, Autobiography, and Adaptation." Eugene O'Neill Review 37, no. 2 (2016): 165. http://dx.doi.org/10.5325/eugeoneirevi.37.2.0165.

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3

Odehnalová, Lenka. "On a Borderline between Fact and Fiction. Literary Output of Eugene Vodolazkin." Przegląd Rusycystyczny, no. 1 (185) (February 12, 2024): 133–45. https://doi.org/10.31261/pr.16044.

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The paper On a Borderline between Fact and Fiction. Literary Output of Eugene Vodolazkin concentrates on two works of the contemporary Russian writer Eugene Vodolazkin (born 1964) that met with the highest response in the Czech milieu, i.e. Laurus (2012) and The Aviator (2015). Using the methods of genre analysis and comparison, the essay examines their specific genre features and a borderline made up by mediaeval historical facts, traits of a chronicle, biographical novel, hagiography and legend in the case of Laurus and, in the case of The Aviator, the genre of a diary achieved by placing th

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4

Bradshaw, James Stanford. "The Science Fiction of Robert Barr." Science Fiction Studies 16, Part 2 (1989): 201–8. https://doi.org/10.1525/sfs.16.2.201.

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Robert Barr (1850-1912) was a late Victorian writer and editor now remembered chiefly for completing Stephen Crane’s The O’Ruddy and for creating the French detective Eugene Valmont. But he also produced two novels and a number of short stories with S-F elements in them. He used developing technologies—explosives, nitrogen extraction, Röntgen rays—as essential ingredients in his melodramatic fictions, which were designed to entertain rather than to instruct. There is in them, however, an undertone of satire as well as a Victorian distaste for the new technological facts of life—a form of “civi

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Claggett, Shalyn. ""Fiction over Fact: Narrative Ethics in Edward Bulwer-Lytton's Eugene Aram"." Journal of Narrative Theory 46, no. 2 (2016): 171–95. http://dx.doi.org/10.1353/jnt.2016.0012.

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Raynkhardt, R. O. "Fan Fiction as Phenomenon of Modern Literature: Case of “Eugene Onegin”." Nauchnyy dialog, no. 4 (2018): 161–68. http://dx.doi.org/10.24224/2227-1295-2018-4-161-168.

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7

Carbonell, Curtis D. "Answering Lovecraft: Clive Barker’s embodied fiction." Horror Studies 12, no. 1 (2021): 97–117. http://dx.doi.org/10.1386/host_00031_1.

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This article asks how Clive Barker responds to H. P. Lovecraft as a horror writer. It sees in Barker a particular example of how cosmic horror emerges, even as expected Gothic tropes become renewed with interesting variations. In particular, it foregrounds a resistance by Barker to Lovecraft’s insistence that the Weird be a place where writers hint at the monsters that cause ultimate dread rather than drawing them. Barker, though, refuses to balk at such a demand, channelling the same instinct that the later Lovecraft himself developed in categorizing with scientific-like granularity the often

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Yuldoshov, Oybek Umid oʻgʻli, and F.B Sa'dullayev. "A BRIEF ANALYSIS OF THOMAS WOLFE'S FICTION: "LOOK HOMEWARD, ANGEL"." GOLDEN BRAIN 2, no. 1 (2024): 578–84. https://doi.org/10.5281/zenodo.10465679.

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<em>A writer of great reputation and recognition, presenting sound dramatic and narrative works, rich in theme, tightly controlled, often with an objective point of view. It vividly reflects his first and best novel, Look Homeward, Angel, which, like Woolf’s best novel, deals with the plight of small-town American life, particularly the strain of "loneliness" in the character of the novel’s protagonist, Eugene Gant. Dealing with life’s problems, trying to avoid feelings of loneliness, and trying to show "Look Home," Angel demonstrates Woolf’s rhetorical techniques to de

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Yuldoshov, Oybek Umid oʻgʻli, and F.B Sa'dullayev. "A BRIEF ANALYSIS OF THOMAS WOLFE'S FICTION: "LOOK HOMEWARD, ANGEL"." GOLDEN BRAIN 2, no. 1 (2024): 540–46. https://doi.org/10.5281/zenodo.10466716.

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<em>A writer of great reputation and recognition, presenting sound dramatic and narrative works, rich in theme, tightly controlled, often with an objective point of view. It vividly reflects his first and best novel, Look Homeward, Angel, which, like Woolf’s best novel, deals with the plight of small-town American life, particularly the strain of "loneliness" in the character of the novel’s protagonist, Eugene Gant. Dealing with life’s problems, trying to avoid feelings of loneliness, and trying to show "Look Home," Angel demonstrates Woolf’s rhetorical techniques to de

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10

Smirnova, Lyudmila Evgenievna, and Maksim Ruslanovich Kuharuk. "Linguostylistic features of fan fiction (based on the English-language fandom “Pushkin”)." Philology. Issues of Theory and Practice 17, no. 4 (2024): 1310–14. http://dx.doi.org/10.30853/phil20240190.

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The paper presents a linguostylistic analysis of English-language fan fiction works based on the novel “Eugene Onegin” by Alexander Pushkin. The studied texts are stylistically dependent speech works – stylizations and parodies, and, therefore, the characteristics of the works are considered taking into account the criteria of the theory of secondary texts by M. V. Verbitskaya. The research is comparative in nature and reveals the methods of linguistic transformation of the source text when creating fan fiction works. In addition, the paper touches upon various aspects of “secondariness” as a

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11

Ataeva, Ranusha, and Guzal Egamberdieva. "EXPRESSIVE LOVE VOCABULARY IN THE LETTERS OF TATIANA AND ONEGIN." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 194–204. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-14.

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The crucial aspect of constructing a fictional text lies in identifying linguistic clichés and speech patterns that reflect the speaker’s thinking, behaviour, and cultural background. This is particularly important when exploring the love theme description in A.S. Pushkin’s novel “Eugene Onegin” and examining expressive and semantic speech mechanisms. The research aims to consider the techniques of using expressive language units of love context in the letters of the novel “Eugene Onegin”. The research offers novel insights into the extensive use of love vocabulary and illogical thematic organ

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Danilova, Vasilisa, та Irina Tivyaeva. "Culture Specific Information in “Eugene Oneginˮ by A.S. Pushkin: Rendering Strategies in Portuguese Translations". Chuzhdoezikovo Obuchenie-Foreign Language Teaching 49, № 3 (2022): 285–98. http://dx.doi.org/10.53656/for22.308kult.

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The paper focuses on identifying and methodizing key strategies and ways of rendering culture specific information in Portuguese translations of Eugene Onegin by Alexander Pushkin and aims at assessing their adequacy. Culture differences between Russia, Portugal, and Brazil provide grounds for cross-cultural barriers, the negative effect of which could be minimized if translation bridges the gap between the source and target cultural worlds. This research relies on culture specific lexical items known as ‘realia’ to examine how culture code is transferred in Russian-to-Portuguese translation o

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13

Howes, Christina Angela. "“The World is still Beautiful”: An Eco-philosophical Reading of Eugene McCabe’s Victims Trilogy." Estudios Irlandeses, no. 18 (March 17, 2023): 172–83. http://dx.doi.org/10.24162/ei2023-11702.

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This paper focuses on Irish writer, playwright and television screenwriter Eugene McCabe’s fictional representation of the Northern Irish ‘Troubles’ in his trilogy Victims, published in the collection Heaven Lies about Us (2005). Living most of his life on his family farm on the Monaghan/Fermanagh border between Northern Ireland and the Republic, McCabe had a deep understanding of the historically entrenched hatreds, bigotry and fundamentalisms of its inhabitants, and his fiction reflects the human tragedy underlying the violence. This paper draws on an eco-philosophical framework to suggest t

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14

Oziewicz, Marek. "Bloodlands Fiction: Cultural Trauma Politics and the Memory of Soviet Atrocities inBreaking Stalin's Nose,A Winter's Day in 1939andBetween Shades of Gray." International Research in Children's Literature 9, no. 2 (2016): 146–61. http://dx.doi.org/10.3366/ircl.2016.0199.

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The field of trauma theory emerged in the 1990s out of the confluence of psychoanalysis, deconstruction and Holocaust studies. It soon consolidated into a trauma paradigm with hegemonic pretensions, which was ill-equipped to recognise traumatic experiences of non-Western and postcolonial groups or nations. It likewise tended to dismiss from trauma fiction any narratives that deviated from the aporetic model of normative trauma aesthetic. These limitations were exposed by the postcolonial turn in history and memory studies, which made it incumbent upon trauma theory to expand its focus to other

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15

J.Sh.Djumabaeva and R.Jumamuratova. "PRAGMATIC POTENTIAL AND PRAGMATIC ADAPTATION IN THE TRANSLATION OF FICTION: A CROSS-CULTURAL PERSPECTIVE." Journal of Universal Science Research "ZAMONAVIY TILSHUNOSLIK VA TARJIMASHUNOSLIKNING DOLZARB MUAMMOLARI" mavzusidagi xalqaro ilmiy-amaliy anjuman 3, no. 4 (2025): 5–11. https://doi.org/10.5281/zenodo.15289859.

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This article examines the roles of <em>pragmatic potential</em> and <em>pragmatic adaptation</em> in fiction translation, focusing on their contributions to creating culturally relevant and resonant target-language texts. Pragmatic potential involves the interpretative flexibility that translators utilize to preserve communicative intent and cultural nuance, while pragmatic adaptation involves specific modifications to enhance comprehension and relevance for the target audience without compromising the original’s impact. Using theories from Eugene Nida, Lawrence Venuti, Mona Baker, and E

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16

Franke, Ulrik. "En oavslutad dikt om ett oavslutat uppror." Slovo. Journal of Slavic Languages, Literatures and Cultures 63 (January 27, 2025): 64–73. https://doi.org/10.33063/slovo.v63i.732.

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The legendary Russian literary critic Belinsky famously described Pushkin’s novel in verse Eugene Onegin as an encyclopedia of Russian life. However, this encyclopedia seems seriously incomplete in that it largely leaves out elements of oppression, war, and insurrection. There are many valid explanations for this, but one, very blunt and prosaic, is that oppression and censorship actually worked – that it is absent in the fiction because it was present in reality. As a case in point, this article presents a novel translation into Swedish, with rhymes and meter preserved, of the fragments remai

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17

Belousova, Elena G. "The doppelganger aspect in the novel Chagin by Eugene Vodolazkin." Vestnik Tomskogo gosudarstvennogo universiteta, no. 505 (2024): 27–33. https://doi.org/10.17223/15617793/505/3.

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Based on the novel Chagin (2022) by Eugene Vodolazkin, the article studies the doppelganger problem. It dwells on the doppelganger phenomenon as a cultural archetype – a universal pattern that shows conceptions of a human being and his place in the world which are relevant for a specific time period. The work aims to define peculiar features of doppelganger imagery in the novel by Vodolazkin, a key author of the modern Russian literature. The study applies the methods of structural, comparative and archetype analysis. The research reveals that the doppelganger aspect determines the ideas and l

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18

Туманова, Лидия Владимировна. "TATYANA LARINA AS A FOREIGNER OF MODERN VIRTUAL LIFE." Вестник Тверского государственного университета. Серия: Право, no. 2(70) (June 30, 2022): 151–56. http://dx.doi.org/10.26456/vtpravo/2022.2.151.

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Статья предполагает вызвать интерес к литературе и выработать умение увидеть новое в давно знакомом. Роман в стихах «Евгений Онегин» дает основу поразмышлять о том, какая огромная разница между реальной жизнью и вымыслом. Татьяна Ларина предвестник современной виртуальной жизни, потому что она, как и современные молодые люди, «прикованные» к Интернету, живет в мире своих иллюзий. The article is supposed to arouse interest in literature and develop the ability to see the new in the long-familiar. The novel in verse «Eugene Onegin» provides a basis for reflecting on the huge difference between r

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19

Livengood, Nicole C. "Serial Intersections in the New York Herald and The Mysteries of Paris." American Periodicals: A Journal of History & Criticism 34, no. 1 (2024): 45–64. http://dx.doi.org/10.1353/amp.2024.a927809.

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abstract: On March 27, 1844, the New York Herald published the "Memoir of Zulma Marache," a first-person account of seduction and abortion. The Herald compared it to Eugene Sue's popular serial novel, the Mysteries of Paris . Although the "Memoir" was unique, its story of gender and socioeconomic injustices enabled by systemic inequity played out repeatedly in the Herald's columns as well as in Sue's novel. The Herald's framing of the "Memoir of Zulma Marache" via allusions to Mysteries of Paris asked readers to refresh and reframe their understandings of figures represented in the press. In c

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20

Fugate, Lauren, and John MacNeill Miller. "Shakespeare’s Starlings." Environmental Humanities 13, no. 2 (2021): 301–22. http://dx.doi.org/10.1215/22011919-9320167.

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Abstract Scientists, environmentalists, and nature writers often report that all common starlings (Sturnus vulgaris) in North America descend from a flock released in New York City in 1890 by Eugene Schieffelin, a man obsessed with importing all the birds mentioned by Shakespeare. This article uses the methods of literary history to investigate this popular anecdote. Today starlings are much despised as an invasive species that displaces native birds and does almost a billion dollars worth of damage to agriculture annually. Because of the starling’s pest status, the Schieffelin story is consid

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21

Dmitrieva, Ekaterina E. "Pushkin’s Trigorskoye as a Source of Myth-making: Fiction Versus Pragmatics." Literary Fact, no. 3 (25) (2022): 211–32. http://dx.doi.org/10.22455/2541-8297-2022-25-211-232.

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In 1824 Pushkin was exiled to his mother’s estate Mikhailovskoye, where he was to stay until 1826. Then he was set free by the enthroned Tsar Nicholas I. Praskovia Alexandrovna Osipova-Vulf, the mistress of Trigorskoye, and her numerous family were Pushkin’s only neighbours during his exile period. A myth was gradually forming in the minds of Pushkin’s readers and admirers. According to this myth Pushkin depicted Trigorskoye in the village chapters of “Eugene Onegin,” Trigorskoye ladies and their mother became the prototype of the novel’s female characters, and Osipova’s son Alexey Wulf, then

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22

Akat, Bülent, and Tuba Kümbül. "The Use of Idiomatic Language as a Strategy for Receptor-Oriented Translation: A Study on Tomris Uyar’s Rendering of Flannery O’Connor’s Grotesque Stories: “The Lame Shall Enter First” and “The Comforts of Home”." International Journal of Comparative Literature and Translation Studies 6, no. 4 (2018): 33. http://dx.doi.org/10.7575/aiac.ijclts.v.6n.4p.33.

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This study is concerned with an analysis of Tomris Uyar’s rendering of two grotesque stories by the American fiction writer Flannery O’Connor, “The Lame Shall Enter First” and “The Comforts of Home”, translated into Turkish as “Önce Sakatlar Girecek” and “Yuvanın Nimetleri” respectively. The article mainly focuses on the translator’s use of idiomatic language in the rendering of these grotesque stories as a strategy for conveying the semantic content of the stories to the receptor audience as well as for evoking in them the feelings and responses similar to those created in the source-text rea

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23

Sidor, Monika. "Od kulturowego pojmowania przestrzeni ku rozważaniom o wieczności. Dyskurs przestrzenny w powieści Brisbane Jewgienija Wodołazkina." Studia Rossica Posnaniensia 46, no. 2 (2021): 79–91. http://dx.doi.org/10.14746/strp.2021.46.2.6.

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This article deals with different aspects of space in the text of Eugene Vodolazkin’s novel Brisbane as well as in its studies and reception. Successive parts of the research are devoted to lieux de mémoire in autobiographical fiction, cultural understanding of the space of the home and places which traditionally create the image of Kiev and the individual mythology of this city. Space perceived in the way modified by culture is a certain frame in which both the hero of Vodolazkin lives and a receiver reads the novel. It is also an important component of the work’s internal structure, the fact

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24

Chen, YanYing. "The Application of the Functional Equivalence Theory in Prose Translation- Taking the Sight of Fathers Back Translated by Zhang Peiji as an Example." Communications in Humanities Research 3, no. 1 (2023): 511–16. http://dx.doi.org/10.54254/2753-7064/3/20220468.

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Eugene Nida makes the Functional Equivalence Theory claim, an American famous linguist, and translator, which emphasizes that the goal of translation is to translate a message into the target language as accurately and organically as feasible. In order for the intended readers to respond and feel the same as the original readers, it heavily emphasized the informational and formal comparability. Chinese prose, a flexible kind of narrative fiction that reveals the actual feelings of the author, is one of the most significant genres in Chinese literature. Therefore, prose translation should not b

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25

Lawrence, Caitlin. "Gisela H. Kreglinger, with a forward by Eugene H. Peterson. Storied Revelations: Parables, Imagination and George MacDonald’s Christian Fiction." Christianity & Literature 64, no. 3 (2015): 353–56. http://dx.doi.org/10.1177/0148333115574242.

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26

Basdeo, Stephen, and Luiz F. A. Guerra. "Juana Manso’s Mistérios del Plata (1852) and a Global “Mysteries” Tradition." Victorian Popular Fictions Journal 4, no. 2 (2023): 121–35. http://dx.doi.org/10.46911/tcwh4587.

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This article examines Juana Manso’s Mistérios del Plata, published in Rio de Janeiro in 1852, in the context of what the authors argue was a global mystery novel tradition. Where previous scholars have argued that mid-nineteenth century mysteries novels are a mere subset of the crime literature genre, the authors take a different approach: they point out that these novels were a transnational corpus of texts which incorporated many genres. Outside of Europe, in the Empire of Brazil, Manso adapted the form of the mysteries tradition but extended its parameters. Manso’s novel was different to th

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27

Middleton, Darren J. N. "The Devil Likes to Sing: A Novel. Fiction. By Thomas J. Davis. Eugene, OR: Cascade, 2014. Pp. 138. Paper, $18.00." Religious Studies Review 41, no. 2 (2015): 64. http://dx.doi.org/10.1111/rsr.12213.

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28

Claudio, Murgia. "The Weird as Contingency and Fate in the Empty Space Trilogy." Pulse: the Journal of Science and Culture 8 (June 5, 2021): 18. https://doi.org/10.5281/zenodo.10576365.

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The paper examines how in his Empty Space trilogy, M. John Harrison uses weird fiction torepresent the failure of both human epistemology and agency in dealing with the new and theunthinkable. The unthinkable, according to Eugene Thacker, is the space outside thehuman, the world-without-us. Following Timothy Morton, the Kefahuchi Tract, anapparently empty space in the universe where weird phenomena distort the rules of physics,is presented in this study as a hyperobject that distorts reality beyond human comprehension.The characters in the trilogy have to accept t

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29

Maroshi, V. V. "Gothic beetle: a comment on one of Pushkin’s allusions." Sibirskiy filologicheskiy zhurnal, no. 3 (2020): 66–79. http://dx.doi.org/10.17223/18137083/72/5.

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The paper deals with the beetle as a minor character of the seventh chapter of the novel “Eugene Onegin” and a literary allusion. It is syntactically and rhythmically highlighted in the text of the stanza. V. V. Nabokov was the first to try to set the origin of the character from English literature. The closest meaning of the allusion was a reference to V. A. Zhukovsky, with his surname associated with the beetle by its etymology and the appearance of a “buzzing beetle” in his translation of T. Gray’s “Elegy Written in a Country Churchyard.” The landscape of the 15th stanza of the novel is rep

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30

Poliakov, Ilia Aruslanovich. "Some peculiarities of opera libretto as a potential literary genre." Филология: научные исследования, no. 2 (February 2020): 37–49. http://dx.doi.org/10.7256/2454-0749.2020.2.29396.

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This article analyzes the changes pertaining to such level of literary works as a system of characters, category of space and time, phonetic system and composition; as well as changes in epic and dramatic oeuvres in the process of transformation of the text of literary work into an opera libretto. Analysis is conducted on peculiarities of the aforementioned levels of literary text and libretto. As an example of epic work, the author selected the A. S. Pushkin&rsquo;s verse novel &ldquo;Eugene Onegin&rdquo; and the eponymous opera composed by P. I. Tchaikovsky; as an example of dram

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Mills, Anthony R. "Religion and Science FictionMcGrath, James F., Ed.Religion and Science Fiction. Eugene, OR: Pickwick, 2011. 195 + viii pp. paperback $22.00 (US). ISBN: 978-1-60899-886-9." Journal of Religion and Popular Culture 25, no. 1 (2013): 173–74. http://dx.doi.org/10.3138/jrpc.25.1.173.

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Madigan, Patrick. "Giving the Devil His Due: Demonic Authority in the Fiction of Flannery O’Connor and Fyodor Dostoevsky. By Jessica HootenWilson. Pp. x, 146, Eugene, OR, Cascade Books, 2017, $21.00." Heythrop Journal 61, no. 3 (2020): 582. http://dx.doi.org/10.1111/heyj.13555.

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33

Korkina, O. S., and M. S. Savelyeva. "<i>Traditional</i> and New Female Characters in E. G. Vodolazkin’s Novels." Concept: philosophy, religion, culture 7, no. 4 (2023): 160–74. http://dx.doi.org/10.24833/2541-8831-2023-4-28-160-174.

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The study aims to provide a philosophical and cultural analysis of the problem of the ambivalence of female images in Eugene Vodolazkin's works by means of the concept of time-spiral as developed by the writer (this concept has been proposed and substantiated in his programme novel Laurus). The relevance of referring to this topic comes from the opportunities that such an examination provides for understanding the dynamics of the value bases of contemporary Russian culture. The research materials include E. G. Vodolazkin's fiction prose (novels) and his interviews (in particular, the interview

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34

Shu, Li. "A Report on E-C Translation of This May Hurt a Little." Journal of Education and Educational Research 8, no. 1 (2024): 320–24. http://dx.doi.org/10.54097/5cb6ga05.

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Humorous fiction, as a form of popular literature, focuses on real-life episodes that are laugh-out-loud funny. The protagonists of such novels are often characterized by comical or silly traits, or fools who always meet with misfortune in their acts of kindness and helpfulness. By skillfully depicting the weaknesses and flaws of these characters as well as a series of coincidences and misunderstandings, humor novels successfully reflect the real face of life and the author's creative ideas. This form of literature not only brings readers a relaxing and enjoyable reading experience, but also a

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35

Dragunoiu, Dana. "Hazel Shade's Russian Sisterhood, or Is Pale Fire a Feminist Novel? In memory of Gennady Barabtarlo." Nabokov Studies 18, no. 1 (2022): 7–28. http://dx.doi.org/10.1353/nab.2022.a901977.

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Abstract: The essay traces Nabokov's representation of women from the Russian-language works in which he shows a sustained interest in women's lives to the English-language works whose plots often double as whodunnits, driven as they are by questions such as "who is she?" and "what has she done?" I argue that The Real Life of Sebastian Knight, "The Vane Sisters," Lolita, Pale Fire, and Ada dramatize what feminist commentators have identified as properties of patriarchal literary representation: the primacy of women coupled by their absence (De Lauretis), under-description (Heldt), and action d

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Stanley, Liz. "Afterword: Writing lives, fictions, and the postcolonial." Journal of Commonwealth Literature 55, no. 3 (2018): 469–79. http://dx.doi.org/10.1177/0021989418802610.

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This essay reflects on the writing of lives and fictions in a South African context in light of the contents of this special issue, and draws parallels with some of the approaches adopted by the contributors. It discusses biography, autobiography, diaries, letters, and testimonies by or about Steve Biko, Nelson Mandela, Eugene Marais, Njube son of Lobengula, Cecil Rhodes, and Olive Schreiner, and problematizes some of the key terms in thinking about postcolonial literatures. In doing so, it explores interconnections between the factual and the fictive in different forms of life writing, the ex

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37

Podosokorsky, Nikolay N. "Review of the International Online Scientific Conference “Book Within a Book”, 2–4 October 2023." Tekst. Kniga. Knigoizdanie, no. 34 (2024): 149–58. http://dx.doi.org/10.17223/23062061/34/11.

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The work is a review of the first International Online Scientific Conference “Book Within a Book” organized by the A.M. Gorky Institute of World Literature of the Russian Academy of Sciences and dedicated to the 85th anniversary of the birth of Alexander Viktorovich Mikhailov (1938-1995), a great Russian philologist-Germanist, translator, historian, cultural theorist, and musicologist. A feature of this conference is the researchers' focus not just on intertextuality and various literary influences (allusions, reminiscences, etc.), but mainly on the presence in works of fiction of specific boo

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38

Pransky, Joanne. "The Pransky interview: Professor Robin R. Murphy, Co-founder of the Field of Disaster Robotics and Founder of Roboticists Without Borders." Industrial Robot: An International Journal 45, no. 5 (2018): 591–96. http://dx.doi.org/10.1108/ir-07-2018-0136.

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Purpose This paper is a “Q&A interview” conducted by Joanne Pransky of Industrial Robot Journal as a method to impart the combined technological, business and personal experience of a prominent, robotic industry engineer-turned successful innovator and leader regarding the challenges of bringing technological discoveries to fruition. This paper aims to discuss these issues. Design/methodology/approach The interviewee is Dr Robin R. Murphy, Raytheon Professor of Computer Science and Engineering, Texas A&M University; Co-lead, Emergency Informatics EDGE Innovation Network Center, Texas A

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Dasca, Maria. "Una mostra xarona. Una lectura de La <i>"Niña Gorda"</i> (1917), de Santiago Rusiñol." Zeitschrift für Katalanistik 26 (July 1, 2013): 229–48. http://dx.doi.org/10.46586/zfk.2013.229-248.

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Summary: Published in 1917, the novel La “Niña Gorda” by Santiago Rusiñol is one of the few Catalan novels dedicated to the representation of monsters. Conceived as an anti-model of two literary topics, the bovarysm and the “Ben Plantada”, the fiction is a reaction against a series of topics of Eugeni d’Ors’ discourse. Rusiñol uses a direct and realist language, a sense of antiidealist humour and the creation of an “imaginary circus” (that was used by Rusiñol at the end of the XIXth century). La “Niña Gorda” is a transition fiction, written between the “Noucentist” period and the development o

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Pettitt, Lance. "Border Tropes in Eugene McCabe's 'Fermanagh Trilogy'." Review of Irish Studies in Europe 6, no. 2 (2023): 73–85. http://dx.doi.org/10.32803/rise.v6i2.3223.

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This essay analyses Eugene McCabe’s short stories, ‘Cancer’, ‘Heritage’ and ‘Siege’ – known commonly as the ‘Fermanagh trilogy’ – focusing on them as border fictions. Written in the 1970s, the author argues that the stories share a material, cultural ‘borderliness’, a condition which is structured into McCabe’s writing about this part of Monahan-Fermanagh and the region along the border more widely. ‘Borderliness’ manifests itself as four thematic tropes that interconnect and complement each other. These tropes recur within and across the stories, expressing character and emotional states, def

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Waters, C. "New Women and Eugenic Fictions." History Workshop Journal 60, no. 1 (2005): 232–38. http://dx.doi.org/10.1093/hwj/dbi044.

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Kennard, Mel. "Reproductive conscription and eugenic horror in Hulu’s adaptation of The Handmaid’s Tale." Australasian Journal of Popular Culture 13, no. 2 (2024): 197–208. https://doi.org/10.1386/ajpc_00098_1.

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First released in 1985, Margaret Atwood’s The Handmaid’s Tale has since become a seminal work of feminist speculative fiction. Set in the former United States, the fictionalized Republic of Gilead presents a terrifying reproductive theocracy in which all women are subjugated and fertile women are forcibly conscripted into biological slavery. Often satirical and wry, the novel has been celebrated for its depictions of biological essentialism which reduces the titular Handmaids to the status of reproductive vessels for the state. Such representations of biological essentialism define Atwood’s no

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Anceau, Éric. "Le Parlement et les parlementaires dans l’œuvre de Zola." Parlement[s], Revue d'histoire politique N° 24, no. 2 (2016): 37–55. http://dx.doi.org/10.3917/parl2.024.0037.

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Plusieurs romans du cycle des Rougon-Macquart abordent les questions politiques et parlementaires, très importantes aux yeux de Zola mais encore peu étudiées. C’est au prisme du naturalisme que leur analyse doit être menée. En effet, Zola mêle réalité et fiction pour montrer la dérive de la III e République naissante et la nécessité de l’amender. Aborder cette question, en particulier par Son Excellence Eugène Rougon , permet de mieux comprendre la mission grandiose que Zola assigne au romancier.

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Dziubinskyj, Aaron. "Eduardo Urzaiz’s Eugenia: Eugenics, Gender, and Dystopian Society in Twenty-Third-Century Mexico." Science Fiction Studies 34, Part 3 (2007): 463–72. https://doi.org/10.1525/sfs.34.3.0463.

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The earliest known work of Mexican sf was a moon voyage tale penned by the eighteenth-century Franciscan Friar Rivas in the San Francisco de Mérida Convent, on the Yucatán Peninsula. A century and a half later, in 1919, Eduardo Urzaiz would publish Mexico’s first sf novel of the twentieth century, Eugenia, also in the town of Mérida. What both of these works have in common is a critical view of the societies of their respective authors vis-à-vis enlightened scientific discourse. An extensive corpus of speculative fiction—to which Eugenia belongs—inspired by the science of eugenics was publishe

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Cofan, A. C. "Sketch about the intimacy of the self in autobiographical fictions." Revista de Istorie și Teorie Literară 17 (December 30, 2023): 63–74. http://dx.doi.org/10.59277/ritl.2023.17.07.

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We undertake a short research of how it is possible to penetrate into the intimacy of the self of a cultural man, how to reveal, if it can be revealed, the existential man, using some writings belonging to the biographical genre, namely diaries. In the case of the critic Eugen Simion, we primarily use an endoscopy of the Parisian journal, Time of Living, Time of Confession (1977), and the German journal, The Defiance of Rhetoric (1985), and sometimes we also use involuntary confessions sprinkled in other writings, such as Conversations with Petru Dumitriu (1994). We try to answer the question

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Eichel, Roxana. "Genre Transgression in Contemporary Romanian Crime Fiction." Acta Universitatis Sapientiae, Philologica 11, no. 1 (2019): 21–34. http://dx.doi.org/10.2478/ausp-2019-0002.

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Abstract Crime fiction is currently evolving towards a literary genre which encompasses the intertwining of several textual practices, rhetorical modes, cultural identities, and topoi. Multiculturalism and the relation to alterity are gradually conquering the realm of detective fiction, thus rendering the crime enigma or suspense only secondary in comparison to other intellectual “enjeux” of the text. Transgressing the national horizon, contemporary detective fiction in Romanian literature can be thus considered as “world literature” (Nilsson–Damrosch–D’haen 2017) not only because it does not

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Flynn, Nicole. "A.S. Byatt and the “perpetual traveller”: a reading practice for new British fiction." Journal of English Studies 16 (December 18, 2018): 91. http://dx.doi.org/10.18172/jes.3450.

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While most readers enjoyed, or at least admired A.S. Byatt’s Booker prize-winning novel “Possession”, many are puzzled by her work before and since. This essay argues that the problem is not the novels themselves, but rather the way that readers approach them. Conventional reading practices for experimental or postmodern fiction do not enable the reader to understand and enjoy her dense, dizzying work. By examining the intertexts in her novella “Morpho Eugenia,” in particular two imaginary texts written by the protagonist William Adamson, this essay demonstrates how the novella generates a dif

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Mazique, Rachel. "Science Fiction’s Imagined Futures and Powerful Protests: The Ethics of “Curing” Deafness in Ted Evans’s The End and Donna Williams’s “When the Dead Are Cured”." Journal of Literary & Cultural Disability Studies: Volume 14, Issue 4 14, no. 4 (2020): 469–85. http://dx.doi.org/10.3828/jlcds.2020.31.

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Contemporary Deaf literature and film of the science fiction (SF) genre such as Ted Evans’s The End and Donna Williams’s “When the Dead are Cured” imagine worlds where Sign Language Peoples (SLPs) are threatened with eradication. Employing schema criticism, the article shows how these social SF stories have the potential to transform harmful cognitive schemas that perpetuate eugenic drives, explaining how certain cognitive schemas uphold beliefs inherent to the ideology of ability (Bracher 2013; Siebers 2008). These SF texts question the ethics of genetic engineering and the desire to “cure” d

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Chidichimo, Alessandro. "Michel Bréal lecteur de Johann Wolfgang von Goethe: un jeu de textes entre réalité et fiction (1898-1911)." Cahiers du Centre de Linguistique et des Sciences du Langage, no. 37 (October 8, 2013): 187–211. http://dx.doi.org/10.26034/la.cdclsl.2013.707.

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Le Bréal lecteur de Johann Wolfgang von Goethe est présenté dans cet article en partant de La fille naturelle publiée dans Deux études sur Goethe, en 1898. Dans cet essai, Michel Bréal analyse et déconstruit le drame goethéen Die natürliche Tochter (1803) lui-même inspiré par le contradictoire Mémoire historique de Stéphanie-Louise de Bourbon-Conti (1798). J’essayerai de parcourir l’enchevêtrement des textes autour de la pièce de Goethe et l’effort de Bréal pour en saisir l’écriture. À ce propos, j’utilise des lettres manuscrites inédites de Bréal à Eugène Ritter, pour entrevoir l’arrière-pla

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Stepanović, Natalija. "Anachronism in Croatian lesbian literature." Genero, no. 24 (2020): 25–52. http://dx.doi.org/10.5937/genero2024025s.

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Although queer literature can fit into common timelines of the history of literature, this essay discusses ways in which Croatian lesbian fiction challenges and sabotages such attempts. It combines interpretations of fin-de-siècle early lesbian writing (novels the Widow by Josip Eugen Tomić and the Passion by David Pijade) with those of contemporary texts. As for recently published texts, the essay analyzes short story collection Posudi mi smajl (Lend Me Your Smile) and novel Do isteka zaliha (Until the Supplies Run Out) by Nora Verde, the short story "Vrata Pakla" ("the Gates of Hell") by Ruž

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