Log in

Relevant bibliographies by topics / Euphony

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Euphony'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Euphony.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Euphony"

1

Komunyakaa, Yusef. "Euphony." Iowa Review 22, no. 3 (October 1992): 66. http://dx.doi.org/10.17077/0021-065x.4182.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Strokal, Olexandr. "A suggestion of the euphony of Ukrainian poetry." Ukrainian Linguistics, no. 49 (2019): 138–40. http://dx.doi.org/10.17721/um/49(2019).138-140.

Full text

Abstract:

Peony is one of the main, central and most significant characteristics of the Ukrainian language. Harmony of sound transitions, the correct combination of consonants and vowels are the main markers of the sound of the word. M. Yarmolinska’s study devoted to the study of poetic euphony as one of the characteristic features of Ukrainian poetry. The researcher understands the euphony as a science that analyzes the sound composition of verses and establishes the laws of poetic sonority. The author applies general linguistic principles for the interpretation of the phenomenon of euphony and emphasizes its importance and functions in the text. The researcher gives an interpretation of concepts such as “phonemic saturation of the text”, “textual accented vocalization”, “textual consonance” etc., reveals the peculiarities of their interrelations within euphony as a science. M. Yarmolinska argues that the law of sound semantics is realized as much as possible in atypical, unexpected, deliberately created acoustic contexts. The author offers a number of parameters which, in her opinion, it is expedient to analyze the euphonic phenomena. In particular, this is: intonational nuances; ornamental function; function of “audio italic”; associative bonds of words; creating a specific sound; script; creation of symbolic sound; semantic effects. The researcher believes, that one of the euphonic tools that performs a suggestive function is aliteration. This artistic instrument has a historical history and is therefore characterized by its being one of its own. M. Yarmolinska considers the peculiarities of the use of alliteration in T. Shevchenko’s, P. Tychyna’s, O. Dovhyi’s, A. Moisiienko’s, D. Chystiak’s poetic texts. The proposed selection of personalities by the researcher (T. Shevchenko, P. Tychyna, O. Dovhyi, A. Moisiienko, D. Chystiak), although it does not claim to be exhaustive, is rather indicative as it allows the linguist to make an analytical review of each of the stages of development of the Ukrainian language.

APA, Harvard, Vancouver, ISO, and other styles

3

YARMOLINSKA, MARYNA. "PROBLEM OF THE DEFINITION AND HISTORY OF THE STUDY OF UKRAINIAN EUPHONY." Actual issues of Ukrainian linguistics: theory and practice 34 (2017): 96–109. http://dx.doi.org/10.17721/apultp.2017.34.96-109.

Full text

Abstract:

The article deals with the concept of euphony, euphony definition/euphony in stylistiс. Special attention is paid to the differentiation of concepts and terms the euphony of language and euphony of speech. Such differentiation can have significant methodological meaning, stressing the opposition of paradigmatic and syntagmatic. Special attention is paid to the ideas of the Ukrainian linguists about euphony. The article also maintains the notion of euphony elaborated not only by Ukrainian scientists (such as V. Blyznyuk, V. Vashchenko, I. Hanych, S. Dyachuk, I. Ohiyenko, H. Pashkovska, O. Peshkovskii, M. Pylynskyy, P. Tymoshenko, N. Tocka, V. Shyprykevych) but also by Ukrainian writers (for instance, I. Nechuy-Levytskyi). It gives the reader more than century-long history of Ukrainian euphony-studies. As it is shown in this article, euphony is one of the main feature of the Ukrainian language and can be regarded as a key-concept for the self-representation of Ukrainian nation.

APA, Harvard, Vancouver, ISO, and other styles

4

Kildegaard, A. O. "Spring's Euphony." Interdisciplinary Studies in Literature and Environment 8, no. 1 (January 1, 2001): 201. http://dx.doi.org/10.1093/isle/8.1.201.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Kunch, Zoriana. "UKRAINIAN LANGUAGE MEANS OF EUPHONY AND MODERN LANGUAGE PRACTICE." Theory and Practice of Teaching Ukrainian as a Foreign Language, no. 15 (May 1, 2021): 154–61. http://dx.doi.org/10.30970/ufl.2021.15.3292.

Full text

Abstract:

The article examines the problem of compliance with the norms of positional alternation of vowels and consonants “у” and “в” which is relevant for modern Ukrainian linguistics, in order to achieve euphonomy in the Ukrainian language. Based on the textbook “Local lore: theory and practice” (Kyiv: Center for Educational Literature, 2012. 528 p.) we have analyzed 378 examples of the use of prepositions-prefixes “у” and “в” (euphonems), separated by the method of continuous selection from the first 55 pages of the publication. The normative ones turned out to be 314 examples, which is 83.1%, erroneous - 64 examples (16.9%). During our research we used statistical, comparative, structural (descriptive) methods and analysis . The study of possible reasons for non-compliance with the current spelling rules for cases of non-normative use in comparing them with the normative ones, as well as the comparison of statistical data with the materials of previous studies, allowed us to find out some patterns in the rules of euphony. It is stated that the modern speaker constantly avoids the coincidence of vowels, confirming the unkindness of such sound combinations. It was found that the lack of flexibility in spelling recommendations for consonant matches, in particular ignoring the requirements of the melody of a particular phrase and the individual sense of the speaker, contributes to the emergence of numerous cases of violations. A significant percentage of errors justifies the presence of a pause and pronunciation of the “ў”-infinitive. It is noted that the largest number of consonant coincidences occurs in the use of “в” before the phonetic (sonorous) consonant, in particular before the next “й”, this position is perceived by many speakers as easy to pronounce. Modern Ukrainian spelling should provide more opportunities for flexible use of euphony means, in particular positional alternation of “у” and “в”. Key words: ukrainian language, euphony, normalization, means of euphony in ukrainian language, positional alternation of “у” and “в”.

APA, Harvard, Vancouver, ISO, and other styles

6

Bardia, Shreyash, Krishnakumar Natthani, Sachin Rawool, and Sakshi Kukreja. "SWARRECOG- THE EUPHONY AIDE." IJARCCE 4, no. 5 (May 30, 2015): 585–87. http://dx.doi.org/10.17148/ijarcce.2015.45125.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Johnson, Ronald. "From "Hurrah for Euphony"." Chicago Review 42, no. 1 (1996): 25. http://dx.doi.org/10.2307/25306021.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Tambovtsev, Yury A. "Euphony of a sound chain." Sibirskiy filologicheskiy zhurnal, no. 1 (March 1, 2010): 108–15. http://dx.doi.org/10.17223/18137083/30/14.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Pendergraft, Mary L. B. "Euphony and Etymology: Aratus' Phaenomena." Syllecta Classica 6, no. 1 (1996): 43–67. http://dx.doi.org/10.1353/syl.1996.0014.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

A. Sheikh Al-Shabab, Omar. "Linguistic Experience and Identity: Contextualizing the Mental Lexicon In English-Arabic Poetry Translation." International Journal of Applied Linguistics and English Literature 10, no. 6 (November 30, 2021): 38. http://dx.doi.org/10.7575/aiac.ijalel.v.10n.6p.38.

Full text

Abstract:

Monolingual Language behavior rests on three components: human agent, code and message. Translation processing requires three more constructs: translator, two codes, and a message in two texts. Equivalence theories attempted to supersede faithfulness and sameness of meaning in translation, but equivalence is a “convenience”, and is “always relative” (Baker 1992). Translational commensurability and semantic transportation thwart obtaining equivalence; therefore, the Interpretive Frame includes experience and identity among the elements necessary for any translation (Author, 2008). To explore poetic aesthetics, experience is related to personality observed in the Mental lexicon, while identity is related to phonic appeal observed in euphony. These relations are investigated in Arabic translations of English poems by Coleridge, Keats, Tennyson, Wordsworth, and Auden. Preliminary results show that: 1) the Mental Lexicon and euphony vary according to experience and identity, 2) contextualizing lexical appropriateness, euphony and metaphors contributes to poetic aesthetics.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Euphony"

1

Dalton, Liam. "Euphony in Hellenistic literary criticism." Thesis, University of Leeds, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416836.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Hollington, Barnaby Paul. "Chordal roots, Klangverwandtschaft, euphony and coherence : an approach to ostensibly 'atonal', 'non-tonal' or 'post-tonal' harmonic technique." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/75394/.

Full text

Abstract:

My harmonic approach is founded on two premises, pertaining especially to chordal spacing. First, that for each of the 4,096 possible sets of pitch-classes within equal temperament, without exception, certain spacing principles and techniques, if consistently applied, will generate clear, or relatively clear chordal roots. Typically, the resulting sonorities will possess more than one root – that is, be heard as polychords. Second, that one may control the level of inherent sensory dissonance of any given set of pitch-classes, presented as a chord, through register. These two factors combine to induce both harmonic coherence and euphony. For most listeners, rightly or wrongly, these are not qualities normally associated with music written using the 4,096 – that is, ostensibly ‘atonal', ‘non-tonal' or ‘post-tonal' music. Through my harmonic method, since chordal roots are consistently clarified, one may compose progressions of chordal roots – an asset on which the coherence of diatonic tonality also fundamentally depends. Within a non-diatonic context, the expressive and technical consequences are far-reaching. The following textual commentary demonstrates all of the above, supported by analyses of numerous musical extracts. These are drawn primarily from four of the compositions included in the portfolio – Madame de Meuron, The Art of Thinking Clearly, Velvet Revolution and Nevermore.

APA, Harvard, Vancouver, ISO, and other styles

3

Malherbe, Michel. "L'euphonie des "Romances sans paroles" de Paul Verlaine /." Amsterdam : Rodopi, 1994. http://catalogue.bnf.fr/ark:/12148/cb35711931g.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Barjau, Civil Alejo. "Les équilibres euphoniques chez Joan Margall." Paris 5, 1992. http://www.theses.fr/1992PA05H084.

Full text

Abstract:

Dans l'œuvre poétique de Joan Maragall (1860-1911), poète barcelonais un des plus remarquables représentants de la renaissance littéraire catalane a la transition de deux siècles, entre le romantisme et le modernisme - soumise à l'examen phonémique, limite à l'expression versifiée, on y découvre, d'après les principes, appliques a la phonétique de la langue catalane, du "système euphonique et rythmique du vers français" du professeur Michel Gauthier, la présence de toutes sortes de figures euphoniques, oscillations (successions de deux timbres de la même chaine - vocalique ou consonantique - sur un ensemble d'au moins trois occurrences) et les séries (ensemble d'au moins deux groupes identiques ou semblables de phonèmes successifs de la même chaine). L’étude détaillée (concernant la stylistique, la syntaxe, la sémantique et l'euphonie) des cents vers de l'oda nova a Barcelona (nouvelle ode a Barcelona) fait apparaitre certains rapports entre le son et le sens, permet d'avancer des hypothèses sur la genèse de quelques vers et meta jour les équilibres euphoniques inhérents a l'expression poétique. Et de ce fait, le système euphonique devient théorie euphonique, i. E. , une nouvelle méthode d'approche et d'interprétation de la réalité poetique, dans son ensemble
In the poetical work of Joan Maragall (1860-1911), a Barcelona poetone of the most representative of the catalan literary revival, between romantism and modernism - all sorts of euphonic representations appear such as: oscillations (a succession of two tones of the same sequence -vowel or consonant - over a group of at least three), series (a unity of at least two identical groups of two phonems running in the same sequence). These phonic representations have been outlined in "the euphonic and rhythmic system of French verse" by professor Michel Gauthier, adapted to the Catalan language. A detailed study (about stylistics, syntax, semantics and euphonic) of the one hundred verses of the new ode to Barcelona discloses certain relationships between the sound and the meaning. There are several hypothesis concerning the origin of various verses which bring to light the inherent euphonic balances in the poetic expression. Therefore the euphonic system turns into a euphonic theory, i. E. , a new method of approaching and interpreting poetry as a whole

APA, Harvard, Vancouver, ISO, and other styles

5

Doussaud, Valérie. "Harry Potter : une écriture à secret(s), analyse textuelle du tome un au tome cinq." Paris 10, 2008. http://www.theses.fr/2008PA100059.

Full text

Abstract:

Le champ d'investigation porte sur les cinq premiers tomes de la série Harry Potter. Après qu'un constat du phénomène (éditorial, social, culturel, critique) ait été établi, l'écriture est abordée à travers différents axes déterminant ses qualités littéraires. Notre première phase d'étude concerne les liens étroits entre (en)quête initiatique et généalogique, « whydunit », décryptage stylistique, jeux du langage et lecture spéculative. Le roman d'initiation se transforme rapidement en divertissement basé sur le mystère des mots : intertextualité, polysémie, néologismes, extraordinaire force sémantique des patronymes et des noms communs, découverte du « Potterspeak ». De la dimension ludique du texte à celle du spectacle, il n'y a qu'un pas. Nous le franchirons dans la partie suivante consacrée à l'impact dramatique de l'œuvre de J. K. Rowling : prépondérance du dialogue, utilisation des dialectes et accents, mais aussi dimension véritablement musicale et euphonique. L'écriture kinétique occupe une place de choix. Elle met littéralement en scène sentiments et personnages, sur un mode parfois tragique, souvent comique. C'est précisément ce dernier aspect qui constituera la phase conclusive de notre recherche : comique verbal, registres de langue variés, gestuelle, parodie, galerie de portraits, la série est avant tout une comédie. Un grand éclat de rire la parcourt, confinant à l'insolite et au « nonsense »
The subject of our enquiry will cover the first five volumes of Harry Potter. After a thorough account of the phenomenon (edition, society, culture and criticism), several aspects of the writing will be studied, determining its literary qualities. The first part of our work deals with the close interaction between « Bildungsroman », genealogical characteristics of the plot, « whydunit » properties, stylistic deciphering, puns, and inquisitive reading. The novel of self-development soon turns into enjoyment based on the sheer mystery of words : intertextuality, polysemy, neologisms, amazing semantic power of family names and common nouns, discovery of « Potterspeak ». There is only one step from play reading to dramatic writing. We will thus consider the theatrical impact of J. K. Rowling's work : dialogues are dominating, the author makes use of dialects and accents, and succeeds in giving musical, euphonic expressiveness to the text. Kinetic writing is also overwhelming. People and feelings are literally staged, sometimes in tragic tones, but most often in a comic manner. The latter will precisely be tackled in the conclusive part of our research : language variations, body movements, parody, character depictions, the novel is first and foremost a comedy. It is resonating with laughter, on the verge of « nonsense » and brimming with the unusual

APA, Harvard, Vancouver, ISO, and other styles

6

Hanbali, Almakdesi Malak. "Analyse euphonique du style et de la poésie dans "La Maison de Claudine" de Colette." Paris 5, 1992. http://www.theses.fr/1992PA05H007.

Full text

Abstract:

Cette nouvelle tentative de l'euphonie à pénétrer les structures profondes du langage poétique a poussé à donner une définition de ce langage comme tissu euphonique agissant sur l'esprit de l'auteur indépendamment du contenu sémantique ; le mot thème a pu faire l'objet soit d'un enchainement vocalique soit d'une exploitation consonantique, en d'autres termes il s'insère dans un monde vocalique ou dans un monde consonantique. Cette recherche sur les mots-thèmes aboutit à la constatation suivante : vu le retour sous formes permanentes de groupes lies par leur parente consonantique ou vocalique ou consonantique et vocalique soit dans la même phrase, soit dans des phrases extraites de textes différents, leur présence est donc liée a des mots privilégies; ici, les animaux. Nous avons confirmé que les mots-thèmes sont à la base de noyaux de consonnes et de voyelles euphoniques, de séries spontanées qui accompagnent l'allitération ou l'assurance, en dehors de l'expressivité des sons. On peut donc considérer Colette parmi les grands poètes du XXème siècle, qui ont préfère à la versification régulière une forme poétique que l'on peut appeler prose musicale
This new attempt at penetrating deep into the structures of the poietic language has led us to work out a definition of this language as a web of sounds acting on the author's mind, regardless of the semantic content of the words used the there-word has therefore been the object of either vocalic or consonantal sequences, and in other words has proved to be part and parcel of a vocalic or consonantal world. Such a research on theme-words has led us to make the following statement: considering the ever-recurring groups of sounds linked together by a consonantal and or vocalic kinship, either in the same sentence or in sentences taken from various passages, the existence of such permanent forms is therefore related to privileged words, which happen to be animals here. In has thus confirmed that these theme-words lie at the origin of euphonic cores of consonant and vowels, of free sequences coming along with alliterations and assonances, regardless of the expressiveness of the sounds used. Colette may therefore be considered as one of the greeted poets of the twentieth century, one who preferred to classical, regular versification a poetic form which we may call "muscial prose"

APA, Harvard, Vancouver, ISO, and other styles

7

Abouharb, Hayssam. "Rapports sémantico-phoniques et étude des stances dans le "Cid" de Pierre Corneille." Paris 5, 1992. http://www.theses.fr/1992PA05H001.

Full text

Abstract:

Le but de notre présent travail relève principalement d'une préoccupation poïétique et phonostylistique. Il vise d'abord, dans le cadre d'une analyse euphonique, l'observation d'un certain nombre de phénomènes, particulièrement inconscients, et le mode de leur émergence dans le langage du poète recherche. Intervient ensuite leur confrontation à d'autres valeurs entre autres sémantiques. Plus précisément, il s'agit de savoir d'abord si corneille, tout en rédigeant les stances du cid, se laisse guider inconsciemment par un souci d'équilibre, ou tenter de le rétablir à travers les substitutions diverses; il est question de vérifier ensuite, si le développement de l'euphonie ou son mouvement pouvait paraitre significatif par rapport au sens des textes étudiés, structuralement, nous répondons a ces deux questions: y-a-t-il interactivité sensible entre l'euphonie et la rythmique d'une part, et l'euphonie et la métrique de l'autre ? y-a-t-il compatibilité tangible entre un enjambement poétique et un autre euphonique ? Parmi nos 3 parties essentielles dans l'étude, seule, la première est consacrée a une approche théorique, corrélative; dans les deux autres, approfondies, il est question d'aborder la structure de l'euphonie selon ses deux axes aussi bien horizontal que vertical
In the present research, there is a talk of study, mainly, some phenomenon "poietic" and "phonostylistic" in this play theatrical. Intervenes afterwards their confrontation with other values, among other things, semantic. In other words, we wish to answer the following questions: can we find a specific equilibrium structural in each one of the elaborated texts, those of Rodrigue and Chimene; then, there is a talk of verify if the development of the euphony or his movement can be significant in comparison with the meaning of the different lyrical monologues in question; is there a sensitive compatibility between a poetic relation and another, euphonic ? Is there a tangible interactivity between the euphony and the rhythmic on the one hand, and the euphony and the metric on the other hand ?

APA, Harvard, Vancouver, ISO, and other styles

8

Kourieh, Jacqueline. "Le rapport de la stylistique et de l'euphonie dans les vers de Victor Hugo : poïétique." Paris 5, 1992. http://www.theses.fr/1992PA05H039.

Full text

Abstract:

Considérant la stylistique comme l'étude consacrée au style, marque de l'individualité de l'écrivain dans le travail et la création poétique ou la notion de choix prend son importance, ayant choisi l'euphonie comme outil d'analyse d'un mécanisme créateur sans doute inconscient et "subliminal", nous définissons la poïétique (dans son sens général : le "faire" du grec "poïein" et particulier : génération des sons et des sens) comme la conjonction de la stylistique et de l'euphonie, de ce qui donc conscient et inconscient. Elle vise à dévoiler le fonctionnement phono-sémantique du texte poétique (l'engendrement par exemple d'un mot par un autre, le jaillissement d'une figure née du choc de deux monèmes rimiques, etc. ) la méthode s'appuie, sans nier la part de subjectivité dans l'acte de création comme celui de la lecture, moins sur l'intuition que sur une analyse linguistique d'un corpus choisi dans l'œuvre poétique de Victor Hugo. Elle nécessite la présence permanente et simultanée des couples oppositifs : objectivité subjectivité - description interprétation conscient inconscient - travail génie qui se convertit en couples conjoints. Elle peut s'appliquer à des œuvres écrites en langue française ou étrangère. Son but est d'enrichir l'analyse linguistique et poétique d'un texte
If we consider stylistics as a study devoted to style, a sign of the writer's individuality in his work and his poetic creation where the notion of choice gain in importance, and if we have chosen euphony as a tool of analysis of a creating mechanism undoubtly unconscious and a "subliminal" according to the Jakobson terminology, poiesis can be defined ( in its general meaning : the "make" (le "faire") a Greek’s "poeiein" and in its specific meaning : generation of sounds & meanings) as a conjonction of stylistics and euphony of what's conscious and unconscious. It aims at revealing the phono-semantic functioning of a poetic text ("engendrement", for example, of a word by another, "jaillissement" of a figure born out of an impact of two rhymed monemes ect. ) the method leans on, without denying subjectivity part in the act of creation as well as that of reading, less on intuition than on linguistic of a chosen corpus in the poetic work of Victor Hugo. This method implies the continuous and simultaneous presence of contrasting couples : objectivity subjectivity - description interpretation - conscious unconscious - work genius

APA, Harvard, Vancouver, ISO, and other styles

9

Malherbe, Michel. "Analyse euphonique et stylistique des Romances sans paroles de Paul Verlaine." Paris 5, 1987. http://www.theses.fr/1987PA05H060.

Full text

Abstract:

La lecture d'un poème, signe patent du vécu du poète, peut procurer au lecteur une satisfaction essentiellemnt euphonique. L'analyse des plaisirs de l'écriture et de la lecture, indispensable à la compréhension plus générale du phénomène poétique, est entreprise dans les Romances sans paroles de Paul Verlaine à l'aide des "Equations poétiques" de Michel Gauthier. Celles-ci permettent de dégager les "règles" de composition de Verlaine et la mesure quantitative de l'auto-implication du poète dans son oeuvre. Après une réflexion théorique visant à légitimer la place de l'euphonie au sein de la linguistique et à élaborer une méthodologie poétique originale, l'analyse approfondie de chacun des vers (euphonie horizontale) et de chacun des poèmes (euphonie verticale) des quatre parties des romances sans paroles montre comment la dynamique euphonique aide à la compréhension sémantique. Une étude comparative des subdivisions du recueil fait ressortir ensuite une "totalité sonore", l'art poétique de Verlaine fortement auto-impliqué dans son recueil, comme le montre une approche (appuyée sur la philosophie du langage) de la force performative de celui-ci. Suivent, via le calcul statistique lexical, l'établissement de la liste des mots-thèmes et des mots-clés du recueil et la recherche d'éventuelles corrélations. La statistique des fréquences d'apparition des phonèmes et des diphonèmes permet de dégager l'importance du travail sur la langue qu'exige une production poétique d'une beauté "musicale" exceptionnelle. Après avoir lancé quelques pistes pour la poursuite de cette recherche, l'auteur termine son ouvrage par une bibliographie sélective sur la linguistique euphonique en général et sur l'euphonie verlainienne et dans les Romances sans paroles en particulier. Un tome annexe contient les analyses graphiques de tous les vers et de tous les poèmes du recueil analysé, toutes les notes et tous les documents utiles
Reading a poem, the obvious reflection of a poet's experience of life, can give the reader an essentially euphonic satisfaction. An analysis of the pleasures and satisfaction in writing and reading, which is essential to grasp the poetic phenomenon more widely, is being undertaken in "Romances sans paroles" (by Paul Verlaine) via Michel Gauthier's work "Equations poétiques". The latter enables us to bring out Verlaine's composing "rules" and to measure the extent of the poet's self-implication into his work. After a theoretical approach aiming at justifying the importance of euphony in linguistics as well as at working out an original poetic methodology, a more thorough analysis of each verse (horizontal euphony) and of each poem (vertical euphony) in each of the four parts of "Romances sans paroles" largely assists the semantic comprehension. Next, a comparative study of the subdivisions of the compilation brings out the "sound totality", Verlaine's poetic art being largely self-implicated into his compilation as demonstrated by a thorough study of the language philosophy of its performative force. Next, via the lexical and statistical calculation, comes a list of the theme-words and of the key-words as well as an investigation into possible correlations. The statistics concerning the frequency occurrence of the phonemes and the diphonemes enables us to emphasize the necessity of the poet's serious work on the language to achieve an exceptionaly musical and poetic production. After suggesting alternative directions allowing further investigations into this matter, the author ends his work with a critical bibliography of euphonic linguistics in general and of Verlaine's euphony in "Romances sans paroles" in particular. In an appendix you will find the graphical analysis of all the verses and of all the poems of the "target" compilation, all the notes and any further useful documents

APA, Harvard, Vancouver, ISO, and other styles

10

Guaraldo, André de Camargo [UNESP]. "Fenologia reprodutiva, distribuição espacial e frugivoria em Rhipsalis (Cactaceae)." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/87889.

Full text

Abstract:

Made available in DSpace on 2014-06-11T19:23:03Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-03-05Bitstream added on 2014-06-13T19:49:38Z : No. of bitstreams: 1 guaraldo_ac_me_rcla.pdf: 708575 bytes, checksum: eb1ceaebc23d768a26ad3c2bdff138a0 (MD5)
As epífitas são responsáveis por grande parte da diversidade vegetal das florestas neotropicais. São também importantes para a diversidade faunística dessas regiões, pois fornecem recursos alimentares (e.g., flores, frutos e sementes) e micro-ambientes propícios à sobrevivência de vários animais. Rhipsalis (Cactaceae) é um gênero de plantas holoepífitas cujos frutos são consumidos principalmente por um único gênero de aves, as Euphonia. Para verificar a hipótese de especialização na dispersão de sementes de Rhipsalis pelas Euphonia, inicialmente foi estudada a fenologia reprodutiva dessa epífita. Uma vez conhecido o período de disponibilidade de frutos maduros aos frugívoros, foram realizados registros eventuais de frugivoria e observações focais em indivíduos de Rhipsalis para definir a assembléia de frugívoros consumidores de seus frutos. Posteriormente, frutos de cinco espécies de Rhipsalis foram fornecidos a aves frugívoras mantidas em cativeiro. Testes de germinação foram realizados com as sementes que passaram pelo trato digestório dessas aves com o objetivo de verificar seu potencial como dispersoras efetivas das sementes de Rhipsalis. Os resultados obtidos demonstraram que o gênero Rhipsalis apresenta sincronia na produção das fenofases reprodutivas entre os indivíduos e atividade reprodutiva ao longo de todo o ano. A produção de frutos maduros teve duração longa entre os meses de junho e fevereiro. Todas as espécies apresentaram fenofases reprodutivas sazonais. As observações de frugivoria e os testes de germinação realizados confirmaram que as sementes de Rhipsalis podem ser dispersas por endozoocoria. O processamento dos frutos pelas aves frugívoras, especificamente a remoção da polpa que recobre as sementes, não apenas incrementou as taxas de germinação e germinabilidade das sementes, mas também se mostrou importante para...
Epiphytes are responsible for a great part of the plant diversity in Neotropical Forests. They are also important for animal diversity due to the production of food resources (e.g. flowers, fruits and leaves) and microhabitats used by a myriad of animal species. Rhipsalis (Cactaceae) is a holoepiphytic plant genus whose fruits are eaten mostly by a single bird genus, the Euphonia. To test the hypothesis that Rhipsalis presents a specialized seed dispersal system, firstly it was studied the reproductive phenology of this epiphyte. Once the availability of ripe fruits to birds was known, occasional frugivory records and focal observation on fruiting individuals of Rhipsalis were made to record the assemblage of animals that eat its fruits. Fruits of five species of Rhipsalis were offered to captive frugivorous birds to access their role as effective dispersers of Rhipsalis seeds. For this, germination tests were made with the seeds after they had passed through the birds’ digestive system. Results showed that Rhipsalis individuals have synchronized reproductive phenophases and the genus has reproductive activity along the year. Ripe fruit production lasted for a long period, between June and February. All species showed significant seasonality in the reproductive phenophases. Frugivory records and germination tests confirmed that the seeds of Rhipsalis may be dispersed by endozoochory. Additionally, the manipulation of the fruits by birds – specifically the removal of the pulp that recovers the seeds – provided higher germination rates and germinability to the seeds, suggesting that the passage though a bird’ gut is important to reactivate the metabolism of the seeds’ embryo. Although 31 animal species were recorded eating Rhipsalis fruits, Euphonia birds may be considered as the main consumer, being responsible for around 60% of feeding visits. Seed dispersal systems involving... (Complete abstract click electronic access below)

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Euphony"

1

Tjutchev: Euphony and beyond. Bloomington, Indiana: Slavica, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Subramaniam, L. Euphony: Indian classical music. New Delhi: Affiliated East-West Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Audacious euphony: Chromaticism and the consonant triad's second nature. New York: Oxford University Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Tosi, Claudia Facchini. Euphonia: Virgilio, Orazio, Apuleio. Bologna: P'atron, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Euphonia: Virgilio, Orazio, Apuleio. Bologna: Pàtron, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Galerie Romain Rolland (New Delhi, India). Euphonic palettes: Contemporary art from India & Pakistan. New Delhi: Nitanjali, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Héliot. L' état-civil de St Euphrone: Mariages, 1665-1792. Dijon: Cercle généalogique de Côte d'Or, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Michel, Malherbe. L' euphonie des Romances sans paroles de Paul Verlaine. Amsterdam: Rodopi, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Mattox, Dora, Jian Gonzalez, Kiwi Rat, Yung Shusei, and Quirky Pen Name. Daybreak's Euphony. Peach Flower House LLC, 2021.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Mattox, Dora, Jian Gonzalez, Kiwi Rat, Yung Shusei, and Quirky Pen Name. Daybreak's Euphony. Peach Flower House LLC, 2021.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Euphony"

1

Khawaja, Sarfraz. "Cacophony to Euphony: Land Tenure System and Food Security in Pakistan." In Land and Disaster Management Strategies in Asia, 49–65. New Delhi: Springer India, 2014. http://dx.doi.org/10.1007/978-81-322-1976-7_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Rathour, Navjot, Rajesh Singh, and Anita Gehlot. "Image and Video Capturing for Proper Hand Sanitation Surveillance in Hospitals Using Euphony—A Raspberry Pi and Arduino-Based Device." In International Conference on Intelligent Computing and Smart Communication 2019, 1475–86. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-0633-8_145.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Fleming, Amy. "“Elite Syncopations” and “Euphonic Sounds”." In Expanding the Canon, 72–80. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003204053-10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Malyuga, Elena N., and Svetlana N. Orlova. "Theoretical Concepts and Notions of Euphemy." In Linguistic Pragmatics of Intercultural Professional and Business Communication, 79–103. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-68744-5_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Wiesen, P. "Photooxidant Studies Using the European Photoreactor EUPHORE." In Transport and Chemical Transformation in the Troposphere, 155–62. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-642-56722-3_25.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Ródenas, Mila, Amalia Muñoz, Francisco Alacreu, Theo Brauers, Hans-Peter Dorn, Jörg Kleffmann, and William Bloss. "Assessment of HONO Measurements: The FIONA Campaign at EUPHORE." In Disposal of Dangerous Chemicals in Urban Areas and Mega Cities, 45–58. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-5034-0_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Weliver, Phyllis. "Germanic Music Ideals in Utopian Communities: Charles Auchester, Erewhon and “Euphonia”." In The Musical Crowd in English Fiction, 1840–1910, 56–82. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230598768_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Rolland, Nina. "Music and Gender Roles in Hector Berlioz's Euphonia and George Sand's Le Dernier Amour." In The Routledge Companion to Music and Modern Literature, 39–47. London: Routledge, 2022. http://dx.doi.org/10.4324/9780367237288-6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

"Euphony:." In The Hum of the World, 183–85. University of California Press, 2019. http://dx.doi.org/10.2307/j.ctvd1c7t1.58.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

"Euphony: Repossession (Beckett)." In The Hum of the World, 183–85. University of California Press, 2019. http://dx.doi.org/10.1525/9780520972728-055.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Euphony"

1

Guerini, Marco, Gözde Özbal, and Carlo Strapparava. "Echoes of Persuasion: The Effect of Euphony in Persuasive Communication." In Proceedings of the 2015 Conference of the North American Chapter of the Association for Computational Linguistics: Human Language Technologies. Stroudsburg, PA, USA: Association for Computational Linguistics, 2015. http://dx.doi.org/10.3115/v1/n15-1172.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Hurier, Mederic, Guillermo Suarez-Tangil, Santanu Kumar Dash, Tegawende F. Bissyande, Yves Le Traon, Jacques Klein, and Lorenzo Cavallaro. "Euphony: Harmonious Unification of Cacophonous Anti-Virus Vendor Labels for Android Malware." In 2017 IEEE/ACM 14th International Conference on Mining Software Repositories (MSR). IEEE, 2017. http://dx.doi.org/10.1109/msr.2017.57.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Clark, Lynda, Jung in Jung, Stuart Anderson, Paul Blackham, and Divij Sood. "Euphonia." In CHI PLAY '20: The Annual Symposium on Computer-Human Interaction in Play. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3383668.3419913.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Rodrigues Silva, Wesley, and FlÁvia Akemi Nitta Fernandes. "Vocal mimicry in Euphonia violacea (Passeriformes: Fringillidae) Northeast Brazil." In XXIII Congresso de Iniciação Científica da Unicamp. Campinas - SP, Brazil: Galoá, 2015. http://dx.doi.org/10.19146/pibic-2015-38252.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

MacDonald, Robert L., Pan-Pan Jiang, Julie Cattiau, Rus Heywood, Richard Cave, Katie Seaver, Marilyn A. Ladewig, et al. "Disordered Speech Data Collection: Lessons Learned at 1 Million Utterances from Project Euphonia." In Interspeech 2021. ISCA: ISCA, 2021. http://dx.doi.org/10.21437/interspeech.2021-697.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Anduganova, Marianna Iurevna. "Expressive-visual possibilities of alliteration and compatibility with other euphonic means in English-language paremia." In II International Scientific and Practical Conference. TSNS Interaktiv Plus, 2017. http://dx.doi.org/10.21661/r-464989.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Sfalcin, Inaê Carolina, and Briseidy Marchesan Soares. "AVIFAUNA DE SÃO MIGUEL DAS MISSÕES - RS: UMA REVISÃO COM BASE NO WIKI AVES." In I Congresso Nacional On-line de Conservação e Educação Ambiental. Revista Multidisciplinar de Educação e Meio Ambiente, 2021. http://dx.doi.org/10.51189/rema/1771.

Full text

Abstract:

Introdução: O Wiki Aves (WA) é uma plataforma online onde voluntários compartilham registros fotográficos, sonoros e informativos da avifauna a nível nacional, promovendo o birdwatching e a ciência cidadã. Objetivo: Conhecer a fauna de aves registrada até o momento para o município de São Miguel das Missões - RS. Materiais e Métodos: Realizou-se um censo dos registros inseridos pelos usuários no WA, abrangendo o período de janeiro de 2008 (quando o site foi ao ar) a maio de 2021, por meio do sítio www.wikiaves.com.br. Resultados: Obteve-se um total de 1.208 registros para o período consultado, sendo de 221 espécies de aves, distribuídas em 25 ordens e 56 famílias. Dentre esses registros, 1.057 são fotográficos e 151 são sonoros. A ordem mais abundante foi Passeriformes (46%), seguida de Charadriiformes (7%). As famílias com maior riqueza de espécies foram Tyrannidae (n=30); Thraupidae (n=21); Icteridae (n=11) e Furnariidae (n=10). Como espécies mais frequentes, obteve-se: Athene cunicularia (3,73%), Myiopsitta monachus (2,15%), Ictinia plumbea (1,57%); Paroaria coronata (1,49%) e Furnarius rufus (1,49%). Os meses do ano com maior concentração de registros foram setembro (n=287) e fevereiro (n=262), coincidindo com o período reprodutivo das aves e com a realização de eventos ornitológicos na cidade, bem como com a época turística. Das espécies encontradas, quatro estão quase ameaçadas de extinção (Euphonia chalybea; Piculus aurulentus; Polioptila lactea; Rhea americana) e uma vulnerável (Amazona pretrei). Foram identificados dez pontos de observação, onde se distribuem 42,6% dos registros, destacando-se a Fazenda São Pedro (n=168), o Sítio Histórico São Miguel Arcanjo (n=110), o Tenondé Park Hotel (n=100), a Agropecuária Sfalcin (n=70) e a Fazenda Estância Velha (n=42). A distribuição dos registros parece estar relacionada aos pontos turísticos da cidade e às propriedades dos dois observadores de aves locais, cadastrados na plataforma. Além de aves generalistas, foram registradas espécies em declínio populacional; localmente migratórias; associadas a áreas alagadas, campestres e de Mata Atlântica. Conclusão: Constatou-se um potencial ornitológico importante para o município de São Miguel das Missões, o qual pode ser melhor explorado por meio do turismo ecológico e da educação ambiental, grandes aliados na conservação da biodiversidade local.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!