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Relevant bibliographies by topics / Euripides

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Academic literature on the topic 'Euripides'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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Journal articles on the topic "Euripides"

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Torrance, Isabelle. "Writing and self-conscious mythopoiēsis in Euripides." Cambridge Classical Journal 56 (2010): 213–58. http://dx.doi.org/10.1017/s1750270500000336.

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Euripides uses a variety of strategies to draw attention to the novelties in his dramatic myth-creation ormythopoiēsis. He does so, for example, through multiple allusions to earlier poets, distinguishing himself from predecessors by acknowledging their influence while simultaneously producing something distinctive. Euripidean novelties are legitimized in several instances through cultic aetiologies. These aspects of Euripidean drama have long been acknowledged. More recently, Matthew Wright has shown how the characters in several Euripidean plays discuss their own myths in a self-conscious ma

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Lourenço, Frederico. "An interpolated song in Euripides? Helen 229–52." Journal of Hellenic Studies 120 (November 2000): 132–39. http://dx.doi.org/10.2307/632485.

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Euripides may not have been a darling of the ‘gallery’ during his lifetime, but once he was dead he became a classic, to be read, performed—and imitated. Aristophanes' half-serious attempts to show up the ‘depravity’ of Euripidean tragedy had no lasting effect: the many revivals of his plays from the fourth century onwards suggest that later audiences appreciated the purely sensuous appeal in Euripides' verbal dexterity, his rhetorical flourishes, his distraught characters on the brink of madness and self-destruction, no less than the iridescent beauty of his lyric imagery. In particular, the

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Zagari, Effie. "Euripides’ Hippolytos in Aristophanes." Pnyx: Journal of Classical Studies 3 (June 30, 2024): 24–46. http://dx.doi.org/10.55760/pnyx.2024.32876.

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Aristophanes’ paratragic and parodic relationship with Euripides has long been discussed in classical scholarship mainly due to the numerous references to Euripides and his tragedies in Aristophanes’ comedies. This article focuses on the use and re-use of the myth of Hippolytos in Aristophanes, as it is found in Euripides’ extant play. The references to Hippolytos found in Aristophanes’ extant and fragmentary plays will be discussed. One of the main purposes of this paper is to bring into attention not only the references to Euripides’ Hippolytus in the extant plays but also in the fragments,

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Domenighini, Sara. "EURIPIDE: MISOGINIA O GINOFOBIA?." Revista Internacional de Culturas y Literaturas, no. 16 (2015): 86–95. http://dx.doi.org/10.12795/ricl.2015.i16.05.

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Ripercorrendo le origini della civiltà, è If we go back to the origins of civilization, possibile identificare un momento storico in we find an historic moment characterized by cui la società era matriarcale. Analizzando matriarchal society. Through the analysis of le figure femminili presenti nelle tragedie di the feminine figures of Euripides’ tragedies, Euripide, possiamo comprendere il timore we can understand he fears a hypothetic che prova l’autore di un ipotetico ritorno return to woman’s predominance on man al predominio della donna sull’uomo e and we can interpret his reasons. Moreove

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Nelson, Paul B. "EURIPIDES'ALCESTISAND THE APOLLONIUS ROMANCE." Classical Quarterly 66, no. 1 (2016): 421–23. http://dx.doi.org/10.1017/s0009838816000057.

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In 1924The Classical Quarterlypublished a note by Alexander Haggerty Krappe titled ‘Euripides’Alcmaeonand the Apollonius Romance’. Drawing attention to the obscure origins of the ancient Greek and Roman novels in general and pointing out the scholarly agreement on the role love plays in both the ancient novels and Euripidean tragedy, Krappe observed that ‘Euripides was drawn upon for whole episodes in order to enrich the plot of the [ancient] novel’. Krappe then goes on in his note to attribute the plot of Euripides' lostAlcmaeonas a source of inspiration for one of the major episodes of theHi

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Dimoglidis, Vasileios. "Plot-makers in Euripides’ Ion." Cuadernos de Filología Clásica. Estudios griegos e indoeuropeos 32 (March 2, 2022): 115–34. http://dx.doi.org/10.5209/cfcg.77616.

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The aim of this paper is to examine the plot-makers in Euripides’ Ion, focusing in this way on an aspect of the Euripidean metapoetry. Ion’s four characters (Apollo, Xuthus, Creusa, and Ion) are transformed into plot-makers, with each of them trying to compose a plot. I have suggested that Apollo is the poet’s double, and thus his plot echoes that of Euripides. The fact that, despite the various deviations (unsuccessful sub-plots), the plot is redirected every single time to the god’s original plot, credits Apollo with the title of a successful theatrical writer (internal playwright), a title

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CRAIK, E. M. "MEDICAL REFERENCE IN EURIPIDES." Bulletin of the Institute of Classical Studies 45, no. 1 (2001): 81–95. http://dx.doi.org/10.1111/j.2041-5370.2001.tb00233.x.

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Abstract The relation between medical texts and Euripidean drama is explored through a multiplicity of examples drawn from the extant plays and fragments. Emphasis is placed on the problems and limitations, as well as the potential and rewards, of comparing material from these different genres. First, the overlapping character of metaphorical and technical language is addressed, and the testimony of the lexicographer Erotian adduced. Allusion to various aspects of medicine - therapy and regimen; pathology; anatomy and physiology - is then identified in Euripides' output. It is argued that, in

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Denis, Iris. "Een dramatische selectie." Lampas 52, no. 4 (2019): 473–84. http://dx.doi.org/10.5117/lam2019.4.006.dent.

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Summary This article sketches and critically discusses the scenarios that have been postulated for the establishment of a canon of Euripides´ tragedies in what is generally believed to be the second or third century CE. Although the establishment of the canon has received some critical attention over the years, criteria that fit all the canonical Euripidean tragedies are yet to be drawn up. This article discusses the difficulties in doing so, illustrated by an examination of several case studies on the basis of a set of possible criteria extrapolated from an article by Rafaella Cribiore (2001b

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Wright, Matthew. "The tragedian as critic: Euripides and early Greek poetics." Journal of Hellenic Studies 130 (November 2010): 165–84. http://dx.doi.org/10.1017/s0075426910000066.

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AbstractThis article examines the place of tragic poetry within the early history and development of ancient literary criticism. It concentrates on Euripides, both because his works contain many more literary-critical reflections than those of the other tragedians and because he has been thought to possess an unusually ‘critical’ outlook. Euripidean characters and choruses talk about such matters as poetic skill and inspiration, the social function of poetry, contexts for performance, literary and rhetorical culture, and novelty as an implied criterion for judging literary excellence. It is ar

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Mirto, Maria Serena. "Euripides’ Heracles and the Decline of Exemplarity." Classical Antiquity 44, no. 1 (2025): 94–114. https://doi.org/10.1525/ca.2025.44.1.94.

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This article examines Euripides’ portrayal of Heracles in his eponymous play, exploring how the once-excellent and glorious hero, favored by Zeus as his son, falls from grace and rejects all ties to divinity. This turning point in his characterization and its departure from the traditional Homeric paradigm are analyzed against the background of Euripides’ typical manipulation of mythical tradition. In this tragedy, Heracles, who is now also the biological son of Amphitryon, rejects his problematic divine heritage and instead chooses his human father. Since resilience in the face of pain, which

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Dissertations / Theses on the topic "Euripides"

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Thumiger, Chiara. "Hidden paths : self and characterization in Greek tragedy: Euripides' Bacchae /." London : Institute of Classical studies, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016267112&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Chong-Gossard, J. H. Kim On. "Gender and communication in Euripides' plays : between song and silence /." Leiden [u.a.] : Brill, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016660540&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Syrový, Michal. "Euripides : Medeia." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79462.

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Greek drama defines the place in which the theatrical performances takes place, fave a birth to the basic genres - tragedy and comedy. The emergence of the dramatic genre is somehow associated with the initial magical beliefs of our ancestors, that will play when the story will help to the real implementation. Some of the myths that have for the psyche of the Greeks fundamental importance, have been demonstrated in the context of religious rituals on stage and later gave rise to the classic drama. The Tragedy has probebly its origin in ritual worship of the god Dionysus - in simpplified playin

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Hinkelman, Sarah A. "EURIPIDES’ WOMEN." Ohio University Art and Sciences Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouashonors1428872998.

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Bubel, Frank. "Euripides, Andromeda /." Stuttgart : F. Steiner, 1991. http://catalogue.bnf.fr/ark:/12148/cb354901017.

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Anderson, Lois Marjory. "Directing Euripides' Medea." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/12609.

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This thesis documents the directorial preparation and rehearsal process for the production of Euripides Medea, produced at the TELUS theatre, January 2009, as the thesis requirement for an MFA in Directing from the Theatre Department of the University of British Columbia. Included are a script analysis of the Kenneth McLeish translation of Medea, a rehearsal journal, and an essay examining the role and intervention of the gods in Euripides’ Medea. This production was framed as a re-enactment by the household staff of Jason and Medea. The appendix includes a storyboard script for th

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Kakkos, Athanasios Tommy. "Escapism in Euripides." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23219.

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This thesis explores the form, meaning and development of the escapist theme in Euripides' tragedies. The dramatist's corpus reveals an intense preoccupation with escapism and exhibits it in a wide range of escape wishes and escape choral odes. Most of these, because they fail of their objective, point to the inability of the tragic hero to escape his or her fate as determined by the dark forces of tragedy. Escapism intensifies the well-known Euripidean element of pathos, but in some of the plays its use becomes quite sophisticated evoking irony, ambiguity and paradox. In this way, it sheds li

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Wright, Matthew. "Euripides' escape-tragedies." Thesis, University of Exeter, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251130.

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Black, Elaine. "The Euripidean priestess : women with religious authority in the plays of Euripides." Thesis, University of Reading, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343227.

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Papadopoulou, Thalia. "Studies in Euripides' 'Heracles'." Thesis, University of Cambridge, 2000. https://www.repository.cam.ac.uk/handle/1810/272021.

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Books on the topic "Euripides"

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Paley, Frederick Apthorp, ed. Euripides. Cambridge University Press, 2009. http://dx.doi.org/10.1017/cbo9780511697418.

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Paley, Frederick Apthorp, ed. Euripides. Cambridge University Press, 2009. http://dx.doi.org/10.1017/cbo9780511697425.

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Paley, Frederick Apthorp, ed. Euripides. Cambridge University Press, 2009. http://dx.doi.org/10.1017/cbo9780511697432.

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Hermann, Gottfried, ed. Euripides. Cambridge University Press, 2010. http://dx.doi.org/10.1017/cbo9780511710728.

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Euripides. Euripides. Harvard University Press, 1994.

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Euripides. Euripides. University of Pennsylvania Press, 1998.

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Euripides. Euripides. Penguin USA, 2009.

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Judith, Mossman, ed. Euripides. Oxford University Press, 2003.

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Euripides. Euripides. The University of Chicago Press, 2012.

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Hughes, Ted. Euripides' Alcestis. Faber, 2000.

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Book chapters on the topic "Euripides"

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Schmidt, Hans W., and Heinz-günther Nesselrath. "Euripides." In Kindler Kompakt: Literatur der Antike. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04363-4_9.

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Nesselrath, Heinz-Günther. "Euripides." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7701-1.

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Finsler, Georg. "Euripides." In Euripides Iphigenie bei den Taurern. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-04289-7_2.

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Wright, F. A. "Euripides." In Feminism in Greek Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003506447-8.

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Zimmermann, Bernhard. "Euripides." In Kleines Lexikon griechischer Autoren. J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05455-5_12.

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Sweeney, Seamus. "Euripides." In Meet the Philosophers of Ancient Greece. Routledge, 2021. http://dx.doi.org/10.4324/9781315249223-24.

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Aylen, Leo. "Euripides." In Greek Tragedy and the Modern World. Routledge, 2025. https://doi.org/10.4324/9781003587248-6.

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Fuchs, Andreas. "Euripides, Elektra." In Dramatische Spannung: moderner Begriff — antikes Konzept. J.B. Metzler, 2000. http://dx.doi.org/10.1007/978-3-476-02751-1_5.

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Schmalzriedt, Egidius, and Heinz-Günther Nesselrath. "Euripides: Alkēstis." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7702-1.

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Joerden, Klaus. "Euripides: Mēdeia." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7703-1.

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Conference papers on the topic "Euripides"

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Daraklitsa, Elina. "THE SYMBOLISMS AND DRAMATURGIC NOTIONS IN THE TROJAN WOMEN UNDER JEAN PAUL SARTRE�S POLITICAL AND PHILOSOPHICAL VIEW." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s03.03.

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The present study examines the contemporary rewriting in the French language of Euripides' play The Trojan Women by Jean Paul Sartre. The French philosopher having the intention once more to deal with humanity�s big problems, he intensifies Euripides� text with elements drawn from modern society and era. The theme dealt with is war and suppression, along with their conviction, a pattern especially popular with the creator since it is the one he deals with in his debut drama Bariona ou le fils de tonnerre (1940). Also, The Trojan Women (1964) linguistic style matches that of Bariona and Nekrass

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Zuidberg, H. M., and P. Vergobbi. "EURIPIDES, Load Tests on Large Driven Piles in Dense Silica Sands." In Offshore Technology Conference. Offshore Technology Conference, 1996. http://dx.doi.org/10.4043/7977-ms.

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Metreveli, Lili. "Three Medeas – Modernist and Postmodernist Reception of Medea Myth in Georgian Literature." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8436.

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Greek mythology has made character of Medea of Colchis the indivi-sible part of world cultural heritage. For centuries character of Medea has maintained its significance and comprised source of inspiration for the representatives of various spheres of fine arts. Of course, regarding the contexts of the epochs (conceptual and esthetic position) and author’s intent, some motifs of the Argonauts’ myth and character of the woman of Colchis have been changing. One part of the creators sees in it a murderous mother, the other part a vengeful wife or a traitor, while others see Medea as the first fem

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Morgan, Neil, and Ian Finnie. "An Integrated Approach to Offshore Pile Axial Design in Sands and Clays." In 25th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2006. http://dx.doi.org/10.1115/omae2006-92130.

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Most offshore pile axial design is currently carried out according to API RP 2A WSD, the recommendations of which we understand are due to change. As a result there are many new pile axial capacity calculation methods emerging which may become acceptable for use, each with its own particular site investigation requirements. For the same soil input these methods usually result in just as many different capacities and it is apparent that no single design method is applicable to all design situations and it would be unusual for a single method to be completely reliable for a single platform. We e

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