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1

Euripides. Euripides' Alcestis. University of Oklahoma Press, 2003.

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2

Euripides. The Alcestis of Euripides. E. Mellen Press, 2002.

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3

E, Luschnig C. A., and Euripides, eds. Euripides' Electra: A commentary. University of Oklahoma Press, 2011.

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4

Roisman, Hanna. Euripides' Electra: A commentary. University of Oklahoma Press, 2011.

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5

Euripides. Euripides Heraclidae. Clarendon Press, 1993.

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6

Euripides. Euripides' Heracles. Thomas Library, Bryn Mawr College, 1987.

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7

Euripides. Euripides Heracles. Aris & Phillips, 1998.

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8

Euripides. Euripides Heracles. Clarendon Press, 1988.

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9

Studien zum Chor bei Euripides. B.G. Teubner, 1990.

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10

Euripides. Euripides. Harvard University Press, 1994.

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11

Euripides. Euripides. Penguin USA, 2009.

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12

Euripides. Euripides. University of Pennsylvania Press, 1998.

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13

Euripides. Euripides Troades. Winter, 1989.

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14

Markantōnatos, Gerasimos Antōniou. Tragic irony in Aeschylus, Sophocles, and Euripides. Gutenberg, 2009.

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15

Tragic irony in Aeschylus, Sophocles, and Euripides. Gutenberg, 2009.

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16

Goodkin, Richard E. The tragic middle: Racine, Aristotle, Euripides. University of Wisconsin Press, 1991.

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17

The tragic middle: Racine, Aristotle, Euripides. University of Wisconsin Press, 1991.

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18

Euripides. Euripides: Plays one. Methuen, 2000.

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19

Adventures with Iphigenia in Tauris: A cultural history of Euripides' Black Sea tragedy. Oxford University Press, 2012.

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20

Ludlam, Charles. The Ridiculous Theatrical Company presents Medea: A tragedy : freely adapted from the play by Euripides. S. French, 1988.

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21

Euripides. Euripides 'Herakles': Übertragen, eingeleitet und kommentiert. Castrum Peregrini Presse, 1995.

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22

Tragisches Klagen: Form und Funktion der Klagedarstellung bei Aischylos, Sophokles und Euripides. Narr, 2002.

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23

Gender and communication in Euripides' plays: Between song and silence. Brill, 2008.

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24

Sullivan, Shirley Darcus. Euripides' use of psychological terminology. Ithaca, [NY], 2000.

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25

Telling tragedy: Narrative technique in Aeschylus, Sophocles and Euripides. Duckworth, 1999.

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26

Two lost plays of Euripides. P. Lang, 1987.

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27

Euripides. Euripides: Philoktet ; Testimonien und Fragmente. De Gruyter, 2000.

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28

Euripides and the instruction of the Athenians. University of Michigan Press, 1991.

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29

Euripides. Die Bakchante van Euripides. Universiteit van die Oranje-Vrystaat, 1986.

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30

The art of Euripides: Dramatic technique and social context. Cambridge University Press, 2010.

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31

Anxiety veiled: Euripides and the traffic in women. Cornell University Press, 1993.

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32

Spence, Simon. The portrayal of the characters in Euripides' "Medea": A study of the characters in the play from the earliest extant evidence up to and including Euripides' tragedy of 431 B.C. University College Dublin, 1996.

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33

Hyperesie und Epiphanie: Ein Versuch über die Bedeutung der Götter in den Dramen des Euripides. Beck, 2002.

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34

Egli, Franziska. Euripides im Kontext zeitgenössischer intellektueller Strömungen: Analyse der Funktion philosophischer Themen in den Tragödien und Fragmenten. Saur, 2003.

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35

Euripides. The essential Euripides: Dancing in dark times. Bolchazy-Carducci, 2002.

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36

Euripides and Aeschylus, eds. Rezitation griechischer Chorlyrik: Die Parodoi aus Aischylos' Agamemnon und Euripides' Bakchen als Tonbeispiel auf CD mit Text- und Begleitheft. Universitätsverlag C. Winter, 1998.

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37

Euripides. The Bacchae of Euripides: A new version. Noonday Press, 1990.

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38

Euripides. The Bacchae of Euripides: A new version. Farrar, Straus, Giroux, 1990.

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39

Ritual irony: Poetry and sacrifice in Euripides. Cornell University Press, 1985.

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40

Euripides. Euripides: Iphigenia among the Taurians, Bacchae, Iphigenia at Aulis, Rhesus. Oxford University Press, 1999.

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41

Michel, Claudia. Homer und die Tragödie: Zu den Bezügen zwischen Odyssee und Orestie-Dramen (Aischylos: Orestie; Sophokles: Elektra; Euripides: Elektra). Narr Francke Attempto Verlag, 2014.

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42

Euripides. Trojan women: The Trojan women by Euripides, and Helen and Orestes by Ritsos. Exile Editions, 1990.

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43

Peplinski, Christina. Normatives und normwidriges Verhalten bei Aischylos, Sophokles und Euripides: Dargestellt an ausgewählten Dramen. Palm & Enke, 1994.

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44

Reciprocity and ritual: Homer and tragedy in the developing city-state. Clarendon Press, 1994.

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45

Euripides. Hippolytos: Euripides ; edited with introduction and commentary by W. S. Barrett. Clarendon Press, 1992.

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46

Wohl, Victoria. Intimate commerce: Exchange, gender, and subjectivity in Greek tragedy. University of Texas Press, 1998.

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47

Allen, William. 4. Drama. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199665457.003.0004.

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‘Drama’ considers two of the most popular genres of ancient literature — tragedy and comedy — and tries to account for their success as forms of mass entertainment. It shows how each of the surviving major playwrights, Greek and Roman, engages with the values of his audience, and encourages them to relate the world on stage to their own experience. Theatre was an important part of community life in the ancient world. The surviving Greek tragedies of Aeschylus, Sophocles, Euripides and the comedies of Cratinus, Eupolis, and Aristophanes are reviewed along with the Roman comedies of Plautus and
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48

Euripides. Plays of Euripides. Monarch Press, 1986.

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49

McDonald, Marianne. Six Greek Tragedies: Aeschylus, Sophocles, Euripides (Methuen Drama). Methuen Publishing, Ltd., 2003.

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50

Euripides. Euripides: Cyclops (Euripides) (Euripides) (Euripides). Duckworth Publishing, 1997.

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