Relevant bibliographies by topics / Euripides. – Medea

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Academic literature on the topic 'Euripides. – Medea'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 January 2023

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Journal articles on the topic "Euripides. – Medea"

1

Cropp, Martin, and Donald J. Mastronarde. "Euripides: "Medea"." Phoenix 58, no. 3/4 (2004): 362. http://dx.doi.org/10.2307/4135179.

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Hansen, Hardy, and Donald J. Mastronarde. "Euripides: "Medea"." Classical World 97, no. 4 (2004): 454. http://dx.doi.org/10.2307/4352887.

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Torrance, Isabelle, D. Egan, and D. Egan. "Euripides: Medea." Classics Ireland 13 (2006): 97. http://dx.doi.org/10.2307/25528451.

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Cairns, Douglas. "THE DYNAMICS OF EMOTION IN EURIPIDES’ MEDEA." Greece and Rome 68, no. 1 (2021): 8–26. http://dx.doi.org/10.1017/s0017383520000212.

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Medea's emotions loom large in a wide range of dramatic, literary, and philosophical sources from Euripides onwards. In focusing on aspects of the emotional texture of the original Euripidean play, all one can do is scratch the surface of an enormous subject, both in that play and in its reception in ancient literature and thought. Fortunately, we have the other articles in this issue of Greece & Rome to supplement this inevitably limited perspective. My procedure in this short paper is simply to highlight certain aspects of the dramatization of emotion in Euripides’ Medea that strike me a
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Meridor, Ra'Anana. "Euripides, Medea 639." Classical Quarterly 36, no. 1 (1986): 95–100. http://dx.doi.org/10.1017/s0009838800010569.

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Modern interpretation tends to take E. Med. 639, ‘driving from the senses over a second bed’ (θυμ⋯ν ⋯κπλήξασ' ⋯τέροις ⋯π⋯ λέκτροις), found within the petition of the chorus that ‘dread Cypris never…inflict angry arguments and insatiate quarrels’ (637–40a), as referring to a second bed that might allure these women themselves rather than one that might allure their husbands. None the less, the latter interpretation seems to be recommended by both the contents and the context of the line; it is also consistent with Euripidean idiom. As to the context, v. 639 is found in the second stasimon. An e
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Rickert, GailAnn. "Akrasia and Euripides' Medea." Harvard Studies in Classical Philology 91 (1987): 91. http://dx.doi.org/10.2307/311401.

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Kovacs, David. "Euripides, Medea 1–17." Classical Quarterly 41, no. 1 (1991): 30–35. http://dx.doi.org/10.1017/s0009838800003505.

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The text and apparatus below are Diggle's. At the end of the article I give, for the sake of the curious, an expanded version, for 11ff., of Wecklein's ‘Appendix coniecturas minus probabiles continens’, with references where they are known to me.
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Joyal, Mark. "Euripides, Medea 486–7." Classical Quarterly 41, no. 2 (1991): 524–25. http://dx.doi.org/10.1017/s0009838800004663.

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So Diggle's recent text and apparatus criticus; so too its predecessor in the Oxford series (Murray). Advocates of πντα δ' ξεῖλον ϕ ϕβον have, however, been in a considerable majority, and include Porson, Elmsley, Bothe, Weil, Wecklein, Nauck, Paley, Verrall, Meridier, and, more recently, Schiassi (1967) and Ebener (1972). But Page's objection (ad loc.) cannot be lightly dismissed: ‘With ϕ ϕβον here, σο must be understood; and the ellipse seems intolerable.’ To this I would add what appears to have been largely disregarded, namely that the contextual and thematic significance of δμον is an eve
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Dyson, M. "Euripides, Medea 926–31." Classical Quarterly 38, no. 2 (1988): 324–27. http://dx.doi.org/10.1017/s0009838800036983.

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The above is the text of Medea 922–33 and a selection of the critical apparatus from the Oxford text edited by J. Diggle. In his discussion of the variant readings at 926 Diggle leaves open the choice between θήσομαι and θήσω. It seems to me worth noticing that an old proposal of Theodor Ladewig to transpose 926–8 and 929–31, which has in any case much to commend it, has a bearing on the solution of this problem.
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Newton, Rick M. "Ino in Euripides' Medea." American Journal of Philology 106, no. 4 (1985): 496. http://dx.doi.org/10.2307/295201.

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Dissertations / Theses on the topic "Euripides. – Medea"

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Anderson, Lois Marjory. "Directing Euripides' Medea." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/12609.

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This thesis documents the directorial preparation and rehearsal process for the production of Euripides Medea, produced at the TELUS theatre, January 2009, as the thesis requirement for an MFA in Directing from the Theatre Department of the University of British Columbia. Included are a script analysis of the Kenneth McLeish translation of Medea, a rehearsal journal, and an essay examining the role and intervention of the gods in Euripides’ Medea. This production was framed as a re-enactment by the household staff of Jason and Medea. The appendix includes a storyboard script for th
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Jones, Jonathan Hew Cabread. "A literary commentary on Euripides' Medea." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307358.

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Hinkelman, Sarah A. "EURIPIDES’ WOMEN." Ohio University Art and Sciences Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouashonors1428872998.

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O'Neill, G. G. "A study of the major speeches in Euripides' Medea." Thesis, Queen's University Belfast, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252596.

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Evans, Samantha Jane. "The self and ethical agency in Euripides' Hippolytus and Medea." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326624.

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Kipker, Sarah. "Medea: översättningar och omtolkningar : En receptionsstudie av Euripides drama mellan 1860 och 2016." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323790.

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Medea is, even though a mythological woman from ancient Greece, very popular today and her story feels modern, which many recent adaptations clearly prove. How can this ancient material be so applicable and thought-provoking to discuss today? This study shows how different translators and authors have interpreted and re-imagined Medea to make her feel relevant to their contemporary societies. Focus is put on Medea’s roles as a woman and a foreigner, because these aspects are especially relevant today. The following research compares three Swedish translations of Euripides Medea from 1860, 1931
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Rodriguez, Mia U. "Medea in Victorian Women's Poetry." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355934808.

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Hoyt, Maggie Sharon. "Giving Birth to Empowerment: Motherhood and Autonomy in Greek Tragedy." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3613.

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The Greek tragedies of Classical Athens frequently portray mothers in central roles, but despite this significance, the relationship between mother and child has long been overshadowed in secondary scholarship by the relationship between husband and wife. This study demonstrates the direct relationship between a female character's active possession of her children and her autonomy, or her ability to act in her own interests, in three plays of Euripides: Electra, Medea, and Ion. In general, women who internalize their ownership of their children, expressed on stage both in word and action, have
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Thumiger, Chiara. "Hidden paths : self and characterization in Greek tragedy: Euripides' Bacchae /." London : Institute of Classical studies, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016267112&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Syrový, Michal. "Euripides : Medeia." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79462.

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Greek drama defines the place in which the theatrical performances takes place, fave a birth to the basic genres - tragedy and comedy. The emergence of the dramatic genre is somehow associated with the initial magical beliefs of our ancestors, that will play when the story will help to the real implementation. Some of the myths that have for the psyche of the Greeks fundamental importance, have been demonstrated in the context of religious rituals on stage and later gave rise to the classic drama. The Tragedy has probebly its origin in ritual worship of the god Dionysus - in simpplified playin
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Books on the topic "Euripides. – Medea"

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Euripides: Medea. Duckworth, 2002.

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Kennelly, Brendan. Euripides' Medea. Bloodaxe, 1991.

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Underiner, Tamara L. Euripides' Medea and Electra. Research & Education Association, 1995.

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Papageorgiou, Vasilis. Euripides' Medea and cosmetics. Almqvist & Wiksell International, 1986.

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Euripides, ed. Euripides' Medea: A new version. Bloodaxe Books, 1991.

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Goodrich, Joseph. Medea: A new adaptation of Euripides. Playscripts, Inc., 2005.

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Euripides, ed. Euripides' Medea: In a new version. Nick Hern, 2010.

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Paulin, Tom. Euripides' Medea: In a new version. Nick Hern, 2010.

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Euripides' Medea: The incarnation of disorder. Pennsylvania State University Press, 1989.

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Ohlander, Stephen. Dramatic suspense in Euripides' and Seneca's Medea. P. Lang, 1989.

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Book chapters on the topic "Euripides. – Medea"

1

Ewans, Michael. "EURIPIDES Medea." In Euripides' Medea. Routledge, 2021. http://dx.doi.org/10.4324/9781003215844-2.

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Grethlein, Jonas. "Euripides, Medea." In Asyl und Athen. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-02906-5_6.

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Ewans, Michael. "Theatrical commentary." In Euripides' Medea. Routledge, 2021. http://dx.doi.org/10.4324/9781003215844-4.

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Ewans, Michael. "Introduction." In Euripides' Medea. Routledge, 2021. http://dx.doi.org/10.4324/9781003215844-1.

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Ewans, Michael. "Translation notes." In Euripides' Medea. Routledge, 2021. http://dx.doi.org/10.4324/9781003215844-3.

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Swift, Laura. "Medea." In A Companion to Euripides. John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781119257530.ch6.

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"MEDEA." In Euripides: Medea. Cambridge University Press, 2002. http://dx.doi.org/10.1017/cbo9780511806223.007.

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"Medea." In Four by Euripides. University of Massachusetts Press, 2020. http://dx.doi.org/10.2307/j.ctvwh8c9g.6.

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"Preface." In Euripides: Medea. Cambridge University Press, 2002. http://dx.doi.org/10.1017/cbo9780511806223.001.

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"General introduction." In Euripides: Medea. Cambridge University Press, 2002. http://dx.doi.org/10.1017/cbo9780511806223.002.

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