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Dissertations / Theses on the topic 'Euripides. – Medea'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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1

Anderson, Lois Marjory. "Directing Euripides' Medea." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/12609.

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This thesis documents the directorial preparation and rehearsal process for the production of Euripides Medea, produced at the TELUS theatre, January 2009, as the thesis requirement for an MFA in Directing from the Theatre Department of the University of British Columbia. Included are a script analysis of the Kenneth McLeish translation of Medea, a rehearsal journal, and an essay examining the role and intervention of the gods in Euripides’ Medea. This production was framed as a re-enactment by the household staff of Jason and Medea. The appendix includes a storyboard script for th

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2

Jones, Jonathan Hew Cabread. "A literary commentary on Euripides' Medea." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307358.

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3

Hinkelman, Sarah A. "EURIPIDES’ WOMEN." Ohio University Art and Sciences Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouashonors1428872998.

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4

O'Neill, G. G. "A study of the major speeches in Euripides' Medea." Thesis, Queen's University Belfast, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252596.

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5

Evans, Samantha Jane. "The self and ethical agency in Euripides' Hippolytus and Medea." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326624.

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6

Kipker, Sarah. "Medea: översättningar och omtolkningar : En receptionsstudie av Euripides drama mellan 1860 och 2016." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323790.

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Medea is, even though a mythological woman from ancient Greece, very popular today and her story feels modern, which many recent adaptations clearly prove. How can this ancient material be so applicable and thought-provoking to discuss today? This study shows how different translators and authors have interpreted and re-imagined Medea to make her feel relevant to their contemporary societies. Focus is put on Medea’s roles as a woman and a foreigner, because these aspects are especially relevant today. The following research compares three Swedish translations of Euripides Medea from 1860, 1931

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7

Rodriguez, Mia U. "Medea in Victorian Women's Poetry." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355934808.

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8

Hoyt, Maggie Sharon. "Giving Birth to Empowerment: Motherhood and Autonomy in Greek Tragedy." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3613.

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The Greek tragedies of Classical Athens frequently portray mothers in central roles, but despite this significance, the relationship between mother and child has long been overshadowed in secondary scholarship by the relationship between husband and wife. This study demonstrates the direct relationship between a female character's active possession of her children and her autonomy, or her ability to act in her own interests, in three plays of Euripides: Electra, Medea, and Ion. In general, women who internalize their ownership of their children, expressed on stage both in word and action, have

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9

Thumiger, Chiara. "Hidden paths : self and characterization in Greek tragedy: Euripides' Bacchae /." London : Institute of Classical studies, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016267112&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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10

Syrový, Michal. "Euripides : Medeia." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79462.

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Greek drama defines the place in which the theatrical performances takes place, fave a birth to the basic genres - tragedy and comedy. The emergence of the dramatic genre is somehow associated with the initial magical beliefs of our ancestors, that will play when the story will help to the real implementation. Some of the myths that have for the psyche of the Greeks fundamental importance, have been demonstrated in the context of religious rituals on stage and later gave rise to the classic drama. The Tragedy has probebly its origin in ritual worship of the god Dionysus - in simpplified playin

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11

Chong-Gossard, J. H. Kim On. "Gender and communication in Euripides' plays : between song and silence /." Leiden [u.a.] : Brill, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016660540&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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12

Albertyn, Maria Adriana. "“Griekeland” to “Platteland”: appropriating the Euripidean Medea for the contemporary Afrikaans stage." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/96747.

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Thesis (MA)--Stellenbosch University, 2015.<br>ENGLISH ABSTRACT: Euripides’s Medea have been staged a number of times in the new South Africa. This study’s purpose is to provide a practical example of a rewritten Medea set in a contemporary Afrikaner community. The political climate and gender views employed in the Euripidean Medea are analysed and compared to that of the new text. The themes in the Euripidean Medea are analysed as well as possible themes in the Afrikaner community to provide the new text with contemporary social trends in the white Afrikaner community. The style of the E

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13

Maltese, Federica. "Le mythe de Médée de Euripide à Pier Paolo Pasolini et Christa Wolf." Thesis, Grenoble, 2013. http://www.theses.fr/2013GRENL017/document.

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Ma thèse s'intitule “Le mythe de Médée. De Euripide à Pier Paolo Pasolini et Christa Wolf”. Il s'agit d'une analyse comparatiste, dans le but de démontrer les liens existants entre l'écriture – ou bien la réécriture – et les événements culturels et politiques du pays des deux auteurs. Dans le cas spécifique, la comparaison est axée sur le film de Pasolini (1969) et le roman de Christa Wolf (1996), deux textes que j'ai considéré comme particulièrement significatifs en raison de la biographie des deux auteurs et du moment historique dans lequel ces ouvrages furent élaborée. En effet, ma thèse ne

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14

PFAU, OLIVER. "La tragedie grecque - architecture poetique. Une analyse formelle de la composition d'euripide dans les oeuvres hippolyte et medee." Paris, EPHE, 1998. http://www.theses.fr/1998EPHE4049.

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La tragedie grecque se constitue, sur le plan formel, d'elements fixes qui se succedent dans un ordre determine (prologue, parodos, episodes et stasima, exodos). La creation artistique du poete consiste alors a assortir les elements donnes de sorte que l'ensemble presente une composition harmonieuse et equilibree. Or, selon la conception grecque, la beaute reside dans l'ordre et le calcul,comme l'atteste la production artistique dans le domaine de l'architecture et des beaux-arts. Deux tragedies d'euripide, hippolyte et medee, sont analysees dans leur composition formelle afin de savoir si ell

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15

"Conflicting aspects of character in Euripides' Medea." Thesis, 2008. http://hdl.handle.net/10210/546.

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Medea’s powerful ability to inspire and confuse is at the core of this study. The contradiction concerning Euripides’ character of Medea as a murderer and a victim will be explored in order to understand what implications this would have held for an ancient Greek audience. Thus the irregularities in this female character will be used to indicate the inconsistencies within the society from which Euripides was writing. Women’s lack of freedom in ancient Greece, their confinement to the house and their lack of opportunity to voice their opinions and concerns produced an imbalance in society. This

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16

Mayes, Lauren. "Deals and women's subjectivity in Euripides' "Alcestis" and "Medea"." Thesis, 2010. http://hdl.handle.net/1828/2996.

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Euripides’ Alcestis and Medea are plays about a woman of exemplary virtue and a woman of horrible vice, respectively. This thesis examines how both heroines have a subjectivity that is destructive because they are female, and which is expressed by making deals with men. Women’s deal-making is dangerous because it conflicts with a system of exchange exclusive to men, in which women function as objects of exchange which solidify men’s homosocial bonds. Alcestis’ and Medea’s deals with men disrupt these bonds. Alcestis’ dangerous subjectivity is contained when she is made the passive object of

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17

Wu, Yu-yun. "Euripides' Songs of Nether Darkness: Truth, Disunion, and Madness in Medea and Hippolytus." 2007. http://www.cetd.com.tw/ec/thesisdetail.aspx?etdun=U0002-0502200718091500.

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18

Wu, Yu-yun, and 吳瑜雲. "Euripides’ Songs of Nether Darkness:“Truth,” Disunion, and Madness in Medea and Hippolytus." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/34931352652476872696.

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博士<br>淡江大學<br>英文學系博士班<br>95<br>This dissertation attempts to assert that Euripides poses as a poet to represent the topics of uncertainty, conflict, and madness. Here my study is to illustrate that Euripidean Medea and Hippolytus underscore a mostly intricate rendezvous of the Greek practice of parrhesia, the disturbing disunion on various potential possibilities, and the abiding occurrence of the female resistance and madness in a pallogocentric community as demonstrated in the plot development, central themes, and character portrayal. Foucault manifests parrhesia as the verbal activity of

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19

Kruk, Magdalena. "Medea--monster and victim : the representation of Medea's image in the works of Euripides, Seneca, Corneille, Anouilh and Pasolini /." 2007. http://www.consuls.org/record=b2909786.

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Thesis (M.A.) -- Central Connecticut State University, 2007.<br>Thesis advisor: Louis Auld. "... in partial fulfillment of the requirements for the degree of Master of Arts in French." Includes bibliographical references (leaves 61-64). Also available via the World Wide Web.

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20

Chen, Aqua Rui-song, and 陳瑞松. "The Deserted Wives: A Comparison of Euripides' Medea and Yang Xian-zhi's Rain on the Xiao Xiang." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/09977997327639575023.

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碩士<br>國立中正大學<br>外國語文研究所<br>90<br>In this thesis, I want to compare Yang Xian-zhi’s Rain on the Xiao Xiang (Xiao Xiang Ye Yu), a Yuan za-ju, and Euripides’ Medea, a Greek tragedy. The themes of these two plays are about how their ungrateful husbands desert their wives. Do Yang Xian-zhi and Euripides write such plays on purpose? Do they just express their complaints or worries towards the problems of their societies? These issues will be covered in this thesis. The thesis is divided into five parts: introduction, three chapters, and conclusion. To know why these two plays shar

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21

Barrett, Deborah. "Honour and revenge : a study of the role of honour in Euripides' Medea and Hippolytus with reference to a selection of contemporary societies." Thesis, 1998. http://hdl.handle.net/10413/5561.

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My purpose in this study is twofold. Firstly, I intend to examine the existence of honour in Greek society by an analysis of its presentation in works of Greek literature. In order to achieve this, I shall first examine the values of the Homeric, heroic society so that a picture of the code of honour that was used in those times, might be established. This code of honour provided the foundation upon which later honourable behaviour was based and from which it grew; it is, therefore, a necessary addition in a study such as this. Then, I shall proceed to a study of Euripides' Medea and Hippolytu

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22

Χρυσανθόπουλος, Φώτιος. "Η πρόσληψη της Μήδειας του Ευριπίδη στη νεοελληνική δραματουργία". Thesis, 2009. http://nemertes.lis.upatras.gr/jspui/handle/10889/2824.

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Με μια αρχική επεξεργασία του θέματος της παρούσας εργασίας έγινε φανερό πως χωρίζεται σε δύο χρονικές περιόδους. Η πρώτη περίοδος εκτείνεται από τα μέσα του 19ου αιώνα ως το τέλους του ίδιου αιώνα(εδώ εντοπίστηκαν τρία έργα) και η δεύτερη περίοδος από τα μέσα του 20ου αιώνα περίπου(1959) ως τις αρχές του 21ου αιώνα(2007) (εδώ εντοπίστηκαν δώδεκα έργα) καταγράφεται αποδεδειγμένα ως η πιο δημιουργική περίοδος, ακόμη και αν θέσουμε ως κριτήριο το πλήθος των έργων. Η πρόσληψη δομών και σημαινόντων της ευριπίδειας δραματικής ποίησης θα αναζητηθεί με βάση όσους από τους τύπους διακειμενικότητας του

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23

Doyle, Andrea. "Husbands and wives: dysfunctional marital relationships in Greek tragedy." Thesis, 2008. http://hdl.handle.net/10210/817.

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Greek tragedy portrayed the husband and wife relationship as fraught with hos¬tilities and ambivalences. The purpose of this mini-dissertation is to examine these dysfunctions, and to explain them. I have approached the problem from several important angles. I have begun with selected aspects of Athenian Mythol¬ogy and the foundation myths of Athenian culture to see whether there are recur¬rent themes that attest to inherent ambivalences and hostilities towards women within the mythological heritage of Athens. This approach is based on two as¬sumptions: first, that the dynamics of interpersona

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24

Conser, Anna. "The Musical Design of Greek Tragedy." Thesis, 2021. https://doi.org/10.7916/d8-rk7p-hk69.

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The musical analysis of Greek tragedy has traditionally been limited to studies of meter and metatheatrical language. This dissertation seeks to establish a new approach to ancient dramatic song by demonstrating that the linguistic pitch accents of tragic lyrics often trace the melodic contours of their lost musical settings. In the papyri and inscriptions that preserve music notation alongside Greek lyrics, intonation and melody are often coordinated according to set principles, which are well established by previous scholarship. Through the creation of software that applies these historic

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25

Γεωργιοπούλου, Έφη. "Ο Αιγέας του Ευριπίδη". Thesis, 2011. http://nemertes.lis.upatras.gr/jspui/handle/10889/4548.

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-<br>The fragmentary Euripides’ tragedy Aegeus is the subject of this work. For methodological reasons it is dividet in two parts. The content of the 1st part is the examination of the Aegeus’ myth. In particular there are stydied the following themes: the Aegeus’ and Theseus’ myth before Eyripides and the mythological background, the myth in Euripides and his relation to the tradition, the myth in attic drama and latine literature. The date, the plot reconstruction, dramatis personae, the possible main and other themes are examined too. There is also referrens in matters of dramatic technic a

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