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Dissertations / Theses on the topic 'Euripides'

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1

Thumiger, Chiara. "Hidden paths : self and characterization in Greek tragedy: Euripides' Bacchae /." London : Institute of Classical studies, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016267112&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Chong-Gossard, J. H. Kim On. "Gender and communication in Euripides' plays : between song and silence /." Leiden [u.a.] : Brill, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016660540&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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3

Syrový, Michal. "Euripides : Medeia." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79462.

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Greek drama defines the place in which the theatrical performances takes place, fave a birth to the basic genres - tragedy and comedy. The emergence of the dramatic genre is somehow associated with the initial magical beliefs of our ancestors, that will play when the story will help to the real implementation. Some of the myths that have for the psyche of the Greeks fundamental importance, have been demonstrated in the context of religious rituals on stage and later gave rise to the classic drama. The Tragedy has probebly its origin in ritual worship of the god Dionysus - in simpplified playin
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4

Hinkelman, Sarah A. "EURIPIDES’ WOMEN." Ohio University Art and Sciences Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouashonors1428872998.

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5

Bubel, Frank. "Euripides, Andromeda /." Stuttgart : F. Steiner, 1991. http://catalogue.bnf.fr/ark:/12148/cb354901017.

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6

Anderson, Lois Marjory. "Directing Euripides' Medea." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/12609.

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This thesis documents the directorial preparation and rehearsal process for the production of Euripides Medea, produced at the TELUS theatre, January 2009, as the thesis requirement for an MFA in Directing from the Theatre Department of the University of British Columbia. Included are a script analysis of the Kenneth McLeish translation of Medea, a rehearsal journal, and an essay examining the role and intervention of the gods in Euripides’ Medea. This production was framed as a re-enactment by the household staff of Jason and Medea. The appendix includes a storyboard script for th
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7

Kakkos, Athanasios Tommy. "Escapism in Euripides." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23219.

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This thesis explores the form, meaning and development of the escapist theme in Euripides' tragedies. The dramatist's corpus reveals an intense preoccupation with escapism and exhibits it in a wide range of escape wishes and escape choral odes. Most of these, because they fail of their objective, point to the inability of the tragic hero to escape his or her fate as determined by the dark forces of tragedy. Escapism intensifies the well-known Euripidean element of pathos, but in some of the plays its use becomes quite sophisticated evoking irony, ambiguity and paradox. In this way, it sheds li
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8

Wright, Matthew. "Euripides' escape-tragedies." Thesis, University of Exeter, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251130.

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9

Black, Elaine. "The Euripidean priestess : women with religious authority in the plays of Euripides." Thesis, University of Reading, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343227.

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10

Papadopoulou, Thalia. "Studies in Euripides' 'Heracles'." Thesis, University of Cambridge, 2000. https://www.repository.cam.ac.uk/handle/1810/272021.

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11

Porter, John R. "Studies in Euripides' Orestes /." Leiden : E. J. Brill, 1994. http://catalogue.bnf.fr/ark:/12148/cb357061093.

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12

Lloyd, Michael A. "The agon in Euripides /." Oxford : Clarendon press, 1992. http://catalogue.bnf.fr/ark:/12148/cb35716213t.

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13

Rohdenburg, Rebecca. "Hero cult in Euripides." [Gainesville, Fla.] : University of Florida, 2009. http://purl.fcla.edu/fcla/etd/UFE0024686.

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14

Vella, John Arthur. "Nature, reason and philia in Euripidean drama /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC IP addresses, 2004. http://wwwlib.umi.com/cr/ucsd/fullcit?p3137212.

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15

Allan, William. "A study of Euripides' Andromache." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363480.

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16

Papanastasatos, Panayiotis. "The stagecraft of Euripides' Orestes." Thesis, Royal Holloway, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429887.

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17

van, Emde Boas Evert H. "Linguistic studies in Euripides' Electra." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:dbecc2f8-f980-4a33-9fdc-20d8c1329dc5.

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Euripides’ Electra has long been one of the playwright’s most controversial works. This book offers a reading of the play concentrating on its language, which is analysed by applying a variety of modern linguistic approaches: conversation analysis, pragmatic theories of speech acts and inference, politeness theory, the study of the interplay of gender and language, paroemiology, and the study of discourse cohesion. The first three chapters argue for the Peasant, Electra and Orestes, respectively, that their linguistic behaviour constitutes a vital part of their characterisation. The Peasant’s
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18

Voela, Angeliki. "Euripides' 'Ion' : a psychoanalytic reading." Thesis, University of Edinburgh, 1997. http://hdl.handle.net/1842/21591.

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This thesis offers a reading of a Classical Greek play, the "Ion" of Euripides, in terms of the psychoanalytic theories of S. Freud and J. Lacan. There are four chapters, each dealing with a particular aspect, or group of related aspects, of the play. Each chapter offers an exposition of the relevant psychoanalytic concepts, followed by an application of them to a particular aspect, or aspects, of the play. Chapter one introduces some basic Freudian and Lacanian concepts. The Freudian aspects are: the Oedipus complex and its mechanism, repression and its motives, and the unconscious. The Lacan
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19

Euripide, Preiser Claudia. "Euripides : Telephos : Einleitung, Text, Kommentar /." Hildesheim : G. Olms, 2000. http://catalogue.bnf.fr/ark:/12148/cb390895851.

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20

Mueller-Goldingen, Christian. "Untersuchungen zu den Phönissen des Euripides." Stuttgart : F. Steiner Verlag, 1985. http://catalogue.bnf.fr/ark:/12148/cb348331258.

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21

Irvine, James. "Euripides : Ion : commentary; II. 1-568." Thesis, University of Oxford, 1995. https://ora.ox.ac.uk/objects/uuid:aa555354-e8a0-442d-9539-182ae135ec9e.

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In this line by line commentary l have attempted to discuss all matters textual and linguistic on which a reader might resort to a commentary for aid. There is, naturally, a pronounced emphasis on textual criticism; literary comment is interwoven with my arguments as the play unfolds. I have endeavoured to cite Greek with sufficient generosity to enable the reader to form a different judgement from my own from the material I have furnished. Considerable space has also been devoted to matters mythological and religious, as the nature of the play demands. I conclude with an Endnote on the margin
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22

Zylstra, Nicole. "The Bacchae of Euripides, ritual theatre." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq20813.pdf.

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23

Jones, Jonathan Hew Cabread. "A literary commentary on Euripides' Medea." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307358.

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24

Hilton, I. "A literary study of Euripides' Phoinissai." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1322701/.

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My thesis aims to unite and elucidate the main themes of Euripides' Phoinissai, a late and highly sophisticated example of Athenian drama. After an introduction which establishes the main themes of the play and my general position on its substantial textual difficulties, the first chapter examines Phoinissai's rich intertextual background: Homer, fifth-century lyric, Sophocles, and in particular Aeschylus' Seven against Thebes. The second chapter focuses on Phoinissai's prominent political element, and how -and to what extent -the play reflects contemporary Athenian events. I analyse the play'
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25

Neumann, Uwe. "Gegenwart und mythische Vergangenheit bei Euripides /." Stuttgart : F. Steiner, 1995. http://catalogue.bnf.fr/ark:/12148/cb35741361c.

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26

May, Gina. "Aristophanes and Euripides : a palimpsestuous relationship." Thesis, University of Kent, 2012. https://kar.kent.ac.uk/47429/.

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Aristophanes allows Euripides to interrupt constantly. In Athenian comedy of the fifth century they are on stage together, both literally and figuratively. Despite Aristophanes’ comedies having a meaning of their own, Euripides’ lines are so clearly visible underneath them that they can only be described as the verbal equivalent of a palimpsest. The Oxford English Dictionary defines a palimpsest as a manuscript or piece of writing on which later writing has superimposed or effaced earlier writing, or something reused or altered but still bearing visible traces of its earlier form. It is clear
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27

Geller, Grace. "Translations and adaptations of Euripides' Trojan Women /." Norton, Mass. : Wheaton College, 2010. http://hdl.handle.net/10090/15122.

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28

Darden, Katrina L. Londré Felicia Hardison. "An analysis of Euripides' play the Bacchae." Diss., UMK access, 2005.

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Thesis (M.A.)--Dept. of Theatre. University of Missouri--Kansas City, 2005.<br>"A thesis in theatre history." Typescript. Advisor: Felicia Hardison Londré. Vita. Title from "catalog record" of the print edition Description based on contents viewed June 23, 2006. Includes bibliographical references (leaves 61-67). Online version of the print edition.
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29

White, Richard Lloyd. "Nomos and physis, callicles and Euripides' Cyclops." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq24943.pdf.

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30

Fries, Almut. "[Euripides], Rhesus 565-996 : introduction and commentary." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496450.

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31

Adams, Alison. "Helen in Greek literature : Homer to Euripides." Thesis, Aberystwyth University, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302020.

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32

Suthren, Carla. "Shakespeare and the Renaissance reception of Euripides." Thesis, University of York, 2018. http://etheses.whiterose.ac.uk/21450/.

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This thesis investigates the Renaissance reception of Euripides, arguing that Greek tragedy had a direct and important influence on Shakespeare. Euripides, I demonstrate, was both more widely accessible and more culturally significant than has generally been recognized. Beginning with Erasmus and ending with Milton, I establish the foundation of a detailed and historically specific understanding of how Euripides’ works were being read and understood. Paying close attention to the materiality of Euripides’ textual appearances across a variety of dramatic and non-dramatic texts and contexts, I s
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33

Karamanou, Ioanna. "A commentary of Euripides' Danae and Dictys." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1445602/.

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Euripides' Danae and Dictys belong to the Danae-myth, treating the earlier and subsequent phase of the legend, respectively. As far as the evidence allows, a cautious reconstruction of the plot of each play is attempted, based on interrogation of the fragmentary material and the testimonia. In this effort, Euripidean scene-construction, parallel thematic and structural patterns, parallel rhetoric and general rules of tragic practice are also taken into account as evidence for the dramatist's usage. As regards the generic affiliations of each play, the Danae may be paralleled to Euripides' Alop
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34

Graham, Theodore. ""These savage games of fortune": Euripides' Hecuba in the Renaissance." Thesis, Boston University, 2004. https://hdl.handle.net/2144/27657.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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35

Coles, Liza Hermione. "Thinking with Helen : a reading of Euripides' 'Helen'." Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299209.

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36

Choi, Mina. "Revision of Euripides' Tragedies by Contemporary Women Playwrights." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1386041799.

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37

Euripide, Pechstein Nikolaus. "Euripides Satyrographos : ein Kommentar zu den Euripideischen Satyrspielfragmenten /." Stuttgart ; Leipzig : B. G. Teubner, 1998. http://catalogue.bnf.fr/ark:/12148/cb37761461b.

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38

Dubischar, Markus. "Die Agonszenen bei Euripides : Untersuchungen zu ausgewählten Dramen /." Stuttgart : J. B. Metzler, 2001. http://catalogue.bnf.fr/ark:/12148/cb390787378.

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39

Wheeler, Michael Ian. "Relationship of gender to interiors and exteriors in Euripides." [Gainesville, Fla.] : University of Florida, 2005. http://purl.fcla.edu/fcla/etd/UFE0011877.

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40

Riley, Kathleen. "Reasoning madness : the reception and performance of Euripides' Herakles." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413529.

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41

Troupi, Maria. "Menander, Euripides, Aristophanes : intertextual transformations of genre and gender." Thesis, Royal Holloway, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.436307.

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42

O'Neill, G. G. "A study of the major speeches in Euripides' Medea." Thesis, Queen's University Belfast, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252596.

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43

Skouroumouni, A. "Staging the female : studies in female space in Euripides." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1317801/.

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The words of Medea or Alcestis may be the only thing we are left with. Yet it was not the only means Euripides had at his disposal to render them onstage; his dramatic toolkit included spatial staging. This aspect of his dramaturgy provides the lens through which I explore Euripidean tragedy and Euripidean females. The tragic female has been studied in depth in past and more recent scholarship, with vital insights gained. Nevertheless, what previous scholarship has rarely considered in any detail is the physical representation of the female (the particularities of her postures, movement, physi
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44

Moodie, Glenn A. "Tragic beginnings and beginning tragedy in Sophocles and Euripides." Thesis, University of Bristol, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269366.

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45

Sinha, Bijon. "The Crete and Cretans of Euripides : perceptions and representations." Thesis, Open University, 2017. http://oro.open.ac.uk/48912/.

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This thesis focuses on Euripides’ dramatic representations of Crete, famous from myth, geography, art, literature and philosophy. This thesis will attempt to address the following key questions: how is Crete represented in the extant Euripidean plays and fragments? How consistent are such representations between themselves? How are the Cretan mythological characters deployed? How are previous representations of Crete re-stated or adapted? What questions of association and identity appear to be raised? What kinds of multiple identities and their potential for interpretation are to be found in t
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46

Paschalis, Sergios. "Tragic palimpsests: The reception of Euripides in Ovid's Metamorphoses." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467245.

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The subject of this dissertation is the reception of Euripidean tragedy in Ovid’s Metamorphoses. In Chapter 1 I offer a general survey of the afterlife of Euripidean drama in the major mediating intertexts between Euripides and Ovid, namely Hellenistic poetry, Roman Republican tragedy, and Virgil’s Aeneid, as well as a review of the pervasive presence of the Greek tragedian in the Ovidian corpus. Chapter 2 focuses on the reception of Euripides’ Bacchae in the Metamorphoses. The starting point of my analysis is Ovid’s epic rewriting of the Euripidean play in the Pentheus episode. Next, I argue
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47

Riley, Kathleen. "The reception and performance of Euripides' Herakles : reasoning madness." Oxford [u.a.] Oxford Univ. Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780199534487.001.0001.

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48

Holzhausen, Jens. "Euripides Politikos : Recht und Rache in "Orestes" und "Bakchen." München ; Leipzig : Saur, 2003. http://catalogue.bnf.fr/ark:/12148/cb390860779.

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49

Seeck, Gustav Adolf. "Unaristotelische Untersuchungen zu Euripides ein motivanalytischer Kommentar zur "Alkestis" /." Heidelberg : C. Winter, 1985. http://catalog.hathitrust.org/api/volumes/oclc/14133668.html.

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50

Origa, Valentina. "Le contraddizioni della sapienza sophia e sophos nella tragedia euripidia." Tübingen Narr, 2002. http://deposit.ddb.de/cgi-bin/dokserv?id=2778172&prov=M&dok_var=1&dok_ext=htm.

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