Relevant bibliographies by topics / European drama

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'European drama'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "European drama"

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Frayne, John P. "Yeats and European Drama." European Legacy 19, no. 3 (2014): 391–92. http://dx.doi.org/10.1080/10848770.2014.898945.

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Nally, Claire V. "Yeats and European drama." Irish Studies Review 21, no. 1 (2013): 132–33. http://dx.doi.org/10.1080/09670882.2012.757927.

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Czerwinski, E. J., and Brian Docherty. "Twentieth-Century European Drama." World Literature Today 68, no. 2 (1994): 438. http://dx.doi.org/10.2307/40150348.

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MOKLYTSIA, M. ""HISTORICISM" OF THE NEW EUROPEAN DRAMA (LESYA UKRAINKA – B. BRECHT – Y. KOSACH)." Brecht-Magazine: Articles, Essays, Translations, no. 9 (December 26, 2023): 83–93. http://dx.doi.org/10.35433/brecht.9.2023.83-93.

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The article deals with the development of the historical theme in drama, the stage of the new drama traced on the examples of Lesya Ukrainka’s plays "Boyarynya", 1910, B. Brecht’s "Mother Courage and her children", 1939, Y. Kosach’s "Action about Yuriy the Victorious", 1947. The first collection of these different texts under one slogan ensures the scientific novelty of research. The purpose of the research: to trace the development of the historical theme in the modernist drama of the 20th venture and outline the problematic aspects of the concept of historicism of the new drama.
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Slipushko, O. M., and A. O. Katyuzhynska. "THE INTEGRATION OF PANEUROPEAN THEATRIC TRADITIONS OF THE BAROQUE EPOCH INTO THE HISTORICAL DRAMA OF THE LUMINARIES." Literary Studies, no. 60 (2021): 199–210. http://dx.doi.org/10.17721/2520-6346.60.199-210.

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The article represents the study of the peculiarities of the integration of PanEuropean theatrical traditions of the Baroque epoch into the historical drama by Ukrainian coryphees. Particular attention is paid to the study of the specifics of the creation of baroque drama of the XVIII century and its influence on the formation of the dramatic tradition of the Coryphées. The main European tendencies represented in historical baroque dramas are singled out. It is proved, that succession is manifested primarily at the level of national identity. The historical dramas of F. Prokopovych “Volodymyr”
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Pořízka, Petr. "CapekDraCor: A New Contribution to the European Programable Drama Corpora." Journal of Linguistics/Jazykovedný casopis 74, no. 1 (2023): 244–53. http://dx.doi.org/10.2478/jazcas-2023-0042.

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Abstract The aim of this paper is to present the new CapekDraCor corpus and the DraCor project with its research-oriented concept of a programmable corpora focused on quantitative analyses within the framework of computational literary studies. This digital platform extends the possibilities of large-scale drama analysis with a focus on the dramatic character(s). The basic operationalisation is the interaction within a dramatic configuration, i.e., the scenic co-presence of two speakers, from which network data are automatically extracted, both global networks of interactions of dramas and dat
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Величковська, Юлія. "Особливості української антиколоніальної драматургії ХVIII – першої половини ХІХ ст." Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe 7, № 4 (2022): 15–22. http://dx.doi.org/10.15804/ppusn.2022.04.01.

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The article deal the general patterns and main trends in the formation and development of dramatic genres as a self-sufficient genre in Ukrainian literature of the XVIII – first half of the XIX century, aimed at highlighting anti-imperial ideas in close connection with the requirements of general literary genre and national traditions. It was found that the anti-colonial national literature found its expression in such genres as historical drama, drama-morality, vaudeville, social-household drama and comedy. «Vladimir» by Feofan Prokopovich, «God’s Mercy ...» by an unknown author, «Resurrectio
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Gemzøe, Lynge Stegger. "Language, European identity and stereotypical diversity in trans-European crime dramas." Journal of European Popular Culture 12, no. 2 (2021): 135–47. http://dx.doi.org/10.1386/jepc_00034_1.

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Interrogating two transnational television dramas – Crossing Lines (2013, 2014, 2015, the first season) and The Team (2015, 2018, the second season) – and employing critical, textual and production perspectives, this article investigates representations of national and European identity in the series. In this article, I argue that the series on the one hand picture a diverse Europe uniting when challenges arise, embodying the dominant European narrative of ‘unity in diversity’ and, seen from a certain point of view, facilitate a mediated cultural encounter. On the other hand, the diversity dep
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Petković, Ivana I. "SIMEON POLOTSKY’S DRAMA NEBUCHADNEZZAR THE TSAR AND ITS WESTERN-EUROPEAN DRAMA SOURCES." Филолог – часопис за језик књижевност и културу 14, no. 28 (2023): 436–59. http://dx.doi.org/10.21618/fil2328436p.

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Тhis paper aims to reconsider the influences of Western-European drama of the XVII century on the creation of Russian baroque and the first drama writer in Russia Simeon Polotsky. During the initial period, Russian theatre, especially during the XVI and XVII centuries, was under the strong influences of Western theatre culture. This paper reconsiders the influence of German, French, English and Polish theatre plays. Plots of his playwright were popular and well known in Western European literature from the XII century. In this paper, we tried to reconsider those influences on the example of hi
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Swales, Martin. "Goethe'sFaustand the Drama of European Modernity." Publications of the English Goethe Society 74, no. 1 (2005): 83–94. http://dx.doi.org/10.1080/09593683.2005.11716341.

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Dissertations / Theses on the topic "European drama"

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Saxon, Belinda Sue. ""Borrowing from the east" a study of types of Western theater adaptations of Chinese opera, Japanese noh, and kabuki /." online access from Digital Dissertation Consortium access full-text, 1992. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1351076.

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Giannachi, Gabriella. "Silence in modern European drama." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388413.

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Bahrami, Aida. ""Spectacles of woe" : Sadean readings of contemporary European drama." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/101937/.

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A distinctive feature of Sade’s writings is the amount of theatricality involved in libertine activities. Every episode of libertinage is charged with an awareness of performativity on behalf of the characters, and a conscious employment of theatrical vocabulary on the author’s behalf – e.g. the participants are often called actors, the events drama, and so on. At the same time, I have noticed how there are close resemblances in specific contemporary European drama to what constitutes Sadean intersubjectivity. These semblances occur most specifically when the dramatic text is addressing a para
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Saha, Anita Jean. "Modernist Meanings in the European Renovation of Commedia dell'Arte Drama." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397487798.

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Cvejic, Bojana. "Choreographing problems : expressive concepts in European dance." Thesis, Kingston University, 2012. http://eprints.kingston.ac.uk/25084/.

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This dissertation explores how a recent set of practices III contemporary choreography in Europe (1998-2007) give rise to distinctive concepts of its own, concepts that account for processes of making, performing, and attending choreographic perfonnances. The concepts express problems that distinguish the creation of seven works examined here (Self unfinished and Untitled by Xavier Le Roy, Weak Dance Strong Questions by Jonathan Burrows and Jan Ritsema, heatre-elevision by Boris Charmatz, Nvsbl by Eszter Salamon, 50/50 by Mette Ingvartsen, and It's In The Air by Ingvartsen and Jefta van Dinthe
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Tribble, Keith Owen. "European symbolist theater : conventions and innovations /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/6647.

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Street, Anna. "Comedy of the impossible : the power of play in post-War European drama." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/60558/.

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By tracing the development of theories of comedy within Western philosophy, this thesis claims that anti-comic prejudices prevented comedy from being recognized as a serious genre. Comedy's inferior status for over two thousand years is shown to correspond to an ethical model that distinguishes the real from the Ideal and affirms a Neo-Platonic vision of existence. Through numerous examples taken from a particular phenomenon of post-war European theatre comprising five different playwrights, this thesis proposes three primary characteristics of comedy: the ontological instability of comic char
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Summers, Julie Anne. "'Writing on the frontier' : European identification and the drama of Bernard-Marie Koltès." Thesis, University of Birmingham, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423363.

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The overarching aim of this thesis is to give an account of the theatre of Bernard-Marie Koltes in relation to contemporary France and Europe. It highlights the aspects of his work that convey a sense of Europe's common cultural heritage, and considers its potential role in promoting processes of identification across national frontiers. The study is divided into two distinct sections. Part 1 focuses on textual analysis, and Part 2 on performance. Part 1 analyses the thematic structure of Koltes's drama, together with the myths and language therein. A key argument is that, whilst Koltes's dram
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Findlay, William. "Motivation and method in Scots translations, versions and adaptations of plays from the historic repertoire of continental European drama." Thesis, Queen Margaret University, 2000. https://eresearch.qmu.ac.uk/handle/20.500.12289/7337.

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This study adopts a twin approach to investigation of writers' motivation and method in translating, versionizing, and/or adapting into Scots plays from the historic repertoire of Continental European drama. First, it considers, through historical/critical research, the work ok, and statements by or about, selected writers representative by period of the development of a modern tradition in translating such plays for the Scottish stage from the 1940s through the 1990s. Second, it presents, through practice-as-research, self-reflective commentaries on two playscripts prepared as part of this st
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Stam, Christine. "Sterotypes and Heroines : Women on the London Stage in British and European Drama in 1914." Thesis, University of Surrey, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518699.

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Books on the topic "European drama"

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Docherty, Brian, ed. Twentieth-Century European Drama. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0.

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Bondebjerg, Ib, Eva Novrup Redvall, Rasmus Helles, Signe Sophus Lai, Henrik Søndergaard, and Cecilie Astrupgaard. Transnational European Television Drama. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62806-6.

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Pronoti, Sinha, Agashe Mohan, Visva-Bharati. Dept. of English and other Modern European Languages., and Eastern Zonal Cultural Centre (India), eds. Twentieth century European drama. Visva-Bharati, 1997.

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Brian, Docherty, ed. Twentieth-century European drama. Macmillan, 1994.

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Brian, Docherty, ed. Twentieth-century European drama. St. Martinʼs Press, 1994.

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David, MacDonald Robert, and London Academy of Music and Dramatic Art, eds. Great speeches from European drama. Oberon, 2002.

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Fischer-Lichte, Erika. History of European Drama and Theatre. Taylor & Francis Inc, 2004.

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Toft Hansen, Kim, Steven Peacock, and Sue Turnbull, eds. European Television Crime Drama and Beyond. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96887-2.

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Fischer-Lichte, Erika. History of European drama and theatre. Routledge, 2002.

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Fischer-Lichte, Erika. History of European drama and theatre. Routledge, 2001.

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Book chapters on the topic "European drama"

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de Schipper-Leeuw, Mineke. "Drama." In Comparative History of Literatures in European Languages. Akadémiai Kiadó, 1986. http://dx.doi.org/10.1075/chlel.vi.45sch.

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Koski, Pirkko, and Kayleigh Töyrä. "New Eastern European drama." In Finland's National Theatre 1974–1991. Routledge, 2022. http://dx.doi.org/10.4324/9781003047667-13.

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Roberts, Dagmar. "Slovak Drama." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/chlel.xxii.55rob.

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Burwick, Frederick. "German Romantic Drama." In A Companion to European Romanticism. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996607.ch10.

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Cooper, Barbara T. "French Romantic Drama." In A Companion to European Romanticism. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996607.ch14.

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Mancewicz, Aneta. "Drama: Intermedial Texture." In Intermedial Shakespeares on European Stages. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137360045_2.

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Muir, Lynette. "European communities and medieval drama." In Medieval Texts and Cultures of Northern Europe. Brepols Publishers, 1999. http://dx.doi.org/10.1484/m.tcne-eb.3.4815.

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Mouralis, Bernard. "William-Ponty drama." In Comparative History of Literatures in European Languages. Akadémiai Kiadó, 1986. http://dx.doi.org/10.1075/chlel.vi.13mou.

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Wąchocka, Ewa. "Polish Modernist Drama." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/chlel.xxii.44wac.

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Bondebjerg, Ib, Eva Novrup Redvall, Rasmus Helles, Signe Sophus Lai, Henrik Søndergaard, and Cecilie Astrupgaard. "Introduction: Transnational European TV Studies." In Transnational European Television Drama. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62806-6_1.

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Conference papers on the topic "European drama"

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Vranić, Valentino, and Aleksandra Vranić. "Drama patterns." In the 24th European Conference. ACM Press, 2019. http://dx.doi.org/10.1145/3361149.3361153.

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Mamedov, Oktaj Yu. "EUROPEAN LIBERALISM AND RUSSIAN ECONOMY – DRAMA OR UNREQUITED LOVE?" In Global Vectors: from the technological partnership to the systematic integration 2014. Willenberg Foundation, Czech Technical University in Prague, 2014. http://dx.doi.org/10.14311/wfgv.2014.0002.

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Vranić, Aleksandra, Valentino Vranić, and Branislava Vranić. "Drama patterns: Seeing the patterns from within." In the 24th European Conference. ACM Press, 2019. http://dx.doi.org/10.1145/3361149.3361196.

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Heiselberg, Lene, and Thomas Bjørner. "How to evaluate emotional experiences in television drama series." In ECCE'18: 36th European Conference on Cognitive Ergonomics. ACM, 2018. http://dx.doi.org/10.1145/3232078.3232093.

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Zhang, Li, John A. Barnden, Robert J. Hendley, and Alan M. Wallington. "Developments in affect detection in e-drama." In the Eleventh Conference of the European Chapter of the Association for Computational Linguistics: Posters & Demonstrations. Association for Computational Linguistics, 2006. http://dx.doi.org/10.3115/1608974.1609009.

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Lufkin, J. "Shakespeare gets a computer: a tutorial drama in two acts." In International Conference on Professional Communication,Communication Across the Sea: North American and European Practices. IEEE, 1990. http://dx.doi.org/10.1109/ipcc.1990.111182.

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Orosa, Miguel A., Daqui Lema, Viviana Galarza-Ligna, and Ana Magali Culqui Medina. "Ecuador: the popular liturgical and festive origins of the Latin American indigenous post-drama and its specific conflict : Comparisons with the Spanish and European post-drama." In 2020 15th Iberian Conference on Information Systems and Technologies (CISTI). IEEE, 2020. http://dx.doi.org/10.23919/cisti49556.2020.9140902.

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Konieva, T. M. "WESTERN EUROPEAN AND UKRAINIAN “NEW DRAMA” AT THE TURN OF THE 19TH–20TH CENTURIES: CONNECTIONS AND TYPOLOGICAL CONVERGENCES." In MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 1. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-21.

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Cenusa, Felicia. "Vladimir Beșleagă or about internal exile." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/filomod.2023.17.13.

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If in Romania, during the communist period, one can speak of a literature of external exile and dissidence, then the concept of internal exile can be applied to the literature of Bessarabia, from the same period. Thus, some writers took refuge, in the happiest cases, in the professions of the book, especially in translations, others – in essayistic, parabolic, experimental or diary writings. They were all approached as forms of internal exile, undertaken by writers, thus risking that their works would not be published. Internal exile, most of the time, produced psychoses, neuroses, humiliation
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Anitoi, Galina. "The Character of the Transition. The Drama of the Emigrant in the Novels Fetița care se juca de-a Dumnezeu by Dan Lungu and Tötentanz sau Viața unei nopți by Claudia Partole." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.22.

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n this article, the author discusses the drama of the emigrant in the novels „Fetița care se juca de-a Dumnezeu” by Dan Lungu and „Tötentanz sau Viața unei nopți” by Claudia Partole, one of the hypostasis in which the character of the transition appears. The subject is approached through the prism of transitology, starting from the idea that the phenomenon of emigration is one of the secondary effects of the transition from the communist totalitarian regime to democracy. We proved that the writers manage to translate into disturbing pages the terrible, shocking trials experienced by a good par
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