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Journal articles on the topic 'European Folk Legends/Mythology'

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1

БЕСОЛОВА, Е. Б. "ETHNIC AND CULTURAL INFLUENCE OF THE ANCESTORS OF OSSETIANS ON THE FORMATION OF MYTHOLOGICAL, EPIC AND CULTURAL SYSTEMS OF THE EUROPEAN NATIONS." Kavkaz-forum, no. 6(13) (June 21, 2021): 26–38. http://dx.doi.org/10.46698/vnc.2021.13.6.002.

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В причудливом преломлении преданий и легенд кельтов и сказаний о нартах осетин отражаются исторические события далеких времен. Любое предание, каждый кадæг основывается в той или иной мере на реальной жизни народа, изображает народный быт и знания, религиозные представления, социальные, моральные отношения, философские взгляды. Эта энциклопедичность выражения своеобразия обычаев, нравов, философских, эстетических и морально-этических воззрений лежит в основе и ирландского, и осетинского эпического наследия. В статье предпринята попытка определить этнокультурное влияние предков осетин на формир
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2

Kapinos, E. V., and I. E. Loshchilov. "Knut Hamsun in Siberia." Critique and Semiotics 38, no. 2 (2020): 315–36. http://dx.doi.org/10.25205/2307-1737-2020-2-315-336.

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The article is devoted to various forms of Hamsun’s influence on Siberian writers of the 1910–1930s. On the pages of Siberian periodicals, the Norwegian writer was often mentioned in theatrical chronicle, in the lists of European book novelties, in poetic texts, but he influenced most clearly the general northern flavour of the Siberian prose. Fifteen stories and short novellas of famous Siberian writers (Georgy Grebenshchikov, Isaak Goldberg, Anton Sorokin, Georgy Vyatkin) and almost forgotten writers (Stepan Isakov, Arseny Zhilyakov, Maximilian Kravkov) form the “Siberian Hamsuniana”, the di
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3

Vasylenko, V. ""ANOTHER WORLD": PROSE BY NATALENA KOROLEVA." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 3(101) (September 29, 2023): 21–37. http://dx.doi.org/10.35433/philology.3(101).2023.21-37.

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The paper is devoted to the main ideological-aesthetic, genre-style, historical and cultural features of Natalena Koroleva’s fiction. Historicism and Catholicism, noticeable in the writer’s prosaic works of different genres and styles, are considered the dominant elements of her artistic worldview and thinking. The analysis focuses on the writer’s three key interwar novels: "An Ancestor", "A Shadow’s Dream", "1313" and examines several aspects of their poetics. Koroleva’s historicism is noted for combining scientific (in particular, archeological) knowledge, religious and philosophical experie
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4

Obertová, Zuzana. "Slavic Mythology Lost in Fantasy." Narodna umjetnost 59, no. 2 (2022): 119–32. http://dx.doi.org/10.15176/vol59no206.

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Slavic myths increasingly survive in people’s consciousness as supernatural elements or as literary characters rather than as real beliefs in their existence. Adult readers in Poland and Slovakia, for example, encounter Slavic supernatural beings in the fantasy literature book series such as Wiedźmin by Andrzej Sapkowski and Černokňažník by Juraj Červenák; however, literature cannot be expected to portray superstitions and demons in the same way as belief legends. Placing Sapkowski’s and Červenák’s works within the context of ethnographically recorded beliefs illuminates various aspects of int
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5

Maglova, Diana. "THE CHINESE DRAGON AND THE BULGARIAN ZMEY. PSYCHOLOGY OF MYTHOLOGY." Diplomatic Economic and Cultural Relations between China and Central and Eastern European countries 7, no. 1 (2022): 371–87. http://dx.doi.org/10.62635/389c-ykvp.

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This scientific work, in its characteristic exposition, is a modest attempt at a comparative description of one of the most famous mythical creatures from ancient legends and its incarnations in the fabulous folk art of two peoples, which at first glance are distant and different, but both unique. antiquity and culture. The comparison between the dragon and the dragon and the other theriomorphic images perfectly illustrates the laws of myth-making, its diffusion and its modeling ability.This scientific work, in its characteristic exposition, is a modest attempt at a comparative description of
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6

Hu, Liu. "Images of ‘Bad Weather’ in the Folk Mythology of Asia and Europe (Based on Chinese and Serbian Traditions)." Вестник Пермского университета. Российская и зарубежная филология 13, no. 4 (2021): 52–62. http://dx.doi.org/10.17072/2073-6681-2021-4-52-62.

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The article deals with mythological characters that represent ‘bad weather’ phenomena such as drought, hail, whirlwind, thunder, and lightning. Folk ‘lower’ mythology pays much attention to the manifestations of bad weather, which reflects the understanding of nature by man. Many ancient Chinese myths and legends originated in Shandong province, where numerous meteorological mythological motives were created. At that time, human life depended on weather, therefore a lot of folklore rich in meteorological mythological motives and imagery was created. The representations of bad weather in Shando
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7

Akhmetbek, G., and R. Zhusupov. "A BRIEF HISTORY OF THE DEVELOPMENT OF CHINESE MYTHOLOGY." Bulletin of the Korkyt Ata Kyzylorda University 60, no. 1 (2022): 175–83. http://dx.doi.org/10.52081/bkaku.2022.v60.i1.023.

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Chinese mythology is rich in characters invented by the boundless fantasy of the human race, there are more than a thousand of them. Mythological works are directly related to literature, therefore legends and fairy tales, where these characters appear, influenced the literature of China, and sometimes even intersect with its history.At the beginning of our era, interest in China was focused on all the unusual and strange phenomena and things that could arise as a reaction to the "dry" practice of the followers of Confucianism. Remnants of myths, folk legends and beliefs began to appear on pap
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8

Gunnell, Terry. "Thomas Crofton Croker, The Fairy Legends, and the Arrival of the Illustrated Folk Legend in Northern Europe." Irish University Review 54, no. 1 (2024): 101–11. http://dx.doi.org/10.3366/iur.2024.0651.

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This article focuses on the collaborative work between the early Irish collectors and artists, and particularly that between Crofton Croker and Keightley, and the artists Daniel Maclise and William Henry Brooke who produced the illustrations for Crofton Croker’s Fairy Tales and Legends of the South of Ireland (1825 and 1826) and Thomas Keightley’s Fairy Mythology (1833). The images by Maclise and Brooke added a powerful new dimension to the ways in which the stories and the beliefs behind them were understood. These works (and Crofton Croker’s in particular) would go on to influence the presen
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9

Starikova, Ekaterina O. "The moon, the sun, and stars in Vietnamese folk songs." Russian Journal of Vietnamese Studies 7, no. 1 (2023): 82–94. http://dx.doi.org/10.54631/vs.2023.71-109874.

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The article is devoted to astral imagery in Vietnamese folk poetry. Author of the study analyzes folk songs (ca dao) about the Moon, the Sun, stars and constellations, as well as about mythical characters associated with astral myths. Folk songs are cited in Vietnamese language and accompanied by a Russian translation made by the author of the research. Moon imagery is widely represented in Vietnamese folk poetry, as the Moon is associated with the time when love songs are sung. There are both autochthonous Vietnamese and Chinese images. Some of the images of the Chinese origin are very popula
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10

Terekhova, Iryna. "Legends in P. Kulish's Historical Novel “Black Council. Chronicle of 1663”." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 14, no. 25 (2021): 101–10. http://dx.doi.org/10.34079/2226-3055-2021-14-25-101-110.

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The article examines legends are functioning in the Russian-language novel by P. Kulish “Black Council. Chronicle of 1663”. The features of the genre have been determined. It is proved that folk legends emphasize the artistic action of the text in question, give it a touch of mythology. It was found that the legends in the Russian-language novel by P. Kulish “Black Council. Chronicle of 1663” appear in the form of artistic inclusions, which in turn emphasize the historical meaning of the work. The synthetic unity of legend and historical narrative emphasizes the content of the novel, gives it
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11

Debalina Roychowdhury Banerjee. "Revisiting Vampirism: Myth, Mystery, Science, History." Creative Launcher 7, no. 1 (2022): 22–26. http://dx.doi.org/10.53032/tcl.2022.7.1.04.

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Many legends and myths have survived through ages. They also have strong connection with reality of past and present. History, mythology, science, psychology, fiction all is entwined in such a way that it becomes difficult to segregate them from one another. In fact, all these together bring a new meaning to such a subject. True it is and true it shall be that, almost everything that we can think of is connected to many other things. Vampirism is not an exception to that. Though it has been popularized by fictions more, it also has a bleak history, a dreary reality that comes through psycholog
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12

Loshakova, Galina A., and Lyudmila E. Smirnova. "Slavic Allusions of the Austrian Literature of the 19th Century." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 66 (2022): 214–23. http://dx.doi.org/10.37816/2073-9567-2022-66-214-223.

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Slavic narrative of the Austrian literature of the 19th century was an important part of the author's worldview and the structure of the texts of many works. These are folk songs of Slovenes arranged by A. Gruen, allusions of Czech and Moravian legends and tales in the works of A. Stifter and M. Ebner-Eschenbach. Austrian writers intuitively rejected the “friend — foe” dilemma. Since childhood, the artistic world of Slavic culture was not alien to them, since they were actively attached to it. This circumstance can be explained by the peculiarity of the evolution of the Austrian Empire, which
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13

Sitora, Khamdamova. "THE ROLE OF IRISH FOLKLORE IN FORMING NATIONAL IDENTITY IN SEAMUS HEANEY'S POETRY." Journal of Universal Science Research "ZAMONAVIY TILSHUNOSLIK VA TARJIMASHUNOSLIKNING DOLZARB MUAMMOLARI" mavzusidagi xalqaro ilmiy-amaliy anjuman 3, no. 4 (2025): 334–40. https://doi.org/10.5281/zenodo.15294068.

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<em>The article discusses integration of folk poetry to the formation of national identity, preserving cultural memory and shared values in Seamus Heaney</em><em>&rsquo;</em><em>s poetry. The incorporation of Irish folk elements serves to emphasize and preserve Irish cultural heritage, playing a significant role in the construction of national identity. Seamus Heaney</em><em>&rsquo;</em><em>s engagement with Irish folk poetry is evident in his works, where he often draws upon traditional Irish legends, myths, and oral traditions. Heaney</em><em>&rsquo;</em><em>s poetry captures the essence of
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14

Holubovska, I., and V. Pidhurska. "THE ARTISTIC INTERPRETATION OF THE FOLKLORE PLOT, TRADITIONAL IMAGES AND MOTIVES IN THE LEGEND BY NATALENA KOROLEVA "KYRYLO KOZHUMIAKA"." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 1(99) (April 12, 2023): 7–16. http://dx.doi.org/10.35433/philology.1(99).2023.7-16.

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The article presents an attempt to analyze the legend by Natalena Koroleva "Kyrylo Kozhumiaka" in terms of determining the specifics of the author's reinterpretation of the folklore plot, traditional motives and images. The material for generalizations is the texts of the Ukrainian folk tale "Kyrylo Kozhumiaka", published by Panteleimon Kulish in "Notes on Southern Rus" and the legend by Natalena Koroleva (collection "Ancient Kyivan Legends") under the same title. The study observes that Natalena Koroleva revealed a steady interest in folklore and literary legends throughout her creative life,
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15

Saralaev, Nur K., Abdrakhman M. Alymbaev, and Rita B. Salmorbekova. "The Mythology of Ethnogenesis: the Experience of Kyrgyzstan. Kyrgyz-Oghuz Myths as a Factor in the Ethnic Consolidation of the Kyrgyz Society." Voprosy Filosofii, no. 10 (2023): 181–87. http://dx.doi.org/10.21146/0042-8744-2023-10-181-187.

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The article is devoted to the analysis of the Kyrgyz-Oghuz legends and myths, which play a significant role in the study of the origin of the Kyrgyz people, their traditions, of beliefs and rituals, including the myth of the Kyrgyz father. The authors draw attention to the fact that myths and legends are especially sig­nificant for the Kyrgyz culture and are a valuable source for the study of folk mentality. Kyrgyz-Oghuz legends and myths have been poorly studied both his­torically and philosophically. Myths related to the origin of the two peoples (Kyrgyz-Oghuz) and the ethnostructures of bot
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16

Bravina, Rozaliia. "Archeology of Folklore: Ancient inhabitants of the East Siberian Arctic." Genesis: исторические исследования, no. 8 (August 2023): 73–82. http://dx.doi.org/10.25136/2409-868x.2023.8.39818.

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The subject of the study is the aboriginal tribes of the Yakut Arctic based on the folklore of the indigenous peoples of Northeast Asia. Mythological plots and folklore texts include images from mythical characters – the host spirits of ichchi and kuchun of peripheral border territories and wild "half-human, half-animal" chuchun/suchun, to representatives of alien Omuk tribes with their unusual appearance and habits: "hairy" giants, tiny men and people "falling asleep for the winter". The purpose and objectives of the article are to generalize, systematize and analyze folklore texts about the
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17

Kumar, Vinod. "Traditions and Folk Belief of the Supernatural: A Case Study of Western Himalayas in Shimla Hill." Journal of Research in Social Science and Humanities 3, no. 5 (2024): 23–28. http://dx.doi.org/10.56397/jrssh.2024.05.05.

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This paper intends to highlight the belief in the existence of superhuman or supernatural power in the area of study, which has a rich stock of myths, legends, traditions and the sacred occasion which are explained by some myth or the other, having some mythology behind them. Shimla hills as a part of Western Himalayas has plenty of folk beliefs and legends associated with deities’ heroes and cults, and these play an important role in the customary practice and behaviour of the masses. The region has several great deities drawn from historical traditions. These gods and heroes, and the folklor
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18

Magyar, Zoltán. "The untold subgenre." Fabula 62, no. 3-4 (2021): 259–78. http://dx.doi.org/10.1515/fabula-2021-0014.

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Abstract The history of international folklore research has seen several attempts to systematise the folklore texts. The (fairy) tale research has been the most productive, with nearly one hundred national tale catalogues available as well as the international tale catalogue at its fourth, improved edition. In contrast to tale and other epic genre (ballad, exemplum), the last 110 years of legend research have resulted in only a handful of books that systematised the folk heritage of the genre. Apart from a dozen of catalogues of aetiological and belief legends, until the publication of the Hun
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19

Муҳиддинова, Дилафруз Зохриддиновна. "ЗАМОНАВИЙ АРАБ АДАБИЁТИДА ҲИНД МИФОЛОГИЯСИНИНГ БАДИИЙ ТАЛҚИНИ". Oriental Renaissance: Innovative, educational, natural and social sciences 2, № 25 (2022): 238–44. https://doi.org/10.5281/zenodo.7393939.

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<em>Замонавий араб адабиётида ҳозирги замон муаммоларини тасвирлаш мақсадида жаҳон ва миллий мифологик сюжет ва образларга, диний муқаддас китоблардаги ривоятларга ижодий ёндашув кучайиб бормоқда. Мазкур мақолада мисрлик ёзувчи Мунир Утейбанинг &ldquo;Огоҳлантириш&rdquo; ҳикоясида ҳинд халқининг қадимий мифларидан&nbsp; бугунги замон, бугунги инсон қиёфасини, ундаги ахлоқий, маънавий камчилик ва иллатларни ёритишда истифода этгани, интертекстуалликнинг ўзига хос хусусиятлари таҳлил қилинган. </em> <em>In modern Arabic literature, the use of exemplary world and national mythology and legends, f
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20

Balabushka, Victoria. "CHRISTIAN-SACRAL TRADITIONS OF CHERNIGIV-SIVERSKY REGION." Baltic Journal of Legal and Social Sciences, no. 2 (October 25, 2022): 12–16. http://dx.doi.org/10.30525/2592-8813-2022-2-2.

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In the article, from the standpoint of cultural research, there is an attempt to systematize the Christian values of the saints, which formed the basis of the cultural and artistic projects of the architecture of medieval Chernigiv and generalize common European, including Slavic-Ukrainian, distinctive traditions of spiritual heritage. They were formed on the basis of pagan mythology, which was transformed into the Christian spiritual world. It was passed down from generation to generation through oral and written culture, preserved in myths, legends, legends, sermons, chronicles, and the Holy
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21

Kalashnikova, Anna L. "Functions of author’s legends and traditions in the novel by A. V. Ivanov “The Rebellion’s Gold”." Sibirskiy filologicheskiy zhurnal, no. 3 (2022): 140–52. http://dx.doi.org/10.17223/18137083/80/12.

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The novels of Alexei Ivanov are a noticeable phenomenon in modern Russian literary life and attract the attention of literary critics. An important role in the artistic structure of the novel “The Rebellion’s Gold” is played by folklore-mythological elements, which are the original author’s system of pseudo-folklore texts created according to the model of traditional oral folk art. The focus of our attention is the functional significance of legends and traditions, manifold on the pages of the novel by A. Ivanov. It was revealed that the author’s legends and traditions in “The Rebellion’s Gold
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22

Čechová, Mariana. "Opowieściowy wzór przeznaczenia bohaterów." Slavia Occidentalis, no. 74/2 (December 10, 2018): 65–76. http://dx.doi.org/10.14746/so.2017.74.23.

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As a result of an analysis of folk types 461 and 930 (‘protected by fate’) their thematic and motif-based intersections in the comparative framework of European and Asian literary tradition can be identified. At the same time, these intersections are inter-culturally valid. The research shows that an invariant semanteme of all the myths, folk tales and legends studied is the unsuccessful attempt of a man of high social standing and power to kill his successor, who has been chosen by fate. This ancient narrative motif also contains the famous Biblical motifs, such as the persecution of a child,
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23

Tykhovska, Oksana. "Psychological basis of the image of a dead lover in mythology of transcarpatia and P. Kulish’s story about, why the Peshevtsov pond was dried up in the town of Voronezh." Fìlologìčnì traktati 12, no. 1 (2020): 117–25. http://dx.doi.org/10.21272/ftrk.2020.12(1)-12.

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In Ukrainian mythology as in world mythology, there is an idea of the possibility of a love relationship between a human and a demonic creature – a dead lover or a devil. Thus, F. Potushnyak’s article Dead Love in Folk Beliefs (1944) is devoted to this theme. Folk beliefs about demonic lovers precondition the relationship between them and a human, and methods of their overcoming are examined in this article. In the short story About, why the Peshevtsov pond was dried up in the town of Voronezh (1839) written by P. Kulish, we can find a very interesting interpretation of folk beliefs when a dea
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24

Maganini, Andressa Dias, Sarah Vasconcellos Souza, and Luli Hata. "A REPRESENTAÇÃO DA IMAGEM SIMBÓLICA DOS MITOS INDÍGENAS NAS LENDAS BRASILEIRAS." Colloquium Socialis 8, no. 1 (2024): 1–11. https://doi.org/10.5747/cs.2024.v8.s176.

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The project focuses on investigating the consolidation of symbolic images of indigenous mythology in Brazilian legends, especially those that were massively published in books aimed at children. In particular, the characters Curupira and Iara, widely publicized as derived from indigenous culture and known to the public, were the characters chosen for this attack. The objective was to verify whether these characters actually belong to indigenous mythology and, later, whether the visual record corresponds to the image present in the myth. Once the analysis was done, the next stage consisted of c
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25

Berezovich, Elena L., and Elena E. Ivanova. "On Reconstructing the Mountain Mythonymy of the Urals: The Masters of Underground Treasures." Izvestia of the Ural federal university. Series 2. Humanities and Arts 26, no. 3 (2024): 50–70. http://dx.doi.org/10.15826/izv2.2024.26.3.041.

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This article analyses the mountain mythonymy of the Urals, i.e. names for supernatural anthropomorphic beings that guard treasures of the earth (minerals and metals) and aid (or interfere with) their discovery, extraction, and carving. Russian mountain mythology has already been studied by folklorists, but the linguistic aspect is only unfolding now. The material referred to in the article was collected during the 2020–2023 expeditions and retrieved from dictionaries, folklore texts, and fiction. The article mainly draws on the mythology and mythonymy of the Urals (as well as some zones of Sib
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26

Pan, Hon Engi. "Chinese National Traditions in the Musical Poetry of the Piano Concert "The Four Spirits" by Chen Yi." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 1, no. 1 (2018): 101–11. https://doi.org/10.31866/2616-7581.1.2018.146265.

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Genre of the piano concert holds a prominent place in the works of contemporary Chinese composers. The interest is due to the integration of Chinese culture into the Western music world, the awareness of piano versatility for national musical material adaptation. Article analyses for the first time one of the most recently written works of the contemporary Chinese-American composer Chen Yi &ndash; the piano concert &ldquo;The Four Spirits&rdquo; (2016). The purpose of the article is to determine the effect of ancient Chinese mythology on the content and structure of the piano concert &ldquo;Th
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27

Vivcharyk, Nataliia. "Transformation of Folklore Images and Motifs in Dara Korniy’s Novel “Honykhmarnyk”." Journal of Vasyl Stefanyk Precarpathian National University 10, no. 1 (2023): 225–32. http://dx.doi.org/10.15330/jpnu.10.1.225-232.

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The article examines folklore motifs and images of Dara Kornyi's novel "Honykhmarnyk", which is offered to be analyzed in the Ukrainian literature class in the 11th grade in the context of studying modern literature. It is indicated that the writer contributed to the development of the urban fantasy genre, and her work is rooted in folklore and mythology, which will allow students to deepen their knowledge of oral folk art, to draw parallels with the works they studied in high school, in particular Lesia Ukrainka's "Forest Song" and "Shadows of forgotten ancestors" by Mykhailo Kotsiubynskyi. I
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28

Hu, Liu. "Snake-like mythological characters of Shandong province (China) in comparision with Serbian ones." Slavic Almanac, no. 1-2 (2021): 329–45. http://dx.doi.org/10.31168/2073-5731.2021.1-2.3.03.

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The article is devoted to the snake-like mythological characters, found in the mythology of Chinese Shandong province in comparison with South Slavic word on the example of the Serbian tradition. The article presents an analysis of the names of mythological characters through the two languages on the basis of the ethnic tradition. The images of snake-like mythological characters, etiological legends, local rituals and folk customs in the Shandong province and the Serbian tradition are also considered. This study shows how the mythological perception of reality is reflected in the cultural code
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29

Thilakarathne, S., S. Gopura, A. Wickramasinghe, and A. Payne. "Folklore in fashion- preserving intangible cultural heritage through fashion." Bolgoda Plains 3, no. 1 (2023): 61. http://dx.doi.org/10.31705/bprm.v3(1).2023.16.

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Folklore has been an integral part of Sri Lankan culture for centuries and the story of Kuweni is one such entrancing narrative with historical significance, since it is directly linked to the origin of the Sinhalese nation. Kuweni’s importance extends beyond folk narratives and is also evident in ancient literature, describing her as a superhuman being, yet her true identity remains shrouded in mystery. Her shape-shifting abilities, as described in various legends, make Kuweni a fascinating character worthy of contemplation from many perspectives. Folklore is distinct from mythology, as it co
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30

Peleshenko, Olena. "RECEPTION OF “THE TALE OF THE TWELVE FRIDAYS” IN IVAN NECHUI-LEVYTSKYI’S NOVEL “KAIDASH FAMILY”." Слово і Час, no. 2 (April 21, 2025): 38–51. https://doi.org/10.33608/0236-1477.2024.02.38-51.

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The paper traces the reception of apocryphal codes and penitential motifs in Ivan Nechui-Levytskyi’s novel “Kaidash Family.” The research introduces a hypothesis that “The Tale of the Twelve Fridays,” as well as “Blessed Virgin Mary’s Dream” and “Sunday Epistle,” serve as pivotal pretexts for the novel as a whole and as a key to understanding Granny Palazhka’s religious superstitions and the motivation of Omelko Kaidash’s Friday fasts. Two editions of the novel “Kaidash Family” were compared: the 1879 publication in the journal “Pravda” and the 1887 edition, which appeared as part of the book
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Peleshenko, Olena. "RECEPTION OF “THE TALE OF THE TWELVE FRIDAYS” IN IVAN NECHUI-LEVYTSKYI’S NOVEL “KAIDASH FAMILY”." Слово і Час, no. 2 (April 21, 2025): 38–51. https://doi.org/10.33608/0236-1477.2025.02.38-51.

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The paper traces the reception of apocryphal codes and penitential motifs in Ivan Nechui-Levytskyi’s novel “Kaidash Family.” The research introduces a hypothesis that “The Tale of the Twelve Fridays,” as well as “Blessed Virgin Mary’s Dream” and “Sunday Epistle,” serve as pivotal pretexts for the novel as a whole and as a key to understanding Granny Palazhka’s religious superstitions and the motivation of Omelko Kaidash’s Friday fasts. Two editions of the novel “Kaidash Family” were compared: the 1879 publication in the journal “Pravda” and the 1887 edition, which appeared as part of the book
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Coinnigh, Marcas Mac. "A Life History of the ‘Irish’ Ecotype Tied Stones and Loose Dogs." Journal of Ethnology and Folkloristics 13, no. 1 (2019): 51–78. http://dx.doi.org/10.2478/jef-2019-0004.

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Abstract The term ecotype was first introduced to the field of folkloristics by Carl Wilhelm von Sydow (1878–1952), who proposed the idea that folktales develop from base forms due to transformations triggered by specific environmental conditions before eventually stabilising within cultural districts. The general analogy was popular amongst folklorists who readily invoked the concept to deconstruct a wide range of genres including rhyming couplets, folk ballads, folktales, fairy-tales, personal narratives, legends and urban legends. It is unfortunate, however, that ecotypes have largely been
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Hasan, Kamrul. "Mythology in Modern Literature: An Exploration of Myths and Legends in Sylvia Plath’s Poetry." International Journal of English Literature and Social Sciences 8, no. 4 (2023): 294–301. http://dx.doi.org/10.22161/ijels.84.48.

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Mythology has become an intrinsic part of literature for the symbolic, structural and functional values it imparts to a text. Although the use of myths and legends in literature has been transformed contextually over the different literary periods, modern writers extensively reappropriated and used them to portray the complexity of the theme and narrative structure of a text. They illustrated the contemporary fragmented reality and individual experience through myths. By incorporating myths in a text, modern writers sometimes created fictionalized and artificial myths of their own. American po
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Kropej Telban, Monika. "Slovenske pravljice in povedke od reformacije do romantike." Jezik in slovstvo 65, no. 3-4 (2024): 23–36. http://dx.doi.org/10.4312/jis.65.3-4.23-36.

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The article presents the Slovenian narrative tradition from the age of the Reformation to the beginning of Romanticism. This tradition was influenced by the development of the European folk narrative tradition, while also preserving traces of the literature of older civilisations in other parts of the world. A short survey is presented of the sources, collections, apocryphal legends, exempla and fairytale books that influenced the development of the Slovenian narrative tradition from the sixteenth century to the beginning of the nineteenth century. Elements from Slovenian writers from the age
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Bakieva, Gulsifa T. "THE CULT OF THE BEAR IN THE FOLK TRADITIONS AND MYTHOLOGY OF THE SWAMPY TATARS." Proceedings of the UFRC RAS. Series: History. Philology. Culture 1, no. 2 (2024): 139–47. http://dx.doi.org/10.31833/sifk/2024.1.2.002.

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The article discusses the beliefs and practices of the Siberian Tatar people related to the worship of the bear. It presents a rich collection of ethnographic materials from remote villages in the Tobolsk region, including fairy tales, legends, epic poems, and oral histories about bear hunting and traditional medicine. Through the analysis of this material, the article reveals a complex range of beliefs about the bear as a revered animal. In the worldview of the Siberian Tatars of various ethnoterritorial groups in the past, there was a veneration of the bear as a totem. This is reflected in t
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Skujytė-Razmienė, Asta. "Origins of Plague and Cholera according to the Lithuanian Folklore." Tautosakos darbai 52 (December 30, 2016): 145–66. http://dx.doi.org/10.51554/td.2016.28871.

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The article aims at establishing the ways that folklore texts reflect the notions of plague and cholera, and how their connections with different elements and nature forces, the dissemination means attributed to them, their manifestations and modes of movement reveal the origins of these epidemic diseases.Texts on plague and cholera are far from numerous in the Lithuanian folklore; besides, the existing ones, rather than describing historic facts or symptoms of the disease, focus on recording emotions, thus presupposing painful traumatic experiences. E. g.: God forbid seeing what we saw. It is
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Permilovskaya, Anna B. "Mythology of the russian orthodoxy and wooden church architecture." Yaroslavl Pedagogical Bulletin 2, no. 119 (2021): 151–58. http://dx.doi.org/10.20323/1813-145x-2021-2-119-151-158.

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This research topic is the initial stage of new work. The influence of the mythopoetic worldview of Russians and Orthodoxy on the architectural structure and symbolism in the concept of wooden temple building in the northern and arctic territories is considered an integrative scientific field in the article. This is founding a confirmation in the organization of the cultural and sacred landscape, in historical traditions and legends about the choosing of a place for the building of a temple (chapel). As well as the special status of «sacred» and «roadside» groves of trees, the selection of the
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Ryblova, Marina. "Images of “Their” and “Strangers” in Toponymy and Toponymic Legends of the Don Cossacks." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 2 (April 2023): 57–68. http://dx.doi.org/10.15688/jvolsu4.2023.2.5.

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Introduction. The studies carried out to date on the settlements of the Don Cossacks and the toponymic system associated with them can and should be continued, since they open up prospects for further identifying the images of those with whom the Cossacks waged incessant wars, conquering and protecting the Russian and Don lands. They make it possible to trace the evolution of the development of the images of “us” and “others”, as well as to identify the socio-cultural image of the Cossacks themselves, reflected in the characteristics of the “others.” Methods and Materials. To solve these probl
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Sălăgean, Tudor. "Comorile îngropate și căutătorii lor: istorii, practici magice și mituri." Anuarul Muzeului Etnograif al Transilvaniei 32 (December 20, 2018): 136–64. http://dx.doi.org/10.47802/amet.2018.32.09.

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Analyzing the historical, juridical and ethnographical information about treasures, the author points out at the links between the treasure legends and the mythologies of the Otherworld. The treasures, in their most archaic identifiable aspects, are a part of the Otherworld reality. The access to it is regulated by a system of rules governed by forgotten divinities of the underworld and, also, is a result of a form of initiation. One of the basic rules of treasure finding is that of non-intentionality, of the complete absence of any desire for enrichment. Also, there can be found interesting f
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Simonyan, Lilit D., Anushavan Zhamkochyan, and Karen H. Hovhannisyan. "THE MYTHS ON JARAH-HEKIM ST. TIRAMER MONASTERY." History, Archeology and Ethnography of the Caucasus 20, no. 4 (2024): 886–98. https://doi.org/10.32653/ch204886-898.

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The aim of the article is to demonstrate how legends may exert influence upon the character of cult and how different may be the comprehension of a religious object by people-carriers of one or another tradition. The convent Jarah-hekim St. Mother of God serves as an illustration for the long lasting and and changing tradition affecting worship and folk representations and living even after the extinction of the material object (the church) around which that tradition has arisen. The research is accomplished with the use of diachronic analysis of the historical data and with content analysis a
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Makky, Lukáš. "Nesmrteľnosť, moc a démonické sily." ESPES. The Slovak Journal of Aesthetics 3, no. 2 (2014): 52–60. https://doi.org/10.5281/zenodo.6387971.

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The story of Faust is a part of European culture and mythology for five centuries and modified and reflected looking of the society upon some key questions in various transformation. Faust has never been alone in his effort to reach an absolute knowledge and power, even at the expense of his own execration. Other iconic beings of folk literature or folk imagination and fiction following their own ambitions were ahead of him and followed him. The aspect of power as a dominant determinant of not only Faust&rsquo;s effort became determining element of investigation in submitted article. Author ac
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Guha Thakurta, Anirban. "THE GAME THAT DAY WAS A TIGER1: IMPLICATIONS OF TIGER-HUNTING EPISODES IN SELECT AMAR CHITRA KATHA GRAPHIC HISTORICAL BIOGRAPHIES2 CONCERNING INDIAN RULERS." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (2022): 515–25. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.130.

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Amar Chitra Katha, being comics and described by its makers as a route to Indian roots, has replaced the stereotypical western comic book superheroes by narrating and celebrating native heroes fetched from Indian history, mythology, legends and folk culture satisfying the needs of comic-book adventurism as well as an education achieved through entertainment. The Amar Chitra Katha ‘heroic’ graphic historical biographies were not merely intended to be a source of historical knowledge about India but also an inspiration to emulate the ideals of such heroes of native history. The present paper is
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Thagazitov, Yuriy M., Almira M. Kazieva, and Fatima T. Uzdenova. "Genesis of the novelty thinking in Russian language Kabardinian literature of the 80s of the 20th century." Philological Sciences. Scientific Essays of Higher Education, no. 4 (July 2021): 131–36. http://dx.doi.org/10.20339/phs.4-21.131.

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The article is an attempt to “re-read and rethink” the novels of Russian-speaking Kabardian writer M. Elberd “Terrible way to Oshkhamakho” and “Look for where you didn’t hide” at the level of modern literary experience. The authors focus on the complex, multifaceted interweaving of a single, essentially self-national and Russian-language literary process. This approach allows us to see new facets of artistic and sociocultural interrelations in the evolution of novel thinking. The particular interest of the Russian-language novel in history is connected with the important problem of how people
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MAN'KOVSKII, ARKADII. "ROME AND CARTHAGE BY A.V. TIMOFEEV: ON THE PROBLEM OF THE GENESIS OF “HISTORICAL FANTASY” AS A GENRE VARIETY OF RUSSIAN ROMANTIC DRAMA OF THE 19TH CENTURY." Literaturovedcheskii Zhurnal, no. 3 (2021): 142–63. http://dx.doi.org/10.31249/litzhur/2021.53.10.

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The paper explores the genre of scarcely studied play by Russian minor writer Alexei V. Timofeev (1812-1883) Rome and Carthage (1837). Timofeev’s contemporary literary critic Osip Senkovskii treated like poet’s failure his use of romantic techniques in the play on ancient plot. Taking into account this opinion the paper analyzes the paratextual elements in the play, the way of describing characters, the division of the play into acts, the connection of the plot events with historical facts. The paper argues that the play approaches the kind of romantic drama, which the author suggests to call
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45

Hill, Trevor. "Webb’s Shropshire and Hardy’s Wessex: Literary and Geographical Influences on the Early Novels of Mary Webb." Acta Neophilologica 1, no. XXVII (2025): 81–103. https://doi.org/10.31648/an.11045.

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Mary Webb, whose novels and poetry portray her native county of Shropshire, was a keen reader of Thomas Hardy. Several biographers and scholars – including Gladys Mary Coles, Andrew Radford and Carol Siegel – have noted Hardy’s influence in her work. However, while these authors have explored aspects such as sexual politics, classical myth, and biographical details, they have focussed less upon Webb’s use and description of landscape, as well as Shropshire mythology and folklore. This article will build upon a small amount of research by these scholars, and not only examine the influence of Ha
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Kyyanovska, Luba. "Operas by Mykola Lysenko in the Context of Romantic Slavic Schools of the 19th Century." Edukacja Muzyczna 18 (2023): 137–53. http://dx.doi.org/10.16926/em.2023.18.08.

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For the dissemination of historical memory or the portrayal of national myth, opera was the most appropriate instrument. Romanticism was a period during which many of Europe’s national identities were formed. The primary function of the opera at the time was to return to national mythology and history. The focus of this contribution are the operas by Mykola Lysenko (Миколa Лисенкo, 1842–1912), the founder of the Ukrainian school of composition. These works, which are largely unknown in Poland, represent an interesting interpretation of the principles of the genre of the Romantic opera. They ar
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Kyyanovska, Luba. "Operas by Mykola Lysenko in the Context of Romantic Slavic Schools of the 19th Century." Edukacja Muzyczna 18 (2023): 155–71. http://dx.doi.org/10.16926/em.2023.18.09.

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For the dissemination of historical memory or the portrayal of national myth, opera was the most appropriate instrument. Romanticism was a period during which many of Europe’s national identities were formed. The primary function of the opera at the time was to return to national mythology and history. The focus of this contribution are the operas by Mykola Lysenko (Миколa Лисенкo, 1842–1912), the founder of the Ukrainian school of composition. These works, which are largely unknown in Poland, represent an interesting interpretation of the principles of the genre of the Romantic opera. They ar
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48

Laxman, Majhi. "Daṇḍa nāṭa Tradition in Odishan Culture". Partners Universal International Research Journal (PUIRJ) 03, № 01 (2024): 109–18. https://doi.org/10.5281/zenodo.10825674.

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The Daṇḍa nāṭa tradition is an ancient and distinctive type of folk theatre that began in Odisha. This traditional art form is an essential element of Odishan culture and has been practiced for generations in various parts of the state. The Daṇḍa nāṭa tradition is culturally significant in Odisha, reflecting the state's rich heritage, mythology, and folklore. The performances are usually based on legendary legends and explore themes such as good vs evil, love and devotion, and human values. The performances feature a group of dancers doing elaborate dance steps while holding sticks, producing
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49

Sahakyan, H. A. "The Embodiment of the Myth about the Woman-Snake in A. Remizov’s Story “Melusina” and Armenian Legends." Studies in Theory of Literary Plot and Narratology 16, no. 1 (2021): 26–39. http://dx.doi.org/10.25205/2410-7883-2021-1-26-39.

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In world folklore, both the Myth of the Snake-woman and the motive of the birth of “wonderful children” from half-humans-half animals are widespread. Melusine is a fairy, a heroine of a folk tale of Celtic origin. Often depicted as a female-snake or female-fish from the waist downwards, sometimes with two tails. The Legend of Melusine goes back to the mythological motif of the “sacred marriage” of a chthonic being with a celestial deity, which was then transformed into the fabulous motif of the “wonderful spouse” (AaTh 400-459). The folk legends we have considered about mermaids and other trav
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Vorobiev, Vladimir V., Fluza G. Fatkullina, Raisa H. Khairullina та Dmitry S. Sknarev. "Отражение единства человека и природы в мифологической картине мира (на материале русских, тувинских и башкирских фольклорных текстов)". Oriental Studies 17, № 3 (2024): 664–79. https://doi.org/10.22162/2619-0990-2024-73-3-664-679.

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Introduction. The article examines origins of ethnic culture as a worldview system. It makes the first attempt to review pre-scientific (profane) knowledge and ideas of man about the world and existence, coexistence with natural forces, animals and plants, worships of personified spirits represented in folk art and lore. Goals. The work outlines a linguocultural interpretation of how pagan ideas about the world as a special linguocultural model would be verbalized (in particular, a thematic block of the ‘man-and-nature’ model), the latter be expressed in folk narratives, ethnic markers and par
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