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Books on the topic 'European Medals'

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Published: 4 June 2021
Last updated: 1 February 2022

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1

Eleonora, Luciano, ed. Renaissance medals. Washington: National Gallery of Art, 2005.

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2

editor, Dale Maria Saffiotti, ed. European medals in the Chazen Museum of Art: Highlights from the Vernon Hall collection and later acquisitions. Madison, WI: Chazen Museum of Art, University of Wisconsin/Madison, 2014.

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Bonța, Claudia M. Baroque influences in Central-European medal work: The seventeenth-eighteenth centuries. Cluj-Napoca: Argonaut & Mega, 2013.

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4

Beckouche, Pierre. Atlas of Challenges and Opportunities in European Neighbourhoods. Cham: Springer Nature, 2016.

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5

Fina, Valentina Della. Protecting the Rights of People with Autism in the Fields of Education and Employment: International, European and National Perspectives. Cham: Springer Nature, 2015.

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6

Schlegel, Philip J. Decorated by a grateful ally: United States Army awards of the Silver Star, the Bronze Star medal, and the Legion of Merit to Dutch nationals for service in the European theater of operations during the Second World War : address. [United States]: P.J. Schlegel, 2000.

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7

Inc, Numismatic Fine Arts. Numismatic Fine Arts, Inc. & Bank Leu AG present an unreserved mail bid and public auction featuring the Garrett collection , Part III: Ancient, medieval, and modern coins, commemorative medals, orders, and decorations : closing date, March 29, 1985. Beverly Hills, Calif: Numismatic Fine Arts, 1985.

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8

Society, Royal Numismatic, and Society for the Study of the Crusades and the Latin East., eds. Coinage of the Crusades and the Latin East in the Ashmolean Museum Oxford. 2nd ed. London: Royal Numismatic Society [and] Society for the Study of The Crusades and The Latin East, 1995.

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9

Britain), National Archives (Great, ed. Medals: The researcher's guide. Kew, UK: National Archives, 2004.

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10

University of Manchester. European Policy Research Unit., ed. The European Union and the regulation of media markets. Manchester: Manchester University Press, 2005.

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11

Venturelli, Shalini. Liberalizing the European media: Politics, regulation, and the public sphere. Oxford: Clarendon Press, 1998.

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12

ill, Shulevitz Uri 1935, ed. Tontimundo y el barco volador: Un cuento ruso. New York: Farrar, Straus and Giroux, 1991.

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13

The Dassiers of Geneva: Eighteenth-Century European Medallists: Volume I: Jean Dassier, Medal Engraver: Geneva, Paris and London, 1700-1733; Volume II: Dassier and Sons: An Artistic Enterprise in Geneva, Switzerland and Europe, 1733-1759. Geneva and Lausanne: Musée d'art et d'histoire, Geneva; Cabinet des médailles du canton de Vaud, 2002.

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14

Ross, Graham. Scotland's forgotten valour. Isle of Skye: MacLean, 1995.

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15

Golem. New York: Clarion Books, 1996.

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16

Graeme, Turner. British cultural studies: An introduction. Boston: Unwin Hyman, 1990.

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17

Graeme, Turner. British cultural studies: An introduction. 2nd ed. London: Routledge, 1996.

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18

Graeme, Turner. British cultural studies: An introduction. 3rd ed. London: Routledge, 2003.

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19

British cultural studies: An introduction. 3rd ed. New York: Routledge, 2002.

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20

Worldwide coins and medals: Featuring impressive European selections ... 1985.

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21

Collection, Frick, ed. The pursuit of immortality: Masterpieces from the Scher Collection of portrait medals. 2017.

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22

Fina, Valentina Della, and Rachele Cera. Protecting the Rights of People with Autism in the Fields of Education and Employment: International, European and National Perspectives. Springer, 2015.

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23

Fina, Valentina Della, and Rachele Cera. Protecting the Rights of People with Autism in the Fields of Education and Employment: International, European and National Perspectives. Springer, 2016.

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24

Pollard, John Graham, Maria Pollard, and Eleonora Luciano. Renaissance Medals: Volume One: Italy (A Publication of the National Gallery of Art, Washington). Oxford University Press, USA, 2007.

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25

Porretta, Pasqualina, and Giovanni Pes. Microfinance, EU Structural Funds and Capacity Building for Managing Authorities: A Comparative Analysis of European Convergence Regions. Palgrave Macmillan, 2015.

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26

Pollard, John Graham, Maria Pollard, and Eleonora Luciano. Renaissance Medals: Volume Two: France, Germany, the Netherlands, and England (A Publication of the National Gallery of Art, Washington). Oxford University Press, USA, 2007.

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27

Museum, Ashmolean, and D. M. Metcalf. Coinage of the Crusades and the Latin East (Royal Numismatic Society Special Publication). 2nd ed. Ashmolean Museum, 1995.

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28

Hines, James R. The Golden Age of American Skating. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039065.003.0009.

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This chapter discusses the evolution of figure skating after World War II. World War II was more devastating to the skating community than was World War I, primarily because figure skating between the wars had become more widespread. The seven-year lapse in international competition retested figure skating's resilience. However, it not only survived but developed into a greater sport than it was before. Before the war, North Americans did not win any European, World, or Olympic titles. When the European and World Championships were reestablished in 1947, Barbara Ann Scott of Canada won gold medals. The following year Scott and Dick Button of the United States won gold medals at those competitions and at the Olympic Games as well. From 1947 through 1960 North American skaters were gold medalists in at least one discipline every year, and they dominated the sport in singles skating, changing it dramatically through expanded athleticism. The leader in what has been called the golden age of American skating was Dick Button.
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29

Hodgson, David. Medal of Honor: European Assault (Prima Official Game Guide). Prima Games, 2005.

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30

Spencer, William. Medals: The Researcher's Companion. The National Archives, 2006.

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31

Ross, Michael. Jacques Wiener's Most Remarkable Edifices of Europe: The Man, Monuments, and Medals. American Numismatic Society, 2020.

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32

Media Markets Public Spheres European Media At The Crossroads. Intellect (UK), 2010.

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33

EUROPAISCHE MEDAILLENKUNST VON DER RENAISSANCE BIS ZUR GEGENWART [The Art of the European Medal from the Renaissance to the Present]. Staatliche Museen, 1995.

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34

Slipinski, Adam, and Hermes Escalona. Australian Longhorn Beetles (Coleoptera: Cerambycidae) Volume 1. CSIRO Publishing, 2013. http://dx.doi.org/10.1071/9781486300044.

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Longhorn Beetles — Cerambycidae are one of the most easily recognised groups of beetles, a family that worldwide encompasses over 33,000 species in 5,200 genera. With over 1,400 species classified in 300 genera, this is the sixth largest among 117 beetle families in Australia. These beetles often attack and kill living forest or orchard trees and develop in construction timber (like European House borer, introduced to WA), causing serious damages. Virtually all Cerambycidae feed on living or dead plant tissues and play a significant role in all terrestrial environments where plants are found. Larvae often utilise damaged or dead trees for their development, and through feeding on rotten wood form an important element of the saproxylic fauna, speeding energy circulation in these habitats. Many species are listed as quarantine pests because of their destructive role to the timber industry. This volume provides a general introduction to the Australian Cerambycidae with sections on biology, phylogeny and morphology of adult and larvae, followed by the keys to the subfamilies and an overview of the 74 genera of the subfamily Lamiinae occurring in Australia. All Lamiinae genera are diagnosed, described and illustrated and an illustrated key to their identification is provided. A full listing of all included Australian species with synonymies and bibliographic citations is also included. Biologists worldwide, curators and staff at natural history museums, quarantine/inspection services, entomologists and collectors - many of these beetles are collector's items. Winner of the 2016 J.O. Westwood Medal Winner of the 2014 Whitley Medal
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35

Aguilera González, Pedro Pablo, ed. Kritica 1.0: contenidos, encuadres y discursos en los medios de comunicación. Editorial Universidad Santiago de Cali, 2020. http://dx.doi.org/10.35985/9789585583825.

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Este libro debe servir de apoyo a la investigación que deseamos consolidar en nuestros estudiantes. Por esto mostramos, diferentes miradas de investigadores de dedicación exclusiva que vienen reflexionando sobre las posibilidades del análisis de contenido en los medios de comunicación más cerca de lo cuantitativo que parte de la tradición del empirismo sociológico norteamericano, el análisis de los discursos desde la filosofía y una postura crítica a los estudios críticos europeos y finalmente, a ver la importancia de los enfoques desde la teoría de la Agenda Setting y el Framing mostrando la riqueza de estos modelos para la investigación de los procesos comunicativos.
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36

Marriott, John Arthur Ransome. The Fool of the World and the Flying Ship: A Russian Tale. Tandem Library, 1999.

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37

(Illustrator), Uri Shulevitz, ed. The Fool of the World and the Flying Ship: A Russian Tale. Farrar, Straus and Giroux (BYR), 1987.

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38

Edelman, Robert, and Christopher Young, eds. The Whole World Was Watching. Stanford University Press, 2019. http://dx.doi.org/10.11126/stanford/9781503610187.001.0001.

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The master narrative of Cold War sports describes a two-sided surrogate war, measurable by falsely objective medal counts every four years at the Olympic Games. This approach is as inadequate for sports as it is for the Cold War. Rather than a bipolar, superpower conflict, the Cold War was a competition between the dueling globalization projects of capitalism and Communism composed of far-from-monolithic blocs. While a fragile, fearful peace took shape in the Northern Hemisphere, both sides waged proxy wars that killed tens of millions in the Global South. Alongside other forms of popular culture, sports were deployed to win the sympathies of the world’s citizens, many of them from nations that had emerged in the wake of European decolonization. Sport was the most conspicuous form of popular culture in the period. It offered millions around the world the opportunity to forge identities that both supported and undermined dominant ideologies—racial, gender, local, regional, national, and international. Sport crossed rather than created borders and identities—and it did so in myriad and intricate ways. This book brings together experts working on sports in the United States, USSR, German Democratic Republic, Asia, and the postcolonial world. Their work is theoretically aware and underpinned by extensive archival research. Taken together, they go beyond simple notions of bipolarity and present new insights that should invigorate the study of both international systems and of culture in the Cold War period.
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39

Stanganelli, Isabel Cecilia. La Guerra de Irak: Estados Unidos y los medios de comunicación. Editorial de la Universidad Nacional de La Plata (EDULP), 2009. http://dx.doi.org/10.35537/10915/15943.

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Los avances tecnológicos han logrado reducir miles de kilómetros de distancia a un instante de comunicación. El creciente rol de los medios, capaces de transmitir noticias de sucesos en tiempo real, compite con la influencia de los aparatos de seguridad de los gobiernos. La teoría de que las guerras de nuestro tiempo dependen tanto de la envergadura tecnológica de los contrincantes como de la capacidad de influenciar a la opinión pública, encuentra en los hechos recientes de Iraq numerosos argumentos a favor. Esta guerra también puede considerarse como un conflicto entre una avanzada tecnología militar puesta al servicio de una doctrina de seguridad y la oposición popular mundial a esa estrategia política. Esta oposición se evidencia en fenómenos muy distintos e incluso contradictorios, destacándose: las redes terroristas globales –en ellas al-Qaeda es más un símbolo de identificación que una estructura operativa–; la revuelta latente entre los sectores populares del mundo islámico – es notoria la reacción ante la humillación permanente que perciben desde Occidente– y la opinión pública mundial, en particular en Europa y Estados Unidos, que puede movilizarse contra una guerra unilateral, realizada sin consenso de las Naciones Unidas. Estos son los verdaderos contrincantes en esta guerra. El principal campo de batalla son los medios de comunicación y entre sus objetivos figuran la justificación de las opiniones y decisiones de los Estados Parte en la contienda, la conquista de la opinión pública y la transmisión de la sensación de éxito para elevar la moral de los combatientes.
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40

Ruprecht, Lucia. Gestural Imaginaries. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190659370.001.0001.

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Gestural Imaginaries: Dance and Cultural Theory in the Early Twentieth Century offers a new interpretation of European modernist dance by addressing it as guiding medium in a vibrant field of gestural culture that ranges across art and philosophy. Taking further Cornelius Castoriadis’s concept of the social imaginary, it explores this imaginary’s embodied forms. Close readings of dances, photographs, and literary texts are juxtaposed with discussions of gestural theory by thinkers including Walter Benjamin, Sigmund Freud, and Aby Warburg. Choreographic gesture is defined as a force of intermittency that creates a new theoretical status of dance. The book shows how this also bears on contemporary theory. It shifts emphasis from Giorgio Agamben’s preoccupation with gestural mediality to Jacques Rancière’s multiplicity of proliferating, singular gestures, arguing for their ethical and political relevance. Mobilizing dance history and movement analysis, it highlights the critical impact of works by choreographers such as Vaslav Nijinsky, Jo Mihaly, and Alexander and Clotilde Sakharoff. It also offers choreographic readings of Franz Kafka and Alfred Döblin. Gestural Imaginaries proposes that modernist dance conducts a gestural revolution that enacts but also exceeds the insights of past and present cultural theory. It makes a case for archive-based, cross-medial, and critically informed dance studies, transnational German studies, and the theoretical potential of performance itself.
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41

Takahashi, Bruno, and Alejandra Martinez. Climate Change Communication in Peru. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190228620.013.574.

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Peru is one of the most biodiverse countries on the planet. More than 65% of the country is covered by the Amazon rainforest, and the Andes region is home to more than 70% of the world’s tropical glaciers. This abundance of natural resources also makes the country highly vulnerable to the effects of climate change.The Peruvian government therefore requires the development and implementation of action plans to adapt to the present and future impacts of climate change. At the same time, it requires the development of sound communication strategies that include collaboration with stakeholders such as the media and nongovernmental organizations. Media coverage of climate change can have important implications for policy decision making. This is especially salient in a context of low information availability where media reports play an important role in filling knowledge gaps that in turn can affect the way policies are developed.Climate change, as an environmental and social issue in Peru, is not highly politicized, as it is in countries such as the United States and Australia. There is no major debate about the reality of climate change, the scientific evidence, or the need for political action and technological and policy innovations. This approach is also reflected in the media’s coverage of the issue. Peru’s media tend to focus on climate change mostly during key policy events. Among these major events was the capital city of Lima’s hosting in 2010 of the V meeting of Latin American, Caribbean, and European Union countries, where the main topics of discussion were climate change and poverty. In addition, Lima hosted the COP20, which preceded the Paris meeting in 2015 that led to a major global agreement. The media’s coverage of these events was intense. These were the exceptions: A good proportion of Peru’s newspaper coverage comes from international news wire agencies. Coverage from those sources focuses mostly on mitigation actions, instead of adaptation, which is more relevant to vulnerable countries such as Peru. This coverage is in line with the government’s view of mitigation as a business opportunity. There is, however, a lack of studies that explore, first, the factors that affect this coverage, and, second, the way other mediums such as television or radio cover the issue.Strategic communication by governmental organizations, as well as accurate and fact-based media reporting about climate change, is necessary to better communicate the urgency and magnitude of the problem to the general public, grassroots organizations, industry, and international agencies, among others.
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42

Miller, Craig A. A Time for All Things. Oxford University Press, 2019. http://dx.doi.org/10.1093/med/9780190073947.001.0001.

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Born in 1908 in Lake Charles, Louisiana, Michael DeBakey is the eldest of six children of Lebanese immigrants. He enjoys conspicuous academic success as a youth and then medical school, displaying intelligence and originality. DeBakey comes under the tutelage of surgery professor Alton Ochsner. He also spends a year training in Europe. Debakey and Ochsner publish important research papers. In World War Two DeBakey is assigned to the Office of the Army Surgeon General, where he excels in administration, rising to the rank of Colonel. He serves beyond the war’s end, contributing to the foundation of postwar federal medical research and veterans’ care. In 1948 he becomes Chair of Surgery at Baylor University medical school in Houston. The department focuses clinical and research efforts on vascular diseases, and leads a revolution in the surgical approach to these problems. DeBakey’s own family suffers from his devotion to his work. In the 1960s DeBakey’s fame grows. His lab pursues an artificial heart. Colleague Denton Cooley implants the first artificial heart with a device taken from DeBakey’s lab, and a forty-year rift between these two giants ensues. DeBakey becomes President, then Chancellor of the Baylor medical school. After the death of his first wife, he remarries in the 1970s. His fame and influence are worldwide. DeBakey operates on the Shah of Iran, and is consulted on the heart surgery of Boris Yeltsin. He is awarded the Congressional Gold Medal in 2008, and dies shortly afterward at age 99, a universally-admired legend.
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43

Scotland's Forgotten Valour. MacLean Press, 1998.

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44

Wisniewski, David. Golem. Houghton Mifflin Harcourt Publishing Company, 2007.

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45

Golem. Clarion Books, 2007.

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46

García, Miguel A., and Gloria Beatriz Chicote. Voces de tinta. Editorial de la Universidad Nacional de La Plata (EDULP), 2008. http://dx.doi.org/10.35537/10915/90795.

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El libro constituye la edición parcial y anotada de un manuscrito inédito de Robert Lehmann-Nitsche en el cual el estudioso alemán reunió un conjunto de poemas que se cantaban en el área cultural del Río de la Plata entre fines del siglo XIX y principios del XX. Los textos que integran el manuscrito se corresponden con las versiones grabadas en un fonógrafo por el mismo investigador en la ciudad de La Plata entre los meses de febrero y mayo de 1905. La amplia variedad de géneros poéticos y musicales presentes en este, y la diversidad de registros de escritura, narrativas y personajes que ellos abordan,dan cuenta de la pluralidad de actores, prácticas y representaciones propias de los escenarios urbanos de entresiglos, en el momento en que la cultura criolla de carácter fundamentalmente rural y los estilos de vida de miles de inmigrantes europeos, comenzaban a fusionarse y a plasmar nuevas formas de convivencia. En el pasado, el conjunto de poemas que editamos en este libro eran poseedores de una naturaleza lúdica y transformadora como parte de las expresiones que los habitantes urbanos empleaban para describir, domesticar y comprender el mundo emergente, y para delinear una frontera entre sus peculiares formas de ser y esa otredad amenazante que pugnaba por establecer zonas particulares de familiaridad. En la actualidad, estos mismos poemas testimonian el carácter fundante e inestable de esa realidad, con letras y músicas que operaron como un campo de experimentación en el cual escritores, músicos, lectores y oyentes intentaban reconfigurar y vigorizar sus viejas identidades desterritorializadas. La edición ofrece una caracterización general del manuscrito y nuestro juicio sobre la perspectiva teórico-metodológica desplegada por Lehmann-Nitsche en torno a la recolección de los poemas y a la confección del manuscrito, partiendo desde una coordenada cultural que intenta reanimar en los textos parte de esa profusión de actores sociales y juegos de exotización y reconocimiento, que evita tanto un estricto análisis de tipo estilístico-literario como otro de orden estructural-musicológico. Asimismo, a partir de una selección representativa y anotada del corpus, intentamos establecer relaciones con el fenómeno de la literatura popular impresa en sus vertientes criollistas y europeizantes, dando cuenta de cómo ha sido comprendida la emergencia de dicha literatura por otros investigadores. Si bien en este trabajo está presente una larga tradición de estudios textualistas que afecta al análisis formal y a la exaltación de las figuras del escritor y del lector, intentamos además, un poco en sentido divergente de esa tendencia, poner de relieve el consumo auditivo de estas expresiones llevando a un primer plano al sujeto que no se constituye sólo como un individuo lector fascinado por la flamante adquisición de la tecnología de la lecto-escritura, sino también como un consumidor de esos mismos textos a partir de su condición de oyente. El objetivo último es hacer confluir el desarrollo de todos estos aspectos en una cuestión que ha sido obsesivamente abordada por las ciencias sociales y las humanidades desde el romanticismo: las relaciones entre las llamadas cultura popular y letrada, y entre los medios de comunicación orales y escritos. En este sentido, la edición del manuscrito ha sido casi un pretexto para reflexionar en clave cultural sobre el proceso que atravesaron los centros urbanos rioplatenses en ese período y marcó el rumbo que adoptaron tanto la literatura como la música popular en las décadas siguientes.Con estas expectativas en el horizonte, brindamos, en primer lugar, una descripción del ambiente sociocultural urbano de la época resaltando la incidencia de las inmigraciones interna y externa, el plan modernizador y el proyecto educativo emprendidos por el Estado, la aparición de un circuito de literatura popular impresa y su interacción con el circuito letrado. En segundo término dedicamos un apartado a la figura de Lehmann-Nitsche a fin de comprender cómo operó en su labor eso que Hans-Georg Gadamer (1991) definió como pertenencia a una tradición de pensamiento. Con ese objetivo establecemos un diálogo entre los textos que componen el manuscrito, la colección de literatura popular impresa también reunida por Lehmann-Nitsche, conocida como, las monografías que dedicó a temas y personajes gauchescos, y su libro Textos Eróticos del Río de La Plata (1981). En tercer lugar exponemos nuestras reflexiones sobre aspectos contextuales, literarios y musicales de los poemas para introducir la selección de textos anotados con transcripciones musicales. Un CD con registros sonoros tomados por Lehmann-Nitsche y reproducciones de imágenes de la época pertenecientes a su Legado completan la publicación.
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