Relevant bibliographies by topics / Eurovision Song Contest

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  1. Dissertations / Theses

Academic literature on the topic 'Eurovision Song Contest'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Dissertations / Theses on the topic "Eurovision Song Contest"

1

Engström, Julia. "Eurovision Song Contest Sång, dans och nationsmarknadsföring. En semiotisk analys av nationsmarknadsföring i Eurovision Song Contest." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23291.

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Syftet med denna uppsats är att undersöka hur nationer använder nationsmarknadsföring och narrativitet för att förmedla en särskild bild genom att nyttja Eurovision Song Contest som kommunikationsplattform. Undersökningen görs via en semiotisk analys som granskar utvalda visuella delar från tre nationer som agerat värd för evenemanget mellan åren 2009–2018. Resultatet av analysen visar på att nationerna följer olika narrativa spår som lyfter särskilda saker. I diskussionsavsnittet tas två olika hypoteser upp angående värdländernas nationsmarknadsföringar. Den ena är den kulturella hypotesen, a
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2

Wolther, Irving. "Der »Eurovision Song Contest«. Ein Musikwettbewerb als Mittel nationaler Repräsentation." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71804.

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3

Pajala, Mari. "Finlande: zero points? der Eurovision Song Contest in den finnischen Medien." Köln SAXA-Verl, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2932446&prov=M&dok_var=1&dok_ext=htm.

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Lindgren, Emilia, and Therese Blomqvist. "Hållbar Evenemangsutveckling : med inriktning på Eurovision Song Contest och Ishockey-VM." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12640.

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The study discusses sustainable development of events and the research displays that this is often connected to mega events or the work of specific destinations. The events Eurovision Song Contest and the Ice Hockey World Championships are therefore chosen because of their size, impact in both media and visitors and the lack of theory regarding their sustainability. The specific cases chosen are Eurovision in Malmö 2013 and Stockholm 2016, the 2013 Ice Hockey World Championship in Stockholm with help from the 2014 Junior Ice Hockey World Championship in Malmö. The purpose of this study is to a
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5

Niklasson, Anton, and Matteus Hemström. "Twitter as the Second Channel." Thesis, Linköpings universitet, Institutionen för datavetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-110877.

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People share a big part of their lives and opinions on platforms such as Facebook and Twitter. The companies behind these sites do their absolute best to collect as much data as possible. This data could be used to extract opinions in many different ways. Every company, organization or public person is probably curious on what is being said about them right now. There are also areas where opinions are related to the outcome of an event. Examples of such events are presidential elections or the Eurovision Song Contest. In these events, peoples’ votes will directly reflect the outcome of the ele
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6

Wolther, Irving. ""Kampf der Kulturen" der Eurovision Song Contest als Mittel national-kultureller Repräsentation." Würzburg Königshausen und Neumann, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2803790&prov=M&dok_var=1&dok_ext=htm.

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7

Meijer, Albert. "Be My Guest: Nation branding and national representation in the Eurovision Song Contest." Thesis, Uppsala universitet, Teologiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-208098.

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Since its inception in 1956, the EurovisionSong Contest has been a stage for national representation and an opportunityfor countries to brand themselves. The 2012 Eurovision Song Contest in Baku,Azerbaijan is a prime example of nation branding, both for the host country aswell as the participating countries. Hosting the event gives a country the opportunity to present a specific nation brand, but there are other opportunities for those countries which only have a three-minute time-frame for their performance in presenting a national image. These performances are themain subject of this thesis,
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8

Jordan, Paul Thomas. "The Eurovision Song Contest : nation branding and nation building in Estonia and Ukraine." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/2972/.

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Studies focussing on Europeanisation and in particular on the return to Europe of postcommunist states have come to the fore in political science research since the collapse of communism in Eastern Europe. The way in which many states of the former Eastern Bloc have engaged with European geopolitical power structures such as the European Union and Council of Europe has been well-documented. Europe is a contested construct and its boundaries are still subject to redefinition. This study examines issues of Europeanisation, national identity and nation branding through the lens of popular culture
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9

Andersson, Annika. "Kultur som en arena för identitetspolitik : En diskursanalys av internationella konflikter i Eurovision Song Contest." Thesis, Karlstads universitet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-78576.

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The cultural event Eurovision Song Contest has shown signs to contain international conflicts where countries have not been able to keep them out of the competition, which has created a “spill over effect” on the event. This thesis has aimed to investigate why culture, in this case the Eurovision Song Contest, has become an arena for international identity politics, as the contest should be a depoliticised arena. The thesis has been studied as a case study and international conflicts have been investigated as the cases. The selected conflicts that are investigated in this thesis are the one´s
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10

Taulio, Lisa. "Könsstereotyper och makt i Eurovision Song Contest : En multimodal analys av de fyra senaste nordiska vinnarbidragen." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-57561.

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Syftet med denna studie är att analysera de fyra senaste nordiska vinnarbidragen i Eurovision Song Contest, för att se om det föreligger återkommande mönster, normativa könsstereotyper och hur makt uttrycks i tävlingen. Genom multimodala analyser av dessa bidrag med fokus på kön och makt, kommer följande frågeställningar att besvaras: Hur ser den multimodala gestaltningen ut inom de fyra senaste nordiska vinnarbidragen i Eurovision Song Contest? Samt: Hur representeras kvinnor respektive män i de olika bidragen? Som material för analyserna har Youtube-klipp på samtliga bidrag använts, där det
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