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Dissertations / Theses on the topic 'Eurovision'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Engström, Julia. "Eurovision Song Contest Sång, dans och nationsmarknadsföring. En semiotisk analys av nationsmarknadsföring i Eurovision Song Contest." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23291.

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Syftet med denna uppsats är att undersöka hur nationer använder nationsmarknadsföring och narrativitet för att förmedla en särskild bild genom att nyttja Eurovision Song Contest som kommunikationsplattform. Undersökningen görs via en semiotisk analys som granskar utvalda visuella delar från tre nationer som agerat värd för evenemanget mellan åren 2009–2018. Resultatet av analysen visar på att nationerna följer olika narrativa spår som lyfter särskilda saker. I diskussionsavsnittet tas två olika hypoteser upp angående värdländernas nationsmarknadsföringar. Den ena är den kulturella hypotesen, a

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2

Degenhardt, Wolfgang. "Die Entstehung und Entwicklung der europäischen Partnerschaft im Fernsehbereich 1950-1970 zur historischen Betrachtung eines komplexen Sensemaking-Prozesses /." [S.l. : s.n.], 2002. http://deposit.ddb.de/cgi-bin/dokserv?idn=965250032.

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3

Niklasson, Anton, and Matteus Hemström. "Twitter as the Second Channel." Thesis, Linköpings universitet, Institutionen för datavetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-110877.

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People share a big part of their lives and opinions on platforms such as Facebook and Twitter. The companies behind these sites do their absolute best to collect as much data as possible. This data could be used to extract opinions in many different ways. Every company, organization or public person is probably curious on what is being said about them right now. There are also areas where opinions are related to the outcome of an event. Examples of such events are presidential elections or the Eurovision Song Contest. In these events, peoples’ votes will directly reflect the outcome of the ele

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4

Wolther, Irving. "Der »Eurovision Song Contest«. Ein Musikwettbewerb als Mittel nationaler Repräsentation." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71804.

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5

Sanikidze, Kakhi. "Blogging Eurovision: An Unconventional Online Space for Everyday Political Talk." Thesis, Uppsala universitet, Medier och kommunikation, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-325391.

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The paper starts by providing the overview of the Eurovision Song Contest, its participant countries and the audience. The aim of the research is to find out how everyday political talk takes place on non-political platforms. For this study, a blog dedicated to the Eurovision Song Contest was chosen. The research is netnographic, and the conclusions are drawn based on content analysis (the comments left on the Eurovision news blog - Wiwibloggs.com) and interviews with the journalists of the blog. The paper approaches the blog as anon-institutionalized space, also known as “the third space.” It

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6

Pajala, Mari. "Finlande: zero points? der Eurovision Song Contest in den finnischen Medien." Köln SAXA-Verl, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2932446&prov=M&dok_var=1&dok_ext=htm.

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7

Lindgren, Emilia, and Therese Blomqvist. "Hållbar Evenemangsutveckling : med inriktning på Eurovision Song Contest och Ishockey-VM." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12640.

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The study discusses sustainable development of events and the research displays that this is often connected to mega events or the work of specific destinations. The events Eurovision Song Contest and the Ice Hockey World Championships are therefore chosen because of their size, impact in both media and visitors and the lack of theory regarding their sustainability. The specific cases chosen are Eurovision in Malmö 2013 and Stockholm 2016, the 2013 Ice Hockey World Championship in Stockholm with help from the 2014 Junior Ice Hockey World Championship in Malmö. The purpose of this study is to a

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8

Wolther, Irving. ""Kampf der Kulturen" der Eurovision Song Contest als Mittel national-kultureller Repräsentation." Würzburg Königshausen und Neumann, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2803790&prov=M&dok_var=1&dok_ext=htm.

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9

Meijer, Albert. "Be My Guest: Nation branding and national representation in the Eurovision Song Contest." Thesis, Uppsala universitet, Teologiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-208098.

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Since its inception in 1956, the EurovisionSong Contest has been a stage for national representation and an opportunityfor countries to brand themselves. The 2012 Eurovision Song Contest in Baku,Azerbaijan is a prime example of nation branding, both for the host country aswell as the participating countries. Hosting the event gives a country the opportunity to present a specific nation brand, but there are other opportunities for those countries which only have a three-minute time-frame for their performance in presenting a national image. These performances are themain subject of this thesis,

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10

Jordan, Paul Thomas. "The Eurovision Song Contest : nation branding and nation building in Estonia and Ukraine." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/2972/.

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Studies focussing on Europeanisation and in particular on the return to Europe of postcommunist states have come to the fore in political science research since the collapse of communism in Eastern Europe. The way in which many states of the former Eastern Bloc have engaged with European geopolitical power structures such as the European Union and Council of Europe has been well-documented. Europe is a contested construct and its boundaries are still subject to redefinition. This study examines issues of Europeanisation, national identity and nation branding through the lens of popular culture

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11

Andersson, Annika. "Kultur som en arena för identitetspolitik : En diskursanalys av internationella konflikter i Eurovision Song Contest." Thesis, Karlstads universitet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-78576.

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The cultural event Eurovision Song Contest has shown signs to contain international conflicts where countries have not been able to keep them out of the competition, which has created a “spill over effect” on the event. This thesis has aimed to investigate why culture, in this case the Eurovision Song Contest, has become an arena for international identity politics, as the contest should be a depoliticised arena. The thesis has been studied as a case study and international conflicts have been investigated as the cases. The selected conflicts that are investigated in this thesis are the one´s

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12

Lager, Elin. "Symbolism, moralism och bojkotter : En teoriprövande fallstudie om Eurovision Song Contest som arena för internationell konflikt." Thesis, Linköpings universitet, Institutionen för ekonomisk och industriell utveckling, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-128096.

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The use of cultural boycotts motivated by international conflicts between countries or regions has long been observed within sports. However, so far it has not been studied in other context of international competition like the Eurovision Song Contest. This essay aims to evaluate if we can understand political actions like boycotts or political symbolism through existing theories regarding political symbolism. This case study has chosen three withdrawals during the 21th century, which have been made due to conflict with another competing country. The withdrawals studied are Lebanon in 2005, Ge

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13

Taulio, Lisa. "Könsstereotyper och makt i Eurovision Song Contest : En multimodal analys av de fyra senaste nordiska vinnarbidragen." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-57561.

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Syftet med denna studie är att analysera de fyra senaste nordiska vinnarbidragen i Eurovision Song Contest, för att se om det föreligger återkommande mönster, normativa könsstereotyper och hur makt uttrycks i tävlingen. Genom multimodala analyser av dessa bidrag med fokus på kön och makt, kommer följande frågeställningar att besvaras: Hur ser den multimodala gestaltningen ut inom de fyra senaste nordiska vinnarbidragen i Eurovision Song Contest? Samt: Hur representeras kvinnor respektive män i de olika bidragen? Som material för analyserna har Youtube-klipp på samtliga bidrag använts, där det

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14

Matic, Sanja, and Marie Björlekvist. "Evenemang för en ökad attraktionskraft : En studie om Malmö stad, Eurovision Song Contest 2013 & Handbolls-VM 2011." Thesis, Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-19710.

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Syftet med studien är att undersöka hur Malmö stad använder sig av evenemang för en ökad attraktionskraft. Studiens syfte och frågeställningar har besvarats genom intervjuer med Malmö stad, Malmö Turistbyrå, Tourism in Skåne och Event in Skåne. Insamlingen av empiri har utförts genom kvalitativa telefonintervjuer samt en kvalitativ mailintervju, alla dessa baserades på ett icke-sannolikhetsurval gällande urvalet av respondenter. Samtliga intervjuer har haft öppna frågor och varit semistrukturerade. Intervjufrågorna har utformats utifrån studiens frågeställningar och har anpassats efter respek

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15

Paulauskas, Vitalijus. "Dinaminio draudimų sąrašo taikymas balsavimu grįstuose konkursų vertinimuose." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110804_092242-49859.

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Darbo tikslas - sukurti balsavimu grįstų konkursų vertinimų (pvz. Eurovizijos dainų konkursas, angl. Eurovision Song Contest) internetinę programą, kurioje būtų taikomas dinaminis draudimų sąrašas (tabu list), suteiksiantis galimybę objektyviau vertinti konkurso dalyvius. Su pasirinktais įrankiais buvo sukurta funkcionuojanti internetinė taikomoji programa, skirta Eurovizijos dainų konkursui, kurioje taikomas dinaminis draudimų sąrašas. Darbas yra patalpintas internete šiuo adresu. http://ik.su.lt/~vitpau/.<br>The aim - to create a voting competition-based assessments (such as the Eurovision S

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16

Holovko, Iryna. "Volunteering for the nation : Volunteering as a tool of nation branding during the Eurovision Song Contest 2017 in Ukraine." Thesis, Södertörns högskola, Medie- och kommunikationsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-35646.

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There have been a lot of studies dedicated to investigating nation branding as a set of political discourses and practices deploying analysis of objects of symbolic nature: logotypes, brand books, slogans and commercials. The present thesis aims to study nation branding as a form of communicative labour through investigating volunteering as a form of media work that is used as a tool of the nation branding campaign in Ukraine during the Eurovision Song Contest in 2017. By using the theoretical concepts of nation branding, values and motivations of free labour in media industries, the thesis an

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17

Sahlén, Magdalena. "I think we should have a group discussion about it : Konstruktioner av Sverige och svenskhet i Eurovision Song Contest." Thesis, Stockholms universitet, Etnologi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-180860.

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När Sverige är värdland för Eurovision Song Contest ges de en möjlighet att visa upp och presentera sitt land för en hel värld. Uppsatsens syfte är att undersöka hur föreställningar om Sverige och svenskhet konstrueras och reproduceras genom Eurovision Song Contest. Genom att titta på tv-sändningarna från ESC 2013 och 2016 då Sverige stod för värdskapet analyserar jag hur Sveriges självpresentation görs och hur talet om Sverige och svenskhet bidrar till en föreställd gemenskap inom landet. Föreställningar om Sverige och svenskhet konstrueras och reproduceras hela tiden i

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18

Wångne, Nicole, and Anna Pustovoyt. "Vart tog musiken vägen? : En kvalitativ undersökning om hur ett evenemang kan användas som ett kommunikationsverktyg." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-26973.

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Länder och städer lägger allt mer fokus på att arbeta med det egna varumärket och har därmed fått ett mer företagsliknande seende med medborgarna som konsumenter. Samtidigt använder de sig i allt större utsträckning av evenemang som ett marknadsföringsmedel. Evenemang av olika slag har på så viss blivit ett kraftfullt kommunikationsverktyg. Men ännu finns det inte tillräckligt med studier kring hur evenemang påverkar platsen eller platsens befolkning. Studiens huvudsyfte är att bidra med ökad förståelse för hur en plats kan kommunicera sitt varumärke genom ett evenemang

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19

Hallgren, Karin. "The branding of the "new Ukraine" : A media production study of the encoding/decoding of Europeanness during Eurovision Song Contest 2017." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-35529.

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There are several studies observing the phenomenon of nation branding as political pursuits and as texts. However, the media are generally treated as neutral platforms in branding literature. Also, relatively little has been done to explore how the context of branding affects the level of text production, not least in relation to media events. Deploying a cultural approach, the present study suggests that the production of branding may be examined in terms of cultural codes (Hall, 1982) and dominant or preferred meanings (Hall, 1973/1992). The aim of this study is to explore processes of natio

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20

Jakobsson, Malin. "Welcome Europe." Thesis, Högskolan Dalarna, Bildproduktion, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27096.

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Denna uppsats har som syfte att undersöka samt analysera klipptekniker och kameraarbete genom en jämförelse mellan Eurovision Song Contest år 2000 respektive år 2016. Detta för att visa på hur kamera och klippning påverkar bidrags konstnärliga uttryck samt diskutera en eventuell utveckling. Barry Salts arbete angående kopplingen mellan datainsamling och filmstil appliceras på denna uppsats och ger den dess metodologi. En djupgående analys på utvalda bidrag genomförs utifrån en multimodal infallsvinkel. Detta för att förtydliga förhållandet mellan diskurs och produktion och därigenom ge uppsats

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21

Laufer, Gil, and Alexander Åblad. "Spirit in the Screen : The effect of CuePilot on the viewer's experience in live broadcasted music competitions." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-279486.

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The use of media technology to pre-program the camera work of performances (with tools such as CuePilot) became a state-of-theart solution in live broadcasted music competitions and events, allowing to create technologically advanced and more appealing live performances. In this paper we study how the use of such solutions affect the viewer’s experience, assuming that preprogrammed camera work results in a more unified experience compared to manual camera work. The paper also investigates whether pre-programmed camera work is noticeable by the viewers. To study these effects an experiment was

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22

Bialecki, Melissa. ""They Believe the Dawn Will Come": Deploying Musical Narratives of Internal Others in Soviet and Post-Soviet Ukraine." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1493923081977843.

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23

Alves, Marta Daniela Godinho. ""All Aboard!" - A comunicação estratégica de Portugal na Eurovisão 2018." Master's thesis, 2020. http://hdl.handle.net/10362/106998.

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Esta dissertação pretende compreender a dimensão estratégica da promoção do território português durante o Eurovision Song Contest 2018. A edição 63º do festival decorreu em Lisboa. Pela primeira vez, Portugal recebeu o maior espetáculo de música a nível mundial. Partindo desta premissa, importa analisar que elementos e ferramentas foram utilizadas durante este megaevento, com o objetivo de promoção do país. Os eventos são um dos mecanismos de promoção e atratividade com mais eficácia a nível de marketing territorial. Ao longo desta dissertação iremos procurar compreender como as diferentes a

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24

Holmdahl, Sofia. "”Seriöst, det känns som att du har glömt genusanalysen?” : En kulturstudie av femininitet och respektabilitet i Melodifestivalen." Thesis, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-167825.

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Melodifestivalen är ett underhållningsprogram som ofta associeras med kvinnor trots att kvinnor inte numerärt är mer framgångsrika än män i tävlingen. Kvinnor tillåts inte heller ta lika mycket plats som män i Melodifestivalen. Masteruppsatsarbetets huvudsakliga syfte är att undersöka vilka former av femininitet som ges utrymme i Melodifestivalen mellan åren 2002 till 2016. Detta har gjorts genom en studie av sekvenser från de TV-sända finalerna av Melodifestivalen. Masteruppsatsarbetet beskriver olika femininiteter utifrån teorier om performativitet, femininitet och kulturella

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25

Tavares, Carlota Maria de Matos Taquenho Galiano. "The relation between the music festival brand equity and the intention to visit the host city: the cases of Eurovision & NOS Alive in Lisbon." Master's thesis, 2018. http://hdl.handle.net/10071/18355.

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Festivals, and events in general, increase the appeal of tourism, motivating people to visit the host cities. Literature shows the influence music festivals have on tourism, but not how it impacts a permanent vs. an occasional event differently. The research questions are: Is different the impact of the festival on the host city, according to be a permanent or occasional one? Does each festival brand equity influence the host city tourism? For the first time ever, Lisbon hosted the Eurovision Song Festival, an annual festival which is hosted by a different country each year. NOS Alive is

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26

Pereira, Rita Alexandra. "O Festival da Eurovisão e o regulamento (a)político da canção." Master's thesis, 2018. http://hdl.handle.net/10362/50897.

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Esta dissertação tem como objectivo perceber de que forma o Grupo de Referência do Festival Eurovisão da Canção delibera relativamente às participações do século XXI que apresentam mensagens políticas. A partir da premissa de que o regulamento indica que nenhuma “letra, discurso, gestos de natureza política ou semelhante deve ser permitida” durante o Festival Eurovisão da Canção, neste trabalho tenta-se compreender em que casos a regra se aplica, se a implementação da regra é eficaz e se existe algum critério para avaliar se uma participação infringiu a regra. Para este efeito, recorreu-se a b

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27

Guerreiro, Cláudio Alexandre Viana. "Fandom no Festival Eurovisão da Canção: O caso do blogue ESCPortugal." Master's thesis, 2019. http://hdl.handle.net/10071/19126.

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O Festival Eurovisão da Canção é um dos poucos programas do mundo que se pode orgulhar de fazer parte do imaginário de várias gerações. Desde a sua criação, na década de 50 do século passado, que muitos são os fãs que acompanham continuadamente este concurso anual. A forma como as novas tecnologias ligadas aos media evoluíram até aos dias de hoje, em particular a internet, permitiu igualmente uma mudança nos comportamentos destes fãs e na forma como levaram adiante a sua cultura participativa. Esta dissertação irá focar-se nessa realidade, em particular no ESCPortugal, site nacional que se pr

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Batista, Tiago Filipe Rodrigues. "A geopolítica e a votação no Festival Eurovisão da Canção: análise ao impacto da introdução do modelo misto de votação sobre fatores intrínsecos e extrínsecos ao certame musical europeu (2004-2015)." Master's thesis, 2016. http://hdl.handle.net/10071/12801.

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O Festival Eurovisão da Canção é um certame europeu que reúne desde os anos 50, a Europa em torno da música. Começou apenas com a participação de sete países, tendo aumentado a sua popularidade ao longo das décadas, alcançando os quarenta e três participantes em 2008. Atualmente, o Eurofestival é o maior certame de música no mundo, tendo a edição de 2016 registado uma audiência de 204 milhões de pessoas em todo o mundo. No entanto, apesar do principal objetivo da competição ser coroar a melhor canção da Europa, o Festival tem-se tornado durante os anos num evento com um grande grau de e

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