Academic literature on the topic 'Evelyn Higginbotham'

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Journal articles on the topic "Evelyn Higginbotham"

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Griffin, Farah, and Evelyn Higginbotham. "Models and Mentors: A Conversation with Evelyn Higginbotham and Farah Griffin." Women's Review of Books 15, no. 5 (1998): 24. http://dx.doi.org/10.2307/4022857.

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Randolph, Sherie M. "Evelyn Brooks Higginbotham, the Metalanguage of Race, and the Genealogy of Black Feminist Legal Theory." Signs: Journal of Women in Culture and Society 42, no. 3 (2017): 621–28. http://dx.doi.org/10.1086/689629.

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Browne, Ray B. "Harlem Renaissance Lives: From the African American National Biography by Henry Louis Gates, Jr. and Evelyn Brooks Higginbotham, Editors." Journal of American Culture 32, no. 3 (2009): 279. http://dx.doi.org/10.1111/j.1542-734x.2009.00716_14.x.

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Sawyer, M. R. "Righteous Discontent: The Women's Movement in the Black Baptist Church, 1880-1920. By Evelyn Brooks Higginbotham. Cambridge, Mass.: Harvard University Press, 1993. 295 pp. $14.95." Journal of Church and State 37, no. 3 (1995): 654–55. http://dx.doi.org/10.1093/jcs/37.3.654.

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Stanley, Susie C. "Righteous Discontent: The Women's Movement in the Black Baptist Church, 1880–1920. By Evelyn Brooks Higginbotham. Cambridge, Mass: Harvard University Press, 1993. xii + 306 pp. $34.95." Church History 63, no. 2 (1994): 310–12. http://dx.doi.org/10.2307/3168635.

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Bundles, A’Lelia. "ReviewHenry Louis Gates, Jr. and Evelyn Brooks Higginbotham, eds., Harlem Renaissance Lives from the African American National Biography. New York: Oxford University Press, 2009. Pp. 608. Cloth $50.00." Journal of African American History 95, no. 2 (2010): 264–67. http://dx.doi.org/10.5323/jafriamerhist.95.2.0264.

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Weiman, Dacid F. "Interpreting Southern History: Historiographical Essays in Honor of Sanford W. Higginbotham. Edited by John B. Boles and Evelyn Thomas Nolen. Baton Rouge: Louisiana State University Press, 1987. Pp. x, 624. $45.00." Journal of Economic History 48, no. 2 (1988): 495–96. http://dx.doi.org/10.1017/s0022050700005519.

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Pickett, Carmelita N. "The African American National Biography2009186Editors in chief Henry Louis Gates and Evelyn Brooks Higginbotham. The African American National Biography. New York, NY and Oxford: Oxford University Press 2008. , ISBN: 978 0 19 516019 2 $995 8 vols." Reference Reviews 23, no. 4 (2009): 47. http://dx.doi.org/10.1108/09504120910958629.

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Kellow, Margaret M. R. "Evelyn Brooks Higginbotham, Righteous Discontent: The Women's Movement in the Black Baptist Church, 1880-1920." Left History: An Interdisciplinary Journal of Historical Inquiry and Debate 4, no. 1 (1996). http://dx.doi.org/10.25071/1913-9632.6974.

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"Evelyn Brooks Higginbotham. Righteous Discontent: The Women's Movement in the Black Baptist Church, 1880–1920. Cambridge: Harvard University Press. 1993. Pp. xii, 306. $34.95." American Historical Review, June 1994. http://dx.doi.org/10.1086/ahr/99.3.981.

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Dissertations / Theses on the topic "Evelyn Higginbotham"

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Menzies, Alisha Lynn. "“Black Americans and HIV/AIDS in Popular Media” Conforming to The Politics of Respectability." Scholar Commons, 2016. http://scholarcommons.usf.edu/etd/6324.

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This dissertation examines narratives about racialized gender, sexuality, and class through media images of black Americans with HIV/AIDS. Through textual analysis of media sites featuring HIV/AIDS and blackness (The Announcement, Precious, and Marvelyn Brown’s website, www.marvelynbrown.com), this project analyzes how the politics of respectability—a set of precepts that govern how black men and women can present themselves in public spaces to align with white ideals of gender and sexuality—construct black people in media representations of HIV/AIDS. This work examines how respectability poli
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Book chapters on the topic "Evelyn Higginbotham"

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Johnson, E. Patrick. "Epilogue." In Black. Queer. Southern. Women. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469641102.003.0015.

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The final chapter is anchored by a poem from Omi Osun Joni L. Jones, titled “Touch.” Johnson argues that the poem exemplifies a central tension of these narratives by Black, queer, Southern women: the homophobia of the South and these women’s commitment to making the region more hospitable for Black, queer life. He discusses the work of Black feminist scholars Evelynn Hammonds, Darlene Clark Hine, and Evelyn Brooks Higginbotham in publishing scholarship that rethinks strategies of survival, and stresses that Black. Queer. Southern. Women. follows in this intellectual vein. Finally, Johnson also offers a brief reflection on his subject position as a cisgender, Black, gay, middle-class academic from the South and the ways that this positionality shaped the work.
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