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Journal articles on the topic 'Events and festivals'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Muylaert Mager, Juliana, and Ana Maria Mauad. "EM CARTAZ: festivais de cinema de arquivo – preservação e público." Revista Observatório 3, no. 2 (2017): 283. http://dx.doi.org/10.20873/uft.2447-4266.2017v3n2p283.

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Nas últimas décadas, observa-se o surgimento de festivais dedicados ao cinema de arquivo. No Brasil, foi criado em 2002, pelo Arquivo Nacional, o Recine – Festival Internacional de Cinema de Arquivo, evento que foi substituído pelo Arquivo em Cartaz em 2015. O fenômeno dos festivais se relaciona com o tratamento do patrimônio audiovisual ao longo do século XX e XXI, sendo inseparável da trajetória das instituições arquivísticas. Neste artigo, pretende-se, por meio da análise dos dois festivais, discutir como esses eventos trabalham a tensão entre exibir e preservar, duas das principais funções

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Pereira, Leandro, Carlos Jerónimo, Mariana Sempiterno, Renato Lopes da Costa, Álvaro Dias, and Nélson António. "Events and Festivals Contribution for Local Sustainability." Sustainability 13, no. 3 (2021): 1520. http://dx.doi.org/10.3390/su13031520.

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Festivals can improve the image of host communities, making them an appealing destination and boosting local economy. However, it is hard to measure their actual impact, which is a key factor to justify governments’ initiatives. This study aims to verify how accurate direct expenditure analysis can be. First, the impact of new visitors’ expenditure is calculated based on a survey. Then, consumption indicators are used to forecast the actual economic impact of the festival. Finally, both results are compared. Even though the values gathered with consumption indicators are only a lower bound of

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Holmes, Kirsten, and Jane Ali-Knight. "The event and festival life cycle – developing a new model for a new context." International Journal of Contemporary Hospitality Management 29, no. 3 (2017): 986–1004. http://dx.doi.org/10.1108/ijchm-10-2015-0581.

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Purpose The events and festivals literature relies on theories and models borrowed from tourism studies which may insufficiently account for the unique characteristics of events and festivals. Using four case studies from Australia, United Arab Emirates and the UK, this paper aims to analyse events and festival life cycles using the Tourism Area Life Cycle (TALC) framework (Butler, 1980). Design/methodology/approach The paper is conceptual in that it theorises the range of event and festival life cycle trajectories; however, four event case studies are also used to illustrate this approach. Fi

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Ugli Norov, Bektosh Negmurod, and Egamberdi Bobokul Ugli Karimov. "The Importance Of Events On Destination Brand Image Enhancement –The Case Of Bukhara." American Journal of Management and Economics Innovations 3, no. 05 (2021): 106–17. http://dx.doi.org/10.37547/tajmei/volume03issue05-17.

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Festivals and cultural events have become an important part of the of destination branding strategies. More and more places are increasingly using events and cultural festivals to enhance their image positively and boost tourist flow. Cultural events and festivals have always had a special place in society. Although event tourism has not emerged recently, interest in cultural events in tourism literature has grown tremendously over the last few decades as they have become a key element in attracting tourist destinations. Destinations have also begun to see strategic destination branding as one

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Van Niekerk, Mathilda. "Contemporary issues in events, festivals and destination management." International Journal of Contemporary Hospitality Management 29, no. 3 (2017): 842–47. http://dx.doi.org/10.1108/ijchm-01-2017-0031.

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Purpose This article aims to provide a critical review of the articles included in this special issue and highlight their findings and contribution to events, festivals and destination management research. Design/methodology/approach The article critically reviews methodologies, findings, themes and conclusions offered by each article included in this special issue. Findings The articles in the special issue identify the latest thematic trends in events, festivals and destination management research and propose conceptual frameworks for event and festival life cycle trajectories. They build on

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Bakas, Fiona Eva, Nancy Duxbury, Paula Cristina Remoaldo, and Olga Matos. "The social utility of small-scale art festivals with creative tourism in Portugal." International Journal of Event and Festival Management 10, no. 3 (2019): 248–66. http://dx.doi.org/10.1108/ijefm-02-2019-0009.

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PurposeThe purpose of this paper is to address the gaps in research on strategic planning for the social impacts of small-scale events in rural areas and small cities. This is achieved by investigating the social utility inferred by small-scale art festivals with a creative tourism element in terms of increasing social capital and positive social change, from an event stakeholder perspective.Design/methodology/approachThe identified gap in knowledge is addressed by using interviews and fieldnotes from participant observation to co-create meaning with the organizers of four small-scale art fest

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Cashman, David. "‘The most atypical experience of my life’: The experience of popular music festivals on cruise ships." Tourist Studies 17, no. 3 (2016): 245–62. http://dx.doi.org/10.1177/1468797616665767.

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This article considers the growing phenomenon of music festivals on cruise ships. These commercial events, partnerships between event companies and shipping lines, celebrate a particular genre of music and occur aboard a cruise ship. The views of 138 festivalgoers primarily concentrated within six festivals were considered. According to these sources, the festival experience of these events is centred on three factors: live performances, interaction with fellow festivalgoers and star musicians (collectively referred to as ‘ship fam’), and interaction with the constructed space of the cruise sh

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van Zyl, Cine. "Positioning maps: a conjoint analysis tool for festival or event application." International Journal of Tourism Cities 3, no. 4 (2017): 424–41. http://dx.doi.org/10.1108/ijtc-06-2017-0034.

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Purpose The purpose of this paper is threefold: first, to describe a novel tool (conjoint analysis (CA)) for application by explaining the theory behind it; second, how the tool was developed; and third, how it can be used to ensure an optimal festival/event offering. In this way, the research needed on the individual behavioural and psychological factors of the events-tourism sector are addressed. Design/methodology/approach Planned events in this case the three largest arts festivals in South Africa (SA) (in Potchefstroom – Festival A, Grahamstown – Festival B and Oudtshoorn – Festival C) we

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McCrone, David. "Treading Angels: Edinburgh and its Festivals." Scottish Affairs 28, no. 3 (2019): 290–317. http://dx.doi.org/10.3366/scot.2019.0285.

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How did Edinburgh become ‘festival city’? Despite appearances, it was not always so, and it acquired the accolade by happenstance; in the view of one observer, a ‘strange amalgam of cultural banditry, civic enterprise and idealism’. The official Festival's survival was down to the City Council, and it was funded almost entirely by public bodies. This was the central structure around which The Fringe developed, and The Traverse prospered, along with smaller festivals and events to become Festival City. The story sheds considerable light on how Edinburgh ‘works’, its strengths and weaknesses com

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Stevens, Kirsten. "Fighting the Festival Apocalypse: Film Festivals and Futures in Film Exhibition." Media International Australia 139, no. 1 (2011): 140–48. http://dx.doi.org/10.1177/1329878x1113900118.

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Since the turn of the millennium, the number of film festivals celebrated annually has exploded, with more than 30 events being celebrated in the Melbourne metropolitan area alone in 2010. The rate of proliferation raises issues of event saturation, bringing into question the future of the film festival format. This article engages with the growing debate over the sustainability of unchecked festival growth. Examining the rise in specialised events that has characterised the film festival phenomenon, it argues that the diverse range and ubiquitous nature of these events collectively forms an e

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Jarman, David, Eleni Theodoraki, Hazel Hall, and Jane Ali-Knight. "Social network analysis and festival cities: an exploration of concepts, literature and methods." International Journal of Event and Festival Management 5, no. 3 (2014): 311–22. http://dx.doi.org/10.1108/ijefm-11-2013-0034.

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Purpose – Social network analysis (SNA) is an under-utilised framework for research into festivals and events. The purpose of this paper is to reflect on the history of SNA and explore its key concepts, in order that they might be applied to festivals and their environments. Design/methodology/approach – Secondary material underpins the paper, primarily SNA literature, tourism studies research and festival industry publications. Findings – Festival cities offer dynamic environments in which to investigate the workings of social networks. The importance of such networks has long been recognised

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Santoso, Iwan Budi. "CITY BRANDING STRATEGY THROUGH PERFORMING ARTS (URGENCY OF CULTURAL FESTIVALS IN SOLO CITY)." International Journal of Modern Trends in Social Sciences 3, no. 13 (2020): 58–65. http://dx.doi.org/10.35631/ijmtss.313006.

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City Branding Strategy through Performing Arts (Urgency of Cultural Festivals in Solo) reveals the phenomenon of the urgency of festival existence in Solo. Festivals dominated most of the cultural events in the Solo City of 61 calendars of events in the form of performing arts. In the spirit as a means of finding alternative resources, performing arts festivals in the City of Solo are also used as a strategy for branding the city. This city imaging strategy involves the government, universities, communities, and businessmen to make the festival in the city of Surakarta be held continuously. Th

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Wiehe, Ben. "When science makes us who we are: known and speculative impacts of science festivals." Journal of Science Communication 13, no. 04 (2014): C02. http://dx.doi.org/10.22323/2.13040302.

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Science festivals (or just “festivals”) are currently ascendant in the United States with more than 40 new initiatives emerging in just the past 5 years, but their story is not so easily told. The schedule of any one individual festival may contain a staggering array of events, and each festival is different both from year to year, and from other festivals. One multi-festival evaluation points to potential strengths of the format, as well as the importance of the participation of STEM practitioners. Collaboration and social identity formation are considered as powerful festival impacts, and po

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Uysal, Muzaffer, and Bruce Wicks. "Festivals and events." Annals of Tourism Research 20, no. 4 (1993): 777–78. http://dx.doi.org/10.1016/0160-7383(93)90099-o.

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Pioš, Katarzyna, Karolina Skoczylas, and Teresa BrzeziñSka-Wójcik. "The Current Condition and Possibilities of Development of Festival Tourism in the Lublin Region." Polish Journal of Sport and Tourism 21, no. 2 (2014): 119–26. http://dx.doi.org/10.2478/pjst-2014-0012.

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Abstract Introduction. The number, range, and diversity of events with a character of festivals have been growing in the Lublin Region over the last several years. The events are organised by various entities and institutions. Information about them is largely dispersed. No study has been conducted so far determining the spatial distribution of festivals at the regional scale, and analysing their offer in the context of possibilities of development of festival tourism. Therefore, a study in the scope was undertaken with consideration of the cultural conditionings of some of the events. Materia

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Manis, K. T., Hyo Jung (Julie) Chang, Deborah C. Fowler, and Shane C. Blum. "Inaugural Events and Beer Tourist Behavior: Capitalizing on the Craft Beer Movement." Event Management 24, no. 2 (2020): 311–34. http://dx.doi.org/10.3727/152599519x15506259856525.

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The craft beer movement has resulted in an increased number of beer festivals. Consequentially, many event organizers, groups, and individuals have sought to capitalize on this movement by hosting inaugural beer festivals. This article proposes a multidimensional conceptualization of perceived value specific to beer festivals incorporated into a model for beer tourist behavior by exploring the staging of an inaugural beer festival hosted in a rural community located in Southeastern New Mexico (USA). A mixed-methods approach incorporates depth interviews and questionnaire data. In-depth intervi

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Jaelani, Aan, Edy Setyawan, Abdul Aziz, Nining Wahyuningsih, and Diana Djuwita. "Sustainable Event and Festival in Cirebon, Indonesia: in Islamic Marketing Perspective." Revista Rosa dos Ventos - Turismo e Hospitalidade 12, no. 4 (2020): 811–38. http://dx.doi.org/10.18226/21789061.v12i4p811.

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This article will explore the sustainability of events and festivals on tourism activities held in Cirebon, Indonésia. The city, known as the ‘City of Guardians’, is very popular with religious tourism destinations that are branded for tourism products. Events and festivals that are held on an ongoing basis can become tourist attractions, used as a marketing place, and a strategy to create an image of the destination, thus attracting tourists' visits. The methodology used is the document review approach and trend analysis to observe and analyze the various events and festivals held from 2015 t

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Eshuis, Jasper, Bonno Pel, and J. Andres Coca-Stefaniak. "From Ephemeral Events to Multiple Legacies: An International Comparison of Festival Demarcations and Management Approaches." Event Management 24, no. 5 (2020): 579–96. http://dx.doi.org/10.3727/152599519x15506259856192.

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Festivals have come to play an important role in tourism and managing their legacy has become an important challenge for governments and the events industry. Festivals typically take place over limited periods of time, but they also bring longer lasting legacies for the economy, local communities, and the environment. Festival legacies are characterized by interpretive flexibility; they are interpreted differently by various actors. This complicates attempts to adapt the management of festivals in such a way that aspired legacies are realized and unwanted (negative) legacies minimized. This ar

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Folgado-Fernández, José Antonio, Elide Di-Clemente, and José Manuel Hernández-Mogollón. "Food Festivals and the Development of Sustainable Destinations. The Case of the Cheese Fair in Trujillo (Spain)." Sustainability 11, no. 10 (2019): 2922. http://dx.doi.org/10.3390/su11102922.

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Food-based events and festivals are being increasingly organized around the world, both in large cities and in small towns with the aim of attracting the many benefits they provide to the destinations where they are held. While the impact of mega events is sufficiently studied in scientific literature, the works that address the effects of small events are still scarce. To close this gap, this research investigates the significance of small food-based events for tourism and the sustainable development of destinations. An exhaustive study of a renowned festival based on cheese was carried out i

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Żebrowski, Mateusz. "Educational Potential of Animated Films in Poland." Panoptikum, no. 18 (December 29, 2017): 106–19. http://dx.doi.org/10.26881/pan.2017.18.07.

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The paper describes events which are focused on Polish animation, with special regards to their educational values. The thesis refers to the importance of the Polish Film Institute, higher education, film workshops and film festivals for Polish animations. The most important part of the paper describes animation film festivals. Film festivals are portrayed as the most extensive educational platform, because of which the whole paper centres on an understanding of the issue through festival studies. The author evokes theories of the field configuring events by Bernard Leca, Charles-Clemens Rülin

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Shujaat, Sobia, Dr Iram Tahir, and Owais Tahir. "Impact of Retail Strategy, Location and Type of Business on Sales: A Case Study of Peace & Love Festival Borlänge." Volume 3, Issue 1 3, no. 1 (2021): 28–37. http://dx.doi.org/10.37435/nbr21020401.

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Purpose - This study primarily examines how local retail businesses strategically take advantage of an event like the Peace and Love Festival. The financial effects of the event on these businesses were studied with a focus on whether sales increase or decrease during the Festival. The influence of three important factors was examined; business strategy, location of business and type of business on local businesses’ sales during festivals. The study assessed the impact of specific location and the effect of these festivals on different types of businesses. It uncovers the influence of such eve

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Abbasov, Iftikhar Balakishi, and Tszin'bo Van'. "Design of space for a kite festival." Культура и искусство, no. 1 (January 2020): 81–91. http://dx.doi.org/10.7256/2454-0625.2020.1.30362.

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The object of this research is kite festival in the Chinese city Weifang in Shandong province. The subject is the impact of graphic support of the kite festival upon heightening interest in the folk culture. The development of a new design concept of hosting a festival would increase its attractiveness and popularize traditions of the Chinese folk crafts. Having originated in China, the kites rapidly spread among the neighboring countries of Southeast Asia, and later appeared in Western countries. Kite festivals were used extensively &ndash; from entertainment events to translation of info

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Fenyves, Veronika, András Becsky, Tamás Dékán, and Balázs Nyul. "Student expectations on sports festivals with a view to the estimation questionnaire on Campus Sports Festival." Applied Studies in Agribusiness and Commerce 9, no. 1-2 (2015): 9–14. http://dx.doi.org/10.19041/apstract/2015/1-2/2.

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Campus Festival, organized each year, is listed as one amongst the music festivals in Hungary attracting crowds, with a target audience formed by higher education students. The organizers of Campus Festival set as their main highlighted objective, in addition to providing with musical events, the enhancement of the sporting life of the visitors stopping by. As a side event, Campus Sports Festival is launched each time along with it, with the intention to promote sports and doing sports, creating an event for the public suitable for the development of crossborder student relationships, between

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Acciari, Monia. "The permanency of film festivals: Archiving the changing India." Studies in South Asian Film & Media 10, no. 1 (2019): 41–57. http://dx.doi.org/10.1386/safm_00004_1.

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Abstract Time and space are two dimensions that define a film festival in relation to duration, cultural, social, urban and political relations to the event. While the notion of space is well documented by the literature on film festivals, the idea of time is merely connected to the length of the event, mostly defined as volatile in nature. The overall aim of this article is to present an understanding of film festivals as multifaceted sociocultural and historical events beyond the idea of volatility that is naturally conferred to them. The idea of diverse intersecting temporalities is explore

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Amorim, Daniela. "The impact of performing arts festivals on tourism development: analysis of participants' motivation, quality, satisfaction and loyalty." Tourism & Management Studies 16, no. 4 (2020): 45–57. http://dx.doi.org/10.18089/tms.2020.160404.

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The festivals have had a very positive impact on tourism development, and on the promotion of destinations, they are positioned as important attractive elements that boost tourism in the several regions, as well as its economic and cultural development. This study aimed to analyse the motivation, quality, satisfaction and loyalty of two performing arts festivals participants (Andanças, Portugal and La Sierra, Spain). It followed a quantitative methodology, and questionnaires were applied to the participants of the events under analysis. The results of the test-t indicate that La Sierra festiva

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Toomey, Traci L., Darin J. Erickson, William Patrek, Linda A. Fletcher, and Alexander C. Wagenaar. "Illegal Alcohol Sales and Use of Alcohol Control Policies at Community Festivals." Public Health Reports 120, no. 2 (2005): 165–73. http://dx.doi.org/10.1177/003335490512000210.

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Objectives. The primary goals of this study were to assess the propensity for alcohol sales to underage customers and obviously intoxicated customers at community festivals, and to assess the prevalence of alcohol control policies at these events. A secondary goal was to identify server and festival characteristics and festival policies related to the likelihood of illegal alcohol sales. Methods. We conducted pseudo-underage purchase attempts at 43 festivals and pseudo-intoxicated purchase attempts at 50 festivals to assess the likelihood of illegal sales. Research staff made observations at f

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YEGANEH, FARAH. "Iranian Theatre Festivalized." Theatre Research International 30, no. 3 (2005): 274–83. http://dx.doi.org/10.1017/s0307883305001525.

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This article explores contemporary Iranian theatre festivals and their relation to the whole structure of theatrical playing in the country. It examines in particular the role of the most important decision-making centre for theatre and theatre festivals: the Dramatic Arts Centre (DAC), the theatrical branch of the Ministry of Culture. The main framework of the article is based on Willmar Sauter's model of the theatrical event. Two of his four elements have been selected to develop the concept of festivals as theatrical events. The section titled ‘Organization and cultural context’ will discus

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Pulido, Marta, Jose Vazquez González, and Jose Vazquez González. "PUBLIC RELATIONS AND EVENTS: THE ORGANIZATION OF FESTIVALS AS A TOOL FOR CULTURAL PROMOTION." IROCAMM-International Review Of Communication And Marketing Mix 2, no. 2 (2019): 13–23. http://dx.doi.org/10.12795/irocamm.2019.v02.i02.02.

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Festivals not only fulfill their traditional role as an institution that allows to present, spread or preserve the culture of a society, but also stand out for their ability to generate wealth in the cities where they are celebrated, for their contribution to the diversification of the tourism product or the improvement of the image of the place (Devesa, Báez, Figueroa and Herrero, 2012). Specifically, film festivals have a much greater importance playing a fundamental, but not recognized, role for the development of the industry and the history of cinema (Vallejo, 2014, p.14). Under this pers

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Nielsen, Katherine, M. J. Gathings, and Karen Peterman. "New, Not Different: Data-Driven Perspectives on Science Festival Audiences." Science Communication 41, no. 2 (2019): 254–64. http://dx.doi.org/10.1177/1075547019832312.

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This commentary explores the kinds of audiences who attend science festivals in the United States by examining data from nearly 10,000 attendees from 24 festivals. Findings are presented to describe festival audiences overall and in comparison to national census and polling data. Results are similar to those for other public science events, with the majority of attendees being well-educated and middle-class. Even so, approximately two thirds of festival-goers are new each year. The findings are discussed in relation to evidence that begins to establish a typology of public science event attend

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Duran, Erol, and Bahattin Hamarat. "Festival attendees’ motivations: the case of International Troia Festival." International Journal of Event and Festival Management 5, no. 2 (2014): 146–63. http://dx.doi.org/10.1108/ijefm-07-2012-0020.

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Purpose – The purpose of this paper is to investigate underlying motivational dimensions of visitors attending the International Troia Festival (ITF), Çanakkale, Turkey. Design/methodology/approach – Surveys with 26 items on six motivational dimensions were empirically tested. Data were collected by a self-administered survey. The study sample comprised attendees of particular festival events which were suitable for survey practice in the ITF lasting for five days. The participants of the survey were the attendees of two theater shows, two conferences, and two folk dance shows. A total of 473

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Gomez-Casero, Gema, Carol Angélica Jara Alba, Javier Jiménez Beltrán, and Jaime Roldán Nogueras. "Cultural Events: Case Study of a Theatre Festival as an Element of Tourist Attraction." Mediterranean Journal of Social Sciences 9, no. 4 (2018): 177–85. http://dx.doi.org/10.2478/mjss-2018-0127.

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Abstract Events have increasingly become more relevant in scientific literature. Festivals are considered a part of event tourism, and they are emerging as a subfield largely because they occupy a special place in each culture. There are few profound studies regarding cultural festivals and, particularly, theatre. The main aim of this research is to contribute to the current scientific literature related to festivals as an instrument for cultural and tourist development. The findings of the study show the most relevant characteristics of the tourist who attends an event with more than forty ed

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GRADINARU, Camelia. "Community, Social Capital and Festivals. A Pandemic Perspective." Revista de Cercetare si Interventie Sociala 73 (June 15, 2021): 154–71. http://dx.doi.org/10.33788/rcis.73.10.

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This paper focuses on the complex relationships among social capital, community development and festivals. The Covid-19 pandemic put a lot of pressure on festivals, forcing an entire industry to adapt and recreate itself. In the restricted sanitary context, the pandemic festivals redefine the sense of events, of community and of social interactions. The empirical data, comprising in-depth interviews with the organisers of the first festival in Romania after lockdown, have revealed the prioritisation of social benefits and the growing connection between festival and community. This study theref

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Black, Niki. "Festival connections." International Journal of Event and Festival Management 7, no. 3 (2016): 172–87. http://dx.doi.org/10.1108/ijefm-04-2016-0026.

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Purpose The purpose of this paper is to examine the contribution of small-scale, rural festivals to the social sustainability of their host communities. Small-scale, community originated festivals proliferate the rural landscape throughout the UK and yet despite this, festival research has focussed predominantly on large, urban events and on their economic impact (Wood, 2009; Gibson and Connell, 2011). This paper seeks to address the perceived research gap by examining these events through a lens of social sustainability. Design/methodology/approach The research uses a case study approach focu

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Lupak, R., V. Tarasyuk, and K. Varkholyak. "Aspects of festival events tourism development." Galic'kij ekonomičnij visnik 66, no. 5 (2020): 30–37. http://dx.doi.org/10.33108/galicianvisnyk_tntu2020.05.030.

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The importance of tourism development for the country's economy and the growing popularity of festival events tourism in the context of music, gastronomic and ethno-festival events is summarized. The conceptual characteristics of festival events tourism that require in-depth research are clarified. The economic advantages of each direction of festival event tourism and their interrelation with other economic processes are listed. Special attention is paid to marketing, technological, social, historical and other features of their formation and progressive growth. Peculiarities (in the context

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Bolin, Mary Jane, and Raymond D. Dunstan. "Festivals as Artistic Events." Art Education 38, no. 3 (1985): 30. http://dx.doi.org/10.2307/3192891.

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Thomason, Pamela S., and Richard R. Perdue. "Festivals and Special Events." Journal of Physical Education, Recreation & Dance 58, no. 4 (1987): 54–56. http://dx.doi.org/10.1080/07303084.1987.10603865.

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Gradaleva, Ekaterina А. "HORSE FESTIVALS AND HORSES AT FESTIVALS: THE ROLE OF TRADITION IN MODERN BRITAIN." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 40 (2020): 38–48. http://dx.doi.org/10.17223/22220836/40/3.

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The image of a horse appears in many spheres of the British culture and in each case it has a special symbolic meaning. It is important to notice that the symbolic meaning is more essential in the British mentality than the material one. Festivals can be one of the spheres where we can observe the versatility and historical meaning of the horse image. On the one hand, horses as real animals play a significant role in various events: horse competitions, horse shows, parades, royal ceremonies, etc. On the other hand, there is also personification of fancy images of horses at British festivals. D

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Bergee, Martin J., and Melvin C. Platt. "Influence of Selected Variables on Solo and Small-Ensemble Festival Ratings." Journal of Research in Music Education 51, no. 4 (2003): 342–53. http://dx.doi.org/10.2307/3345660.

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With this study, we examined four potential influences on American high school solo and. small-ensemble festival adjudicator ratings—time of day, performing medium (vocal or instrumental), type of event (solo or ensemble), and school size. A total of 7,355 instrumental and vocal events from two consecutive midwestern state solo and ensemble festivals were analyzed. The two festivals, held in 2001 and 2002, employed 75 adjudicators (33 vocal and 42 instrumental). Statistically significant differences were found in the main effects of time of day, type of event, and school size. The averages rat

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Ferraz, Leidson Malan Monteiro de Castro. "CONTRIBUIÇÃO À HISTÓRIA DOS FESTIVAIS DE TEATRO NO BRASIL." Arteriais - Revista do Programa de Pós-Gradução em Artes 5, no. 9 (2021): 124. http://dx.doi.org/10.18542/arteriais.v5i9.9821.

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ResumoPara colaborar com a investigação histórica, a proposta é reunir dados sobre os primeiros festivais de teatro no Brasil, partindo de uma certa trajetória temporal que vai dos festivais artísticos ainda em benefício aos eventos em reverência a autores, passando depois a ter o conceito moderno de reunião de atrações variadas em período e local constantes, além de atividades extras programadas. O artigo também presta homenagem àqueles que pioneiramente deram dinâmica à realização destes encontros festivos do teatro amador ou profissional de então, nos mais diversos pontos deste país, destac

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Kruger, Martinette, and Melville Saayman. "A 3E typology of visitors at an electronic dance music festival." International Journal of Event and Festival Management 7, no. 3 (2016): 219–36. http://dx.doi.org/10.1108/ijefm-04-2016-0027.

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Purpose The purpose of this paper is to determine the motives of visitors to an electronic dance music (EDM) festival in South Africa and clustered the participants according to these motives. Design/methodology/approach Based on a visitor survey at the oldest EDM festival in South Africa, namely, H2O, five motives for attending H2O were identified (fun and dance; novelty; excitement, group identity and entertainment; lifestyle and well-being; and travel and escape), while the results revealed three clusters of EDM festival visitors: enthusiasts, energizers and electros. The results demonstrat

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Lund, Adam, and Sheila Turris. "The Event Chain of Survival in the Context of Music Festivals: A Framework for Improving Outcomes at Major Planned Events." Prehospital and Disaster Medicine 32, no. 4 (2017): 437–43. http://dx.doi.org/10.1017/s1049023x1700022x.

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AbstractDespite the best efforts of event producers and on-site medical teams, there are sometimes serious illnesses, life-threatening injuries, and fatalities related to music festival attendance. Producers, clinicians, and researchers are actively seeking ways to reduce the mortality and morbidity associated with these events. After analyzing the available literature on music festival health and safety, several major themes emerged. Principally, stakeholder groups planning in isolation from one another (ie, in silos) create fragmentation, gaps, and overlap in plans for major planned events (

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Andersson, Tommy D., John Armbrecht, and Erik Lundberg. "Linking event quality to economic impact." Journal of Vacation Marketing 23, no. 2 (2015): 114–32. http://dx.doi.org/10.1177/1356766715615913.

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The aim of this study is to develop and test, in an event context, a model describing the relationships between perceived quality, satisfaction, use value and consumer expenditures. A model is proposed and tested using data from a Web and telephone survey of 326 visitors to a Swedish music festival. Findings from bivariate correlation, multiple regression and structural equation models show that links are significant and support a chain of dependencies. Better managed festivals seem to generate higher economic impact at the destination as well as in the festival area. Implications of this are

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Green, Yvette. "Examining the Visitor Profile and Event Characteristics of a Festival." Events and Tourism Review 1, no. 1 (2018): 35–45. http://dx.doi.org/10.18060/22785.

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Festivals and special events serve as important attractors for destinations and provide unique experiences for visitors. The purpose of the study examined the visitor profile and event characteristics of the 2015 Louisiana Seafood Festival. Food and beverage and music were the top rated aspects of the festival most important to the attendee. Results showed that the festival made a valuable contribution by attracting nearly 56,000 attendees. The visitor profile provided valuable information on visitor characteristics, event characteristics, and visitor spending. The event organizers can use the

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Haskell, Erica. "Funding festivals: Bringing the world to Sarajevo." Muzikologija, no. 22 (2017): 133–49. http://dx.doi.org/10.2298/muz1722133h.

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The focus of this article is on the ?festivalization? of Sarajevo, the capital city of Bosnia-Herzegovina, after the signing of the Dayton Agreement (1995), and the donor environment during that time that largely supported foreign rather than local performances. I chronicle a shift - from socialist-era regional festivals before the war to post-war period staged multi-day multi-performance events with foreign programming - and highlight the tendency of donors to de-emphasize local difference as a way of creating politically safe aiding strategies. I unpack why the ?festival model? was attractiv

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Rodin, Ian, and Richard Braithwaite. "Festival psychiatry." BJPsych Advances 24, no. 2 (2018): 123–31. http://dx.doi.org/10.1192/bja.2017.17.

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SUMMARYThis article is based on our experience of volunteering for the charity Festival Medical Services, to provide mental healthcare at the Glastonbury Festival of Contemporary Performing Arts and the Reading Festival. It describes the history of these annual events and the development of medical and psychiatric services offered. Principles of assessment and management of mental disorder in festival settings are outlined and common psychiatric presentations are described. Legal aspects of care are discussed. The article is intended primarily to inform others of this interesting and unusual f

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Beckman, Eric, and Mark Traynor. "Utilizing trade market analysis to identify the economic impact of a multiday special event in Miami Beach, Florida." Tourism Economics 25, no. 2 (2018): 253–73. http://dx.doi.org/10.1177/1354816618800194.

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Many events occur each year in rural and urban communities. Some of these events include sporting events and festivals (music, food/beverage, heritage, and art). Some of these events occur for 1 day, but many of these events occur multiple days and are considered “special events.” Determining the positive impact of these special events on local communities is critical to the success of the event and helps to gain local stakeholder approval and acceptance for recurring annual events. The current study surveyed attendees (locals and tourists) at a 5-day special event (festival) in Miami Beach, F

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Mason, Andrew, and Rebecca Scollen. "Grassroots festival keeps city alive during severe drought." Journal of Place Management and Development 11, no. 3 (2018): 266–76. http://dx.doi.org/10.1108/jpmd-06-2017-0059.

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Purpose This paper aims to discuss the role of a grassroots initiative in engaging local people in an innovative place-making fringe festival. Festivals such as the Carnival of Flowers are a major tourism event for regional cities like Toowoomba and contribute to place-making through marketing and engagement. Within the professional management of such events, there exists space for innovation and genuine community involvement, which can assist in authentically reflecting place identity. Avant Garden (2007-2008) models a successful grassroots fringe festival, initiated by community members in r

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Edmond, Murray. "A Saturated Time: Three Festivals in Poland, 2007." New Theatre Quarterly 24, no. 4 (2008): 307–21. http://dx.doi.org/10.1017/s0266464x08000468.

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What different kinds of festival are to be found on the ever-expanding international circuit? What companies are invited or gatecrash the events? What is the role of festivals and festival-going in a global theatrical economy? In this article Murray Edmond describes three festivals which he attended in Poland in the summer of 2007 – the exemplary Malta Festival, held in Poznan; the Warsaw Festival of Street Performance; and the Brave Festival (‘Against Cultural Exile’) in Wroclaw – and through an analysis of specific events and productions suggests ways of distinguishing and assessing their ai

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ROSSETTI, GIULIA. "Foreign languages education in international literary festival tourism: the case of Festivaletteratura in Italy." International Journal of Language, Translation and Intercultural Communication 4, no. 1 (2016): 68. http://dx.doi.org/10.12681/ijltic.10342.

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<p><em>Festivals have always represented a good opportunity on the economic front, but most importantly they have been perfect occasions for creating settings for social, cultural and inter-linguistic interaction. Nowadays, thanks to the globalisation process, intercultural and inter-lingual communications are increasingly important in the festivals domain, especially those focused on international literary events. According to the experiential learning theory, international book festivals can be environments for learning activities, and specifically for language development. Thus,

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MUHAMMAD, ROSMALIZA, KHAIRUNNISA MOHAMAD ABDULLAH, FARIDAH HANIM ISMAIL, NURHIDAYAH ABDULLAH, and ARNI ABDUL GHANI. "The Significance of Rumah Terbuka during Eid Festivity in Promoting Visitor Attraction." Social and Management Research Journal 15, no. 1 (2018): 25. http://dx.doi.org/10.24191/smrj.v15i1.4229.

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Owing to the multi-ethnic backgrounds, Malaysians celebrate their annual festivals and all of the celebrations have become a cultural tradition. The major ethnic group festival celebrations include Hari Raya Aidilfitri (Malays), Deepavali (Indians) and Chinese New Year (Chinese), have been recognised by the Malaysian government to be a national celebration and yearly events. These events are popularly known as Rumah Terbuka. Even though the celebration of Rumah Terbuka festivals have started and celebrated widely many years ago, each celebration has ma

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