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Journal articles on the topic 'Evolution créatrice (Bergson, Henri)'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Polak, Paweł, and Jacek Rodzeń. "The Influence of Bergson’s Entropic and Negentropic Ideas on Polish Philosophy Before the Second World War." Roczniki Filozoficzne 72, no. 4 (2024): 201–30. https://doi.org/10.18290/rf24724.10.

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The second law of thermodynamics and the concept of entropy became one of the most important scientific ideas to influence Western culture in the 19th century. Pessimistic conclusions, such as the concept of the heat death of the universe and the specter of the inevitable decay of everything, inspired philosophical reflection at the fin de siècle. The philosophy of Henri Bergson played a key role in overcoming this pessimistic attitude. In his famous work L’évolution créatrice (1907), he proposed a bold metaphysical vision for the completion of science through a vision of creative evolution dr

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De Souza, José Paulo Maldonado. "A propósito de “L’Évolution de l’inteligence géométrique” - Henri Bergson." Cadernos Cajuína 5, no. 1 (2020): 215. http://dx.doi.org/10.52641/cadcaj.v5i1.376.

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“A propos de ‘L‘Évolution de l’intelligence géométrique” (1907), de Henri Bergson, apareceu originalmente em Revue de Métaphysique et de Morale, sendo mais tarde incluída na edição crítica de <em>L’Évolution Créatrice </em>(1907), dirigida por Fréderic Worms.

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Manzano Vargas, Jorge. "Capítulo décimo: la emoción creadora." Xipe totek, no. 105 (March 31, 2018): 7–36. https://doi.org/10.31391/h3005m91.

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Manzano Vargas, Jorge. Capítulo décimo: la emoción creadora. En este capítulo Jorge Manzano pone en relación dos de las obras principales de Henri Bergson, L’évolution créatrice y Les deux sources, con el propósito de profundizar en los momentos de la vida que se habían descrito en la primera de ellas (acción divina; aparición de la corriente vital y de la materia y finalmente intelectualización y espacialización). Manzano analiza cómo en la segunda obra Bergson, apoyándose en los testimonios de los místicos, regresa a su primer esbozo y afirma ya la existencia de Dios, al mismo tiempo que exp

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Teixeira, Rafael Henrique. "CLAUDE BERNARD, BERGSON E O CONHECIMENTO DA VIDA COMO PROBLEMA." Kriterion: Revista de Filosofia 61, no. 146 (2020): 501–22. http://dx.doi.org/10.1590/0100-512x2020n14611rht.

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RESUMO O objetivo deste artigo é apresentar, tomando por referência a filosofia de Henri Bergson (1859-1941) e a fisiologia experimental de Claude Bernard (1813-1878), dois esforços análogos, ainda que sem relação direta em suas origens, em face de imperativos que se colocam ao sujeito do conhecimento que se ocupa da vida. Tentaremos mostrar, autorizados pelo próprio Bergson, no interior de determinada prática científica representada pela fisiologia experimental de Claude Bernard, uma atitude diante dos fatos orgânicos que não é o monopólio de uma filosofia que se ocupa da verificação das cond

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Costa Carvalho, Magda. "Indecisão plena de promessas: imagens da vida e da infância na filosofia de Henri Bergson." EDUCAÇÃO E FILOSOFIA 34, no. 71 (2021): 565–80. http://dx.doi.org/10.14393/revedfil.v34n71a2020-56831.

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Indecisão plena de promessas: imagens da vida e da infância na filosofia de Henri Bergson Resumo: Numa passagem da obra Évolution Créatrice, Bergson recupera a imagem da criança para afirmar que a natureza viva opera através de tendências divergentes. Apesar de não ter desenvolvido um pensamento de pendor educacional, encontram-se na obra bergsoniana referências que, por um lado, recuperam a dimensão criativa e criadora da infância e, por outro, acentuam a forma infantil dos movimentos do élan vital. Estas referências fazem parte da imagética do autor, mostrando como o seu pensamento sug

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Adamson, Gregory Dale. "Henri Bergson: Evolution, time and philosophy." World Futures 54, no. 2 (1999): 135–62. http://dx.doi.org/10.1080/02604027.1999.9972752.

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G.T., Kabulniyazova. "PHILOSOPHICAL ASPECTS AND SCIENTIFIC SIGNIFICANCE OF HENRI BERGSON'S INTUITIONISM AND THE IDEA OF "VITAL ENTHUSIASM"." American Journal of Philological Sciences 3, no. 10 (2023): 12–20. http://dx.doi.org/10.37547/ajps/volume03issue10-03.

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The article analyzes the views of the famous French philosopher Henri Bergson on vitality and intuitionism. Bergson contrasted his theory of creative evolution with Darwin's theory of evolution in a rationalistic spirit. He reveals that Darwin's views were mechanistic in nature. It also shows the difference between intellect and intuition. Since natural processes are characterized by vitality, they prove to be creative in nature.

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Kulyk, Andrii. "METAPHYSICS OF FREEDOM AND CREATIVITY IN THE PHILOSOPHY OF HENRI BERGSON." Scientific notes of the National University "Ostroh Academy". Series: Philosophy 1, no. 27 (2024): 10–15. https://doi.org/10.25264/2312-7112-2024-27-10-15.

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This article is dedicated to the analysis of the key aspects of the metaphysics of the French philosopher Henri Bergson, particularly his views on freedom and creativity as fundamental characteristics of being. At the core of the study are the concepts of duration and the vital impulse (élan vital), which Bergson opposes to mechanistic determinism. The article explores how Bergson understands freedom not as a choice between fixed possibilities, but as a creative act that generates new realities. Special attention is given to the role of intuition as a method for understanding the deep processe

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Macallan, Brian Claude. "Freedom as a Centralizing Motif in the Work of Henri Bergson." Process Studies 50, no. 1 (2021): 67–87. http://dx.doi.org/10.5840/process20215015.

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Contemporary debates on freedom traverse questions concerning metaphysics, the mind/body relationship, evolution, morality, and religion. Throughout his life, the French philosopher Henri Bergson dealt with these questions from the perspective of time, believing that spatializing these problems led to inadequate solutions. That freedom was a centralizing concern in his oeuvre can be demonstrated in the way he approached these questions in challenging determinism, materialism, mechanism, and finalism. Bergson studies, despite noting the importance of freedom for Bergson, have focussed on intuit

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Macallan, Brian Claude. "Freedom as a Centralizing Motif in the Work of Henri Bergson." Process Studies 50, no. 1 (2021): 67–87. http://dx.doi.org/10.5406/processstudies.50.1.0067.

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Abstract Contemporary debates on freedom traverse questions concerning metaphysics, the mind/body relationship, evolution, morality, and religion. Throughout his life, the French philosopher Henri Bergson dealt with these questions from the perspective of time, believing that spatializing these problems led to inadequate solutions. That freedom was a centralizing concern in his oeuvre can be demonstrated in the way he approached these questions in challenging determinism, materialism, mechanism, and finalism. Bergson studies, despite noting the importance of freedom for Bergson, have focussed

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Carvalho, Magda Costa, and M. Patrão Neves. "The Bio-Philosophical "Insufficiency" of Darwinism for Henri Bergson’s Metaphysical Evolutionism." Process Studies 41, no. 1 (2012): 133–49. http://dx.doi.org/10.2307/44798999.

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Abstract The main goal of Henri Bergson’s philosophy of nature is to offer a dynamic understanding of living phenomena. It is in this context that we maintain that the author left us a "bio-philosophy," that is, an interpretation which, by adopting a positive model of biology as a cognitive paradigm, describes the essential character of living activity as time or duration (durée). Bergson’s positive metaphysics, which brings science to the metaphysical field and provides an inner perspective of the vital principle, consolidated itself in the study of evolutionary theories like Darwinism. Howev

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Mota, Rodrigo. "A natureza pragmática da inteligência em Henri Bergson." Revista Opinião Filosófica 16 (July 21, 2025): 1–22. https://doi.org/10.36592/opiniaofilosofica.2025.v16.1124.

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I intend to show in this article the arguments presented by Henri Bergson to expose a reality that, according to him, cannot be captured, in its true essence, by the human intelligence, due the pragmatic nature of the later. The aesthetic contemplation already gives us a hint on another kind of knowledge that can capture the reality hidden from that faculty. Beside that, in one of the most original thoughts of Bergson, the French author rejects the idea, put forward by Aristotle, of the animal instinct as an early stage of intelligence. Basing on his own view of the evolution of life, the Fren

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Parsamov, Vadim V. "Yuri Lotman and Henri Bergson (Semiotics of Art – Philosophy of Life)." Voprosy Filosofii, no. 8 (2023): 205–15. http://dx.doi.org/10.21146/0042-8744-2023-8-205-215.

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In 1980–90s. Lotman’s scientific interests were mainly focused on discovering the processes taking place in the semiosphere. He was interested in the relation of space and time as two semiotic languages irreducible to each other, the problem of emptiness as an object and language of description, the role of explosions and unpredictable processes in the dynamics of culture, the function of historical memory in culture, etc. Many of these ideas turn out to be consonant with Bergson’s intuitive metaphysics with its concept of duration as the basis of creative evolution. At the same time, the na

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BAZIN, VICTORIA. "Lorine Niedecker, Henri Bergson and the Poetics of Temporal Flow." Journal of American Studies 46, no. 4 (2012): 977–96. http://dx.doi.org/10.1017/s0021875811001976.

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While Niedecker's “life by water” is the subject of many of her poems, reflecting the experience of living on the flood-prone island of Black Hawk, Wisconsin, the water imagery that saturates many of her poems also becomes a way of reflecting upon time as it is experienced, of consciousness as process, of subjectivity as something pulled along by a temporal stream. The poetics of temporal flow suggests Niedecker's interest in exploring forms of experience that fall outside conscious attention and that point to her affinity with the modernist philosopher of time, Henri Bergson, whose Creative E

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Tandiayu, Leonardo Kelvin. "Moral dan Agama Menurut Henry Bergson." Proceedings of The National Conference on Indonesian Philosophy and Theology 1, no. 2 (2023): 77–82. http://dx.doi.org/10.24071/snf.v1i2.8370.

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Henri Bergson, a prominent philosopher, developed important concepts regarding morality and religion through the lens of static and dynamic perspectives. In his work, he distinguished between static morality, which is conservative and resistant to change, and dynamic morality, which is more open and accepting of the evolution of values. Additionally, he also separated religion into two categories: static religion, which adheres strictly to dogma and tradition, and dynamic religion, which prioritizes rationality and critical thinking. Bergson argued that the relationship between morality and re

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Zalewska-Pawlak, Mirosława. "Trwanie, zmienność i przemilczanie. Rozważania nad teorią wychowania estetycznego zainspirowane filozofią Bergsona." Kwartalnik Pedagogiczny 62, no. 4 (246) (2018): 84–94. http://dx.doi.org/10.5604/01.3001.0010.8407.

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The article contains reflections on up-to-date theoretical knowledge and the need for the development of aesthetic education. The argument was derived from the philosophy of Henri Bergson, accepting the description of the concept of duration, variability and their interdependence as categories. The concept of creativity is approached with its distinction into artistic and lifelong creativity, showing the evolution of their differentiation and unification. The author indicates important and currently unresolved problems of aesthetic education.

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Senelick, Laurence. "Bergson and the Mechanics of the Bedroom Farce." New Theatre Quarterly 40, no. 4 (2024): 343–52. https://doi.org/10.1017/s0266464x24000290.

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Whereas the earliest farces deal with human appetites on the most basic level, by the mid-nineteenth century these had been sublimated and incorporated into a newly mechanical format. Inaugurated by Eugène Labiche, and perfected by Alfred Hennequin and Georges Feydeau, these masterpieces of clockwork ingenuity would appear to be the inspiration for Henri Bergson’s theory of comedy. This article explores the evolution of this style of farce, and demonstrates how Bergson’s influential ideas were themselves influenced not only by the popularity of the boulevard theatre, but also by prevailing con

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Kuznetsova, Maria M. "The Meaning of the Concept of “Spiritual Energy” in the Philosophy of William James and Henry Bergson." Russian Journal of Philosophical Sciences 63, no. 4 (2020): 115–31. http://dx.doi.org/10.30727/0235-1188-2020-63-4-115-131.

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The article examines the philosophy of Henri Bergson and William James as independent doctrines aimed at rational comprehension of spiritual reality. The doctrines imply the paramount importance of consciousness, the need for continuous spiritual development, the expansion of experience and perception. The study highlights the fundamental role of spiritual energy for individual and universal evolution, which likens these doctrines to the ancient Eastern teaching as well as to Platonism in Western philosophy. The term “spiritual energy” is used by Bergson and James all the way through their cre

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Bartusiak, Pavlo. "H. Bergson on the Problem of Origin of Life." Problemos 105 (April 10, 2024): 63–73. http://dx.doi.org/10.15388/problemos.2024.105.5.

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Henri Bergson’s conjectures about the origin of life avoid providing a solution to the problem, and yet he did make some suggestions. A close reading of his texts reveals the philosopher’s implicit assumption of an origin of life on Earth through natural processes. This paper is concerned with the concept of an élan, and focuses on the evolution of this philosophical concept in Bergson’s thought. The argument divides the élan from its constant companion, vital, in order to highlight its non-spiritual aspect which applies to what that Bergson described as “physiological life.” I emphasize that

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An, Yanming. "Liang Shuming and Henri Bergson on Intuition: Cultural Context and the Evolution of Terms." Philosophy East and West 47, no. 3 (1997): 337. http://dx.doi.org/10.2307/1399909.

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Somsen, Geert. "The Philosopher and the Rooster." Historical Studies in the Natural Sciences 50, no. 4 (2020): 364–83. http://dx.doi.org/10.1525/hsns.2020.50.4.364.

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Unlike what is often presumed, scientific internationalism persisted through the First World War and its aftermath. Although many scientists aligned themselves with their belligerent nations after 1914, and although Germany and Austria were excluded from international meetings after 1919, the rhetoric celebrating the universally fraternizing nature of science continued as if no such ruptures existed. In this article I argue that this persistence was rooted in the war itself, and particularly in the massive mobilization of academics in wartime propaganda and diplomacy. In these activities they

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Grohowski, Madeleine. "Truth in Time Travel: Subversions of Time in An Adventure." University of Bucharest Review Literary and Cultural Studies Series 14, no. 1 (2024): 78–86. http://dx.doi.org/10.31178/ubr.14.1.5.

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This article explores how Frances Lamont and Elizabeth Morison’s An Adventure (1913) disrupts temporal and spatial dichotomies through its supposed representations of time travel. An Adventure presents time as a shifting force that aligns with Bergsonian notions of temporality – specifically the concepts of objective and subjective time as defined in Henri Bergson’s Creative Evolution (1911) and “Time and Free Will” (1913). This article also considers how Freudian notions of “condensation” further outline the subjective rendering of time in An Adventure’s surreal journeys back in time to the F

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Maria, Urbańska-Bożek. "Ewolucja poglądów Henriego Bergsona na temat natury boga i jej społeczny wymiar." "Karto-Teka Gdańska" 2(5)/2019 (December 31, 2019): 35–49. https://doi.org/10.5281/zenodo.5528597.

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<strong>Evolution of Henri Bergson’s Views on the Nature of God and its Social Dimension</strong> The aim of the article is to present the direction of evolution of Bergson’s views on the nature of the God. The worldview transformation of the French philosopher made a radical turn from God understood as a creative act and energy to a personal God whose essence is love. There will be also indicated the possible social consequences of Bergson’s thoughts, which boil down to indicating the possibility of building an open religion and morality in an open society. The saint/the mys

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Ruse, M. Scott. "Technology and the Evolution of the Human." Essays in Philosophy 6, no. 1 (2005): 213–25. http://dx.doi.org/10.5840/eip20056127.

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Philosophy of technology is gaining recognition as an important field of philosophical scrutiny. This essay addresses the import of philosophy of technology in two ways. First, it seeks elucidate the place of technology within ontology, epistemology, and social/political philosophy. I argue technology inhabits an essential place in these fields. The philosophy of Henri Bergson plays a central role in this section. Second, I discuss how modern technology, its further development, and its inter-cultural transfer constitute a drive toward a global “hegemony of technology”. The crux of the argumen

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Kabulniyazova, Gulchehra T. "Spontaneous-figurative Memory in the Works of Henri Bergson and in Sufism (Comparative Analysis)." Voprosy Filosofii, no. 12 (2022): 159–67. http://dx.doi.org/10.21146/0042-8744-2022-12-159-167.

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In his work Matter and Memory, Henri Bergson asserts the existence of two forms of memory: mechanical, based on repetition and spontaneous-figurative, in which the activity of the spirit manifests itself. Similar thoughts about the connection of figurative memory with the activity of the spirit were expressed at one time by the Central Asian outstanding thinker, founder of the Sufi Tariqa Najm ad-Din Kubra and the famous Persian mystic poet Jalal ad-Din Rumi. According to Kubra, spontaneous-figurative memory is located in the depths of a person’s spiritual heart and the path to it is reached

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Morgan-Davies, Jessica. "States of Affection: Gilles Deleuze and the In-Between-Ness of Becoming Cinema." Deleuze and Guattari Studies 18, no. 3 (2024): 430–58. http://dx.doi.org/10.3366/dlgs.2024.0566.

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This article explores the rich and generative spaces poised between Gilles Deleuze’s movement-image and time-image semiotic regimes as laid out in Cinema I: The Movement-Image and Cinema II: The Time-Image. Using a transhistorical approach, this investigation provides insight into the myriad strands that cross between the proposed ‘breaks’ in cinema’s evolution of style and structure. Using the works of Loïe Fuller and Agnes Varda, as well as the theoretical support of theorists such as Walter Benjamin, Henri Bergson, Jean Epstein and Gilles Deleuze himself, this research proposes a new mode o

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Tada, Mitsuhiro. "How Society Changes: Sociological Enlightenment and a Theory of Social Evolution for Freedom." American Sociologist 51, no. 4 (2020): 446–69. http://dx.doi.org/10.1007/s12108-020-09464-y.

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AbstractThis article clarifies the relationship between individual freedom and social order by relying on Niklas Luhmann’s social systems theory and thereby defines sociology’s contribution to social evolution as sociological enlightenment, which seeks otherwiseness in living experience and action. For this purpose, Luhmann’s theory will specifically be compared with Emile Durkheim’s and Alfred Schutz’s sociological theories. Durkheim, a “child of the Enlightenment,” considered freedom a collective ideal of moral individualism and conceived that the rational state realizes freedom by spreading

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Ковыршина, О. А. "«PHILOSOPHY OF LIFE» BY HENRI BERGSON IN THE DIARY PROSE OF MIKHAIL PRISHVIN." Актуальные вопросы современной филологии и журналистики, no. 3(46) (September 26, 2022): 67–71. http://dx.doi.org/10.36622/aqmpj.2022.97.21.011.

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М.М. Пришвин вошел в историю русской литературы XX века как талантливый писатель и оригинальный мыслитель. Создавая свои произведения, он опирался на традиции русской культуры и проявлял неподдельный интерес к открытиям западной и отечественной философии, объединял поэзию и науку. Изучение мировоззренческих основ художественного мира писателя - перспективное направление современного пришвиноведения. Анализ дневниковой прозы М.М. Пришвина убеждает в том, что писатель творчески переосмысливает идеи «философии жизни» и принимает учение Анри Бергсона об интуиции как способе познания мира, о времен

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Meechan, John. "Mechanics that triumph over mechanism: Bergson on the meaning of life." Human Affairs 29, no. 4 (2019): 479–88. http://dx.doi.org/10.1515/humaff-2019-0043.

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Abstract In this paper I explore Henri Bergson’s notion of the meaning of life by focusing on two places where he discusses it in his work. The first is Creative Evolution (1907, CE), where a bio-ontological meaning of life is proposed in terms of the ongoing ‘advance’ of the élan vital. Bergson conceives of this vital tendency towards freer activity in terms of nature’s pursuit of a mechanics that would triumph over mechanism. The second is a lesser-known paper called ‘Psycho-physical Parallelism and Positive Metaphysics’ (1901, ‘PPPM’), where Bergson articulates the same themes concerning th

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Prasertsuk, Santirak. "Intuitive Dynamics: The Inscription of Time in MnG House." Journal of Architectural/Planning Research and Studies (JARS) 4, no. 2 (2022): 101–16. http://dx.doi.org/10.56261/jars.v4i2.169240.

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For a decade, the architectural work of an architect Pornchai Boonsom has been based on an exploration in ‘time’ and ‘dynamic movement’ of interactive forces in the context of Postmodernism and Consumerism in Thailand. His MnG House in Bangkok, completed in 2002, is a reflection of a new thinking in science, particularly an experiment on Henri Bergson’s philosophical concepts of the evolution of time and dynamic process of intuition. In the early twentieth century, Bergson proposed what became the great breakthrough against the classical biology of Charles Darwin - the theory of evolution. He

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Auman, Anastasia. "Contemporary Bergsonism and Philosophy of Cosmology." Voprosy Filosofii, no. 5 (July 2024): 154–59. http://dx.doi.org/10.21146/0042-8744-2024-5-154-159.

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The article examines the figure of Henri Bergson as a philosopher of science and the relevance of his ideas for modern philosophy of cosmology. In the first part, Bergson’s philosophy is analyzed based on the classification of philosophical approaches to science presented by G. Gutting. It is problematic to classify Bergson’s philosophy of science in this system due to the fact that he combines features of empirical and ontological approaches. It is concluded that it is difficult to uncover a systematic philosophy of science in Bergson’s works because they are structured around the notion o

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Abad-Zapatero, Celerino. "Notes of a protein crystallographer: the legacy of J.-B. J. Fourier – crystallography, time and beyond." Acta Crystallographica Section D Structural Biology 77, no. 5 (2021): 703–11. http://dx.doi.org/10.1107/s205979832100293x.

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The importance of the Fourier transform as a fundamental tool for crystallography is well known in the field. However, the complete legacy of Jean-Baptiste Joseph Fourier (1768–1830) as a pioneer Egyptologist and premier mathematician and physicist of his time, and the implications of his work in other scientific fields, is less well known. Significantly, his theoretical and experimental work on phenomena related to the transmission of heat founded the mathematical study of irreversible phenomena and introduced the flow of time in physico-chemical processes and geology, with its implications f

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Joo, Jaehyung. "The Fourth Option for Epistemology: Bergson's Response to the Problem of the Correspondence Between Thought and Object." Research Institute for Life and Culture Sogang University 75 (February 28, 2025): 21–41. https://doi.org/10.17924/solc.2025.75.21.

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This paper examines the philosophical problem of “the correspondence between thought and object,” focusing on Henri Bergson’s fourth option as presented in Creative Evolution. Bergson proposes an alternative to the three options outlined since Kant: thought being subordinate to the object, the object being subordinate to thought, and the pre-established harmony between the two. Bergson’s fourth option suggests a progressive mutual adaptation between thought and object. To understand the significance of this choice, it is necessary first to discuss the premise that both intellect and matter sha

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Maystrenko-Vakulenko, Yuliya. "Ukrainian Theatrical Drawings and Sketches of the Avant-Garde Era." Ars & Humanitas 15, no. 1 (2021): 197–211. http://dx.doi.org/10.4312/ars.15.1.197-211.

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The study of time, space and movement as constituent art elements was a focus of attention of avant-garde artists. The theatre where events unfold both in space and time became a place of consolidation of Ukrainian artists, with the synergistic association of representatives in various art branches and movements. A scenographic sketch, that is, a two-dimensional realisation of idea of a future four-dimensional work, is a unique phenomenon to study the evolution of the avant-garde’s concept of the space-time continuum. Through the example of works of both distinguished and less known Ukrainian

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Themistokleous, George. "Keratoconic and (de)formed vision: Re-thinking the limits of perspectival drawing." Drawing: Research, Theory, Practice 6, no. 1 (2021): 139–51. http://dx.doi.org/10.1386/drtp_00056_1.

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In this project the limitations of perspectival drawing are revised and reconsidered through a particular visual (dis)ability: keratoconus. Perspectival representation is based not only on a single and immobile eye, but also on an ‘able’ eye. The de-formation of keratoconic vision offers a new means to consider the perspectival drawing by extending beyond the limitations of its structure. The degenerative keratoconic eye thus calls attention to the intricate mechanism of sight and to the eye’s machinic functioning. By referring to Creative Evolution by Henri Bergson and The Large Glass by Marc

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О.А., Красногорова. "Фортепиано Сальваторе Шаррино: новые фактурные принципы и поэтика интерпретации". Музыкальная академия, № 3(787) (27 вересня 2024): 62–83. http://dx.doi.org/10.34690/413.

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Фокусируя исследование на трактовке фортепиано в творчестве Сальваторе Шаррино, автор статьи осмысляет художественно-эстетические аспекты интерпретации и определяет новые фактурные принципы фортепианной музыки композитора. Применение в исследовании метода целостного анализа сочинения и задач его исполнения обуславливает особый ракурс рассмотрения художественной образности и стилистики произведений для фортепиано Шаррино с привлечением параллелей с живописными концепциями Леонардо да Винчи, а также с некоторыми философскими идеями Анри Бергсона. Ретроспективный взгляд на историю эволюции инстр

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Belkovich, R. Yu, A. S. Bystrov, and S. V. Vinogradov. "Alexey Borovoy’s Political Philosophy: Dynamism, Anti-Rationalism, and Individualism." Antinomies 24, no. 1 (2024): 53–72. https://doi.org/10.17506/26867206_2024_24_1_53.

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The article attempts to interpret the little-known anti-statist conception of the early 20th century – anarcho-humanism of Alexey A. Borovoy. The introduction of the research paper justifies the relevance of studying “secondary” figures in the anarchist tradition, both for a better understanding of Anarchism itself in a broader context of intellectual history, and for the advancement of contemporary political theory. The first part of the article outlines the issues raised in Russian academic literature regarding anarcho-humanism, provides a brief historical overview of its evolution, identifi

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Akihisa, Iwaki. "The Possibility of Interspecies-Interactive Art: What Can Human Artists Create for Chimpanzees?" Art Style, Art & Culture International Magazine 12, no. 12 (2023): 41–73. https://doi.org/10.5281/zenodo.8309987.

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Art Style | Art & Culture International Magazine Abstract Traditionally, art works have been created for human beings. In this milieu, an interdisciplinary project titled “Art × Science in Kyoto City Zoo: Sensing the Feelings of a Chimpanzee Through Art” (first period, 2018–2019; second period, 2019–2020; and third period, 2020–2022), is one of the challenging projects that presupposes a nonhuman audience. From the second period of this project, “Interactive Art and Environmental Enrichment” – two relatively new research fields in human

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Lascaux, Sandrine. "Un théâtre philosophico-littéraire de l’évolution : Juan Benet et l’élan vital." Arts et Savoirs 21 (2024). http://dx.doi.org/10.4000/11zp2.

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Cet article pose l’hypothèse que l’écrivain Juan Benet — figure majeure de la rénovation de la littérature espagnole de la seconde moitié du xxe siècle — s’est appuyé sur la pensée développée par Henri Bergson dans L’Évolution créatrice et notamment sur l’élan vital. Plus précisément, l’auteur suit une « méthode » proche de celle du philosophe en se servant de différentes images pour asseoir une démonstration. Les images empruntées à L’Évolution créatrice permettent ainsi à Juan Benet de développer une réflexion conceptuelle et de l’intégrer librement à son projet, transformant ainsi l’espace

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Hoquet, Thierry. "Bergson überbiologiste." Arts et Savoirs 21 (2024). http://dx.doi.org/10.4000/11zp4.

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L’objet de cet article est de montrer que L’Évolution créatrice (1907), œuvre du philosophe Henri Bergson, fut non seulement un texte de philosophie mais aussi une contribution positive à la biologie théorique. Bergson se proposa de dépasser les concepts et méthodes de la biologie en vue d’améliorer la biologie elle-même : c’est cela que nous appelons une attitude « überbiologiste », manière d’être plus « biologiste » que les biologistes eux-mêmes, ou de faire une biologie meilleure par des moyens que la biologie ignore. Plus qu’une œuvre de métaphysique, voire de philosophie des sciences, Ber

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Midgley, David. "Henri Bergson: Schöpferische Evolution. Neu übersetzt von Margarethe Drewsen." Scientia Poetica 18, no. 1 (2014). http://dx.doi.org/10.1515/scipo-2014-0118.

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Culham, James. "Time, equilibrium and uncertainty: Bergson and Robinson." Cambridge Journal of Economics, June 24, 2023. http://dx.doi.org/10.1093/cje/bead019.

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Abstract The philosophy of Henri Bergson can lend fresh perspectives on some central aspects of post-Keynesian economic thought. Bergson’s concept of duration offers philosophical reinforcement for Joan Robinson’s criticisms of the treatment of time, equilibrium and uncertainty in economics. When the economy is recognised to be a dynamic living system, in which the accumulation of capital is an historical process inseparable from technical innovation, the effect of time is of utmost importance. Duration provides greater understanding of an economy moving through historical time, while adding d

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Lauder, Adam. "Temporality as Bergsonian Critique in the Advertising and Visual Art of Bertram Brooker." Canadian Journal of Communication 39, no. 3 (2014). http://dx.doi.org/10.22230/cjc.2014v39n3a2726.

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This article explores time concepts derived from Henri Bergson as adapted by Canadian marketing theorist and visual artist Bertram Brooker (1888–1955) in articles and textbooks published during the 1920s and early 1930s. Inspired by Bergson’s critique of the Western metaphysical tradition, Brooker proposed innovative, participatory advertising strategies based on the French philosopher’s non-rational conception of time and the co-evolution of bodies and media. The author argues that the Toronto artist-advertiser’s descriptions of radio as offering the possibility of an interactive and synesthe

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Cicco, Cláudio De. "Considerações sobre o institucionalismo de Maurice Hauriou: bases filosóficas e verificação histórica." REVISTA QUAESTIO IURIS 13, no. 02 (2020). http://dx.doi.org/10.12957/rqi.2020.43989.

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O presente artigo visa relembrar a produção de um autor que,não se sabe bem por que, anda meio esquecido em nosso país: Maurice Hauriou. Tirou-o do imerecido ostracismo o saudoso Prof.Miguel Reale em seus Fundamentos do Direito,publicado em 4ªedição pela Editora Migalhas,em 2014. Com efeito, trata-se de pensador e jurista francês que trouxe para o cenário jurídico o que considera o máximo problema da Filosofia do Direito: a passagem da situação de fato para o nível imperativo da norma jurídica. Terçaram armas a esse respeito juristas como Émile Durkheim,o criador da Sociologia Jurídica, os neo

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Redl, Philipp. "Henri Bergson: Schöpferische Evolution. Neu aus dem Französischen übersetzt von Margarethe Drewsen. Mit einer Einführung von Rémi Brague." Archiv für das Studium der neueren Sprachen und Literaturen, no. 2 (November 19, 2014). http://dx.doi.org/10.37307/j.1866-5381.2014.02.23.

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Endres, Tobias. "Mathilde Tahar: Du finalisme en biologie. Bergson et la théorie de l’évolution, Paris: Presses Universitaires de France, 2024, 405 pp., ISBN: 978-2-13-085994-9." Continental Philosophy Review, April 14, 2025. https://doi.org/10.1007/s11007-025-09680-8.

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Abstract Mathilde Tahar’s Du finalisme en biologie. Bergson et la théorie de l’évolution offers a bold reinterpretation of Henri Bergson’s Creative Evolution (1907) in light of contemporary biology. She reconstructs Bergson’s critique of Darwinism, mutationism, orthogenesis, and neo-Lamarckism, arguing that his Élan vital is neither a metaphysical force nor teleological, but a heuristic tool for understanding evolutionary regularities. The book follows a three-stage structure: a historical reconstruction of Bergson’s evolutionary thought, an engagement with modern genetics and the synthetic th

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"The Shock of a Radical Novelty: The Early Deleuze and the Gaps of Sense." Philosophical Literary Journal Logos 31, no. 4 (2020): 63–88. http://dx.doi.org/10.22394/0869-5377-2020-4-63-85.

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The article analyzes the evolution of Gilles Deleuze’s early philosophy by bringing into focus his recently republished journalistic articles from the late 1940s, which are unfamiliar to the Russian reader, as well as his first studies during the 1950s of the history of philosophy. The paper provides a context for his philosophy within the political and aesthetic debates of the post-War period and also alongside the academic philosophy of the time. Particular attention is devoted to the influence of Jean-Paul Sartre and Deleuze’s rupture with existentialism, which the young Deleuze wanted to r

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"The Cinematographic Archive: Selections from Early German Film Theory." October 148 (May 2014): 27–38. http://dx.doi.org/10.1162/octo_a_00172.

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Over a century ago, at a time when Henri Bergson deployed the cinematograph as a metaphor for “the mechanism of our ordinary knowledge” in Creative Evolution (1907), other, lesser-known theorists envisaged the medium's potential to offer unique modes of perception and cognition. For these thinkers, the cinematograph did not signify a mechanical, spatialized temporality pervasive within industrial modernity, but instead provided a novel means of experiencing time and history. Just one year after the publication of Bergson's book, Ludwig Brauner wrote an article for Der Kinematograph, Germany's

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Aksenov, Guennady P. "Idea of Time and Scientific Picture of the World." Voprosy Filosofii, 2022, 72–82. http://dx.doi.org/10.21146/0042-8744-2022-4-72-82.

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The scientific picture of the world was first presented by Galileo. He introduced the uniform world time as a parameter into the description of the motion of bodies. The central paradigm of the 17th century scientific revolution adopted by the scientific community on this basis was rational, but described a strictly mechanical picture of the universe, in which there was no place for man and all other living beings. By the end of the XX century in the course of the further evolution of knowledge, it became clear that the classical theory of the uniform time of the Universe does not correspon

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Danis, Jean, and Jean-Guy Meunier. "CARCAT: Computer-Assisted Reading and Conceptual Analysis of Texts: An experiment applied to the concept of evolution in the work of Henri Bergson." Digital Studies/Le champ numérique 3, no. 1 (2012). http://dx.doi.org/10.16995/dscn.241.

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