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1

Voland, Eckart, and Karl Grammer, eds. Evolutionary Aesthetics. Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-662-07142-7.

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1949-, Voland Eckart, and Grammer Karl 1950-, eds. Evolutionary aesthetics. Springer, 2003.

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3

name, No. Evolutionary aesthetics. Springer Verlag, 2003.

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4

Colin, Martindale, Locher Paul 1941-, and Petrov V. M, eds. Evolutionary and neurocognitive approaches to aesthetics, creativity, and the arts. Baywood Pub., 2007.

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Eibl, Karl. Animal Poeta: Bausteine der biologischen Kultur- und Literaturtheorie. Mentis, 2004.

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6

translator, Deol Surinder, and Sahitya Akademi, eds. Faiz Ahmad Faiz: Thought structure, evolutionary love and aesthetic sensibility. Sahitya Akademi, 2019.

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7

Pongratz, Gregor. Evolutionäre Selbstorganisation und Goethes ästhetische Anschauung: Ein systemtheoretischer Beitrag zur interdisziplinären Begründung ästhetischer Bildung in Theorie und Praxis. Waxmann, 1996.

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8

Rimikis, George. Beautiful genes: The use of complexity and information theoretic metrics for measuring aesthetic appreciation - anew evolutionary approach for generating images. Middlesex University, 1994.

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9

Grammer, Karl, and Eckart Voland. Evolutionary Aesthetics. Springer London, Limited, 2013.

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10

Voland, Eckart. Evolutionary Aesthetics. Springer, 2011.

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11

Dutton, Denis. Aesthetics and Evolutionary Psychology. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0041.

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The applications of the science of psychology to our understanding of the origins and nature of art is not a recent phenomenon; in fact, it is as old as the Greeks. Plato wrote of art not only from the standpoint of metaphysics, but also in terms of the psychic, especially emotional, dangers that art posed to individuals and society. It was Plato's psychology of art that resulted in his famous requirements in The Republic for social control of the forms and contents of art. Aristotle, on the other hand, approached the arts as philosopher more comfortably at home in experiencing the arts; his w
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12

Richards, Richard A. Naturalized Aesthetics. Taylor & Francis Group, 2022.

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13

McDowall, Stewart A. Beauty and the Beast: An Essay in Evolutionary Aesthetic. University of Cambridge ESOL Examinations, 2012.

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14

Evolutionary aesthetics of human ethics in Hardy's tragic narratives. Cambridge Scholars Pub., 2011.

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15

Biopoetics: Evolutionary Explorations in the Arts. Paragon House Publishers, 1999.

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16

(Editor), Brett Cooke, and Frederick Turner (Editor), eds. Biopoetics: Evolutionary Explorations in the Arts. Paragon House Publishers, 1999.

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17

Martindale, Colin, Paul Locher, Vladimir Petrov, and Arnold Berleant. Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity, and the Arts. Edited by Colin Martindale, Paul Locher, and Vladimir M. Petrov. Routledge, 2019. http://dx.doi.org/10.4324/9781315224657.

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18

Petrov, Vladimir M., Arnold Berleant, Paul Locher, and Colin Martindale. Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts. Taylor & Francis Group, 2019.

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19

Petrov, Vladimir M., Arnold Berleant, Paul Locher, and Colin Martindale. Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts. Taylor & Francis Group, 2019.

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20

Petrov, Vladimir M., Arnold Berleant, Paul Locher, and Colin Martindale. Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts. Taylor & Francis Group, 2019.

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21

Petrov, Vladimir M., Arnold Berleant, Paul Locher, and Colin Martindale. Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts. Taylor & Francis Group, 2019.

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22

Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts. Taylor & Francis Group, 2019.

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23

Naturalized Aesthetics: A Scientific Framework for the Philosophy of Art. Taylor & Francis Group, 2022.

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24

Richards, Richard A. Naturalized Aesthetics: A Scientific Framework for the Philosophy of Art. Taylor & Francis Group, 2022.

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25

Naturalized Aesthetics: A Scientific Framework for the Philosophy of Art. Taylor & Francis Group, 2024.

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26

Darwin's Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema. Melbourne University Publishing, 2009.

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27

Hogh-Olesen, Henrik. Opening the Doors of Aesthetics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190927929.003.0011.

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Chapter 10 concludes with showing the strength and limitations of the approach presented in this book, in a discussion that highlights the differences between a classic humanistic approach and an evolutionary, behavioral approach. The aim is not to move aesthetics from the humanities and into behavioral psychology and other sciences. On the contrary, the aesthetic field is a house with many doors, and you will need several keys to open them. However, aesthetics and art are also behavior. They are something our species does, and that is why behavioral sciences were prioritized. Furthermore, wit
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28

Petrov, Vladimir. Evolutionary And Neurocognitive Approaches to Aesthetics, Creativity And the Arts (Foundations and Frontiers of Aesthetics) (Foundations and Frontiers ... (Foundations and Frontiers of Aesthetics). Baywood Publishing Company, 2007.

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29

Parsons, Glenn. Aesthetics and Nature. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350121621.

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The appreciation of nature and natural beauty demands our attention as the environmental movement becomes more urgent. In this timely introduction, Glenn Parsons provides a complete overview to the theories, conceptual questions and ethical ramifications of the aesthetics of nature, explaining precisely what is involved in when we appreciate natural beauty. Outlining five major approaches to understanding the aesthetic value of nature, the second edition explores the aesthetic appreciation of nature as it occurs in wilderness, in gardens, and in the context of appreciating environmental art. N
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30

Terrosi, Roberto. New Cultural Theory of Aesthetics. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781666982589.

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Traditional aesthetics has tried to locate the reasons for aesthetic value in the transcendental subject while neglecting the importance of culture, even though it is obvious that artistic styles vary from culture to culture in both a geographical and historical sense. However, after recognizing importance of a cultural approach, one is faced with the problem of how to do so without dissolving aesthetics into art history or visual culture, the risk faced in both continental and analytic philosophical aesthetics. Scientific theories of aesthetics inspired by evolutionary psychology and cognitiv
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31

Humans in the Land: The Ethics and Aesthetics of the Cultural Landscape. Oslo Academic Pr, 2008.

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32

Music As a Chariot: The Evolutionary Origins of Theatre in Time, Sound, and Music. Taylor & Francis Group, 2018.

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33

Music As a Chariot: The Evolutionary Origins of Theatre in Time, Sound, and Music. Taylor & Francis Group, 2018.

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34

Music As a Chariot: The Evolutionary Origins of Theatre in Time, Sound, and Music. Taylor & Francis Group, 2018.

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35

Music As a Chariot: The Evolutionary Origins of Theatre in Time, Sound, and Music. Taylor & Francis Group, 2018.

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36

Hogh-Olesen, Henrik. What a Sexy Tale! Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190927929.003.0004.

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Chapter 3 explores even further back in evolutionary history and examines whether there are traces of the aesthetic impulse in species other than our own. Do other species have a sense of aesthetics? Do they make aesthetic choices, and do they exhibit examples of aesthetic behavior? Among other things, this chapter looks at bird song and crane dance. It follows the fascinating bowerbirds as they create their remarkable and colorful constructions. And it follows the action as experiments are conducted with chimpanzees in the lab. The chapter also discusses honest signals, innate sensibilities,
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37

Wilhelm, Lindsay. Evolutionary Aestheticism in Victorian Culture. Cambridge University Press, 2024.

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38

Coss, Richard. Environmental Awareness: Evolutionary, Aesthetic and Social Perspectives. Kendall/Hunt Publishing Company, 2004.

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39

Environmental awareness: Evolutionary, aesthetic, and social perspectives. Kendall/Hunt Pub. Co., 2005.

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40

Shiner, Larry. Art Scents. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190089818.001.0001.

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This book offers an overview of the aesthetic and ethical issues raised by the contemporary olfactory arts, which range from gallery and museum sculptures and installations, through the enhancement of theater, film, and music with scents, to the ambient scenting of stores and avant-garde chefs’ use of scents in cuisine. Special attention is given to the aesthetics of perfume and incense and the question of their art status, as well as to the role of scent in the appreciation of nature and gardens. Ethical issues are discussed regarding ambient scenting, perfume wearing, and the use of smells i
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41

Hogh-Olesen, Henrik. The Aesthetic Animal. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190927929.001.0001.

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The Aesthetic Animal answers the ultimate questions of why we adorn ourselves; embellish our things and surroundings; and produce art, music, song, dance, and fiction. Humans are aesthetic animals that spend vast amounts of time and resources on seemingly useless aesthetic activities. However, nature would not allow a species to waste precious time and effort on activities completely unrelated to the survival, reproduction, and well-being of that species. Consequently, the aesthetic impulse must have some important biological functions. An impulse is a natural, internal behavioral incentive th
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42

Beauty and the Beast an Essay in Evolutionary Aesthetic. Franklin Classics, 2018.

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43

McDowall, Stewart Andrew. Beauty and the Beast; an Essay in Evolutionary Aesthetic. Franklin Classics, 2018.

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44

Cambridge at the University Press. Beauty and the Beast an Essay in Evolutionary Aesthetic. Franklin Classics, 2018.

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45

Cambridge at the University Press. Beauty and the Beast an Essay in Evolutionary Aesthetic. Creative Media Partners, LLC, 2018.

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46

Cambridge at the University Press. Beauty and the Beast an Essay in Evolutionary Aesthetic. Franklin Classics Trade Press, 2018.

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47

McDowall, Stewart Andrew. Beauty and the Beast; An Essay in Evolutionary Aesthetic. Franklin Classics Trade Press, 2018.

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48

Beauty and the Beast an Essay in Evolutionary Aesthetic. Creative Media Partners, LLC, 2023.

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49

Hogh-Olesen, Henrik. Summing Up the Aesthetic Impulse. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190927929.003.0010.

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In Chapter 9, the threads from the different investigations are gathered, and the evolutionary functions and conditions behind the aesthetic impulse are outlined in a synthesizing model. One of the main discussions in the aesthetic field concerns whether artistic behavior should be considered a biological adaptation in its own right and thus an innate behavioral repertoire with direct consequence to our survival and reproduction, which has been passed down the genetic line through evolutionary selection. Or should this behavior rather be considered a random by-product that may hold certain adv
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50

Hogh-Olesen, Henrik. Art and the Brain’s Reward System. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190927929.003.0008.

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Chapter 7 takes the investigation of the aesthetic impulse into the human brain to understand, first, why only we—and not our closest relatives among the primates—express ourselves aesthetically; and second, how the brain reacts when presented with aesthetic material. Brain scans are less useful when you are interested in the Why of aesthetic behavior rather than the How. Nevertheless, some brain studies have been ground-breaking, and neuroaesthetics offers a pivotal argument for the key function of the aesthetic impulse in human lives; it shows us that the brain’s reward circuit is activated
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