Relevant bibliographies by topics / Ex-libris

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ex-libris'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2024

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Journal articles on the topic "Ex-libris"

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Saari, Jon, and Anne Fadiman. "Ex Libris." Antioch Review 57, no. 2 (1999): 242. http://dx.doi.org/10.2307/4613860.

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Charbonnier, Ralph. "Ex Libris." Pastoraltheologie 110, no. 1 (January 18, 2021): 55–56. http://dx.doi.org/10.13109/path.2021.110.1.55.

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Trusky, Tom. "Ex Libris." Afterimage 25, no. 1 (July 1997): 19. http://dx.doi.org/10.1525/aft.1997.25.1.19.

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Hauschildt, E. "Ex Libris." Pastoraltheologie 111, no. 9 (September 21, 2022): 412–14. http://dx.doi.org/10.13109/path.2022.111.9.412.

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Ferrier, Adam. "Ex Libris." International Journal of Advertising 30, no. 2 (2011): 359. http://dx.doi.org/10.2501/ija-30-2-359-360.

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Duncan, Kevin. "Ex Libris." International Journal of Advertising 30, no. 3 (January 2011): 541–43. http://dx.doi.org/10.2501/ija-30-3-541-543.

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Yakob, Faris. "Ex Libris." International Journal of Advertising 30, no. 4 (January 2011): 725–28. http://dx.doi.org/10.2501/ija-30-4-725-728.

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Thompson, Sandy. "Ex Libris." International Journal of Advertising 31, no. 1 (January 2012): 215–16. http://dx.doi.org/10.2501/ija-31-1-215-216.

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Oke, Jason. "Ex Libris." International Journal of Advertising 31, no. 3 (January 2012): 685–87. http://dx.doi.org/10.2501/ija-31-3-685-687.

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Cameron, Bexy. "Ex Libris." International Journal of Advertising 31, no. 4 (January 2012): 925–27. http://dx.doi.org/10.2501/ija-31-4-925-927.

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Dissertations / Theses on the topic "Ex-libris"

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McGEE, Dylan. "Ex Libris Seals and Labels in the Daisō Rental Books." 名古屋大学大学院国際言語文化研究科, 2014. http://hdl.handle.net/2237/20892.

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Escolar, Turbany Esteban. "Ex-libris: De marca de propiedad a objeto de coleccionismo. Una visión histórica, social y antropológica posmoderna." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/362659.

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En la posmodernidad, los ex-libris y los exlibristas forman un microcosmo englobado en la galaxia del arte. Regularmente se ha escrito mucho y bueno sobre ellos por doctos y eruditos seguidores de estas pequeñas estampas, la gran mayoría de estos escritos son sobre su uso, su prolija y extensa historia, sus artistas y sus patrones. Muchos siglos han transcurrido desde que el faraón de la XVIII dinastía, Amenofis III (1391-1351 a.C.) usó el primer ex-libris conocido hasta nuestros días. Durante estos siglos incontables bibliotecarios y exlibristas han estado vinculados a ellos, dado que son unas obras de arte con unas características y peculiaridades muy particulares: su función y su formato. Lo mismo que el legendario héroe griego, los ex-libris han emprendido un largo y duro viaje hacia Ítaca. Han pasado épocas de olvido y ostracismo y otras de evocación y gloria, pero las preguntas que surgen de este eterno viaje son: ¿Qué le ha sucediendo a estas pequeñas estampas superada la modernidad de principios del siglo XXI?, ¿Tienen su razón de ser en torno a la función por la que fueron creadas?, ¿Cuál es la situación de sus seguidores, los exlibristas en la sociedad actual?, ¿Cómo es su proceder artístico, su sistema económico y las estructuras de poder dentro de sus asociaciones?, ¿Qué efectos ha producido la globalización sobre ellos?, ¿Cómo han evolucionado técnicamente? Poco, muy poco se ha comentado sobre su estado actual, y la repercusión sobre los efectos que el espacio y el tiempo han dejado inscritos en ellos. Esta pretende ser una visión desde la posmodernidad en la segunda década del siglo XXI, inmersa en un nuevo modelo social que el sociólogo Zygmunt Bauman define como líquido y mundializado. En este trabajo sobre los ex-libris se ha utilizado una metodología multidisciplinar. Tal como indica su título, engloba técnicas de investigación vinculadas a la historia, la sociología y principalmente a la antropología. La intención principal es mantener toda la severidad y rigor científico que demanda un trabajo universitario. Al ser los ex-libris inicialmente un objeto artístico (funcional y estético) con unos rasgos muy particulares, se incluirán en la tesis un considerable número de ellos seleccionados por diferentes variables: su técnica, el patrón a quien pertenecen, su simbología, su creador, su procedencia u otros criterios específicos. El principio que se sigue para su inclusión, es que estén plenamente integrados en el contexto preciso del texto en el que aparecen, formando la escritura y la imagen una unidad consubstancial. El objetivo es explorar el mundo de los ex-libris, y su entramado artístico, histórico, social y antropológico con los máximos parámetros de objetividad, es decir, sin que la observación, la descripción, la comprensión y la explicación sean deformadas ni manipuladas hacia ningún interés ajeno al propuesto en esta tesis.
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Feger, Claudia. "Besitzerstolz - Als die Bücher noch ein Exlibris hatten." Universitätsbibliothek Chemnitz, 2005. http://nbn-resolving.de/urn:nbn:de:swb:ch1-200501877.

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In der Welt der Bücher sind sie selten geworden. Doch manchmal, wenn man in einem Antiquariat ein Buch aufschlägt, zieht das kleine Kunstwerk den Blick des Betrachters unwillkürlich auf sich. Nur einige Zentimeter groß, prangt es auf der Innenseite des Buchdeckels und gibt den Namen des Buchbesitzers preis: das Exlibris.
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Strömquist, Helena. "C. M. Carlanders Svenska bibliotek och ex-libris (1904) : En källkritisk studie av kvinnors bibliotek under tidigmodern tid." Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-18181.

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The aim of this study is to examine the historical information about women’s libraries and book ownership during the early modern period in the work of Carl Magnus Carlander, Svenska bibliotek och ex-libris [Swedish libraries and ex-libris] (1904) and to inquire the scientific value of the information. A gender perspective is applied to the study. Gender is understood as a social and cultural constructed concept, dealing with female and male identities as interdependent categories.The study of Svenska bibliotek och ex-libris is made using source criticism and it has two parts. The first part deals with external conditions of the creation of the work; the life of C. M. Carlander and his motives for writing the work. The cultural and scientific context of the late 20th century, especially ideas and practices of book collecting, is discussed in relation to the work of Carlander. In the second part of the study book ownership and libraries of ten women described in the text are analysed, evaluating the evidence of the information on the basis of criteria used in source criticism; time, independence and tendency.The biggest contribution to library history made by Carlander in this work is the attributing of book ownerships marks, as relics, to historical persons on a broad scale, giving subsequent researchers the possibility to continue his work on a more text sociological basis than thought of during the late 19th century.
Program: Bibliotekarie
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Laurenza, Filomena Ilaria. "La letteratura per ragazze e ragazzi in prospettiva di genere: un’analisi su corpus della collana Ex Libris di EL." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020.

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Il presente elaborato si propone di studiare un corpus di estratti di romanzi originali italiani e tradotti dall’inglese e dal francese provenienti dalla collana per ragazze/i Ex Libris del Gruppo EL. La letteratura per ragazze/i è oggi un caso editoriale e gioca un ruolo fondamentale nella crescita dei/lle giovani lettori/trici. Tuttavia, può anche promuovere rappresentazioni di genere stereotipate. Lo studio qui presentato mira a individuare fenomeni linguistici problematici in prospettiva di genere e a descriverne l'evoluzione diacronica. Nel primo capitolo presenteremo la letteratura per l’infanzia, l’ambito in cui la sezione per ragazze/i nasce e si sviluppa, con un focus sul contesto italiano. Successivamente, presenteremo le riflessioni femministe sul sessismo dei modelli educativi e della lingua dei prodotti culturali per l’infanzia. Offriremo poi una panoramica del mercato editoriale per l’infanzia, descrivendo le realtà più innovative nell’ambito della promozione della parità di genere. Nel secondo capitolo ci occuperemo della trattazione storica e teorica dei Translation Studies, con un focus sul Cultural turn, che ha portato all’emergere della teoria femminista della traduzione. Seguirà un terzo capitolo sulle caratteristiche e le problematiche della traduzione della letteratura per l’infanzia, con un approfondimento sulle sue affinità con la traduzione femminista. Nel quarto capitolo tratteremo il fruttuoso rapporto tra Corpus Linguistics, studi letterari e stilistici e Translation Studies. Nel quinto capitolo verrà presentata la collana oggetto di studio e si evidenzierà la sua somiglianza con la collana francese Page Blanche di Éditions Gallimard, che verrà contestualizzata in ottica sociologica. Il sesto capitolo è dedicato, infine, alla costruzione del corpus e allo studio empirico della collana Ex Libris, che si concentrerà sullo studio dei lemmi che identificano le figure genitoriali, personaggi centrali nella produzione per ragazze/i.
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Wolf, Andrea [Verfasser], and Christine [Akademischer Betreuer] Haug. "Politische Kommunikation ex libris : vergleichende Analyse von Politikerbüchern in Deutschland und Frankreich 2002–2012 / Andrea Wolf. Betreuer: Christine Haug." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2016. http://d-nb.info/1104697955/34.

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Bonte, Achim. "Primo!" Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-63457.

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Das Internet ist heute die zentrale Infrastruktur für die Recherche, Distribution und Nutzung von Informationen. Entsprechend hat sich auch die Suche nach Bibliotheksbeständen weitgehend ins Internet verlagert: Der Online-Katalog gilt heute als zentrales Auskunftsmittel und Visitenkarte einer Bibliothek. Die laufende, aus Mitteln des Europäischen Fonds für Regionale Entwicklung (EFRE) geförderte elektronische Nacherfassung von über einer Million Zettelkatalogisaten wird diesen Trend in der Sächsischen Landesbibliothek – Staats und Universitätsbibliothek Dresden (SLUB) weiter beschleunigen. Bis 2013 soll es im Bibliotheksbestand kein Dokument mehr geben, das nicht online verzeichnet ist.
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Wahlert, Blake Jorgensen. "The Poetry of Reality: Frederick Wiseman and the Theme of Time." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505236/.

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Employing a textual analysis within an auteur theory framework, this thesis examines Frederick Wiseman's films At Berkeley (2013), National Gallery (2014), and Ex Libris (2017) and the different ways in which they reflect on the theme of time. The National Gallery, University of California at Berkeley, and the New York Public Library all share a fundamental common purpose: the preservation and circulation of "truth" through time. Whether it be artistic, scientific, or historical truth, these institutions act as cultural and historical safe-keepers for future generations. Wiseman explores these themes related to time and truth by juxtaposing oppositional binary motifs such as time/timelessness, progress/repetition, and reality/fiction. These are also Wiseman's most self-reflexive films, acting as a reflection on his past filmmaking career as well as a meditation on the value these films might have for future generations. Finally, Wiseman's reflection on the nature of time through these films are connected to the ideas of French philosopher Henri Bergson.
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Gauer, Jean. "Henri Bacher et ses représentations religieuses oecuméniques." Université Marc Bloch (Strasbourg) (1971-2008), 1999. http://www.theses.fr/1999STR2A011.

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Henri Bacher a été un artiste-peintre, portraitiste, graveur, illustrateur et exlibriste qui avait acquis une solide réputation pour la qualité de ses travaux. Il a été l'illustrateur de 3 volumes des "verkiingende weisen" édités par l'abbé Louis Pinck, le cure-folkloriste de Hambach. Grace à son don d'adaptation aux situations, il a illustré de nombreux calendriers, almanachs, livres, articles de presse qui lui ont valu la renommée d'imagier populaire. Il a été le créateur d'affiches, d'en-têtes de revues, de diplômes et de dessins de paysages qui restent des souvenirs d'une époque révolue. Ses ex-libris, échanges avec d'autres xylographes, sont connus dans le monde des collectionneurs de ces vignettes : il a ete a l'origine de la création, en 1933, de l'association des amis de l'ex-libris en alsace. Avec le pasteur K. H. Berron, il fut l'un des créateurs du mouvement oecuménique "una sancta ecclesia" d'Alsace et en animait des rencontres. Il en avait pris l'idée en s'inspirant de la <> d'alpirsbach, dirigée par le pasteur Richard Golz. Homme d'une piété exemplaire, Henri Bacher a été le créateur de nombreuses représentations religieuses en respectant toutes les croyances : bien que protestant luthérien, il se sentait aussi à l'aise à l'église catholique dont il connaissait les rites. Il comptait parmi ses amis de nombreux prêtres et clercs catholiques hautement places qui lui permirent les entrées au palais épiscopal de Strasbourg ou il approchait l'évêque, MGR Ruch, qui lui devint un ami. Apres avoir fait connaissance, lors des festivités de la célébration du centenaire de la mort de l'écrivain allemand j. W. Goethe, le 22 mai 1932 à Sessenheim, de Gretel Huber, celle qui devint sa fiancée, puis sa femme, il a été possible de reconstituer leur cheminement car plus de 400 lettres écrites par lui furent consultées. L'artiste est décédé, à la suite d'une asepsie, le 15 février 1934 dans sa 44e année après 11 semaines de mariage.
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Sani, Cecilia Maria. "An investigation and evaluation of three integrated library systems for the Human Sciences Research Council Information Services." Thesis, Link to the online version, 2006. http://hdl.handle.net/10019/121.

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Books on the topic "Ex-libris"

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Giang, Victoria. Ex libris. Taipei, Taiwan: Toxic Weeds Zines, 2018.

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Kelly, Jerry, 1955- book designer, ed. Ex libris. [Riverdale, N.Y.]: [Stephanie Hnizdovsky], 1986.

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King, Ross. Ex-libris. New York: Walker & Co., 2001.

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Jakac, Božidar. Ex libris. Ljubljana: Narodna in univerzitetna knjižnica, 1994.

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Avramovska, Nataša. Ex libris. Skopje: Menora, 2000.

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King, Ross. Ex libris. London: Vintage, 2003.

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Ex libris. Pachuca de Soto, Hidalgo, [Mexico]: Dirección General de Publicaciones e Impresos del Gobierno del Estado de Hidalgo, 2014.

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King, Ross. Ex-Libris. New York: Walker & Co., 2001.

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Ex-libris. New York: Penguin Books, 2002.

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Filippis, Mario De. Ex libris: Il lionismo in 150 ex libris. Soveria Mannelli (Catanzaro): Rubbettino, 1996.

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Book chapters on the topic "Ex-libris"

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Ross, Thea. "EX LIBRIS Krys." In Soziologische Ausflüge, 273–75. Wiesbaden: VS Verlag für Sozialwissenschaften, 1996. http://dx.doi.org/10.1007/978-3-322-87289-0_23.

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Marquard-Twarowski, Juliane. "Ex Libris Dr. Dagobert Frey." In Kunstgeschichte in den besetzten Gebieten 1939–1945, 211–38. Köln: Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412502355-011.

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"EX LIBRIS." In Before Our Eyes, 187–88. Princeton University Press, 2019. http://dx.doi.org/10.2307/j.ctvdmx0sg.86.

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"Ex Libris." In Moon on the Meadow, 50. Gallaudet University Press, 2009. http://dx.doi.org/10.2307/j.ctv2rr3g2h.45.

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"ex libris." In body works, 97. University of Calgary Press, 2023. http://dx.doi.org/10.2307/jj.2131135.68.

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Meyer-Noirel, Germaine. "Les ex-libris." In Histoire des bibliothèques françaises, 452–63. Éditions du Cercle de la Librairie, 2022. http://dx.doi.org/10.3917/elec.verne.2008.02.0452.

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"ex-libris, n." In Oxford English Dictionary. 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/1694005217.

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Bibaculus, M. Furius. "80-81 ex incertis libris." In Fragments of Roman Poetry c.60 BC–AD 20, edited by Adrian S. Hollis, 121. Oxford University Press, 2007. http://dx.doi.org/10.1093/oseo/instance.00075522.

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"Ex Libris and Obscurity in Postwar America." In The Lost Library, 128–42. Brandeis University Press, 2018. http://dx.doi.org/10.2307/j.ctv102bg99.11.

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Boisseau El Amrani, Frédérique. "Chapitre I. Ex cathedra et ex libris. Les discours normatifs et prescripteurs." In Filles de la terre, 57–116. Presses universitaires de Rennes, 2012. http://dx.doi.org/10.4000/books.pur.116064.

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Conference papers on the topic "Ex-libris"

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Ambrosio, Eliana, and George Rembrandt Gutlich. "EX LIBRIS COMO EXERCÍCIO DIDÁTICO: SOBRE A ELABORAÇÃO DE TRÊS ÁLBUNS DE GRAVURAS." In 30º Encontro Nacional da ANPAP - (RE)EXISTÊNCIAS. ,: Even3, 2022. http://dx.doi.org/10.29327/30enanpap2021.382707.

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Prado, Mateus, Alissa Vian, Giancarlo Lucca, Marcia Rodrigues, and Eduardo Borges. "Desenvolvimento de um Sistema de Armazenamento e Reconhecimento de Marcas de Proveniência em Livros Raros." In Simpósio Brasileiro de Sistemas de Informação. Sociedade Brasileira de Computação (SBC), 2020. http://dx.doi.org/10.5753/sbsi.2020.13115.

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Este artigo tem por objetivo apresentar um sistema para armazenamento e reconhecimento de marcas de proveniência em obras raras composto por um repositório de dados online, um aplicativo mobile e um servidor de aplicação Web para processamento de imagens. Uma comparação entre os algoritmos de detecção de características SIFT e ORB é realizada com o objetivo de reconhecer um conjunto de marcas do tipo ex-libris.
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Lukina, S. I. "EX-LIBRIS AND AUROGRAPHS IN THE BOOK COLLECTION OF ILYA SAMUILOVICH GURVICH IN THE NATIONAL LIBRARY OF THE SAKHA REPUBLIC (YAKUTIA)." In Всероссийская научно-практической конференция с международным участием, посвященной 100-летию со дня рождения выдающегося ученого-североведа И.С. Гурвича (1919-1992). Электронное издательство Национальной библиотеки РС (Я), 2019. http://dx.doi.org/10.25693/gurvich.2019lukinasi.

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Kravcenko, Vladimir. "Bookplates from the archives of the National Library of Romania and the National Library of the Republic of Moldova: some profiles from the big collections." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.06.

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The paper is focused on the bookplates in original and in reproductions kept in the large collections of the Romanian cultural space. Data on the stylistic elements of the signs of possession from the old books and from the engraving and drawing collections are provided. Important data is offered on the ex-libris types, on the creative traditions and rules of making, on the origin of the signed books and of the artworks made in Romania, Republic of Moldova and other states in different years. Also, there are highlighted original bookplates made by Leonid Nikitin and Valeriu Herţa, the well-known artists and engravers of the Republic of Moldova. The author has described and analyzed graphic works, stressing their technical and decorative account, and evidencing common features of bookplates – general somber appearance, free and also refined grotesque drawing, sophisticated play with the text and images.
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McLain, Rachelle M., and Hannah McKelvey. "The Time Has Come... To Move Many Things: Inventorying and Preparing a Collection for Offsite Storage." In Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317169.

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In the spring of 2019, the Montana State University (MSU) Library embarked on a large-scale inventory project that involved weeding and moving portions of their collection to an offsite storage facility within six months in order to create more student study space in the Library. The department primarily responsible for leading the project, Collections Access & Technical Services, the result of two departments merging, was also simultaneously navigating their new structure and a remodel of their workspace thus adding further challenges to the project. This poster session demonstrated how MSU Library approached and completed this project by advocating to their Library Administration for additional resources, including hiring a project manager and third-party companies to assist with the inventory and moving of the collection. It also discussed the types of work groups formed to identify new workflows (i.e., retrieval of offsite items) and modify existing ones, involving student employees in the project, and internal and external collaborations that took place. Additionally, presenters shared strategies used to communicate to their campus community, and the impact this project has had on our patrons. They also included statistics that were gathered during the project including deselection figures, the number of materials that did not have barcodes and were not accounted for in the Library’s catalog and discovery layer (Ex Libris’ Alma and Primo), and what subject areas currently remain in the main library building.
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