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Journal articles on the topic 'Ex'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 March 2023

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1

Mohite, Sunil V. "Forensic Accounting: An Ex-Ante - Ex-post Evaluation for India." International Journal of Trend in Scientific Research and Development Special Issue, Special Issue-FIIIIPM2019 (March 20, 2019): 190–95. http://dx.doi.org/10.31142/ijtsrd23099.

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2

Poppi, Fabio I. M. "Machina ex homine, homo ex machina." Metaphor and the Social World 8, no. 2 (October 23, 2018): 207–28. http://dx.doi.org/10.1075/msw.17003.pop.

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Abstract In this article, I identify and describe multimodal hybrid metaphors—the conceptual representation of two elements represented as merged into a new single ‘gestalt’—represented by the machine and human body domains in “Tetsuo: The Iron Man” (鉄男: Tetsuo), a Japanese avant-garde film. Since “Tetsuo: The Iron Man” portrays the genesis of a man whose body becomes a human-machine hybrid, I explore to what extent this film can act as an example of how hybrid metaphors are conveyed. In line with the ideological function of metaphors, where the use of alternative metaphors may produce different meanings and potentially have different effects on the recipient, I also try to interpret how these hybrid metaphors reveal information about the contemporary Japanese society. Specifically, the ideological analysis considers how the notion of ‘artificial’ and the social phenomena of misogyny, homophobia and social deviance are held to characterise the post-World War II Japanese culture.

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3

Weiss, Elizabeth M., Jeremiah Morehouse, Tiffany Yeager, and Tess Berry. "A Qualitative Study of Ex-Gay and Ex-Ex-Gay Experiences." Journal of Gay & Lesbian Mental Health 14, no. 4 (September 29, 2010): 291–319. http://dx.doi.org/10.1080/19359705.2010.506412.

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4

ORDÓÑEZ AGULLA, SALVADOR, and SERGIO GARCÍA-DILS DE LA VEGA. "Astigitanus ex Baetica." HABIS, no. 50 (2019): 283–96. http://dx.doi.org/10.12795/habis.2019.i50.13.

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5

Davidson, Ian R. "Ex-Effects: Ex-Dividend-Ex—Rights Corroboration and the Implications for Valuation." Accounting and Business Research 19, no. 74 (March 1989): 135–41. http://dx.doi.org/10.1080/00014788.1989.9728843.

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6

Liu, Zhiyong, and Ronen Avraham. "Ex ante versus ex post expectation damages." International Review of Law and Economics 32, no. 4 (December 2012): 339–55. http://dx.doi.org/10.1016/j.irle.2012.07.004.

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7

Saari, Jon, and Anne Fadiman. "Ex Libris." Antioch Review 57, no. 2 (1999): 242. http://dx.doi.org/10.2307/4613860.

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8

Madelain, Anne. "Ex-Yougoslavie." Le Courrier des pays de l'Est 1058, no. 6 (December 1, 2006): 29–35. http://dx.doi.org/10.3917/cpe.058.0029.

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9

Vilanova, Oriol. "Ex aequo." Revista SOBRE 4 (May 2, 2018): 216–41. http://dx.doi.org/10.30827/7377.

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El 25 de mayo de1937 se inauguró en París la Exposition internationale des Arts et des Techniques appliqués à la Vie moderne. Cincuenta naciones fueron representadas. Los pabellones de la Alemania hitleriana y la Rusia estalinista fueron los claros protagonistas. En un contexto de aparente neutralidad, las construcciones de Albert Speer y Boris Iofan ganaron el premio ex aequo como los mejores pabellones de la muestra. Ambos respondían a una misma arquitectura totalitaria y monumental, coronados por simbólicos motivos esculturales. Justo al lado del alemán, discreto y de dimensiones reducidas, la España republicana presentó el que sería llamado como el pabellón de la vanguardia. Todo el díptico Ex aequo (2012-en proceso) contiene un subtítulo con fragmentos de poemas de Federico García Lorca, asesinado durante la Guerra Civil y homenajeado en el pabellón español.

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10

Dumortier, Jean-Louis. "(Ex)communication." La Lettre de la DFLM 32, no. 1 (2003): 24–25. http://dx.doi.org/10.3406/airdf.2003.1556.

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11

Charbonnier, Ralph. "Ex Libris." Pastoraltheologie 110, no. 1 (January 18, 2021): 55–56. http://dx.doi.org/10.13109/path.2021.110.1.55.

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12

Harrasser, Karin. "Ex-Post." Zeitschrift für Medien- und Kulturforschung 7, no. 1 (2016): 69–74. http://dx.doi.org/10.28937/1000106456.

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Posthumanismus hat sich als neues Theorie-Paradigma etabliert. Wie alle gesellschaftlichen Diskurse, ist auch dieser eine Summe aus Machtkämpfen, Subjektpositionen, Identitäten und deshalb voller Konflikte. In diesem Diskurs, der vor allem zeitgenössische und somit technokulturelle Motive beinhaltet, aber natürlich auch eine lange Vorgeschichte hat, gibt es keine Einigung darüber, was das Posthumane eigentlich ist, d. h. ob es sich bei ihm um das Beste oder das Schlechteste handelt, das dem Menschen, seiner Humanität, der Menschheit und der humanistischen Tradition widerfahren könnte; noch besteht Übereinstimmung darüber, ob Posthumanismus unvermeidlich, bereits Realität oder nur ein Trugbild ist; oder ob er politisch, kulturell, sozial progressiv oder im Gegenteil vielleicht sogar regressiv ist; ob er allein durch technologischen Wandel oder hauptsächlich konstruiert und somit ideologisch motiviert ist. Die Debatte zwischen Stefan Herbrechter und Karin Harrasser geht den Gründen für die Karriere posthumanistischer Motive und den damit zusammenhängenden Befürchtungen und Hoffnungen nach. </br></br>Posthumanism has established itself as a new paradigm of theory. Like all social discourses, it is a sum of power struggles, subject positions, identities – and thus full of conflict. In this discourse, which includes mainly contemporary and hence techno cultural motifs, but which of course also has a long history, there is no agreement about what the posthuman actually is, that is if it is the best or the worst that could happen to man, to his humanity, to mankind and the humanistic tradition in general. Neither is there agreement as to whether posthumanism is inevitable, already a reality or just a mirage; or whether it is politically, culturally, socially progressive or to the contrary perhaps even regressive; whether it is solely produced by technological change or mainly constructed and thus ideologically motivated. The debate between Stefan Herbrechter and Karin Harrasser explores the reasons for the career of posthumanistic motives as well as related fears and hopes.

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13

Nancy, Jean-Luc. "Ex nihilo." Vacarme 10, no. 4 (1999): 67. http://dx.doi.org/10.3917/vaca.010.0067.

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14

Trusky, Tom. "Ex Libris." Afterimage 25, no. 1 (July 1997): 19. http://dx.doi.org/10.1525/aft.1997.25.1.19.

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15

Hauschildt, E. "Ex Libris." Pastoraltheologie 111, no. 9 (September 21, 2022): 412–14. http://dx.doi.org/10.13109/path.2022.111.9.412.

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16

Oram, Hugh, Des O'Driscoll, Tim Cramer, Colin Rynne, Billy Wigham, Tony Crowley, Michael de Nie, and Ray Burke. "Ex-Press." Books Ireland, no. 279 (2005): 235. http://dx.doi.org/10.2307/20632843.

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17

Ferrier, Adam. "Ex Libris." International Journal of Advertising 30, no. 2 (2011): 359. http://dx.doi.org/10.2501/ija-30-2-359-360.

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18

Duncan, Kevin. "Ex Libris." International Journal of Advertising 30, no. 3 (January 2011): 541–43. http://dx.doi.org/10.2501/ija-30-3-541-543.

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19

Yakob, Faris. "Ex Libris." International Journal of Advertising 30, no. 4 (January 2011): 725–28. http://dx.doi.org/10.2501/ija-30-4-725-728.

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20

Thompson, Sandy. "Ex Libris." International Journal of Advertising 31, no. 1 (January 2012): 215–16. http://dx.doi.org/10.2501/ija-31-1-215-216.

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21

Oke, Jason. "Ex Libris." International Journal of Advertising 31, no. 3 (January 2012): 685–87. http://dx.doi.org/10.2501/ija-31-3-685-687.

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22

Cameron, Bexy. "Ex Libris." International Journal of Advertising 31, no. 4 (January 2012): 925–27. http://dx.doi.org/10.2501/ija-31-4-925-927.

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23

Fletcher, Winston. "Ex libris." International Journal of Advertising 32, no. 1 (January 2013): 166–68. http://dx.doi.org/10.2501/ija-32-1-166-168.

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24

Jackson, Vanella. "Ex Libris." International Journal of Advertising 32, no. 2 (January 1, 2013): 326–28. http://dx.doi.org/10.2501/ija-32-2-326-328.

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25

O’Donoghue, Dan. "Ex Libris." International Journal of Advertising 32, no. 3 (January 2013): 470–72. http://dx.doi.org/10.2501/ija-32-3-470-472.

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26

Gordon, Wendy. "Ex Libris." International Journal of Advertising 27, no. 4 (January 2008): 672–74. http://dx.doi.org/10.2501/s0265048708080220.

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27

Griffiths, John. "Ex Libris." International Journal of Advertising 27, no. 5 (January 2008): 925–28. http://dx.doi.org/10.2501/s0265048708080372.

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28

Doctoroff, Tom. "Ex Libris." International Journal of Advertising 28, no. 1 (January 2009): 184–86. http://dx.doi.org/10.2501/s0265048709090519.

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29

Bailie, Martin. "Ex Libris." International Journal of Advertising 28, no. 2 (January 2009): 400–402. http://dx.doi.org/10.2501/s0265048709200655.

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30

Andrews, Nick. "Ex Libris." International Journal of Advertising 28, no. 3 (January 2009): 594–96. http://dx.doi.org/10.2501/s026504870920076x.

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31

Goodson, Scott. "Ex Libris." International Journal of Advertising 28, no. 4 (January 2009): 745–48. http://dx.doi.org/10.2501/s0265048709200874.

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32

Scorah, Kay. "Ex Libris." International Journal of Advertising 28, no. 5 (2009): 0. http://dx.doi.org/10.2501/s0265048709200953.

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33

Scorah, Kay. "Ex Libris." International Journal of Advertising 28, no. 5 (January 2009): 923–24. http://dx.doi.org/10.2501/s0265048709200990.

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34

Twose, Dominic. "Ex Libris." International Journal of Advertising 29, no. 1 (January 2010): 149–50. http://dx.doi.org/10.2501/s0265048709201099.

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35

Steel, Jon. "Ex Libris." International Journal of Advertising 29, no. 2 (January 2010): 332–34. http://dx.doi.org/10.2501/s0265048710201208.

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36

Pines, Janet. "Ex Libris." International Journal of Advertising 29, no. 3 (January 2010): 508–9. http://dx.doi.org/10.2501/s0265048710201312.

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37

Fujioka, Ken. "Ex Libris." International Journal of Advertising 29, no. 4 (January 2010): 671–72. http://dx.doi.org/10.2501/s0265048710201403.

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38

Goodman, John. "Ex Libris." International Journal of Advertising 29, no. 5 (January 2010): 839–40. http://dx.doi.org/10.2501/s0265048710201506.

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39

Ulrike and Markus Schmidt. "Ex Libris." Pastoraltheologie 110, no. 7 (June 23, 2021): 292–94. http://dx.doi.org/10.13109/path.2021.110.7.292.

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40

Hoffmann, Christine Wenona. "Ex Libris." Pastoraltheologie 111, no. 3 (March 17, 2022): 128–29. http://dx.doi.org/10.13109/path.2022.111.3.128.

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41

Castrillón Vizcarra, Alfonso. "Ex-libris." Illapa Mana Tukukuq, no. 1 (November 13, 2017): 119–24. http://dx.doi.org/10.31381/illapa.v0i1.1174.

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Es interesante constatar el aumento de publicaciones sobre arte peruano en nuestro país, donde, como sabemos, se ha dado poca importancia a este campo. En las universidades donde existen programas de arte, sean de Historia como de práctica artística, la investigación es exigua y figura en la carga del profesor con algunas horas que no permiten abordar y concluir temas de importancia. Es más, las pocas que se terminan no alcanzan la difusión debido a la ausencia de programas editoriales, conformándose a publicaciones en revistas del claustro universitario. Así pues, la labor de investigación la cumplen estudiosos peruanos independientes, otros trabajan por encargo de entidades públicas y privadas, banca especialmente, y extranjeros (peruanos por adopción, diría yo, dado el carino que tienen a nuestra tierra) como los Mesa-Gisbert en Bolivia y la familia Gutiérrez-Viñuales en Argentina y España, dedicados en general al arte hispanoamericano.

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42

Castrillón Vizcarra, Alfonso. "Ex-libris." Illapa Mana Tukukuq, no. 2 (November 17, 2017): 137–39. http://dx.doi.org/10.31381/illapa.v0i2.1188.

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"E.P.S. Huayco. Documentos" es el título del último libro de Gustavo Buntinx. Ha tardado casi un año en aparecer luego de la exposición sobre el mismo tema que estuviera a su cuidado y que se inauguró en abril del 2004. Bien valía tomarse todo este tiempo porque el resultado es óptimo, por la estricta metodología que ha seguido el autor, el ordenamiento esclarecedor de los hechos y las correcciones puntuales de los errores ajenos, señalados con objetividad, aunque con cierta ansiedad. Gustavo Buntinx (GB) es ampliamente conocido por sus investigaciones, entre las que figura una que vino a fundar entre nosotros el cuidadoso método del catálogo razonado. Me refiero al trabajo hecho en sociedad con Luis Eduardo Wuffarden sobre el pintor cajamarquino Mario Urteaga que, desde entonces, es un caso ejemplar. Hay que agregar que destaca el estilo inconfundible de GB que convierte al texto, no sólo en informativo, sino en válidamente estético.

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43

Castrillón Vizcarra, Alfonso, and María Eugenia Yllia. "Ex Libris." Illapa Mana Tukukuq, no. 4 (November 3, 2017): 125–32. http://dx.doi.org/10.31381/illapa.v0i4.1145.

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44

Mondoñedo, Patricia. "Ex libris." Illapa Mana Tukukuq, no. 5 (October 27, 2017): 139–40. http://dx.doi.org/10.31381/illapa.v0i5.1098.

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45

Castrillón Vizcarra, Alfonso. "Ex libris." Illapa Mana Tukukuq, no. 7 (October 12, 2017): 135–36. http://dx.doi.org/10.31381/illapa.v0i7.1051.

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46

Killian, Kyle D. "Ex Machina." Journal of Feminist Family Therapy 27, no. 3-4 (October 2, 2015): 156–57. http://dx.doi.org/10.1080/08952833.2015.1061359.

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47

Ford, William. "Ex-Smoker." Iowa Review 29, no. 3 (December 1999): 138. http://dx.doi.org/10.17077/0021-065x.5212.

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48

Tuama, Pádraig Ó. "Ex Nihilo." Cream City Review 42, no. 2 (2018): 74. http://dx.doi.org/10.1353/ccr.2018.0073.

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49

Boland, Ed. "Ex Exodus." Journal of Bisexuality 5, no. 2-3 (October 17, 2005): 247–54. http://dx.doi.org/10.1300/j159v05n02_29.

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50

Ciplijauskaitė, Birutė, and María Victoria Atencia. "Ex Libris." World Literature Today 59, no. 4 (1985): 574. http://dx.doi.org/10.2307/40141965.

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