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Journal articles on the topic 'Exeter book'

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Published: 4 June 2021
Last updated: 25 July 2024

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1

Harbus, Antonina. "Exeter book riddle 39reconsidered." Studia Neophilologica 70, no. 2 (January 1998): 139–48. http://dx.doi.org/10.1080/00393279808588225.

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2

Gameson, Richard. "The origin of the Exeter Book of Old English poetry." Anglo-Saxon England 25 (December 1996): 135–85. http://dx.doi.org/10.1017/s0263675100001988.

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Exeter, Cathedral Library, 3501, fols. 8–130, the celebrated Exeter Book of Old English Poetry, preserves approximately one-sixth of the surviving corpus of Old English verse, and its importance for the study of pre-Conquest vernacular literature can hardly be exaggerated. It is physically a handsome codex, and is of large dimensions for one written in the vernacular: c. 320 × 220 mm, with a written area of c. 240 × 160 mm (see pl. III). In contrast to many coeval English manuscripts, particularly those in the vernacular, there is documentary evidence for the Exeter Book's pre-Conquest provenance. Assuming it is identical with the ‘i mycel Englisc boc be gehwilcum þingum on leoðwisum geworht’ (‘one large English book about various things written in verse’) in the inventory of lands, ornaments and books that Leofric, bishop of Crediton then Exeter, had acquired for the latter foundation, then it has been at Exeter since the third quarter of the eleventh century. This, however, is at least three generations after the book was written, and it has generally been assumed that it originated else where. Identifying the scriptorium where the Exeter Book was made is clearly a matter of the greatest interest and importance. A recent, admirably thorough monograph has put forward a thought-provoking case for seeing Exeter itself as the centre responsible, and has proceeded to draw a range of literary and historical conclusions from this. The comprehensive new critical edition of the manuscript has favoured the thesis, and it has been echoed elsewhere. If correct, this is extremely valuable and exciting – but is it correct? The matter is of sufficient importance to merit further scrutiny.
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3

KIRBY, IAN J. "THE EXETER BOOK, RIDDLE 60." Notes and Queries 48, no. 3 (September 1, 2001): 219–20. http://dx.doi.org/10.1093/nq/48-3-219.

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4

KIRBY, IAN J. "THE EXETER BOOK, RIDDLE 60." Notes and Queries 48, no. 3 (2001): 219–20. http://dx.doi.org/10.1093/nq/48.3.219.

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5

Stévanovitch, Colette. "Exeter Book Riddle 70A: Nose?" Notes and Queries 42, no. 1 (March 1, 1995): 8–10. http://dx.doi.org/10.1093/notesj/42.1.8.

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6

Getz, Robert. "Exeter Book Riddle 48, Line 7b." Amsterdamer Beiträge zur älteren Germanistik 81, no. 2 (August 27, 2021): 155–67. http://dx.doi.org/10.1163/18756719-12340224.

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Abstract The emendation of the manuscript reading beþuncan to beþencan in line 7b of the Exeter Book’s Riddle 48 has been widely accepted. The Old English Dialogues, however, provide evidence that a strong passive participle beþuncen had been introduced into the paradigm of the weak verb beþencan (to entrust) in the Mercian dialect, admitting the possibility that beþuncan is a genuine preterite plural form. The passive participle brungen, attested in Mercian, is a possible analogical basis for the development of beþuncen in the same dialect, from which other strong forms may subsequently have arisen. The meter and the motives for scribal alteration in Riddle 48 make it probable that beþuncan is original and that it is rather ongietan in line 6a that should be emended.
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7

Zweck, Jordan. "Silence in the Exeter Book Riddles." Exemplaria 28, no. 4 (October 2016): 319–36. http://dx.doi.org/10.1080/10412573.2016.1219477.

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8

Conner, Patrick-W. "The Structure of the Exeter Book Codex (Exeter, Cathedral Library, MS. 3501)." Scriptorium 40, no. 2 (1986): 233–42. http://dx.doi.org/10.3406/scrip.1986.1448.

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9

Niles, John D. "The trick of the runes in The Husband's Message." Anglo-Saxon England 32 (December 2003): 189–223. http://dx.doi.org/10.1017/s0263675103000097.

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The Old English poem known as The Husband's Message begins in the same minimalist style as is typical of a number of poems of the Exeter Book (Exeter, Cathedral Library, 3501). A first-person speaker, an ‘I’, begins speaking without any context for speech yet being established, without any self-introduction, and without as yet any known purpose: Nu ic onsundran þe secgan wille … As with the Exeter Book elegies known as The Seafarer, The Wife's Lament and Wulf and Eadwacer, just as with all fifty Exeter Book riddles that are put into the first person singular voice, there is an implied challenge for the reader to discover who the speaker is and to fill out his or her full story. The poem thus begins with a small enigma. It is easy to tell that we are in the midst of that part of the Exeter Book that consists of close to one hundred riddles interspersed by a small miscellany of other poems, several of which are riddle-like in their resistance to easy interpretation.
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10

Afros, Elena. "Exeter Book Riddle 6, Lines 7–8." Amsterdamer Beiträge zur älteren Germanistik 80, no. 4 (March 24, 2021): 433–40. http://dx.doi.org/10.1163/18756719-12340206.

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Abstract One of the very few ‘rules’ that operate (almost) without exceptions in Old English prose and poetry is that in se-relatives, se is preceded by the preposition that governs it. In the entire Old English corpus, Mitchell (1985: §2244) finds only one counterexample in the Exeter Book Riddle 6, lines 7–8. In this relative clause, the preposition on governing the demonstrative þa that functions as both antecedent and relative is postposed. The present article suggests grouping the preposition on (7b) with the adverb feorran ‘far’ (8a) that immediately follows it and analysing the main verb of the relative clause as transitive. As a result, the relative clause follows the ‘rule’: the preposition on is no longer postposed, and the pronoun þa, which functions as a direct object in the principal and relative clauses, is assigned accusative by the main verbs of both clauses.
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11

Afros, E. "Exeter Book Riddle 49: Linguistic Ambiguities Revisited." Notes and Queries 56, no. 2 (May 13, 2009): 171–75. http://dx.doi.org/10.1093/notesj/gjp001.

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12

Cavell, Megan. "The Igil and Exeter Book Riddle 15." Notes and Queries 64, no. 2 (April 17, 2017): 206–10. http://dx.doi.org/10.1093/notesj/gjx003.

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13

Welsh, Andrew. "Swallows Name Themselves: Exeter Book Riddle 55." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 3, no. 2 (April 1990): 90–93. http://dx.doi.org/10.1080/19403364.1990.11755247.

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14

Neville, J. "Fostering the Cuckoo: Exeter Book Riddle 9." Review of English Studies 58, no. 236 (July 16, 2007): 431–46. http://dx.doi.org/10.1093/res/hgl154.

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15

Afros, E. "Linguistic Ambiguities in Some Exeter Book Riddles." Notes and Queries 52, no. 4 (December 1, 2005): 431–37. http://dx.doi.org/10.1093/notesj/gji401.

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16

Alger, A. "Two Drypoint Etchings in the Exeter Book." Notes and Queries 53, no. 2 (June 1, 2006): 153–54. http://dx.doi.org/10.1093/notesj/gjl008.

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17

Orton, Peter. "The Exeter Book Riddles: authorship and transmission." Anglo-Saxon England 44 (December 2015): 131–62. http://dx.doi.org/10.1017/s026367510008008x.

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AbstractThe Exeter Book Riddles are anonymous, and the generally formulaic character of all Old English verse discourages attempts to establish unity or diversity of authorship for them; but correlations between the sequence of Riddles in the manuscript and the recurrence from poem to poem of aspects of form, content (including solutions), presentation and style sometimes suggest common authorship for particular runs of texts, or reveal shaping episodes in the collection's transmission. Investigation along these lines throws up clear differences between the two main blocks of Riddles (1–59 and 61–95), and evidence emerges that the composition of many (at least) of Riddles 61–95 was influenced by a reading of Riddles 1–59.
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18

Bitterli, Dieter. "Exeter Book Riddle 95: ‘The Sun’, a New Solution." Anglia 137, no. 4 (November 11, 2019): 612–38. http://dx.doi.org/10.1515/ang-2019-0054.

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Abstract Elusive and fraught with textual difficulties, Riddle 95, the ‘last’ of the Old English verse riddles preserved in the tenth-century Exeter Book, has long baffled modern readers as one of a handful of thorny items in the collection that have so far defied solution. ‘Book’ is the answer that has found most acceptance with critics in the past, yet the speaking subject of Riddle 95 is unlike anything described in those items of the collection that actually deal with writing and the tools of the monastic scriptorium. Rather, the linguistic and thematic parallels between Riddle 95 on the one hand, and the cosmological riddles and poems in the Exeter Book on the other, strongly suggest that the subject of Riddle 95 is the sun, a frequent topic of early medieval enigmatography. The poem obliquely relates how the rising sun installs itself in the sky to shed its welcome light upon the earth before it sets and vanishes from sight, completing its daily orbit along unknown paths. The main clues helping to secure the solution ‘sun’ are based upon what was known in Anglo-Saxon England about the solar course and the planetary motions, especially from the astronomical writings of Isidore of Seville and Bede. Further evidence is provided by several analogues in the Anglo-Latin riddle tradition, including the Enigmata of Aldhelm and his followers.
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19

Stanley, E. G. "Exeter Book Riddle 11: 'alcohol' and its effects." Notes and Queries 61, no. 2 (June 1, 2014): 182–85. http://dx.doi.org/10.1093/notesj/gju034.

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20

Stanley, E. G. "Exeter Book Riddles, I: Riddles 60 and 17." Notes and Queries 64, no. 2 (April 28, 2017): 213–17. http://dx.doi.org/10.1093/notesj/gjx049.

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21

Cavell, Megan. "Sounding the Horn in Exeter Book RIDDLE 14." Explicator 72, no. 4 (October 2, 2014): 324–27. http://dx.doi.org/10.1080/00144940.2014.962466.

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22

Soper, Harriet. "Reading the Exeter Book Riddles as Life-Writing." Review of English Studies 68, no. 287 (April 12, 2017): 841–65. http://dx.doi.org/10.1093/res/hgx009.

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23

Preston, Todd. "An Alternative Solution to Exeter Book Riddle 77." Viator 42, no. 1 (January 2011): 25–34. http://dx.doi.org/10.1484/j.viator.1.102002.

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24

Bitterli, Dieter. "The One-Liners Among the Exeter Book Riddles." Neophilologus 103, no. 3 (December 19, 2018): 419–34. http://dx.doi.org/10.1007/s11061-018-9587-3.

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25

Nelson, Marie. "Four social functions of the exeter book riddles." Neophilologus 75, no. 3 (July 1991): 445–50. http://dx.doi.org/10.1007/bf00406709.

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26

Meaney, Audrey L. "Exeter Book Riddle 57 (55) – a double solution?" Anglo-Saxon England 25 (December 1996): 187–200. http://dx.doi.org/10.1017/s026367510000199x.

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To offer a solution to Riddle 57 must seem to many like a fool rushing swiftly in where others have swallowed gnats – and raindrops, hailstones, thunderclouds, musical notes, bees and more. Yet for a long time I have been convinced that everyone else had got it wrong, and that the answer could only be ‘swifts’. On further investigation, it turned out that some scholars, indeed, had had the same idea – it was Moritz Trautmann's final solution, and Cyril Brett thought of swifts but rejected them in favour of starlings – and that it was only (as it were) half-right. However, it still seems worthwhile attempting to demonstrate that, at least on the literal level, swifts are the only possible answer. I shall therefore dissect Riddle 57, discussing the identity of its subject under four headings: appearance, locomotion, habitat and call. Though initially ignoring the riddle's last half-line, I shall not forget it.
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27

Maring, Heather. ":Old English Ecotheology: The Exeter Book." Speculum 99, no. 1 (January 1, 2024): 188–90. http://dx.doi.org/10.1086/728400.

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28

Kato, Takako. "Exeter Scribes in Cambridge, University Library, MS Ii. 2. 11 + Exeter Book Folios 0, 1–7." New Medieval Literatures 13 (January 2011): 5–21. http://dx.doi.org/10.1484/j.nml.1.102437.

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29

Maring, Heather. "Birds of Creation in the Old English Exeter Book." Journal of English and Germanic Philology 120, no. 4 (October 1, 2021): 429–64. http://dx.doi.org/10.5406/jenglgermphil.120.4.0429.

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30

Griffith, Mark. "Exeter Book Riddle 74 AC ‘Oak’ and Bat ‘Boat’." Notes and Queries 55, no. 4 (November 14, 2008): 393–96. http://dx.doi.org/10.1093/notesj/gjn158.

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31

Stanley, E. G. "Vainglorious Emendations of a Poem in the Exeter Book." Notes and Queries 63, no. 1 (February 26, 2016): 4–9. http://dx.doi.org/10.1093/notesj/gjv240.

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32

Bitterli, Dieter. "Spur, A New Solution to Exeter Book Riddle 62." Notes and Queries 66, no. 3 (July 29, 2019): 343–47. http://dx.doi.org/10.1093/notesj/gjz066.

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33

MCCARTHY, MARCELLA. "A SOLUTION TO RIDDLE 72 IN THE EXETER BOOK." Review of English Studies XLIV, no. 174 (1993): 204–10. http://dx.doi.org/10.1093/res/xliv.174.204.

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34

Weiskott, Eric. "The Exeter Book and the Idea of a Poem." English Studies 100, no. 6 (February 27, 2019): 591–603. http://dx.doi.org/10.1080/0013838x.2018.1558703.

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35

Hart, F. Dudley. "Book Review: Thomas Glass, M.D., Physician of Georgian Exeter." Journal of Medical Biography 5, no. 4 (November 1997): 243–44. http://dx.doi.org/10.1177/096777209700500419.

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36

Rambaran-Olm, M. R. "Two Remarks Concerning Folio 121 of the Exeter Book." Notes and Queries 54, no. 3 (September 1, 2007): 207–8. http://dx.doi.org/10.1093/notesj/gjm142.

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37

Afros, Elena. "IS IN EXETER BOOK AN INSTANCE OF MORPHOLOGICAL LEVELLING?" Amsterdamer Beiträge zur älteren Germanistik 63, no. 1 (2007): 21–28. http://dx.doi.org/10.1163/9789401204835_005.

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38

Beechy, Tiffany. "The Manuscripts of Solomon and Saturn: CCCC 41, CCCC 422, BL Cotton Vitellius A.xv." Humanities 11, no. 2 (April 7, 2022): 52. http://dx.doi.org/10.3390/h11020052.

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Reflecting John D. Niles’ recent codicological reading of the Exeter Book, this essay advances a comparative reading of the three manuscripts containing Old English Solomon and Saturn dialogues. These manuscripts attest that the Solomon and Saturn dialogues were “serious” texts, twice attending the liturgy and later (12th century) joining high pre-scholastic philosophy. They further reveal a shift in the use of poetry over time. The earlier dialogues evince an “Incarnational poetics” that is distinct from but nevertheless comparable to the “monastic poetics” of the Exeter Book, while the later, prose dialogue has taken a less performative and more encyclopedic form.
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39

Niles, John D. "Exeter Book Riddle 74 and the play of the text." Anglo-Saxon England 27 (December 1998): 169–207. http://dx.doi.org/10.1017/s0263675100004841.

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Riddle 74 is one of a handful of Old English riddles of the Exeter Book that have stubbornly resisted a solution. As Bruce Mitchell and Fred C. Robinson remark, ‘scholars have suggested answers…but none satisfies all the conditions set forth in the poem’. Peter Clemoes finds the attributes that are ascribed to this particular riddle-subject to be ‘so paradoxical that it seems impossible to name their possessor at all’. Riddles normally do have answers, however, and this one is no exception. My first aim in this article is to offer an answer to Riddle 74 that will put debate to rest as to its intended solution.
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40

Stanley, E. G. "The Descent Into Hell, a poem in the Exeter Book." Notes and Queries 62, no. 1 (February 9, 2015): 6–12. http://dx.doi.org/10.1093/notesj/gju263.

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41

Ramey, Peter. "CORRINE DALE. The Natural World in the Exeter Book Riddles." Review of English Studies 69, no. 290 (January 24, 2018): 565–67. http://dx.doi.org/10.1093/res/hgy007.

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42

Stanley, E. G. "Exeter Book: Paternal Precepts – An Edition, with Translation, and Comments." Anglia 136, no. 2 (June 11, 2018): 277–95. http://dx.doi.org/10.1515/ang-2018-0031.

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AbstractThis paper presents an edition and translation of the poem in the Exeter Book better called Paternal Precepts, not just Precepts, with some commentary. The poem is abstract, and father and son are no dramatis personae. Its instruction is that not only how one thinks and acts, but also how one speaks should be endowed with virtue. The brief introduction of Paternal Precepts directs us into the ten paternal precepts to teach a well-born son. The first precept instructs the son to be virtuous, and to honour his parents and teachers. The second and third precepts direct the son not to keep bad company, and teach that God rewards virtue and punishes complicity in evil. The fourth precept is about loyalty, both to one’s friends and to one’s high principles. The fifth precept is about what is to be avoided: drunkenness, evil thoughts, lies, boasting; and the dangers of loving women. It is important to be a safekeeper of one’s words. The sixth precept is about understanding the concepts good and evil. The seventh precept reflects, in expressive contrasts, on futurity, and that the wise recognize sorrow in joys, whereas a fool fails to see that exultation may be enmeshed in sorrow. The eighth precept is about the theological concepts of God and saints. It ends with the glory of truth. The long ninth precept dwells on the Lord’s commandments, and with terms not entirely clear: ancient writings, perhaps the Scriptures together with the writings of the Church Fathers; ‘forward-looking writings’, that is perhaps prophecies, and native traditions. The long tenth precept embraces sins of words and deeds, truth, wrath, and wisdom.
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43

Murphy, Patrick J. "Leo ond beo: Exeter Book Riddle 17 as Samson's lion." English Studies 88, no. 4 (August 2007): 371–87. http://dx.doi.org/10.1080/00138380701270655.

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44

Drout, Michael D. C. "“The Partridge” is a phoenix: revising the Exeter Book Physiologus." Neophilologus 91, no. 3 (March 20, 2007): 487–503. http://dx.doi.org/10.1007/s11061-006-9014-z.

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45

Pakis, Valentine A. "A Note in Defense of “The Partridge” (Exeter Book 97v)." Neophilologus 92, no. 4 (January 22, 2008): 729–34. http://dx.doi.org/10.1007/s11061-007-9090-8.

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46

Williams, James S. "Book Reviews : Camus: The Challenge of Dostoevsky. By Ray Davison. Exeter: Exeter University Press, 1997. Pp. ix + 243. £11.99." Journal of European Studies 28, no. 4 (December 1998): 425–26. http://dx.doi.org/10.1177/004724419802800417.

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47

Salvador-Bello, Mercedes, and Mar Gutiérrez-Ortiz. "The Cambridge and the Exeter Book Physiologi: Associative Imagery, Allegorical Circularity, and Isidorean Organization." Anglia 136, no. 4 (November 9, 2018): 643–86. http://dx.doi.org/10.1515/ang-2018-0059.

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Abstract The Physiologus has survived in some twenty-four manuscripts, two of which are of English origin: Cambridge, Corpus Christi College, 448, and Exeter, Cathedral Library, 3501. The latter codex, also known as the Exeter Book, contains a verse Physiologus (fols. 95v–98r) in Old English. In turn, the Cambridge manuscript provides a Latin prose Physiologus (fols. 88r–89r). These two texts bear witness to the knowledge of the Physiologus in the late Anglo-Saxon period and constitute the central piece of evidence extant for the dissemination of this work in England. Even though the two versions are formally and stylistically different, the manuscripts in which they occur are roughly contemporary and both of them are of Southern provenance. Each of these Physiologi comprises three chapters describing three animals: lion, unicorn and panther in the case of the Cambridge Physiologus, and panther, whale and an unknown bird – whose identification is problematic due to a textual gap – in the Exeter codex. Despite these striking affinities, no scholarly work has offered a comparative study of the two Physiologi, with the exception of Andrea Rossi-Reder’s unpublished PhD dissertation (1992), and only passing reference has been made to the Cambridge Physiologus in discussions of the better‑known Exeter text. In order to remedy this critical neglect, the present article offers a detailed analysis of both Physiologi, together with a first edition of the Latin text. As we will show, the Cambridge and the Exeter Physiologi share the same cultural background and apply similar compilation criteria. In both cases, the zoological motifs were selected according to organizational principles based on Isidore’s Etymologiae, such as the animals’ unclean character and size. In both, too, the creatures described are interconnected by means of recurrent associative imagery and an allegorical circular design. This combination of encyclopedic criteria and the sensory characterization of the animals discloses remarkable parallelisms in the structure and the compositional technique of these two Physiologi. Moreover, this analogous organizational method offers additional evidence to support Michael D. C. Drout’s hypothesis that the bird described in the fragmentary third chapter of the Exeter version is the phoenix instead of the partridge, as some other scholars had traditionally maintained. Our reading also effectively harmonizes with the eschatological and anagogic elements which have been pointed out for the third chapter of the Exeter Physiologus, as well as with the allegorical and tropological roles of the panther and the whale.
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48

Bradley, S. A. J. "“Denne Gaade er godt gjort”: Grundtvig’s encounter with the riddles of the Exeter Book." Grundtvig-Studier 59, no. 1 (January 1, 2008): 19–52. http://dx.doi.org/10.7146/grs.v59i1.16528.

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“Denne Gaade er godt gjort” - Grundtvig’s encounter with the riddles of the Exeter Book[”Denne Gaade er godt gjort” - Grundtvigs behandling af gåderne i Exeterbogen]Af S. A. J. BradleyGrundtvigs beskæftigelse med angelsaksisk litterar kultur gik ind i en intensiv fase i tiden omkring hans Englandsrejser (1829-31), hvor han med offentliggørelse for øje transskriberede de digteriske dele af et håndskrift i Exeters klosterbibliotek fra det 11. århundrede. I betragtning af den grundliggende rolle, det symbolske og metaforiske spiller i Grundtvigs skrifter og i hans fremstilling af sin egen identitet, har det interesse at gennemgå og analysere hans forsøgsvise behandling af de omkring hundrede gader, der star i håndskriftet. Det ledte ham nemlig ind i en drøftelse af de intellektuelle strategier, der ligger bag såvel gåders udsagn som deres løsning, indbefattende litterære virkemidler som fortælling i 1. person og omskrivninger (kenninger), kryptisk brug af runer samt motiver fra folkesagn og folkelig overtro. Hans tilegnelse af denne kristelige kultur fra tidlig nordeuropæisk middelalder far utvivlsomt stor betydning for hans mytologiske arbejder, men rækker også videre frem. Den intellektuelle beskæftigelse med det gadefulde slår for Grundtvig bro mellem det verdslige og det religiøse, som det også skete for de angelsaksiske munke i Exeter.
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49

Kerr, Greg. "Book Review: Translating Rimbaud's `Illuminations'. By Clive Scott. Exeter: University of Exeter Press, 2006. Pp. 328. £50.00 (hbk); £15.99 (pbk)." Journal of European Studies 37, no. 2 (June 2007): 202–3. http://dx.doi.org/10.1177/00472441070370020410.

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50

Brown, Richard. "BOOK REVIEW: Andrew Higson (ed.). YOUNG AND INNOCENT? THE CINEMA IN BRITAIN, 1896-1930. (Exeter: University of Exeter Press, 2002)." Film History: An International Journal 14, no. 3-4 (September 2002): 461–62. http://dx.doi.org/10.2979/fil.2002.14.3-4.461.

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