Relevant bibliographies by topics / Exhibition space

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Exhibition space'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Exhibition space.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Exhibition space"

1

Stefańska, Joanna. "Painting in the exhibition space, interactions." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 17, no. 4 (December 30, 2021): 19–24. http://dx.doi.org/10.35784/teka.2661.

Full text
Abstract:
The article is based on the author's search for the relationship between painting and architecture and experiencing the space in the context of using its potential for painting exhibition. This is a summary of research carried out in 2017- 2019 at the Faculty of Architecture of Poznań University of Technology, entitled "Artwork in architecture". This project aimed to explore the relationship between art and architectural space. Participation in the collective exhibitions, as a part of the first research stage, and the implementation of individual exhibitions in the second stage of the project, have become the basis for author's decisions in this field. The research findings were included in two monographs by a two-person research team, made up of prof. dr hab. Andrzej Maciej Łubowski and dr hab. Joanna Stefańska, titled "SPACES, artwork in architecture" and "RELATIONS, artwork in architecture", PUT Publishing House 2019, 2020. Searching for the best means of recording meaning and emotions connected with the theme of landscape undertaken by the author as well as the thoroughly analysed issue of the functioning of paintings series in the context of the exhibition space, translate into the process of exploration a relationship between artwork and architecture. The exhibition of paintings and selection of proper exhibition space affect an artwork’s reception. The exhibition’s design should exhaust the relationship between contemplation and dialogue in both the painting space and the broader architectural context. It can be stated that the mutual relationship of the artwork and the architectural space surrounding it affects the artwork’s meaning and aesthetics as well as the architecture’s perception.
APA, Harvard, Vancouver, ISO, and other styles
2

Aarbakke, Thea. "Musealiserte relasjoner mellom liv og litteratur på Olav H. Hauge-senteret." Nordisk Museologi 28, no. 1 (May 27, 2020): 75. http://dx.doi.org/10.5617/nm.7970.

Full text
Abstract:
This article investigates how one of the museums’ foremost communication tools, their exhibitions, negotiates the appearance of the Norwegian poet Olav H. Hauge’s life and literature, and the relations between them, by way of the exhibition’s material components and exhibition technologies. In the exhibition, authorship and author biography intersect and meet as a unique attribute of the exhibition space. How the author’s life and literature are communicated in the exhibitions and how the exhibition technologies affect the stories being told is the main focus of this analysis. Inspired by actor-network theory, the exhibition is analysed by situating museum props and exhibition technologies at the centre of the study.
APA, Harvard, Vancouver, ISO, and other styles
3

Kim, Dubeom, Byung K. Kim, and Sung D. Hong. "Digital Twin for Immersive Exhibition Space Design." Webology 19, no. 1 (January 20, 2022): 4736–44. http://dx.doi.org/10.14704/web/v19i1/web19317.

Full text
Abstract:
This research aimed to find an efficient method of responding to the various variables that may arise during the process of designing and constructing an immersive exhibition space. A digital twin of the exhibition space was generated, a real-time rendering method was applied using a game engine, and the optical phenomena of several typical devices used in immersive exhibitions were simulated. The functions simulated in this study are applicable to the generated digital twin to predict how the various devices installed in the exhibition space would operate in the actual exhibition. Thereby, the possibility that the simulation results of the core elements that constitute the exhibition content be immediately applied to the operation of the various devices in the exhibition space in real-time could be explored. Not all the devices and functions used in an immersive exhibition were simulated, so the model used in the paper must be modified according to the circumstances of the applications. Through additional research, the method of responding to various installations and devices must be expanded.
APA, Harvard, Vancouver, ISO, and other styles
4

Park, Yu Mi, and Choon Sung Shin. "Study On Online Platform For Personal Exhibition In Metaverse Emvironment." Korean Institute of Smart Media 11, no. 6 (July 31, 2022): 37–50. http://dx.doi.org/10.30693/smj.2022.11.6.37.

Full text
Abstract:
This proposes a direction to build and provide an exhibition space based on the metaverse platform so that artists can independently open their own exhibitions in an online environment. Although many artists are produced every year, offline exhibitions are becoming difficult due to not many art galleries, and offline exhibitions are becoming impossible due to Corona, which began at the end of 2019, and online exhibitions are emerging as an alternative. We analyze cases of existing online exhibition methods and visit online exhibition methods such as web, video, and virtual reality and metaverse environment then present a plan for individual exhibitions in consideration of the recent metaverse environment. The proposed metaverse-based personal exhibition method is structured so that artists can construct a space on the metaverse and place their works, and then viewers can freely take a look on it from a remote location. Based on the proposed exhibition direction, the representative metaverse platform was applied to confirm the characteristics and possibilities of exhibition space and composition of works and users' exhibition experience. In the face of the rise of online exhibitions, space can be constructed in the direction the artist pursues in online exhibitions as well as offline exhibitions, but also online exhibitions, and hopes that online exhibitions will become another genre of exhibitions rather than incidental after the end of Covid-19.
APA, Harvard, Vancouver, ISO, and other styles
5

Gawlak, Agata, Paulina Kowalczyk, and Joanna Stefańska. "Unconventional exhibition spaces as an example of the synergy of architecture and art." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 16, no. 1 (March 31, 2020): 20–27. http://dx.doi.org/10.35784/teka.2414.

Full text
Abstract:
The article pertains to the relationship between an artwork (painting) and architectural space, as well as the issue of adapting unconventional architectural spaces for an exhibition function in relation to the author's exhibitions presenting the paintings from the same painting series. Different exhibition concepts of each of the exhibitions emphasize the role of a painting in shaping the architectural space and the quality of this space. An artwork becomes a tool that organizes space and influences its quality. At the Faculty of Architecture of Poznań University of Technology, as part of the research project of Professor A.M. Łubowski and J. Stefańska, D.Sc., titled "Artwork in Architecture", there has been research conducted on the correlation of architecture and art. The author was invited to participate in three exhibitions carried out as part of this project. The experiences connected with the project have been described in this article. The problem of using the interiors of buildings whose original purpose was different from exhibiting art , became a part of the author's research carried out in the form of individual and collective exhibitions. Two of them, which took place between 2017 and 2018, showcased paintings from the same series, entitled " I Have Been to Hel(l) and Back. And: Let me Tell you, It Was Wonderful ”, highlighted the importance of the dialogue between architecture and art and created awareness how much this interdependence influences the transformation of the perception of both art and architecture. Appropriate compositional solutions and an appropriate selection of artworks contribute to the complete visual satisfaction of the recipient. Ill-considered combinations cause visual discomfort, which detracts from the potential of both works of art and architectural space. Therefore, it is a need to perform an in-depth analysis of the relationship between the artwork and architectural space, and to avoid conventional, schematic exhibition solutions. The same works placed in various spaces affect the viewer in a different way. The change of the environment influences the change of perception, which creates new interpretative possibilities for the painting’s narrative, while the architectural space gains a wider context of reception through its individualization and increased accessibility. The emotional and intellectual aspect of painting enriches the space with new meanings.
APA, Harvard, Vancouver, ISO, and other styles
6

Puspasari, Shinta. "Pendampingan perancangan ruang pamer museum dr.AK.Gani pada pameran bersama Museum Negeri Sumatera Selatan." ABSYARA: Jurnal Pengabdian Pada Masyarakat 2, no. 2 (December 31, 2021): 239–45. http://dx.doi.org/10.29408/ab.v2i2.4322.

Full text
Abstract:
A successful exhibition cannot be separated from the proper arrangement of the exhibition space. A good exhibition space arrangement will generate interest from exhibition visitors. Moreover, what if the exhibition is a museum exhibition. The arrangement of museum exhibitions requires a more complex arrangement. South Sumatra Province held a joint exhibition which various state museums throughout South Sumatra attended. Because various museums attend it, a good exhibition space arrangement is needed to present an optimal exhibition space so that it is attractive to visitors and is not inferior to other museums in the exhibition. Therefore, this service aims to assist dr.AK.Gani Museum as a partner to organize its exhibition space to make it more optimal. The community service activities offered at this activity are assistance in designing informative brochures and showing off collections. Exhibition activities went well and safely following health protocols during the COVID-19 pandemic, attended by various students and the general public. The activity method includes focus group discussions, exhibition room design, and effective exhibition space design implementation to produce the dr.AK.Gani Museum exhibition design has been implemented at the 2020 Joint Exhibition at the South Sumatra State Museum
APA, Harvard, Vancouver, ISO, and other styles
7

Ciric, Biljana. "Building archives through curatorial practice." Art Libraries Journal 39, no. 2 (2014): 10–13. http://dx.doi.org/10.1017/s0307472200018253.

Full text
Abstract:
An understanding of the museum as an exhibiting space, rather than as a research-based organisation, has led to the current lack in China of institutions tasked with archiving and making art documentation public. A number of projects organised by the author in Shanghai and elsewhere, including History in the Making: Shanghai 1979-2009 and From a History of Exhibitions towards a Future of Exhibition-Making, have addressed the role of archives in exhibition making, while developing new documentary resources for curatorial and art historical research.
APA, Harvard, Vancouver, ISO, and other styles
8

Leśniak, Kamila. "The Family of Man in Poland: An Exhibition as a Democratic Space?" Ikonotheka 26 (June 26, 2017): 213–38. http://dx.doi.org/10.5604/01.3001.0010.1679.

Full text
Abstract:
The exhibition entitled The Family of Man, which was designed by Edward Steichen and presented for the fi rst time in 1955 at the Museum of Modern Art in New York, belongs to the most famous and most controversial photographic expositions of the 20th century. Usually perceived in the light of the anachronistic, West-centric vision of humanism, i.e. as an embodiment of Modernist views on photography, it constitutes a good example of the museum’s infl uence as a Modernist “social instrument”. However, contemporary theories in exhibition studies offer a more complex interpretation. The present work provides insight into this process by referring to the views of Mieke Bal (on the “cinematic effect” of photographic exhibitions, the narrative and relational aspect of expositions), Fred Turner (on the space of an avant-garde exhibition as the realisation of the political and social idea of a “democratic personality”) and Ariella Azoulay (on exhibition space as a “visual declaration of human rights” and the fi eld for a “photographic social contract”). The primary aim of the present article is to set The Family of Man within the framework of Polish exhibition practices. The complex origins of the American project can be traced back to avant-garde experiments with exhibition space conducted in the Bauhaus movement and in Soviet Constructivism (the psychology of perception, “photo-murals”); the analysis focuses on the political and propagandistic aspects. An analysis of the above issues provides the starting point for considering the signifi cance and probable reception of the exhibition’s spatial arrangement in the milieu of Polish architects and designers as well as its Polish variant as prepared by Stanisław Zamecznik and Wojciech Fangor. It was therefore useful to refer to Oskar Hansen and his theory of Open Form, as he cooperated with Zamecznik and Fangor at the time. Models of avant-garde and Modernist “utopian thinking” are juxtaposed, thus making it possible to perceive the process of reception in the light of its effectiveness. The article also discusses The Family of Man as a model for projects with propaganda undertones, i.e. the so-called “problem-oriented exhibitions”. It mentions attempts at adapting Steichen’s design of exhibition space to the needs of the offi cial narrative in the People’s Republic of Poland. Finally, it uncovers the ambivalent nature of the infl uence of The Family of Man and the dual status of the exhibition as both a propagandistic project and as an anti-systemic space supporting the ideal of a creative, free individual.
APA, Harvard, Vancouver, ISO, and other styles
9

Zolotova, A. S., E. V. Likholet, and N. N. Fedotova. "Current Trends in the Museums and Exhibitions Exhibition Space Formation." IOP Conference Series: Materials Science and Engineering 698 (December 18, 2019): 033021. http://dx.doi.org/10.1088/1757-899x/698/3/033021.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Maistrovskaya, Mariya T. "EXHIBITION AS A GENRE OF PLASTIC ART: "DIOR"." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 2 (2020): 138–50. http://dx.doi.org/10.28995/2073-6401-2020-2-138-150.

Full text
Abstract:
The article is the second part of the research that consider and analyze two exhibitions held in recent years at the A.S. Pushkin Museum of Fine Arts named, “Chanel: according to the laws of art” (2007) and “Dior: under the sign of art” (2011), dedicated to the largest fashion designers of our time. The original concepts and artistic solutions of the exhibition design of these exhibitions became events not only in the fashion world, but also in the art of the exhibitiaon. These exhibitions presented various exhibition solutions, vivid artistic images, expressive spatial organization, conceptual and scenographic arrangement of copyright collections in the context of high fine art. The most important conceptual component of the exhibitions was to present the art of fashion designers, juxtaposing, giving rise to associations and building analogies and contexts with visual art, against which unique collections were exhibited and in the circle. With this single conceptual view of their work, and the single space of the museum in which the exhibitions were held, the artistic and architectural strategy of the exhibitions was diametrically opposite, revealing the palette and variety of artistically expressive means and modern exhibition design. Both exhibitions were created by modern foreign curators and designers and represent talented and creative exposition projects, the analysis of which can be useful for domestic environmental design as vivid examples of the exposition as a genre of plastic art, which is considered the modern museum and exhibition exposition at its highest and creative forms.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Exhibition space"

1

MASSON, MICHEL NUNES LOPES. "SPACE IN THE ART OBJECT EXHIBITION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=5715@1.

Full text
Abstract:
O Espaço na Exibição de Obras de Arte é um estudo que visa entender o papel do espaço expositivo nas exibições de obras de arte. Assume sua interferência na fruição das obras como uma ação nos limites do campo do design. Parte de um estudo histórico e social das exibições para construir as bases para suas conjecturas, buscando entender em que medida o design de exibições pode se constituir como linguagem. Para isso, se vale da dicotomia existente nesse espaço, a do espaço neutro e ativo, como um de seus principais pontos de apoio.
The Space in Works of Art Exhibition is a study that intends to understand the role of the enviroment in art exhibitions. Assumes it`s interference in the fruition of pieces as an action towards the design field limits. Starts from an historical and social analisys of exhibition to build the basis under it`s proposals, trying to understand how the exhibitions design can be recognized as language. For such, it makes use of the space`s existing dicotomy, the neutral and the active space, as one of it`s pillars.
APA, Harvard, Vancouver, ISO, and other styles
2

Ozkal, Gunes. "Exhibition Space As The Site Of Isolation, Unification, And Transformation." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607717/index.pdf.

Full text
Abstract:
This thesis re-evaluates the exhibition space as a site of &ldquo
indeterminacy&rdquo
defined by the dialectical interaction of architectural space and art object. The ways in which different forms of space-object interactions are constructed, and the architectural tools used to accommodate the exhibition event will be the departure points of this investigation. In this respect, the cases of Dia Beacon, Tate Modern and Stazione Leopolda will be analyzed and the means of &ldquo
indeterminacy&rdquo
will be elucidated by using the conceptual tools of &ldquo
isolation&rdquo
, &ldquo
unification&rdquo
and &ldquo
transformation&rdquo
. With the aid of these three cases, the aim of this study is to comprehend the architectural potentials in exhibition practice, which functions in extreme conditions of constantly altering states, environments and relations.
APA, Harvard, Vancouver, ISO, and other styles
3

Margarella, Robert Jonah. "Festival and Gallery: Exhibition Space for the People of Baltimore." Thesis, Virginia Tech, 1997. http://hdl.handle.net/10919/35485.

Full text
Abstract:
The principle notion of this thesis has been to propel ideas derived through architecture, experience, intuition, and program in order to transform idea into form. The attempts to understand gallery as a place where people can show their work for a short amount of time, allowing for a continual engagement between works and viewers.
Master of Architecture
APA, Harvard, Vancouver, ISO, and other styles
4

Naude, Elmarie. "Embodying space : Capture Image Gallery." Diss., University of Pretoria, 2009. http://hdl.handle.net/2263/30248.

Full text
Abstract:
The city of Pretoria has a diverse mix of people moving in and around it. This dynamic, ever-changing movement, combined with the city’s cultural diversity, renders it ideal for an investigation into the relationship (or lack thereof) that exists between the moving body and architectural space. The city and its architectural spaces are viewed as static. The human body and its movement is dynamic. These static spaces cannot always accommodate the dynamic movement taking place within and around them. This leads to a lack of dialogue or interaction between the two, causing a tension which is further aggravated by the fact that they are situated within a constantly changing environment. The aim of this thesis is not only to examine the relationship between the city and the human body moving through its architectural spaces, but also to provide the platform for an investigation into the establishment of an active dialogue between the two. CAPTURE is envisaged as an experimental laboratory in the city of Pretoria. It aims to rejuvenate the city’s CBD, as well as to develop and promote arts and culture through the creation of a public exhibition space. It is a design intervention intended to create a space which captures and navigates its users through it, by exposing them to the different functions facilitated within it, as well as to the space and to each other. The introduction of this spatial intervention, informed by the existing pedestrian movement through an identified public thoroughfare, will encourage an active dialogue between the user and the space. Public art, in the form of the photographic image, has been identified as a possible means of communicating the user’s surroundings to him/her. This, in turn, may encourage interaction with, and interpretation of the space.
Dissertation (MInt(Prof))--University of Pretoria, 2009.
Architecture
unrestricted
APA, Harvard, Vancouver, ISO, and other styles
5

Lif, Jakob. "The Royal Barge Museum - Use of Light in Exhibition Space Design." Thesis, KTH, Arkitektur, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-280185.

Full text
Abstract:
The Maritime museum is currently investigating possibilities for an exhibition building housing the ceremony boat the “Royal Barge of Sweden” and 18th century King Gustav III’s leisure boats. I hope to influence this debate with this degree project. The architectural theme of the project has been learning about natural light and its relation to exhibition spaces. The initial research phase consisted of museum visits, research into projects by Gunnar Mattson and a historic comparison of the Maritime museum’s exhibition rooms. The proposed building is in Haga park, connecting to an existing jetty below Vasaslätten’s café. A concrete dry dock with an adjacent exhibition space is the main room of the building, making it possible to use the largest barge on the Brunnsviken waters. The rest of the building parts are smaller wooden pavilions on land, exhibiting the boats that are not in use. A variety of spaces and light conditions are offered. The dry dock is approached from a dark narrow entrance and opens to a bright tall space as one walk down a red carpet. The leisure boat pavilions are lit from underneath, giving the impression of the boats floating in another element.
APA, Harvard, Vancouver, ISO, and other styles
6

Vaughters, Amy Lillian. "Delineated Space." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd_retro/58.

Full text
Abstract:
This document is a detailed description of the work produced throughout my graduate study in the Department of Photography and Film at VCU. Topics discussed in relation my photographic process include: stage, memory, character, the forgotten, and nostalgia.
APA, Harvard, Vancouver, ISO, and other styles
7

Kvitkovský, Martin. "Revitalizace Červeného Kláštora a klášterního muzea." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2011. http://www.nusl.cz/ntk/nusl-215809.

Full text
Abstract:
Architectural solution takes into account the existing shape of objects and functional use of objects. Largely focuses on the completion of the museum interior and obovenie jestvujúcih exposure. Using architectural elements to be linked to the existing condition of the building and its character as national cultural monument and therefore were significantly architectural elements used in a limited range. The main focus was on functional objects and art commissioning. Existing facilities have been made-the insertion of separate objects, more or less dependent on the original space.
APA, Harvard, Vancouver, ISO, and other styles
8

Caldwell, Andrew E. "Daylighting and exhibition at the High Museum of Art." Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/23971.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Larsen, Devon P. "Rethinking the Monumental: The Museum as Feminist Space in the Sexual Politics Exhibition, 1996." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001540.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

McCann, Therese Marie. "Art, Artifacts, and Residue: The Space of The Exhibition in Ann Hamiltons indigo blue." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1529698973965083.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Exhibition space"

1

Bauer, Dominique, and Camilla Murgia, eds. Ephemeral Spectacles, Exhibition Spaces and Museums. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463720908.

Full text
Abstract:
This book examines ephemeral exhibitions from 1750 to 1918. In an era of acceleration and elusiveness, these transient spaces functioned as microcosms in which reality was shown, simulated, staged, imagined, experienced and known. They therefore had a dimension of spectacle to them, as the volume demonstrates. Against this backdrop, the different chapters deal with a plethora of spaces and spatial installations: the Wunderkammer, the spectacle garden, cosmoramas and panoramas, the literary space, the temporary museum, and the alternative exhibition space.
APA, Harvard, Vancouver, ISO, and other styles
2

Trust, Britto Arts, ed. Space: An inaugural exhibition of Britto Space : 30 March-15 April 2012. Dhaka: Britto Arts Trust, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Spencer-Davies, Sally. Exhibition and perception: Can digital media be effectively communicated within an exhibition/gallery space?. London: LCC, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Biennale, Bali. Space & scape: Visual art exhibition : pre Bali Biennale, 2005. Denpasar, Bali: Bali Biennale-Astra Otopart Art Award, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Jong, Mark W. de, joint author and Kossmann dejong, eds. Engaging spaces: Exhibition design explored. Amsterdam: Frame, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Shenzhen Shi chuang fu mei tu wen hua fa zhan you xian gong si, ed. Gou wu kong jian + she shi zhan lan kong jian: Shopping space + installation & exhibition space. Dalian Shi: Dalian li gong da xue chu ban she, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Media, Nusa Pradana PT. Exhibition vision of space: Central Park, 26 Juni-2 Juli 2010. Jakarta: Media Nusa Pradana, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Malin, David. Night skies: The art of deep space : an exhibition of astronomical photographs. Sydney: British Council, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Steirischer Herbst 2009 (2009 : Graz, Austria) and Steirischer Herbst 2010 (2010 : Graz, Austria), eds. Utopia and monument: Exhibition for the public space, steirischer herbst 2009-2010. [Wien]: SpringerWienNewYork, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Whiteread, Rachel. Rachel Whiteread: [an exhibition held 1 November-21 December 2002]. London: Haunch of Venison, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Exhibition space"

1

Stockman, Tom, Judith Schneider, Tracie Prater, Quincy Bean, and Nicki Werkheiser. "In-Space Manufacturing Baseline Property Development." In TMS 2016 145th Annual Meeting & Exhibition, 177–81. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-48254-5_22.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Xu, Honglei. "Color Art Research and Creativity in Exhibition Space." In Lecture Notes in Electrical Engineering, 743–48. London: Springer London, 2013. http://dx.doi.org/10.1007/978-1-4471-4844-9_98.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Stockman, Tom, Judith Schneider, Tracie Prater, Quincy Bean, and Nicki Werkheiser. "IN-Space Manufacturing Baseline Property Development." In TMS 2016: 145thAnnual Meeting & Exhibition: Supplemental Proceedings, 177–81. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781119274896.ch22.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Jian, Xiao, Cui Hao, Qiu Guibao, and Yang Yang. "Titanium Foam for Cancellous Bone Implant Prepared by Space Holder Technique." In TMS 2016 145th Annual Meeting & Exhibition, 737–44. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-48254-5_88.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Hicks, N. G., T. L. Thompson, M. R. Yoklic, N. V. Chalfoun, and K. J. Kent. "Evaporative Cooling for Large Exhibition Spaces: A Methodology for System Design/Engineering Based on Human Comfort." In Architecture and Urban Space, 159–64. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-017-0778-7_23.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Boştenaru Dan, Maria, and Alex Dill. "Digital Art Conservation: Review of the Book and an Itinerant Exhibition Resulting from a European Project." In Space and Time Visualisation, 141–48. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24942-1_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Lin, Hanyuning, and Mathew Pryor. "A Motivational 3D EdTech in Online Education: Digital Exhibition Space." In Blended Learning. Education in a Smart Learning Environment, 175–86. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51968-1_15.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Chen, Yu, and Zhiyong Fu. "Speculative Scenarios: The Exhibition as a New Space of Thinking." In Cross-Cultural Design. Applications in Arts, Learning, Well-being, and Social Development, 303–17. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77077-8_24.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Jian, Xiao, Cui Hao, Qiu Guibao, and Yang Yang. "Titanium Foam for Cancellous Bone Implant Prepared by Space Holder Technique." In TMS 2016: 145thAnnual Meeting & Exhibition: Supplemental Proceedings, 737–44. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781119274896.ch88.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kinberger, Michaela, and Alexander Pucher. "Geographic Space in Museums: Considerations Towards a Spatio-Temporal Supported Exhibition." In Lecture Notes in Geoinformation and Cartography, 93–101. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29770-0_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Exhibition space"

1

Chun Wai, Wilson Yeung, and Estefanía Salas Llopis. "THE SPACE BETWEEN US." In INNODOCT 2020. Valencia: Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inn2020.2020.11901.

Full text
Abstract:
This article explores how to integrate the collective creation of contemporary art exhibitions, and how to transform exhibition works into contemporary language and novel visual art materials, thereby generating cultural exchange between Australia and Spain. The Space Between Us (2017- ), co-curated by Australian artist-curator Wilson Yeung and Spanish artist Estefanía Salas Llopis, resolve these questions by examining the contemporary art exhibition. This paper also asks how to transform art exhibitions into laboratories, how artists and curators work together in a collective innovation environment, how collective creation generates new knowledge, and how to develop collective creation among creative participants from different cultures and backgrounds.
APA, Harvard, Vancouver, ISO, and other styles
2

Okada, Masafumi, Yuichi Motegi, and Ko Yamamoto. "Human swarm modeling in exhibition space and space design." In 2011 IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS 2011). IEEE, 2011. http://dx.doi.org/10.1109/iros.2011.6048220.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Okada, M., Y. Motegi, and K. Yamamoto. "Human swarm modeling in exhibition space and space design." In 2011 IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS 2011). IEEE, 2011. http://dx.doi.org/10.1109/iros.2011.6094597.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Kim, Daehee, Seonah Mok, Mikang Kim, and Joonki Paik. "Probabilistic exhibition information estimation model for optimal configuration of exhibition space." In 2015 IEEE International Symposium on Consumer Electronics (ISCE). IEEE, 2015. http://dx.doi.org/10.1109/isce.2015.7177832.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Russell, Gillian. "The Critical Design Exhibition: an epistemic space." In Design Research Society Conference 2018. Design Research Society, 2018. http://dx.doi.org/10.21606/drs.2018.568.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Posch, Irene, Hideaki Ogawa, Christopher Lindinger, Roland Haring, and Horst Hörtner. "Introducing the FabLab as interactive exhibition space." In the 9th International Conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1810543.1810584.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Kalenov, Nikolay Evgenevich, Irina Nikolaevna Sobolevskaya, and Alexander Nikolaevich Sotnikov. "Using of educational technologies in a common digital space of scientific knowledge." In 23rd Scientific Conference “Scientific Services & Internet – 2021”. Keldysh Institute of Applied Mathematics, 2021. http://dx.doi.org/10.20948/abrau-2021-9.

Full text
Abstract:
The role of the common digital space of scientific knowledge (CDSSK) in the development of educational technologies is considered. CDSSK is implemented by a number of Russian organizations as an information and technological environment, support for scientific research, education, popularization of science and preservation of scientific heritage. The structure of the CDSSK provides general principles for building links between individual components related to school and university education. One of the elements related to education in the structure of the CDSSK is a scientific virtual exhibition. Such an exhibition can be dedicated to both a specific person and a scientific event in general. Virtual exhibitions bring together a variety of resources related to the topic of the project (biographies of scientists, related museum and archival materials, publications, copies of films, interactive multimedia resources). The work presents examples of realized virtual exhibitions used in the educational process. The exhibitions were created on the platform of the Scientific Heritage of Russia digital library.
APA, Harvard, Vancouver, ISO, and other styles
8

Kalenov, Nikolay Evgenevich, Irina Nikolaevna Sobolevskaya, and Alexander Nikolaevich Sotnikov. "Using the Capabilities of the Common Digital Space of Scientific Knowledge for Educational Purposes." In 23rd Scientific Conference “Scientific Services & Internet – 2021”. Keldysh Institute of Applied Mathematics, 2021. http://dx.doi.org/10.20948/abrau-2021-5s-ceur.

Full text
Abstract:
The role of the Common Digital Space of Scientific Knowledge (CDSSK) in the development of educational technologies is considered. CDSSK is being implemented by a number of Russian organizations as a digital environment of a new generation for the purpose of providing information for scientific research, education, popularization of science and preservation of scientific heritage. The CDSSK structure provides for the formation and support of special components related to secondary and higher education. One of the elements related to education in the structure of the CDSSK is a scientific virtual exhibition. Such an exhibition can be dedicated both to a specific person and a scientific event in general. Virtual exhibitions combine a variety of resources related to the presented topic (biographies of scientists, related museum and archival materials, copies of films, interactive multimedia resources). The paper presents the basic principles of constructing the CDSSK educational component, provides examples of implemented virtual exhibitions used in the educational process. Virtual exhibitions are implemented on the digital library “Scientific Heritage of Russia” platform.
APA, Harvard, Vancouver, ISO, and other styles
9

Luo, Junwen, and Kai Cao. "Research on Experiential Design of Automobile Exhibition Space." In 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200316.034.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Matveeva, K. M., M. A. Serova, and E. S. Glumova. "The Specifics of Creating a Virtual Interactive Exhibition." In 32nd International Conference on Computer Graphics and Vision. Keldysh Institute of Applied Mathematics, 2022. http://dx.doi.org/10.20948/graphicon-2022-1186-1192.

Full text
Abstract:
Modern technology allows to transfer exhibitions into an interactive, virtual format using some gamification techniques. The article provides a comprehensive analysis of the process of creating a virtual space, formulates the basic requirements for the system and the exhibition units. The substantiation of the advantages and disadvantages of the technical solution is given, which could serve as a guide for the further implementation of similar projects. During the development of threedimensional objects of the virtual space were used modern software tools - Blender, Unreal Engine. Export of fbx-models from Blender into Unreal Engine is carried out. The questions of restoration and transfer of graphic information validity are solved by by experiment. The requirements for hardware and software for developing an interactive exhibition are given. The results of the research can be used in the areas of virtual space development, information and technical support. The article describes the technical aspects of developing a graphic interior and exhibits, instructions for their correct transfer from one environment to another, and recommendations for using the project in the educational sphere. Further research is planned in the field of placing the created interactive exhibition in free access on the Internet with full immersion of the user into virtual reality.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Exhibition space"

1

Butyrina, Maria, and Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.

Full text
Abstract:
The research is devoted to the study of the phenomenon of mediatization of art on the example of virtual museums. Main objective of the study is to give communication characteristics of the mediatized socio-cultural institutions. The subject of the research is forms, directions and communication features of virtual museums. Methodology. In the process of study, the method of communication analysis, which allowed to identify and characterize the main factors of the museum’s functioning as a communication system, was used. Among them, special emphasis is put on receptive and metalinguistic functions. Results / findings and conclusions. The need to be competitive in the information space determines the gradual transformation of socio-cultural institutions into mass media, which is reflected in the content and forms of dialogue with recipients. When cultural institutions begin to function as media, they take on the features of media structures that create a communication environment localized by the functions of communicators and audience expectations. Museums function in such a way that along with the real art space they form a virtual space, which puts the recipients into the reality of the exhibitions based on the principle of immersion. Mediaization of art on the example of virtual museum institutions allows us to talk about: expanding of the perceptual capabilities of the audience; improvement of the exposition function of mediatized museums with the help of Internet technologies; interactivity of museum expositions; providing broad contextual background knowledge necessary for a deep understanding of the content of works of art; the possibility to have a delayed viewing of works of art; absence of thematic, time and space restrictions; possibility of communication between visitors; a huge target audience. Significance. The study of the mediatized forms of communication between museums and visitors as well as the directions of their transformation into media are certainly of interest to the scientific field of “Social Communications”.
APA, Harvard, Vancouver, ISO, and other styles
2

Perdigão, Rui A. P. New Horizons of Predictability in Complex Dynamical Systems: From Fundamental Physics to Climate and Society. Meteoceanics, October 2021. http://dx.doi.org/10.46337/211021.

Full text
Abstract:
Discerning the dynamics of complex systems in a mathematically rigorous and physically consistent manner is as fascinating as intimidating of a challenge, stirring deeply and intrinsically with the most fundamental Physics, while at the same time percolating through the deepest meanders of quotidian life. The socio-natural coevolution in climate dynamics is an example of that, exhibiting a striking articulation between governing principles and free will, in a stochastic-dynamic resonance that goes way beyond a reductionist dichotomy between cosmos and chaos. Subjacent to the conceptual and operational interdisciplinarity of that challenge, lies the simple formal elegance of a lingua franca for communication with Nature. This emerges from the innermost mathematical core of the Physics of Coevolutionary Complex Systems, articulating the wealth of insights and flavours from frontier natural, social and technical sciences in a coherent, integrated manner. Communicating thus with Nature, we equip ourselves with formal tools to better appreciate and discern complexity, by deciphering a synergistic codex underlying its emergence and dynamics. Thereby opening new pathways to see the “invisible” and predict the “unpredictable” – including relative to emergent non-recurrent phenomena such as irreversible transformations and extreme geophysical events in a changing climate. Frontier advances will be shared pertaining a dynamic that translates not only the formal, aesthetical and functional beauty of the Physics of Coevolutionary Complex Systems, but also enables and capacitates the analysis, modelling and decision support in crucial matters for the environment and society. By taking our emerging Physics in an optic of operational empowerment, some of our pioneering advances will be addressed such as the intelligence system Earth System Dynamic Intelligence and the Meteoceanics QITES Constellation, at the interface between frontier non-linear dynamics and emerging quantum technologies, to take the pulse of our planet, including in the detection and early warning of extreme geophysical events from Space.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Exhibition space' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography