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1

Stafford, Cliff, ed. The best in exhibition stand design 2. B.T. Batsford Ltd., 1995.

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2

Hoshen, Nathan. Planning & running your exhibition stand: A practical guide to getting the most out of exhibitions. Management Update, 1988.

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3

Centre), ShContemporary 2008 (Exhibition) (2008 Shanghai Exhibition. Sh Contemporary 08: The Asia pacific Contemporary Art Fair, Shanghai Exhibition Centre, Stand no. B09, 10-13 September, 2008. Vadehra Art Gallery, 2008.

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4

Mostaedi, Arian. New exhibition stands. Carles Broto, 2004.

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5

Hirschhorn, Thomas. Stand-alone: Thomas Hirschhorn. Fundación Olga y Rufino Tamayo, 2008.

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6

Channon, Molly. Dona Nelson: Stand alone paintings. Edited by Nelson Dona artist. Tang Teaching Museum and Art Gallery, Skidmore College, 2020.

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7

Patane, Seb. Seb Patane: The foreigners stand still. Nero, 2013.

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8

Krautgasser, Annja. Annja Krautgasser: I can't stand the quiet! Tiroler Landesmuseen-Betriebsgesellschaft, 2011.

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9

photographer, Fischer Monika, Ross, Andreas, 1975- writer of supplementary textual content, and Philipp-Albert-Stapfer-Haus auf der Lenzburg, eds. Braschler, Fischer: Divided we stand. Hartmann Books, 2020.

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10

Jong, Mark W. de, joint author and Kossmann dejong, eds. Engaging spaces: Exhibition design explored. Frame, 2010.

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11

Anne, Barlow. Otobong Nkanga: From where I stand. Tate St Ives in association with Tate Publishing, 2019.

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12

Greenough, Sarah. Paul Strand: An American vision. National Gallery of Art, in association with Aperture Foundation, 1990.

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13

McLean, Bruce. Bruce McLean: Where do you stand?. Het Kruithuis, 1988.

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14

(Gallery), Grassi Studio. Italian paintings: TEFAF 2013, Maastricht : Stand 365. Grassi Studio, 2013.

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15

Mhondoro, Chiedza, Zak Ové, and Horace Ové. Get up stand up now: Generations of black creative pioneers. Somerset House, 2019.

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16

Habana, Galería, and International Contemporary Art Fair (2007 : Madrid, Spain), eds. Galería Habana en ARCO 2007: Pabellón 7, stand A-101. Galería Habana, 2007.

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17

Habana, Galería, and International Contemporary Art Fair (2007 : Madrid, Spain), eds. Galería Habana en ARCO 2007: Pabellón 7, stand A-101. Galería Habana, 2007.

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18

Marshall, Teresa. Band stands: Recent work by Teresa Marshall. Thunder Bay Art Gallery, 1997.

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19

Thibaut, Verhoeven, and Stedelijk Museum voor Actuele Kunst (Ghent, Belgium), eds. Jorge Macchi: Music stands still. S.M.A.K., 2011.

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20

Baziak, Jolanta, and Danuta Sójkowska. Ignacy Jan Paderewski: Artysta, kolekcjoner, mąż stanu = artist, collector, statesman. Muzeum Okręgowe im. L. Wyczółkowskiego, 2007.

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21

Beverley, Locke, and Arno Design GmbH, eds. Arno Design. Avedition, 2014.

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22

1956-, Chramosta Walter M., ed. Wien Architektur: Der Stand der Dinge = Vienna architecture : the state of the art. 2nd ed. Stadtdplanung Wien, 1992.

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23

David, Nash. Pyramids rise, spheres turn and cubes stand still: David Nash. Annely Juda Fine Art, 2004.

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24

Mai, Yaoxiang. The art of Chinese wooden stands: The Songde Tang Collection. Xianggang da xue mei shu bo wu guan, 2008.

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25

Hutter, Ernestine. Kein Stand ohne Hut: Hüte aus der Volkskundlichen Sammlung des Salzburger Museums C.A. Salzburger Museum, 1995.

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26

Strand, Paul. Paul Strand. Zur Stockeregg, 1987.

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27

Ball, Katherine Brewer. Stand close, it's shorter than you think: A show on feminist rage. ONE Archives at the USC Libraries, 2015.

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28

Hammerstiel, Robert F. Stand-Orte: Blau-Gelbe Galerie, Niederösterreichisches Landesmuseum im Herbst 1988, Frankfurter Kunstverein im Herbst 1989. Kulturabteilung des Landes Niederösterreich, 1988.

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29

Dolinskas, Vydas, Birutė Verbiejūtė, and Gintarė Petuchovaitė-Majauskė. Kryžiai yra dorybės ženklas, o Strėlė--pergalės ... Sapiegos -- valstybininkai, meno mecenatai ir kolekcininkai: The Crosses stand for virtue, the Arrow for victory... the Sapiehas - statesmen, art patrons and collectors = Krzyże znaczą cnotę, a Strzała zwycięstwo... Sapiehowie - mężowie stanu, mecenasi sztuki i kolekcjonerzy. Nacionalinis muziejus Lietuvos Didžiosios Kunigaikštystės valdovų rūmai, 2012.

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30

Fischer, Svenja, and Laura Mokrohs. Hermann Hesse und München: "Einst stand ich zu Ihrer Stadt in intimer Beziehung...". Literaturhaus München, 2013.

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31

Strand, Paul. Paul Strand. Aperture, 1997.

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32

Strand, Paul. Paul Strand: People and place. J. Paul Getty Museum, 1999.

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33

Strand, Paul. Paul Strand: An American Vision. National Gallery of Art, 1990.

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34

Strand, Paul. Paul Strand. Gallery Zur Stockeregg, 1987.

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35

Strand, Paul. Paul Strand: An extraordinary vision. Gerald Peters Gallery, 1994.

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36

Alfonso, Morales, and Aperture Foundation, eds. Paul Strand in Mexico. Aperture Foundation, 2010.

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37

Rüdiger, Wischenbart, Austria. Bundesministerium für Wissenschaft, Forschung und Kunst., and Hauptverband des Österreichischen Buchhandels, eds. Österreich Schwerpunkt zur Frankfurter Buchmesse 1995: Pressespiegel (Auswahl), Stand, 5. Dezember 1995 : 47. Frankfurter Buchmesse, 11.-16. Oktober 1995. Hauptverband des Österreichischen Buchhandels, 1995.

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38

(Gallery), Bel Etage. Die Galerie Bel Etage auf der Europäischen Kunstmesse TEFAF 2015 in Maastricht, stand Nr. 606, 13.-23. März 2015: The Bel Etage Gallery exhibiting at the European Fine Art Fair TEFAF 2015 in Maastricht, stand no. 606, 13-22 March 2015. Bel Etage Kunsthandel GmbH, 2015.

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39

Hackspiel-Mikosch, Elisabeth. Nach Rang und Stand: Deutsche Ziviluniformen im 19. Jahrhundert : eine Ausstellung im Deutschen Textilmuseum, 24. März bis 23. Juni 2002. Deutsches Textilmuseum, 2002.

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40

Mark, Haworth-Booth, and Aperture Foundation, eds. Paul Strand. Aperture Foundation, 1987.

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41

Hunt, Pauline. Millennium exhibition: As a source for Jewish history the [Cambridge] University Library's Genizah archive stands second only to the Dead Sea Scrolls. Cambridge Alumni Magazine, 1997.

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42

Duncan, Catherine. Paul Strand: The world on my doorstep : an intimate portrait. Aperture, 1994.

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43

Lewandowska, Grażyna Małgorzata. Stany Zjednoczone Ameryki: W polskiej historiografii i publicystyce 1764-1919 / [scenariusz wystawy i katalogu, Grażyna Małgorzata Lewandowska ; współpraca Elżbieta Tomczak]. Biblioteka Publiczna m. st. Warszawy--Biblioteka Główna Województwa Mazowieckiego, 2009.

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44

Leonard, Freed, and Joods Historisch Museum (Amsterdam, Netherlands), eds. Leonard Freed: After the war was over : Jewish life in Amsterdam in the 1950s. Schilt Publishing, 2015.

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45

Bellis, Vincenzo De. La performance dal tempo sospeso: Il tableau vivant tra realtà e rappresentazione = The performance where time stands still : tableau vivant between reality and representation. Edited by Fondazione La Triennale di Milano. Mousse Publishing, 2015.

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46

Christoph, Bauer. Stand der Dinge: Der Künstlerbund Baden-Württemberg zu Gast in der Städtischen Galerie Bietigheim-Bissingen und im Kunstmuseum Singen : Städtische Galerie Bietigheim-Bissingen, 21. Oktober 2017 - 7. Januar 2018 : Kunstmuseum Singen, 22. Oktober 2017 - 7. Januar 2018. Modo, 2017.

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47

Commercial Exhibition Stand Design. Images Publishing Dist Ac, 2019.

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48

The best in exhibition stand design. Rotovision, 1995.

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49

Hoshen, Nathan. Planning and Running Your Exhibition Stand. Management Update Ltd, 1987.

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50

Cliff, Stafford. The Best in Exhibition Stand Design: 2. Rockport Publishers, 1996.

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