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Journal articles on the topic 'Exhibition stand'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

Player, James C. "Exhibition stand." Manufacturing Engineer 70, no. 1 (1991): 10. http://dx.doi.org/10.1049/me:19910004.

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Gibson, Stephanie. "Evaluation of Contraception: Uncovering the collection of Dame Margaret Sparrow." Tuhinga 29 (June 1, 2018): 174–87. https://doi.org/10.3897/tuhinga.29.e34243.

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This paper explores the context, development and evaluation of Contraception: Uncovering the collection of Dame Margaret Sparrow, an exhibition at the Museum of New Zealand Te Papa Tongarewa (Te Papa) in 2015–16. Collections and exhibitions of contraceptive material are rare in New Zealand museums. In the case of Te Papa, strategic acquisitions since 2004 have enabled the display of contraceptive objects, culminating in the stand-alone exhibition Contraception, based on Dame Margaret’s extensive collection. To guide the exhibition’s development, formative evaluation was conducted by members of

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Zueva, Ekaterina D., and Alexander D. Boronenko. "EXHIBITION AS AN IMPORTANT TOOL OF MARKETING COMMUNICATIONS." EKONOMIKA I UPRAVLENIE: PROBLEMY, RESHENIYA 6/8, no. 147 (2024): 221–27. http://dx.doi.org/10.36871/ek.up.p.r.2024.06.08.031.

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In this article, the authors revealed the importance of exhibition activity in modern conditions. An analysis of the exhibition market is carried out, the main advantages of participation in exhibitions are revealed, and trends in the development of exhibition activities in Russia are established. The authors determined the importance of the exhibition as an important tool for marketing communications using the example of the international exhibition «CPM – Collection Premiere Moscow EXPO 2023» and the stand of the Academy of Fashion Marketing. At the same time, the authors placed special emph

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Song, Jiaxuan. "Theory and Application of Interaction in Exhibitions - Take the "Good Things and Stylings" Exhibition of the Hong Kong Museum of Art as an Example." Lecture Notes in Education Psychology and Public Media 80, no. 1 (2025): 61–65. https://doi.org/10.54254/2753-7048/2024.20357.

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As society develops, people are gradually shifting from necessities to pleasure consumption. More and more people have enough time and money to improve their self-cultivation and aesthetic taste, so the number of art exhibitions has increased significantly. However, many of these exhibitions have problems, such as being unable to guarantee quality and losing the value of the exhibition itself. In typical museums, interaction with exhibits and blending with exhibitions has become a way that can determine the exhibition to stand out, which also represents the indispensable importance of interact

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Mumel, Damijan. "FACTORS OF QUALITY OF THE EXHIBITION STAND - DEVELOPING A NEW YARDSTICK." Tourism and hospitality management 6, no. 1-2 (2000): 101–18. http://dx.doi.org/10.20867/thm.6.1-2.9.

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This paper presents a piece of research with two main goals: (1) to find out essential factors of quality of the exhibition stand and (2) to devise a measuring instrument for measuring the quality of exhibition stands, both from the nonprofessional attendee’s point of view. To reach both goals, first, fourteen dimensions of quality of exhibition stands were identified. These dimensions were taken as the basis for the composition of the first version of the measuring instrument concerning the quality of the exhibition stands (M1MQES-1). When MIMQES-1 was tested the congruity of assessors was al

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Dennis, L. Meghan. "An Extension Without an Exhibition." Advances in Archaeological Practice 6, no. 1 (2018): 82–87. http://dx.doi.org/10.1017/aap.2017.35.

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In the push to provide further interaction with museum and heritage exhibitions, the internet has become an established venue, offering nearly unlimited space and options for providing extensions to in-person content. These internet-based supplements in many cases outlast the physical displays they are meant to accompany. After the exhibitions have closed and the museums have moved on, the digital content remains, a static placeholder for a particular viewpoint on heritage, curation, and public outreach. Such is the case with the Interface Experience, the Web extension to the exhibition of the

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Dmitrieva, Natalya, Olga Gabinskaya, and Galina Chistyakova. "Planning Exhibition Activities of Coal Mining Enterprises." E3S Web of Conferences 41 (2018): 04044. http://dx.doi.org/10.1051/e3sconf/20184104044.

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The development programs of coal mining enterprises pay special attention to the increase in production potential and the penetration of new market niches, as well as the organization of rational interaction with related industries. The creation of clusters in such conditions contributes to the sustainable development of the region. The exhibition activities of coal mining enterprises play an important role in establishing rational interaction with companies of coal and related industries, thus creating favorable conditions for the modernization of Russian coal mining and processing enterprise

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PETRYSHYN, Nataliia, and Iryna KRIACHENKO. "Ways to increase the recognizability of enterprise’s products in foreign markets." Economics. Finances. Law 9/1, no. - (2022): 27–30. http://dx.doi.org/10.37634/efp.2022.9(1).6.

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Introduction. Foreign economic activity (FEA) is one of the most important areas of economic activity of enterprises. There are many benefits to exporting or importing efficiently. But we must not forget that the effectiveness of sales both in the domestic market and abroad directly depends on the competitiveness of the product and the company as a whole. Competitiveness is the ability of a product or enterprise to compete with other enterprises in the market through comparative advantage. One of the comparative advantages is the recognizability of the product, brand, company in the market. Th

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Telaumbanua, Irwan. "PENDEKATAN PRINSIP DESAIN SIR NORMAN FOSTER PADA CONVENTION AND EXHIBITION CENTER DI KOTA MEDAN." ALUR : Jurnal Arsitektur 6, no. 1 (2023): 38–46. http://dx.doi.org/10.54367/alur.v6i1.2269.

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Penetapan Indonesia sebagai tuan rumah Presidensi G20 membuka peluang Indonesia dalam meningkatkan ekonomi disektor industri pariwisata dibidang MICE (Meeting, Incentive, Convention and Exhibition). MICE merupakan salah satu program prioritas KemenPareKraf berupa upaya pemulihan sektor pariwisata dan ekonomi kreatif, sehingga diperlukan peningkatan fasilitas penunjang berupa venues stand alone (berdiri sendiri) bagi kegiatan MICE dalam wujud bangunan convention and exhibition center di Indonesia. Kota Medan merupakan kota bisnis, industri, dan perdagangan yang sangat penting, termasuk kota ter

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He, Lin, Xiao Xu Zou, and Da Bo Xin. "Wind Load Analysis of Large Temporary Stand with Variable Upwind Structure." Applied Mechanics and Materials 578-579 (July 2014): 606–14. http://dx.doi.org/10.4028/www.scientific.net/amm.578-579.606.

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Shadowed by temporary exhibition cloth and other non-structural enclosure structures, the wind loading area of temporary stand increase dramatically, thus, temporary stand is easily to be overturned by a wild storm. The surface wind pressure of temporary stand accompanied with cover is presented in this paper by CFD numerical method. The method to identify the wind load on the surface of space truss temporary stand is also proposed with the identified pressure coefficient. The method proposed in this paper is of great use to improve the security of space truss temporary stand.

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Gissing, Mary. "Absolutely Mardi Gras—From a One Night Stand to an Exhibition." AICCM Bulletin 22, no. 1 (1997): 40–49. http://dx.doi.org/10.1179/bac.1997.22.1.009.

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Cleeve, Marigold. "Taking a stand: the market realities of exhibition and display work." Librarian Career Development 3, no. 1 (1995): 31–35. http://dx.doi.org/10.1108/09680819510076659.

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Andreeva, E. Yu. "Soviet Art at Art Exhibitions and Expositions of Russian Museums and Galleries in the 1990s-2020s." Art & Culture Studies, no. 4 (December 2023): 390–421. http://dx.doi.org/10.51678/2226-0072-2023-4-390-421.

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The article systematizes the approaches to the study and presentation of Soviet art material in the post-Soviet period and gives a periodization of changes in these approaches. The author refers to the types of exhibition recycling of Soviet art, mainly in the practice of the State Russian Museum, the State Tretyakov Gallery, and the Central Exhibition Halls of Moscow and St. Petersburg. In general, two types of temporary exhibitions of Soviet material stand out: research exhibitions and attraction exhibitions. The purpose of research exhibitions is to introduce previously unknown or marginali

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Hu, Linhui, Qian Shan, Lidan Chen, Siyin Liao, Jinxiao Li, and Guangpei Ren. "Survey on the Impact of Historical Museum Exhibition Forms on Visitors’ Perceptions Based on Eye-Tracking." Buildings 14, no. 11 (2024): 3538. http://dx.doi.org/10.3390/buildings14113538.

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Exhibition design in museum space is of great significance in enhancing cultural attraction, visitor experience, and heritage conservation. With the growth of spiritual and cultural needs, the construction of museums has increased, but the quality of exhibitions has been improved to a limited extent. In order to explore visitors’ perceptual experience in terms of display forms, this paper combines eye-tracking technology and subjective evaluation to select three display forms, namely, stand-alone display form, combined picture and object form, and combined 3D object and physical form, for the

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Erawati, Andri, Lukmandono Lukmandono, and Rony Prabowo. "Disain Peningkatan Penjualan Produk Dengan Pendekatan Kano Dan Quality Function Deployment (QFD)." Jurnal SENOPATI : Sustainability, Ergonomics, Optimization, and Application of Industrial Engineering 1, no. 2 (2020): 107–15. http://dx.doi.org/10.31284/j.senopati.2020.v1i2.892.

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The exhibition that has been followed by the SMEs in East Java is currently profitable and hurt. The advantage of the exhibition is the SMEs helped to introduce the product, but still less profitable for the SMEs because not all the exhibits crowded by consumers, so it is not optimal in the sale of products. It is influenced by several things such as location selection, less weighted exhibit themes and many other things that can affect. This research aims to determine the attributes of consumers ' desire to increase product sales along with a prioritized technical function variable to be repai

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Smirnova, Elena S. "The Contest of the Russian Library Association “The Best Professional Book of the Year”." Bibliotekovedenie [Library and Information Science (Russia)], no. 5 (November 7, 2013): 13–14. http://dx.doi.org/10.25281/0869-608x-2013-0-5-13-14.

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Sayahdikumullah, Dikdik, and Miyuki Anai. "Rediscovering Art Exhibition Artefacts of Indonesia Pavilion at Osaka Expo’70 Japan." PURBAWIDYA 14, no. 1 (2025): 1–20. https://doi.org/10.55981/purbawidya.2025.8190.

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This study traces the art exhibition artefacts that bridge tradition and modernity in the Indonesian Pavilion at the 1970 Osaka Expo in Japan. This international art exhibition project is under the responsibility of the Indonesian National Committee for Expo'70. The arrangement of the pre-presentation works of this exhibition reflects the complex correlation between the pavilion design concept, exhibition materials, and the narrative of Indonesian modern art history. A comprehensive research effort is needed to reconstruct traditional and modern art artefacts, focusing on the role of artistic

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Manalu, Sarah Patumona, Aruni Muharani, Elisa Widyawati, and Tasya Nabilla Nurzanna. "UMKM Creative Exhibition as a Realization of the Potential of the Rising Economic Village Desa Perkebunan Tanjung Kasau." ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat 8, no. 2 (2023): 1134–40. http://dx.doi.org/10.32734/abdimastalenta.v8i2.10620.

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Exhibitions are one of the communication channels for UMKM to meet customers directly, acquire new customers, establish communication and cooperation with business partners, improve their image and obtain information about competitors. Exhibitions are an important medium for UMKM to expand their market and make business contacts with customers and partners, which in turn is expected to improve the financial and non-financial performance of UMKM. The exhibition stand, which was held as part of the Real Work Lecture work program for University of North Sumatra students, is expected to be able to

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Холодцова, Ирина, Irina Kholodtsova, Лилия Духовная, and Liliya Dukhovnaya. "Developing a strategy for the participation of hotel enterprises in exhibitions: a theoretical aspect." Services in Russia and abroad 8, no. 8 (2014): 164–72. http://dx.doi.org/10.12737/8258.

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This article suggests that the exhibition activity in the current market conditions is an instrument of promotion of hotel services or brands, while the focus is on the need to consider the specifics of the market in the planning arrangements and the financial costs of participation in the exhibition. In this regard, the article describes the main stages of planning and implementation of exhibition activities for the hospitality industry, as well as recommendations on the formulation of overall marketing objectives for hotels, including trademarks, pricing, distribution (sales) and communicati

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Schwartz, Charlotte Præstegaard. "Kritisk kuratering. Udstillingspraksis udviklet i perspektiv af 1960- og 1970’ernes institutionskritik." Nordisk Museologi, no. 2 (March 30, 2017): 95–104. http://dx.doi.org/10.5617/nm.4409.

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This project description presents a curatorial practice that is part of a post.doc. investigating the contemporary cultural and political focus on participatory agendas. The curatorial practice takes a critical stand towards this focus, and suggests exhibition formats and educational strategies that address participation as critical reflection. The research unfolds in two exhibitions dealing with some of the notable tendencies within contemporary museological and curatorial studies, where museum and exhibition spaces are not considered as spaces of showcasing or conservation of art, but on the

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Korneev, Pavel E., and Alexey A. Ignatyev. "DEVELOPMENT A TRAINING AND RESEARCH LABORATORY STAND FOR INDUSTRIAL AUTOMATION." Electrical and data processing facilities and systems 20, no. 2 (2024): 103–14. http://dx.doi.org/10.17122/1999-5458-2024-20-2-103-114.

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Relevance Practical training of highly qualified engineering personnel in the field of industrial automation is one of the key factors in the technological development of the material production sectors of our economy. The laboratory base in higher educational institutions should be equipped with modern stands with equipment that corresponds to the technological level of real equipment of industrial enterprises. The article discusses the issues of designing and constructing a mobile multifunctional training and research laboratory stand for industrial automation based on a programmable relay o

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Kim, Hyun Jeong, and Hyun Joong Kim. "A Study on the Expression of Brand Differentiation of Corporate Exhibition Stand Design." JOURNAL OF THE KOREAN SOCIETY DESIGN CULTURE 23, no. 3 (2017): 235–46. http://dx.doi.org/10.18208/ksdc.2017.23.3.235.

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Kazakou, Christiana. "LAUREN: The Human-Intelligent Smart Home That Questions Our Boundaries with Technology." Leonardo 58, no. 3 (2025): 225–26. https://doi.org/10.1162/leon_a_02685.

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Abstract The work recently bestowed the Human AI Art Award features a human stand-in for now-ubiquitous AI assistants, prompting critical reflection on our evolving relationship with emerging technologies. As narrated by the exhibition curator, the performative installation challenges contemporary perceptions of AI, surveillance, and its integration into our daily lives.

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Whitehead, Christopher, and Emma Coffield. "The multiple interfaces of engagement: towards a new conception of gallery learning." Museum and Society 16, no. 2 (2018): 240–59. http://dx.doi.org/10.29311/mas.v16i2.2371.

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Drawing upon longitudinal research undertaken with Further Education students who visited an art exhibition, this article retheorises organised gallery learning. We argue that the significance of the gallery visit for students – and of their engagements with the exhibition and artworks – is elaborated and remediated over longer periods of time and through multiple ‘interfaces’. These include: the school or college; the gallery and the contingency of gallery events; the exhibition; internet websites, social media and mobile applications; the artwork and images of it; and an understanding of the

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Volkhonskaya, Elena N., and Ekaterina V. Nikonorova. "The Russian State Library at the 32nd Moscow International Book Fair: New Event-Image — New Format of Participation." Bibliotekovedenie [Library and Information Science (Russia)] 68, no. 5 (2019): 553–59. http://dx.doi.org/10.25281/0869-608x-2019-68-5-553-559.

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The 32nd Moscow International Book Fair (MIBF) was held on 4—8 September 2019. The purpose of this article is to rethink the role of the Russian State Library (RSL) in the MIBF event and communication space: on the one hand, as one of the subjects of bookwork and preserver of cultural values, and on the other hand — as the largest library publisher. The concept of the RSL stand as the exhibitor at the exhibition-fair was developed and built on the basis of this binary mode of the Library, with emphasis on those elements that reflect the chain of transition from the early printed book to the mo

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Budrina, Liudmila A. "Hoessrich and Woerffel Atelier’s Stand at the Centennial Exhibition (Philadelphia, 1876) and Its Subsequent History." Izvestia of the Ural federal university. Series 2. Humanities and Arts 22, no. 2 (198) (2020): 273–87. http://dx.doi.org/10.15826/izv2.2020.22.2.037.

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Özeren, Ömer. "Sustainable Exhibition Stand Design: A Guide for Architecture Students Promoting Environmental Consciousness and Creative Design." Journal of Academic Social Resources Cilt 8 Sayı 53, Cilt 8 Sayı 53 (2023): 3447–54. http://dx.doi.org/10.29228/asrjournal.71913.

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Liem, Christina, Mardiana Kurniasih, and Janice Santoso. "Women Entrepreneurs in Jakarta and South Tangerang: Exploring Exhibition Stand Business Models in Shopping-Malls." FIRM Journal of Management Studies 10, no. 1 (2025): 231. https://doi.org/10.33021/firm.v10i1.6063.

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Hartmann, Julia. "From gunshots to hashtags: Transcultural curating in the #MeToo era." Journal of Contemporary Chinese Art 9, no. 3 (2022): 333–51. http://dx.doi.org/10.1386/jcca_00070_1.

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After the #MeToo movement kicked off in the United States in 2018, it found its way to China and has triggered a number of exhibition projects around the country, organized by young activists, artists and curators, which have galvanized transnational feminist exchanges in the past few years. The article analyses exhibitions such as The Voiceless Rise Up: #MeToo in China, Her Story: Eliminating Gender Violence 2020, Above Ground: 40 Moments of Transformation and Stand by Her, which consisted of works documenting sexual assault and the #MeToo movement in China, as well as of artworks that are de

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Yunitasari, Dinna, Lu'lu' Nur Rosyidah, Lailatul Rohmah, Dila Fitria Cahya Ningsih, Rizka Lailatul Afiyana, and Nabilla Ayu Febrianti. "Pendampingan UMKM Batik CV. Wecono Asri dalam Meningkatkan Jumlah Peminat Melalui Pameran di Car Free Day Jl. Dhoho Kota Kediri." Welfare : Jurnal Pengabdian Masyarakat 1, no. 2 (2023): 259–69. https://doi.org/10.30762/welfare.v1i2.392.

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Batik is a cultural heritage that is still preserved today. UNESCO has even named it in the category of cultural heritage. Batik, which was only used by the royal family, became the clothing commonly used by the people. But now, many people are starting to leave batik. Especially young people who think batik is too outdated. By holding the exhibition, it's intended to introduce batik from CV. Wecono Asri to the wider community. The method used in this study is the PAR method. The implementation of the method is divided into three stages. The first stage is planning, observation, and implementa

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Jover, Vicente, Silvia Sempere, and Santiago Ferrándiz. "The Creation of Virtual Stands in the Metaverse: Applications for the Textile Sector." Electronics 14, no. 2 (2025): 359. https://doi.org/10.3390/electronics14020359.

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This study explores the potential of the Metaverse in designing trade-fair stands for the exhibition of products and services related to the textile sector, with a particular focus on upholstery fabrics. The primary aim is to enhance relations between manufacturers and customers by leveraging virtual environments. This research is part of a broader investigation into the applications of the Metaverse within the framework of Industry 5.0, emphasizing design aspects and user engagement. The applied methodology seeks to extend the functionalities of traditional physical stands while offering a vi

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SAAB, A. JOAN. "Radical Craft: Exhibiting Homelands in Rochester, New York." Journal of American Studies 50, no. 3 (2015): 537–57. http://dx.doi.org/10.1017/s0021875815001802.

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This article looks at the Homelands Exhibition in Rochester, New York which took place in the spring of 1920. Placing the craft objects on display, as well as their makers and their creative labor, into a larger constellation of local and national history, I focus on how the material culture of the show acted simultaneously as a stand-in and an extensions of their makers, to trouble the boundaries between author and reader, art and work, producer and spectator, the quotidian and the exceptional, and ultimately to question what it meant to be American at this particular moment in time.

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Mooney-Melvin, Patricia. "July 1942: United We Stand Kathleen Kendrick Helena Wright Marilyn Zoidis July 1942: United We Stand [Virtual Exhibit] United We Stand: Flying the American Flag [Exhibition Catalog] Peter Gwillim Kreitler." Public Historian 25, no. 2 (2003): 115–19. http://dx.doi.org/10.2307/3379061.

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Robertson, Kirsty, and Heather Davis. "Plastic dislocations: questions of labour and environment in Plastic Heart." Sculpture Journal 33, no. 4 (2024): 561–82. http://dx.doi.org/10.3828/sj.2024.33.4.07.

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In the 1960s, as plastics gained traction as the ubiquitous material of consumer objects, artists began to experiment with the properties of the newly available polymers. Plastics such as latex, fibreglass, acrylic and polyethylene offered access to aesthetic experimentation with colour, reflection, transparency and flexibility. Yet the use of these materials was never without critical reflection, an orientation that strengthened with the passing of time and the increased knowledge of plastics pollution. Though the connections are usually invisible, plastic artworks never stand alone, but in f

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Miloiu, Silviu-Marian, Irmeli Mustonen, and Bogdan Mazuru. "90 years from the establishment of diplomatic relations between Finland and Romania: exhibition of historical documents." Romanian Journal for Baltic and Nordic Studies 3, no. 1 (2011): 183–93. http://dx.doi.org/10.53604/rjbns.v3i1_10.

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Since the troubled times when the first steps were taken to establish official relations between Romania and Finland, not only both our countries, but also Europe as a whole, have undeniably come a long way, undergoing dramatic changes to the better. Close to a century ago our two nations were seeking each other’s support mostly in order to tackle some common external threats. Today we stand side by side, united in a large European family, together with many other partner countries, all sharing the same fundamental values and working together for a peaceful and prosperous European future.

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Khandelwal, Vishal. "On the Aspirations of Architecture and Design in 20th-Century South Asia." ARTMargins 12, no. 2 (2023): 81–94. http://dx.doi.org/10.1162/artm_r_00352.

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Abstract This review compares The Museum of Modern Art's exhibition “The Project of Independence: Architectures of Decolonization in South Asia, 1947-1985” (2022) to Farhan Karim's Of Greater Dignity Than Riches: Austerity and Housing Design in India (2019). These two examples’ distinct approaches to architecture and design in twentieth-century South Asia are conditioned by their respective formats and scopes. Both the exhibition and the book draw attention to the ideas, ambitions, and aspirations undergirding architecture and design in the region, and as expressed by agents including architec

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Amor, Monica. "Displaced Boundaries: Geometric Abstraction from Pictures to Objects." ARTMargins 3, no. 2 (2014): 101–17. http://dx.doi.org/10.1162/artm_r_00083.

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This review concerns Osbel Suarez, Cold America: Geometric Abstraction in Latin America (1934–1973), an exhibition presented by the Fundación Juan March in Madrid, Feb 11–May 15, 2011 and Alejandro Crispiani's book Objetos para transformar el mundo: Trayectorias del arte concreto-invención, Argentina y Chile, 1940–1970 [Objects to Transform the World: Trajectories of Concrete-Invention Art, Argentina and Chile, 1940–1970] (Buenos Aires: Universidad Nacional de Quilmes, 2011). The review briefly assesses the state of the literature on Latin American Geometric Abstractio and analyzes these two p

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SÜLÜN, Ebru Nalan. "A LOST NAME IN THE HISTORY OF TURKISH ART: ARİF DİNO." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 2 (2021): 454–75. http://dx.doi.org/10.7456/11102100/009.

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Arif Dino is one of the important figures in the contemporary art and culture history in Turkey. His is the brother of Abidin Dino who is one of the important artists of Turkish Contemporary art history. Playing a major role in the development of Abidin Dino's artistic style. Arif Dino is a figure who contributed to culture and arts scene of Turkey with his paintings in addition to his passion for sports, his designs, poetry, and articles of art criticism. This study is carried out in order to create a literature on Arif Dino, who was not involved in exhibitions and in research as much as his

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Falsaperla, Susanna, Danilo Reitano, and Gemma Musacchio. "Augmented Reality in Seismic Risk Management: A Contribution to the Reduction of Non-Structural Damage." Geosciences 12, no. 9 (2022): 332. http://dx.doi.org/10.3390/geosciences12090332.

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To increase seismic resilience is one of the challenges the developers of new technologies face to reduce seismic risk. We set up an augmented reality (AR) exhibition with which users’ curiosity was confronted with the opportunity to have a wealth of information on damaging earthquakes that could be a multimedia add-on to the plain “single-layer exhibit”. AR is an emergent technology developed to “augment” reality through various devices; it combines the real world with virtual items, such as images and videos. Our AR exhibition aims to: (i) show the effects of earthquakes even in cases of mod

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Chang, Shin-Tsu. "Exhibition of Postural Time-Force Parameters in Varying Severity of Osteoarthritis of Knee During Performing Sit-To-Stand Testing." American Journal of Biomedical Science & Research 4, no. 1 (2019): 32–37. http://dx.doi.org/10.34297/ajbsr.2019.04.000754.

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Bloss, Richard. "Sensors stand out as an important key to improving manufacturing quality and productivity at the latest IMTS show." Sensor Review 34, no. 2 (2014): 149–53. http://dx.doi.org/10.1108/sr-12-2012-732.

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Purpose – Review of the IMTS show in Chicago with emphasis on the new sensor innovations and applications on display. The paper aims to discuss these issues. Design/methodology/approach – In-depth interviews with exhibitors of sensors and sensor integrators at the show. Findings – Sensors continue to match an ever-increasing number of manufacturing tasks to improve quality and productivity at every step in the manufacturing and inspection process. Practical implications – Customers may be surprised at the sensor innovations and new applications to which sensors are being applied in the manufac

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Saranovic, Marko. "Resisting the Pressures of the Global Art Market." Journal of Extreme Anthropology 1, no. 2 (2017): 13–20. http://dx.doi.org/10.5617/jea.4924.

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A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying the art exhibition 'Artist's Waste, Wasted Artists', which opened in Vienna on the 19th of September 2017 and was curated by the students of social anthropology at the University of Vienna. This essays discusses the pressures of the global art market on artists, as well as the way in which the price of an artwork in the art market came to stand for its quality, rather than the other way round. Using the case of the Viennese artist Christian Ruschitzka, the essay suggest that there is some resistan

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Ren, Xipei, Bin Yu, Yuan Lu, Biyong Zhang, Jun Hu, and Aarnout Brombacher. "LightSit: An Unobtrusive Health-Promoting System for Relaxation and Fitness Microbreaks at Work." Sensors 19, no. 9 (2019): 2162. http://dx.doi.org/10.3390/s19092162.

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Physical inactivity and chronic stress at work increase the risks of developing metabolic disorders, mental illnesses, and musculoskeletal injuries, threatening office workers’ physical and psychological well-being. Although several guidelines and interventions have been developed to prevent theses subhealth issues, their effectiveness and health benefits are largely limited when they cannot match workday contexts. This paper presents LightSit, a health-promoting system that helps people reduce physically inactive behaviors and manage chronic stress at work. LightSit comprises a sensor mat tha

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James, Paula. "How Classical is Ariadne's Parrot? Southall's Painting and Its Literary Registers." Ramus 39, no. 1 (2010): 53–72. http://dx.doi.org/10.1017/s0048671x00000539.

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In this article I suggest ways in which a gorgeously crafted, colourful, compelling 20th century painting of an abandoned Ariadne highlights both her tragic and comic presence in classical literary representations. Joseph South-all's 1925-6 work Ariadne in Naxos (tempera on linen, 83.5 × 101.6 cm), reproduced below, can be viewed in all its glory in the Birmingham City Art Gallery (bequeathed by the artist's widow, Anne Elizabeth, in 1948) but it was featured to fine effect in the 2007 exhibition The Parrot in Art: From Dürer to Elizabeth Butterworth, Barber Institute of Fine Arts, University

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Weber, Stephanie. "Conceptualizing Nation in the Glass of Canada’s Crystal Palaces." Material Culture Review 96 (January 31, 2024): 9–28. http://dx.doi.org/10.7202/1109044ar.

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<p>This paper attempts to define a visual culture of plate glass in Canadian exhibition buildings during the second half of the nineteenth century. I approach this material through descriptions and depictions in Canadian periodicals vernacular versions of the “Crystal Palace” exhibition building. In Canadian publications, their glass surfaces often take on certain metaphorical significance, coming to stand in for modernity, to signify purity by their clarity, or to promise a quintessentially modern honesty and openness, as their solid surfaces maintained visual limpidity. However, though

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van der Boon, Annique, Andrew J. Biggin, Greig A. Paterson, and Janine L. Kavanagh. "Magnetic to the Core – communicating palaeomagnetism with hands-on activities." Geoscience Communication 5, no. 1 (2022): 55–66. http://dx.doi.org/10.5194/gc-5-55-2022.

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Abstract. Palaeomagnetism is a relatively unknown part of Earth sciences that is not well integrated into the school curriculum in the UK. Throughout recent years, there has been a decline in the number of Earth science students in the UK. In 2018 and 2019, we developed outreach activities and resources to introduce the scientifically engaged general public to palaeomagnetism and raise awareness of how geomagnetism affects society today, thus putting palaeomagnetism, and Earth sciences, in the spotlight. We tested our ideas at local events that were visited mostly by families with small childr

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Rocca, Sara. "The Excellence Award at the Fonds Ricœur’s Summer Workshop 2024." Études Ricoeuriennes / Ricoeur Studies 15, no. 2 (2024): 241–56. https://doi.org/10.5195/errs.2024.681.

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This paper assesses the possibility of interpreting Ricœur’s notion of representation as a form of Darstellung in the Kantian sense of exhibition (presentation). The aim is to emphasize the ontological significance of representation as Darstellung, through the consideration of the paradigmatic case of historical representations. Indeed, the necessity to adequately interpret the relationship between representation and the represented becomes more compelling when dealing with the representation of history. On the one hand, history becomes objective insofar as it is depicted in historical represe

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Godin, Marie. "Theatre and Photography as New Contentious Repertoires of Congolese Women in the Diaspora." African Diaspora 9, no. 1-2 (2016): 101–27. http://dx.doi.org/10.1163/18725465-00901002.

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The Democratic Republic of Congo (DRC), and in particular the eastern part of the country, is characterized by a protracted conflict situation and is home to some of the world’s most horrific documented cases of sexual violence against women. For many years now Congolese women in the diaspora have been engaged in initiatives to raise awareness of the sexual and gender-based violence (SGBV) of Congolese women back home, addressing the root causes of the conflict and promoting specific peace and conflict resolutions. This article examines ways of protesting using art as a political tool in addre

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Тиверовский, Владимир Изекильевич. "МЕЖДУНАРОДНАЯ ВЫСТАВКА ВНУТРЕННЕЙ ЛОГИСТИКИ LOGIMAT 2024 В ГЕРМАНИИ". Транспорт: Наука, техника, управление, № 10 (1 жовтня 2024): 32–37. https://doi.org/10.36535/0236-1914-2024-10-4.

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В марте 2024 г. в г. Штутгарте (Германия) с большим успехом состоялась очередная традиционная международная выставка внутренней логистики, в которой приняли участие многие зарубежные фирмы. Представленные экспозиции были ориентированы на будущее логистики, цифровизацию, роботизацию, искусственный интеллект и др. современные возможности развития. Наряду с будущим были представлены и многие реализованные проекты - автоматизированные склады и логистические центры, автономные мобильные роботы, электронные платформы и IT-системы. Большое внимание было уделено вопросам устойчивости, экологии, эргоно

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Ржепка, Элина, and Elina Rzhepka. "Theory and practice of business tourism in Irkutsk: regional development of destinations." Services in Russia and abroad 9, no. 3 (2015): 63–73. http://dx.doi.org/10.12737/14394.

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This article continues the author&#180;s researches of resources and prospects of business tourism in Irkutsk and Irkutsk region. The author states the basic theoretical and practical conclusions of the five years’ monitoring researches of business tourism market. Particular attention is paid to the geographical component as an integral part of the global factor, which specialization of a territory. Business tourism has different forms of organization: congresses, exhibitions, fairs, discussions and seminars. All participants of the events have different purposes of the visit according to

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