Log in

Relevant bibliographies by topics / Exhibition theories / Books

To see the other types of publications on this topic, follow the link: Exhibition theories.

Books on the topic 'Exhibition theories'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Exhibition theories.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Anne, Ellegood, and KIT-Kunst im Tunnel, eds. Bjoern Dahlem--die Theorie des Himmels. Berlin: Distanz, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Conrad, Lienhardt, ed. Ottokar Uhl: Werk, Theorie, Perspektiven. Regensburg: Schnell & Steiner, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Frantz, Susanne K. Particle theories: International pâte de verre and other cast glass granulations. Millville, N.J: Museum of American Glass at Wheaton Village, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Brigitte, Salmen, and Schlossmuseum Murnau, eds. Marianne von Werefkin in Murnau: Kunst und Theorie, Vorbilder und Künstlerfreunde. Murnau: Schlossmuseum Murnau, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Brian, Lukacher, and Rice Shelley, eds. Pictorial effect naturalistic vision: The photographs and theories of Henry Peach Robinson and Peter Henry Emerson. Norfolk, Va: Chrysler Museum, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Beuys, Joseph. Denken ist bereits Plastik: Joseph Beuys : Zeichnungen zur plastischen Theorie aus der Sammlung van der Grinten. Langen: Magistrat der Stadt Langen, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Geliehene Landschaften: Zur Praxis und Theorie des Dokumentarfilms : Arbeitsjournale, Aufzeichnungen, Tagebücher, Notizen und Texte. Berlin: Neuer Berliner Kunstverein, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Hamburg, Deichtorhallen, ed. Wunder: Katalog zur Ausstellung der Deichtorhallen Hamburg und der Siemens Stiftung : kuratiert von der Praxis für Ausstellungen und Theorie. Köln: Snoeck, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Universitätsbibliothek, Freie Universität Berlin, ed. Architekturtraktate im Spannungsfeld zwischen Theorie und Praxis: Beispiele aus der Rara-Sammlung der Kunsthistorischen Bibliothek : Katalog zur Ausstellung in der Universitätsbibliothek. Berlin: Freie Universität, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Leonardo. Leonardo da Vinci: The Codex Leicester : an exhibition at the Chester Beatty Library 12 June - 12 August 2007. London: Scala, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Carlo, Pedretti, Melani Margherita, and Basilique nationale du Sacré-Coeur (Belgium), eds. Leonardo da Vinci: The European genius : paintings and drawings : exhibition in the Basilica of Koekelberg, Brussels, in celebration of the 50th anniversary of the Treaty of Rome for the constitution of the European Community (1957-2007). Foligno (PG) [i.e. Perugia, Italy]: Cartei & Bianchi, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Leonardo. Leonardo: Un hombre universal en los límites extremos de la mente y del arte. Madrid: Electa, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

1950-, Desmond Michael, Pedretti Carlo, Leonardo da Vinci 1452-1519, and Powerhouse Museum, eds. Leonardo da Vinci: The Codex Leicester--notebook of a genius. Sydney, N.S.W: Powerhouse, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Leonardo. Leonardo da Vinci: I manoscritti dell'Istituto di Francia. Edited by Govi Gilberto 1826-1889, Poli Capri Paola, and Istituto di Francia. Roma: H. van der Poel, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Leonardo. Leonardo da Vinci: Attualità e mito = Leonardo da Vinci : aktualitás és mítosz. [S.l.]: Museo Ideale, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

K, Kustodieva T., Strinati Claudio M, Palazzo ducale (Venice Italy), Palazzo del Quirinale (Rome, Italy), and Gosudarstvennyĭ Ėrmitazh (Russia), eds. Leonardo: La Madonna Litta dall'Ermitage di San Pietroburgo. Roma: De Luca, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Leonardo. Leonardo da Vinci: Engineer and architect. [Montreal]: Montreal Museum of Fine Arts, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

C, Marani Pietro, Fiorio Maria Teresa, and Castello sforzesco, eds. Leonardo: Dagli studi di proporzioni al Trattato della pittura. Milano: Electa, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Leonardo. Leonardo da Vinci: Künstler, Erfinder, Wissenschaftler. Speyer: Historisches Museum der Pfalz, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

1942-, Kemp Martin, and National Gallery of Scotland, eds. Leonardo da Vinci: The mystery of the Madonnaof the yarnwinder. [Edinburgh]: National Gallery of Scotland, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Leonardo. Leonardo da Vinci: Die Madonna mit der Nelke. München: Schirmer/Mosel, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

1953-, Perissa Torrini Annalisa, and Gallerie dell'Accademia di Venezia, eds. Leonardo: L'Uomo vitruviano fra arte e scienza. Venice: Marsilio, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Francesca, Debolini, ed. Leonardo: Un uomo universale agli estremi confini della mente e dell'arte. Milano: Leonardo arte, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Leonardo. Leonardo da Vinci: Capolavori in mostra. Milano: Electa, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Leonardo. Leonardo: Tutta la pittura. Firenze: Nardini, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Leonardo. Leonardo Da Vinci. London ; New York, NY: DK Pub., 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Leonardo. Leonardo da Vinci: Maschine Mensch. Ostfildern-Ruit: Edition Völklinger Hütte im Quantum Books, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Leonardo. Leonardo: Anatomia. Firenze: Giunti, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Dowe, Phil. Causal Process Theories. Edited by Helen Beebee, Christopher Hitchcock, and Peter Menzies. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780199279739.003.0011.

Full text

Abstract:

If the core idea of process theories of causation is that causation can be understood in terms of causal processes and interactions, then the approach should be attributed primarily to Wesley Salmon (1925–2001). Salmon takes causal processes and interactions as more fundamental than causal relations between events. To express this Salmon liked to quote John Venn: ‘Substitute for the time honoured “chain of causation”, so often introduced into discussions upon this subject, the phrase a “rope of causation”, and see what a very different aspect the question will wear’. According to the process theory, any facts about causation as a relation between events obtain only on account of more basic facts about causal processes and interactions. Causal processes are the world-lines of objects, exhibiting some characteristic essential for causation.

APA, Harvard, Vancouver, ISO, and other styles

30

A, Henderson. EXHIBITING DILEMMAS. Smithsonian, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

1966-, Baldiserra Lisa, and Art Gallery of Greater Victoria., eds. Silver: Dreams, screens and theories. Victoria, B.C: Art Gallery of Greater Victoria, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Rudolf Schwarz (1897-1961). Werk - Theorie - Rezeption. Schnell u. St., Regensb., 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Piette, Adam. Sacrifice and the Inner Organs of the Cold-War Citizen. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198806516.003.0013.

Full text

Abstract:

The cold war as a historical continuum within the citizen imagination existed as a set of internalized mechanisms for the imperilling and domination of the subject. This transpires in some of the more extreme fictions that attempted to stage this anxiety as a fear for internal organs, as a sacrificial logic threatening innocent citizen ‘insides’. This chapter discusses examples of those stagings: Samuel Beckett’s Trilogy; Elizabeth Bowen’s The Little Girls (1964); J. G. Ballard’s The Atrocity Exhibition (1969); and Douglas Oliver’s The Harmless Building (1973) and its staging of inner-organ anxiety and warfare. The chapter will be underpinned by René Girard’s theories on scapegoating and mimetic desire, along with Walter Benjamin’s ‘Critique of Violence’ and his essay on Goethe’s Elective Affinities exploring sacrificial history. The reading of those theoretical works will be used to revise Agamben’s characterization of homo sacer to enable a targeted interpretation of cold-war sacrificial codes.

APA, Harvard, Vancouver, ISO, and other styles

34

Dagmar, Bosse, Glasmeier Michael 1951-, Prus Agnes, and Hochschule für Bildende Künste Braunschweig. Institut für Kunstwissenschaft., eds. Der Ausstellungskatalog: Beiträge zur Geschichte und Theorie. Köln: Salon, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Emil Steffann (1899 - 1968). Werk. Theorie. Wirkung. Schnell & Steiner, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Thomas, Sophie. Word and Image. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.40.

Full text

Abstract:

This chapter examines the numerous places where words and images combine or collide in Romantic literature and culture, such as in book production and illustration; in poetry, painting, and theories of the two as ‘sister arts’; in ekphrastic literary texts; in prints and annuals; and in exhibitions and galleries. The chapter explores the historical and artistic context for a range of dynamic experiments that raise conceptual questions about visual and verbal representation, and the nature of the connections between them. At the same time, it unsettles the apparently dual nature of a relationship that in fact often includes objects and places, or extends into other media and forms. Writers and artists discussed include Blake, Wordsworth, Beaumont, Gillray, and Turner.

APA, Harvard, Vancouver, ISO, and other styles

37

Dimendberg, Edward, ed. The Moving Eye. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190218430.001.0001.

Full text

Abstract:

Once the province of film and media scholars, today the moving image concerns historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations that no longer presuppose a fixed viewer, urban space becomes envisioned and planned through “fly-throughs,” and technologies such as GPS add data to the experience of travel, images in motion have captured the attention of geographers and scholars across the humanities and social sciences. Mobility studies is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952–2009) was among the first practitioners of visual studies to theorize the experience of mobile vision. Her books Window Shopping and The Virtual Window have become key points of reference in the discussion of the windows that frame images and the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg’s work has never been the subject of an extended study. The Moving Eye gathers together essays by a renowned international group of thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality. These nine essays advance the lines of inquiry begun by Friedberg.

APA, Harvard, Vancouver, ISO, and other styles

38

Bruno Munari: Art Theorems. Edizioni Corraini, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Rohman, Carrie. Nude Vibrations: Isadora Duncan’s Creatural Aesthetic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190604400.003.0002.

Full text

Abstract:

This chapter reads Duncan as a paradigmatic test-case for re-seeing the complexities of “naturalness” in the early twentieth century in relation to animality, performance, and an aesthetics that is specifically posthumanist. Rather than a naïve essentialist, Duncan should be viewed as a kind of vitalist who understood art as emerging from the vibrancy of matter itself and the drift or transfer of forces from earth to animal, from animal to human. By examining her animal and cosmic imagery and by discussing questions such as barefootedness and nudity as specific markers of animality in Duncan’s aesthetic, I frame her dance theory as exhibiting a sophisticated posthumanist artistic position. Recognizing these elements of her artistic theories helps us re-evaluate the way Duncan has been viewed because of the natural strains in her work, but also opens new lines of inquiry regarding animality and modern dance.

APA, Harvard, Vancouver, ISO, and other styles

40

1953-, Bosman Jos, Eidgenössische Technische Hochschule Zürich. Institut für Geschichte und Theorie der Architektur., and Kunstgewerbemuseum Zürich, eds. Sigfried Giedion 1888-1968: Der Entwurf einer modernen Tradition : eine Ausstellung organisiert vom Institut für Geschichte und Theorie der Architektur (gta) in Zusammenarbeit mit dem Museum für Gestaltung Zürich, 1. Februar bis 9. April 1989. Zürich: Ammann Verlag, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Emil Steffann (1899-1968): Werk, Theorie, Wirkung ; [Universität für künstlerische und industrielle Gestaltung in Linz, 16. September bis 13. Oktober 1999 ; Franz Hitze Haus, Münster, 27. Okt. bis 28. Nov. 1999]. Regensburg: Schnell u. Steiner, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Robert, Reitbauer, Museum Moderner Kunst (Austria), Tiroler Landesmuseum Ferdinandeum, and Interferenzen (4th : 1991 : Vienna, Austria), eds. Die Geometrie des Schweigens: Ein Symposium zur Theorie und Praxis einer Kunst im elektronischen Raum, am Beispiel der Radiokunst : Vorträge, Performances, Installationen und Präsentationen im und zwischen dem Museum Moderner Kunst Stiftung Ludwig Wien und dem über eine Zwei-Weg-Stereo-Leitung verbundenen Tiroler Landesmuseum Ferdinandeum Innsbruck : Radiokunst auf Österreich 1 and Ö3. Wien: Museum Moderner Kunst, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

LaRocca, David, ed. Metacinema. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190095345.001.0001.

Full text

Abstract:

When a work of art shows an interest in its own status as a work of art—either by reference to itself or to other works—we have become accustomed to calling this move “meta.” While scholars and critics have, for decades, referred to reflexivity in films, it is only here, for the first time, that a group of leading and emerging film theorists joins to directly and systematically address with clarity and rigor the meanings and implications of the meta for cinema. In ten new essays and a selection of vital canonical works, contributors chart, explore, and advance the ways in which metacinema is at once a mode of filmmaking and a heuristic for studying cinematic attributes. What we have here, then, is not just an engagement with certain practices and concepts in widespread use in the movies (from Hollywood to global cinema, from documentary to the experimental and avant-garde), but also the development of a veritable and vital new genre of film studies. Since metacinema has become an increasingly prominent cultural phenomenon—a kind of art and logic familiar to everyday experience around the world—its abundance and pervasiveness draws our attention. With more and more films expressing reflexivity, recursion, reference to other films, mise en abîme, seriality, and exhibiting related intertextual traits, the time is overdue for the kind of capacious yet nuanced critical study now in hand.

APA, Harvard, Vancouver, ISO, and other styles

44

Leonardo Da Vinci: The Divine and the Grotesque. Royal Collection, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Leonardo. Leonardo Da Vinci: Engineer and Architect (Montreal Museum of Fine Arts). Mcclelland & Stewart Ltd, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Kunster, Erfinder, and Wissenschaftler. Leonardo DA Vinci. Thames & Hudson Ltd, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Leonardo. Leonardo da Vinci: Paintings and Drawings. bnpublishing.com, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Frere, Jean-Claude, Jean-Marie Clarke, and Leonardo. Leonardo: Painter, Inventor, Visionary, Mathematician, Philosopher, Engineer. Vilo International, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Paolo, Galluzzi, and Montreal Museum of Fine Arts., eds. Leonardo Da Vinci: Engineer and architect. [Montreal]: Montreal Museum of Fine Arts, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Leonardo: Hermoso Sonador. Serres, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!