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Journal articles on the topic 'Exhibitions'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Lovett, Bob. "ASE exhibitions: Manufacturers' exhibition." Physics Education 22, no. 3 (1987): 149–50. http://dx.doi.org/10.1088/0031-9120/22/3/421.

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2

Lowe, Trevor, and Ken Dobson. "ASE exhibitions: Publishers' exhibition." Physics Education 22, no. 3 (1987): 151–53. http://dx.doi.org/10.1088/0031-9120/22/3/422.

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3

Bodey, Derek. "ASE exhibitions: Special exhibition." Physics Education 22, no. 3 (1987): 153–54. http://dx.doi.org/10.1088/0031-9120/22/3/423.

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4

Aarbakke, Thea. "Musealiserte relasjoner mellom liv og litteratur på Olav H. Hauge-senteret." Nordisk Museologi 28, no. 1 (2020): 75. http://dx.doi.org/10.5617/nm.7970.

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This article investigates how one of the museums’ foremost communication tools, their exhibitions, negotiates the appearance of the Norwegian poet Olav H. Hauge’s life and literature, and the relations between them, by way of the exhibition’s material components and exhibition technologies. In the exhibition, authorship and author biography intersect and meet as a unique attribute of the exhibition space. How the author’s life and literature are communicated in the exhibitions and how the exhibition technologies affect the stories being told is the main focus of this analysis. Inspired by acto

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5

Maistrovskaya, Mariya T. "EXHIBITION AS A GENRE OF PLASTIC ART: "DIOR"." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 2 (2020): 138–50. http://dx.doi.org/10.28995/2073-6401-2020-2-138-150.

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The article is the second part of the research that consider and analyze two exhibitions held in recent years at the A.S. Pushkin Museum of Fine Arts named, “Chanel: according to the laws of art” (2007) and “Dior: under the sign of art” (2011), dedicated to the largest fashion designers of our time. The original concepts and artistic solutions of the exhibition design of these exhibitions became events not only in the fashion world, but also in the art of the exhibitiaon. These exhibitions presented various exhibition solutions, vivid artistic images, expressive spatial organization, conceptua

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6

Martin, Daniel, and Brad Hokanson. "Informal Learning." International Journal of Designs for Learning 13, no. 2 (2022): 100–108. http://dx.doi.org/10.14434/ijdl.v13i2.33876.

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This paper describes the development and execution of an exhibition in an academic museum setting. The exhibitionis presented as a self-directed learning intervention. The development process included conceptual development, the selection of exhibition materials, the creation of didactic written materials, spatial arrangement of the materials, organizing the flow and interaction of the exhibition, and analysis of the results of the exhibition. We find that interactivity is a viable means to drive interest in the subject(s) of an exhibition and that crowds can make informed decisions about the

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Park, Yu Mi, and Choon Sung Shin. "Study On Online Platform For Personal Exhibition In Metaverse Emvironment." Korean Institute of Smart Media 11, no. 6 (2022): 37–50. http://dx.doi.org/10.30693/smj.2022.11.6.37.

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This proposes a direction to build and provide an exhibition space based on the metaverse platform so that artists can independently open their own exhibitions in an online environment. Although many artists are produced every year, offline exhibitions are becoming difficult due to not many art galleries, and offline exhibitions are becoming impossible due to Corona, which began at the end of 2019, and online exhibitions are emerging as an alternative. We analyze cases of existing online exhibition methods and visit online exhibition methods such as web, video, and virtual reality and metavers

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8

Holovnia, O. M. "Exhibitions and Fairs as an Integration Tool for Implementing the Interests of Agricultural Enterprises." PROBLEMS OF ECONOMY 1, no. 51 (2022): 20–25. http://dx.doi.org/10.32983/2222-0712-2022-1-20-25.

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The state of modern exhibitions is considered, the latter being an important means of communication between producers and consumers in the Ukrainian market under market economy. Exhibitions reflect the material, technological, information, and communication development; they have become a standardized price indicator, an economic and political platform forecasting changes in supply and demand in the global agricultural market, and a globalized phenomenon with economic, political and socio-cultural content. The author argues that international agricultural exhibitions and fairs are the most eff

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9

Boluža, Anda. "RESEARCHERS, CURATORS AND DESIGNERS: THE EXHIBITIONS AS THE SPACE FOR COLLABORATIONS." Culture Crossroads 22 (September 13, 2023): 149–60. http://dx.doi.org/10.55877/cc.vol22.444.

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The article looks at thematic exhibitions that explore certain cultural and historical processes and examines the specifics of the exhibition as a collaborative process between three actors: academic researchers, curators and designers. Such exhibitions, grounded in cultural aspects and built on academic research outcomes, differ from classic art displays in the sense that they lack artworks that “speak for themselves”. Moreover, the research often is based on the written word and original documents or artefacts that are visually uninteresting/non-appealing or monotonous. On this account, the

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10

Lissimia, Finta, and Lutfi Prayogi. "Perspective of Virtual Exhibition during the COVID-19 pandemic." International Journal of Built Environment and Scientific Research 6, no. 1 (2022): 45. http://dx.doi.org/10.24853/ijbesr.6.1.45-54.

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Virtual exhibitions are growing driven by physical restrictions during the COVID-19 pandemic. The exhibition of works that were previously more physical in nature, can be visited physically is slowly turning into an exhibition that is visited virtually. This change is uncomfortable for the community. For this reason, a study is needed on the impact of virtual exhibition visits on the community during the COVID-19 restrictions. This study aims to answer these problems and at the same time evaluate the progress of virtual exhibitions in the early days of the pandemic. Collecting data using an on

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11

Świtek, Gabriela. "Across Borders and Art Histories: Travelling Exhibitions." Artium Quaestiones, no. 35 (December 31, 2024): 55–82. https://doi.org/10.14746/aq.2024.35.3.

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The concept of art geography is undergoing a process of revision in light of recent research on exhibition histories. The analysis of major perennial art exhibitions is conducted in relation to the spatial, global structures of social and economic life, or as an aspect of tourism geographies. The geography of art exhibitions entails mapping circulation, analysing the spatial and temporal conditions under which art is presented, and the identifying cultural boundaries in the reception of travelling artworks. This article examines the circulation of international exhibitions that were presented

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12

TYTARENKO, V., and M. KONDRATENKO. "ESTABLISHMENT OF EXHIBITION ACTIVITIES IN THE WORLD." ТHE SOURCES OF PEDAGOGICAL SKILLS, no. 34 (December 18, 2024): 228–32. https://doi.org/10.33989/2075-146x.2024.34.318134.

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Today, exhibition activity is a relevant field of modern culture, education and development of society. Exhibitions have an important aesthetic, cultural, scientific and philosophical mission. The article reflects the birth of exhibition activity in the world and the work of international organizations in this direction, gives examples of various classifications of exhibitions. Despite the large number of scientific works on the researched topic, it is worth noting the debatability of approaches to the interpretation of the very concept of "exhibition" and their classifications. It is noted th

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Netreba, Elizaveta S. "ANALYSIS OF THE PARTICIPATION OF YOUNG PAINTERS FROM YEKATERINBURG IN THE INTERREGIONAL EXHIBITIONS OF THE URAL DIVISON OF THE RUSSIAN UNION OF ARTISTS." Architecton: Proceedings of Higher Education, no. 4(72) (December 28, 2020): 19. http://dx.doi.org/10.47055/1990-4126-2020-4(72)-19.

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The exhibiting activity of Yekaterinburg’s young painters in the course of professional growth has been reviewed based on information on their participation in Ural regional and interregional exhibitions held by the Union of Artists of Russia from 2003 to 2018. The statistical data have been tabulated, enabling one to see changes in the exhibiting activity and genre and style preferences of young painters. The results of the study are important for understanding the transformations taking place in the involvement of young people in professional exhibition activities considering that participat

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14

Tran, Van Troi. "Exhibiting Coca-Cola at universal exhibitions." Food, Culture & Society 24, no. 2 (2021): 269–90. http://dx.doi.org/10.1080/15528014.2021.1873036.

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15

Gong, Yunhan. "Analyze the Exhibition Industry in the Post-Epidemic Era-Taking the 5th Erdos International Cashmere and Wool Exposition as an Example." BCP Education & Psychology 8 (February 27, 2023): 78–83. http://dx.doi.org/10.54691/bcpep.v8i.4275.

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In the post-epidemic era, the economy of all walks of life is recovering, and the exhibition industry is an industry with a strong driving effect in the short term. Inner Mongolia has local characteristics, and as a province with an immature exhibition industry, it has great potential. In holding exhibitions here, Inner Mongolia will gradually develop exhibitions, so that everyone could see the feasibility of building a convention and exhibition capital in central and western China. This paper analyzes the 5th Erdos International Cashmere and Wool Exposition. Through case analysis and literatu

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16

You, Chi-Yeon, Yeon-Sung Jung, Junggeun Kim, and Taewoo Roh. "Organizer Competency and B2B Exhibition Performance: The Mediating Role of Exhibitor Motivation." Journal of Korea Trade 28, no. 3 (2024): 93–117. http://dx.doi.org/10.35611/jkt.2024.28.3.93.

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Purpose - This study aims to explore the significance of organizer competency in B2B exhibitions in South Korea. Drawing on previous literature in the exhibition context, this research empirically examines the impact of organizer competency on exhibition performance and investigates the mediating role of exhibiting firms’ motivation to participate. Motivation is deconstructed into the quality of attendees and market-oriented motivation for a detailed analysis. Design/Methodology - The empirical model of this study considers the relationship between organizer competency and exhibition performan

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17

Baldini, Andrea Lorenzo. "六/6: Finding Meaning. The Expanded Exhibition and the Post-Pandemic World". Journal of Public Space, Vol. 5 n. 4 (1 грудня 2020): 301–12. http://dx.doi.org/10.32891/jps.v5i4.1382.

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How will artistic exhibitions function in the post-pandemic world? Visiting museums and galleries is a health hazard. 六/6: Finding Meaning is an attempt to offer an alternative. It embodies a novel exhibiting format called the expanded exhibition, which inhabits an expanded public space, between the physical and the digital. 六/6shows us that, once liberated spatially, exhibitions can be effective tools of meaning-making and social change even in a post-pandemic world. By exploiting the interplay between the digital and the physical domains, expanded exhibitions such as 六/6 can build alternativ

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18

Simonsson, Märit. "The Most Powerful Material in Westeros: Fiction Exhibitions and the Authenticity of Fiction Objects." Museum and Society 20, no. 2 (2022): 250–63. http://dx.doi.org/10.29311/mas.v20i2.4072.

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This article examines authenticity in relation to exhibitions about films and television series and the objects they contain, defined here as fiction exhibitions and fiction objects. The study is based on an analysis of Game of Thrones: The Touring Exhibition. Material and constructed authenticity are examined and used in the analysis. It is concluded that the exhibition relates to both categories of authenticity, as it contains authentic material from the production of the series and constructs authenticity by emphasizing the fiction objects’ value. The value of objects is also discussed in r

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19

Kwon, Hyuk Gue. "Exhibition as Medium - From the Dematerialized Exhibitions of the 1960s to Today’s Virtual Exhibitions." CONTENTS PLUS 23, no. 1 (2025): 83–96. https://doi.org/10.14728/kcp.2025.23.01.083.

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20

WuJiu, Liu, Wahiza Abdul Wahid, and Noor Azly Mohamed Ali. "Digital Innovation in Museum Exhibitions: An Augmented Reality Framework for Dezhou City Museum." International Journal of Art and Design 9, no. 1/SI (2025): 118–33. https://doi.org/10.24191/ijad.v9i1/si.3737.

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Continuity advancement of science and technology, coupled with a surge in cultural consciousness and improved cultural literacy. Recently increase year by year in the number of museums across China. Due to this national trend, Dezhou City in Shandong Province has also established its own museum, primarily dedicated to preserving and exhibiting the city’s historical culture and significant artefacts. It serves as a place for local residents to visit, engage in educational and cultural dissemination, and provide valuable physical and documentary support for researchers studying relevant issues.

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21

Lee, Joohun, Jaehoon Bae, and Yunkyung Bae. "Implementation of a Gamification-Based Metaverse Exhibition: A Case Study of the Farewell Museum." Sustainability 16, no. 14 (2024): 6212. http://dx.doi.org/10.3390/su16146212.

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The increasing adoption of metaverse exhibitions aims to overcome the limitations of traditional offline exhibitions by enhancing accessibility and creating imaginative spaces without temporal and spatial constraints. This study explores how incorporating gamification into metaverse exhibitions can leverage the strengths of online and offline experiences. By integrating metaverse elements and gamification, we designed an interactive metaverse space and evaluated its effectiveness through user feedback. Our findings indicate that guiding visitors to complete missions within the metaverse enhanc

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22

Kolokolceva, N. Yu, K. V. Valkova, and I. V. Pyanzina. "The Importance of the Position of an Exhibition Organizer at the Association of Artists-Peredvizhniki (on the Example of A.D. Chirkin's Activities in 1872-1881)." Izvestiya of Altai State University, no. 3(125) (July 12, 2022): 23–27. http://dx.doi.org/10.14258/izvasu(2022)3-03.

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The article is devoted to the consideration of organizational issues related to the implementation of the mobile form of exhibition activity of the Society for Travelling Art Exhibitions in the first decade of its existence. The special role of the Commissioner for the organization of exhibitions or the organizer of exhibitions in the coordination of these issues is noted. The experience of organizing the First Traveling Exhibition in 1871-1872 showed the need to attract to the Society a person who understands art and is ready to assume the responsibilities associated with exhibiting in the pr

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23

Sidorov, Igor V. "GEOGRAPHICAL ASPECTS OF EXHIBITION ACTIVITIES IN THE RUSSIAN OIL AND GAS SECTOR." Географический вестник = Geographical bulletin, no. 2(61) (2022): 34–47. http://dx.doi.org/10.17072/2079-7877-2022-2-34-47.

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The study is devoted to identifying the general and geographical features of the formation and functioning of exhibitions in the oil and gas sector of Russia. To this end, the author has compiled a database containing comparable information on all studied exhibitions: the name, the city, the venue, the organizer, the number of exhibitors, foreign exhibitors, the countries of participants, visitors, status of the exhibition. On this basis, the exhibitions were ranked according to each of the listed indicators, and the largest exhibitions have been identified; the description of exhibition activ

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24

Saragih, Agus Mariani, Jumjuma ., Juni Anggraini, and Anggiat Parlindungan. "Learning Model of Virtual Exhibition Using 3D Animation (Case Study: Exhibition Implementation Course in the Medan State Polytechnic Mice Study Program)." International Journal of Religion 5, no. 8 (2024): 362–70. http://dx.doi.org/10.61707/tpg87f67.

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This study aims to determine the process of implementing virtual exhibitions using digital 3D animation technology, and to find out whether there are differences in students' understanding of exhibition learning before and after learning about virtual exhibitions. Research data obtained from questionnaires and tested descriptively and different test (t-test). The process of creating a virtual exhibition uses the Art steps website. The results of the study show that the process of making virtual exhibitions with Art steps is very helpful and there are differences in students' understanding befo

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25

Lu, Ruichen, and Meng Jin. "An Exploration on the Factors Influencing Exhibitor's Participation Decision in Professional Exhibitions." Journal of Business and Marketing 1, no. 3 (2024): 40–44. http://dx.doi.org/10.62517/jbm.202409308.

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With the continuous development of the exhibition industry around the world, various professional exhibitions have emerged. Exhibitors are an important component of professional exhibitions, and their participation decisions are a key factor affecting the success of the exhibition. The objective of this study is to reveal the reasons which affect the exhibitor’ s participation decision in professional exhibitions. This exploration uses descriptive statistics and factor analysis methods, and the data collection method is online self-administered questionnaires. This study obtains data by distri

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26

Flores-Marcial, Xóchitl M. "Getting Community Engagement Right." Latin American and Latinx Visual Culture 3, no. 1 (2021): 98–108. http://dx.doi.org/10.1525/lavc.2021.3.1.98.

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Greater Mexico refers both to the geographic region encompassing modern Mexico and its former territories in the United States, and to the Mexican cultural diaspora. Exhibitions of visual and material culture from greater Mexico have played an important role in articulating identities and affiliations that transcend limited definitions of citizenship. Following an introductory text by Jennifer Josten, five scholars offer firsthand insights into the intellectual, diplomatic, and logistical concerns underpinning key border-crossing exhibitions of the “NAFTA era.” Rubén Ortiz-Torres writes from h

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Vargas-Santiago, Luis. "Emiliano." Latin American and Latinx Visual Culture 3, no. 1 (2021): 109–19. http://dx.doi.org/10.1525/lavc.2021.3.1.109.

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Greater Mexico refers both to the geographic region encompassing modern Mexico and its former territories in the United States, and to the Mexican cultural diaspora. Exhibitions of visual and material culture from greater Mexico have played an important role in articulating identities and affiliations that transcend limited definitions of citizenship. Following an introductory text by Jennifer Josten, five scholars offer firsthand insights into the intellectual, diplomatic, and logistical concerns underpinning key border-crossing exhibitions of the “NAFTA era.” Rubén Ortiz-Torres writes from h

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Ortiz-Torres, Rubén. "Mexicos and Americas." Latin American and Latinx Visual Culture 3, no. 1 (2021): 70–79. http://dx.doi.org/10.1525/lavc.2021.3.1.70.

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Greater Mexico refers both to the geographic region encompassing modern Mexico and its former territories in the United States, and to the Mexican cultural diaspora. Exhibitions of visual and material culture from greater Mexico have played an important role in articulating identities and affiliations that transcend limited definitions of citizenship. Following an introductory text by Jennifer Josten, five scholars offer firsthand insights into the intellectual, diplomatic, and logistical concerns underpinning key border-crossing exhibitions of the “NAFTA era.” Rubén Ortiz-Torres writes from h

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29

Bargellini, Clara. "Looking Back at The Arts of the Missions of Northern New Spain, 1600–1821." Latin American and Latinx Visual Culture 3, no. 1 (2021): 80–87. http://dx.doi.org/10.1525/lavc.2021.3.1.80.

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Greater Mexico refers both to the geographic region encompassing modern Mexico and its former territories in the United States, and to the Mexican cultural diaspora. Exhibitions of visual and material culture from greater Mexico have played an important role in articulating identities and affiliations that transcend limited definitions of citizenship. Following an introductory text by Jennifer Josten, five scholars offer firsthand insights into the intellectual, diplomatic, and logistical concerns underpinning key border-crossing exhibitions of the “NAFTA era.” Rubén Ortiz-Torres writes from h

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30

Richter, Kim N. "Golden Kingdoms at Getty." Latin American and Latinx Visual Culture 3, no. 1 (2021): 88–97. http://dx.doi.org/10.1525/lavc.2021.3.1.88.

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Greater Mexico refers both to the geographic region encompassing modern Mexico and its former territories in the United States, and to the Mexican cultural diaspora. Exhibitions of visual and material culture from greater Mexico have played an important role in articulating identities and affiliations that transcend limited definitions of citizenship. Following an introductory text by Jennifer Josten, five scholars offer firsthand insights into the intellectual, diplomatic, and logistical concerns underpinning key border-crossing exhibitions of the “NAFTA era.” Rubén Ortiz-Torres writes from h

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31

Josten, Jennifer. "Dialogues." Latin American and Latinx Visual Culture 3, no. 1 (2021): 60–69. http://dx.doi.org/10.1525/lavc.2021.3.1.60.

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Greater Mexico refers both to the geographic region encompassing modern Mexico and its former territories in the United States, and to the Mexican cultural diaspora. Exhibitions of visual and material culture from greater Mexico have played an important role in articulating identities and affiliations that transcend limited definitions of citizenship. Following an introductory text by Jennifer Josten, five scholars offer firsthand insights into the intellectual, diplomatic, and logistical concerns underpinning key border-crossing exhibitions of the “NAFTA era.” Rubén Ortiz-Torres writes from h

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32

Lin, Jiajing. "Analysis of the Development and Direction of Contemporary Exhibitions." Communications in Humanities Research 9, no. 1 (2023): 238–45. http://dx.doi.org/10.54254/2753-7064/9/20231191.

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With the advancement of civilization and the passage of time, art has steadily merged into everyday life. The quantity and variety of art exhibitions held have significantly expanded, becoming a daily activity for the majority of the public as the social process and the pace of peoples lives continue to quicken. The public is given a strong sense of connection to the art institution and the exhibition space as a result of the modern exhibitions progressive evolution and subsequent innovation and improvement. This paper looks at the potential and direction of contemporary art exhibitions, analy

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33

Jones-Edman, Genevieve, Jessica C. Lewis, and Bernadette Worrell-Johnson. "Keeping up with best practices: Library exhibitions at a university library in a small island developing state." Alexandria: The Journal of National and International Library and Information Issues 29, no. 1-2 (2019): 59–76. http://dx.doi.org/10.1177/0955749019876118.

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Libraries over the years have developed best practices for planning, organising, promoting and evaluating exhibitions. Many are based on practices in museums. These best practices have been written into policies and shared with libraries worldwide. However, just as there has been an acknowledgement that some museum practices must be modified to suit the needs of libraries, the same applies to exhibition best practices across countries and libraries with different budgets. Small island developing states are particularly challenged by, among other things, limited resources, high cost of transpor

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Kim, Dong Hyun, and Jae Eun Yoon. "A Study on the Characteristics of Digital Convergence Exhibitions in Contemporary Museum Exhibition Spaces." Korea Institute of Design Research Society 9, no. 4 (2024): 964–73. https://doi.org/10.46248/kidrs.2024.4.964.

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This study analyzes the impact of digital technology convergence on visitor experience and exhibition space design in contemporary museums. Digital technology in exhibitions must move beyond visual novelty to offer creative and immersive experiences, establishing new artistic paradigms. The research analyzed four immersive exhibition cases. These examples highlight key features of digital convergence exhibitions: immersion, interactivity, adaptability, scalability, and multi-sensory engagement. The findings show that such exhibitions break boundaries between physical and virtual spaces, enhanc

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Skowronski, Moritz, Daniel Klinkhammer, and Harald Reiterer. "Argus Vision: A Tracking Tool for Exhibition Designers." i-com 18, no. 1 (2019): 41–53. http://dx.doi.org/10.1515/icom-2019-0001.

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Abstract Contemporary exhibitions are increasingly staged using extensive and often interactive media. To create such exhibitions, exhibition design companies employ professionals from a wide range of different disciplines. The support of interdisciplinary exhibition designers in the design process is one goal of research in Human-Computer Interaction. This includes the deployment of Do-It-Yourself (DIY) Tools that enable professionals from all disciplines involved to design and create interactive media themselves. In this paper, we will present Argus Vision, a DIY Tool, which allows exhibitio

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36

Xu, Jing. "Design of SAAS Model-Based System of Exhibition Management." Applied Mechanics and Materials 220-223 (November 2012): 2495–99. http://dx.doi.org/10.4028/www.scientific.net/amm.220-223.2495.

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Aiming at existing exhibitions, informationized management system can only meet the requirement of monomer exhibition management, but which cannot meet the needs of management chain and integration of resources of a large number of exhibitions together. For the traditional B2B e-commerce only provides a platform of exchanging information and communication for the supplier and requisitioning party, we design a SAAS-based management platform to build management of all the management works of an amount of actual exhibitions, as well as the use of rich media technology for Webcast and interactive

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37

Magdalena, Agustina. "Human Resource Planning In The Art Exhibition Committee (Case Study: SODALIS Art Exhibition of 2023 Arts Management Students)." Jurnal Indonesia Sosial Sains 6, no. 3 (2025): 956–68. https://doi.org/10.59141/jiss.v6i3.1652.

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Human Resource (HR) planning is essential in organizing events, including art exhibitions, to ensure smooth operations and alignment with organizational goals. It is crucial for both logistical tasks and fostering creativity and collaboration within the committee for a successful exhibition. This research aims to explore how HR planning is applied in the committee of the SODALIS Art Exhibition, organized by the 2023 Arts Management students. The research specifically examines how HR planning supports the exhibition's success in managing human resources effectively and achieving the exhibition'

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Arsentyev, Nikolay M., and Anatoly V. Sludnyh. "EXHIBITION ACTIVITY OF RUSSIA’S OPTICAL COMPANIES IN THE 19TH CENTURY." Ural Historical Journal 73, no. 4 (2021): 155–63. http://dx.doi.org/10.30759/1728-9718-2021-4(73)-155-163.

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The relevance of the presented topic is due to the presence of analogies between the heyday of the exhibition movement in the 19th century and the rise of the movement of exhibitions, expositions, forums in the early 2000s. Many modern processes of marketing communication have a prehistory in the exhibition movement of the 19th century. The authors relied on the modernization theory. The exhibitions were considered not from a narrow economic point of view, but in a broader socio-cultural context. Their influence on the development of Russia’s optical industry is analyzed. The following researc

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Yu, Shining. "An Analysis of International Curation from an Intercultural Perspective." Communications in Humanities Research 9, no. 1 (2023): 253–59. http://dx.doi.org/10.54254/2753-7064/9/20231193.

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It is the advantage of Chinese cultural diplomacy to enrich foreign cultural exchange forms and enhance international influence, communication power, and attractiveness through international museum exhibitions. The international exhibition is an important platform for cultural exchanges with other countries. In the case that the traditional communication forms of Chinese theatre art no longer adapt to the development of modern society, this study will analyze how to curate international exhibitions on the theme of Chinese theatre art from the intercultural perspective so as to achieve the purp

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40

Green, Denise Nicole, Jenny Leigh Du Puis, Lynda May Xepoleas, et al. "Fashion Exhibitions as Scholarship: Evaluation Criteria for Peer Review." Clothing and Textiles Research Journal 39, no. 1 (2019): 71–86. http://dx.doi.org/10.1177/0887302x19888018.

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Curated exhibitions are places where research practice, creative design, storytelling, and aesthetics converge. In this article, we use the term “fashion exhibition” to refer to the organized display of extant dress-related items within museums or other public spaces. Curation, as a form of creative design research, produces numerous outcomes including museum exhibitions, digital archives, and associated publications; however, our field has not yet established a method to peer review fashion exhibitions. In this article, we build upon the work of previous scholars to propose criteria for evalu

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Huang, Chaoyi, Yuxi Chen, Xuanyao Zhang, and Yanting Mo. "Research and Design on Building Digital Immersive Exhibitions in Museums — Taking the “24 Solar Terms Exhibition at the China National Film Museum” as an Example." Scientific and Social Research 7, no. 2 (2025): 136–42. https://doi.org/10.26689/ssr.v7i2.9560.

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With the rapid development of technology, digital immersive exhibitions have become a new trend in museum exhibitions. This article explores the application of digital immersive technology in museum exhibitions, particularly its role in showcasing intangible cultural heritage. Taking the “24 Solar Terms Exhibition at the China National Film Museum” as a case study, this article analyzes the current situation, design, and technological implementation of immersive exhibitions, and discusses their value in enhancing audience experience, cultural education, and innovative development of museums. T

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Widjono, Rani Aryani, and Shania Geraldine. "Modifikasi Interaksi Fisik dalam Pameran Virtual." Idealogy Journal 7, no. 2 (2022): 59–67. http://dx.doi.org/10.24191/idealogy.v7i2.341.

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The shift from physical media to digital media has become increasingly unavoidable since the Covid-19 pandemic began in early 2020. However, with or without this pandemic, changes in this medium are unavoidable. Virtual art exhibitions are starting to be commonly applied on various occasions for the sake of the sustainability of the art ecosystem in Indonesia. The existence of virtual exhibitions is not to replace conventional exhibitions but as an alternative approach that can be taken by art activists. Anxiety about virtual exhibitions is due to the limitations of virtual exhibitions in crea

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Liu, Xiuli. "Research on the Influencing Factors of Agricultural Exhibition Development Based on Regression Analysis." Advances in Engineering Technology Research 4, no. 1 (2023): 223. http://dx.doi.org/10.56028/aetr.4.1.223.2023.

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The exhibition industry plays a strong role in promoting economic development. Agricultural exhibitions have the functions of promoting the production and marketing of agricultural products, displaying agricultural products, cultivating brands, and insight into agricultural development trend. Agricultural exhibitions play an important role in improving the scientific and technological level of agriculture and extending the agricultural industry chain. In the context of China's implementation of the rural revitalization strategy, local governments actively promote rural economic development and

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Song, Jiaxuan. "Theory and Application of Interaction in Exhibitions - Take the "Good Things and Stylings" Exhibition of the Hong Kong Museum of Art as an Example." Lecture Notes in Education Psychology and Public Media 80, no. 1 (2025): 61–65. https://doi.org/10.54254/2753-7048/2024.20357.

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As society develops, people are gradually shifting from necessities to pleasure consumption. More and more people have enough time and money to improve their self-cultivation and aesthetic taste, so the number of art exhibitions has increased significantly. However, many of these exhibitions have problems, such as being unable to guarantee quality and losing the value of the exhibition itself. In typical museums, interaction with exhibits and blending with exhibitions has become a way that can determine the exhibition to stand out, which also represents the indispensable importance of interact

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Winarno, P. M., Wirawan Istiono, and Rajendra Abhinaya. "Virtual exhibition systems using virtual reality technology." Indonesian Journal of Electrical Engineering and Computer Science 38, no. 1 (2025): 367. https://doi.org/10.11591/ijeecs.v38.i1.pp367-380.

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Exhibitions are an activity that can bring a lot of benefits to a company. By participating in an exhibition, a company can carry out promotions to increase their sales and improve their company image. However, there are several shortcomings that can be found with conventional exhibitions held in a face-to-face manner. These exhibitions cost a lot of money, run for only a relatively short period of time, and are limited by the location of the exhibition. Because of this, the idea came up to create a virtual exhibition system which could be used as an alternative to conventional exhibitions. Th

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P., M. Winarno Wirawan Istiono Rajendra Abhinaya. "Virtual exhibition systems using virtual reality technology." Indonesian Journal of Electrical Engineering and Computer Science 38, no. 1 (2025): 367–80. https://doi.org/10.11591/ijeecs.v38.i1.pp367-380.

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Exhibitions are an activity that can bring a lot of benefits to a company. By participating in an exhibition, a company can carry out promotions to increase their sales and improve their company image. However, there are several shortcomings that can be found with conventional exhibitions held in a face-to-face manner. These exhibitions cost a lot of money, run for only a relatively short period of time, and are limited by the location of the exhibition. Because of this, the idea came up to create a virtual exhibition system which could be used as an alternative to conventional exhibitions. Th

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Raharjo, Timbul. "INDONESIAN CRAFT IN THE WORLD TRADE." Ars: Jurnal Seni Rupa dan Desain 21, no. 3 (2018): 177–82. http://dx.doi.org/10.24821/ars.v21i3.2899.

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Some international craft exhibitions focus on home accessories, gifts, and furniture. The exhibition aim as craft product branding at the national and international market, for example 2016 JIFFINA exhibition. Indonesian craft commodity maintains market share in several export destination countries because Indonesian products offer special characteristics and moreover, Indonesian exporters are enthusiastic in promoting the products in international exhibitions. In Asia level, Canton Fair held in Guangzhou International Convention & Exhibition Center China is one of the biggest programs whe

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Lee, Kwangpyo. "The Acceptance of the Lee Kun-hee Collection and the Exhibition of Donated Works from the Perspective of the Collection Story." Korean Society of Culture and Convergence 45, no. 5 (2023): 971–84. http://dx.doi.org/10.33645/cnc.2023.05.45.05.971.

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This study sought to examine the achievements and limitations of the exhibition of donated works of the Lee Kun-hee collection and to explore the sustainable direction in the process of accepting and enjoying the Lee Kun-hee collection. To this end, the flow and characteristics of 18 exhibitions of Lee Kun-hee collection donated works were analyzed. Over time, the exhibition of donated works has diversified into collaborative exhibitions and theme exhibitions, and has developed into an exhibition that makes spectators think about the meaning of the Lee Kun-hee collection. Nevertheless, almost

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Ponomareva, Varvara Vitalievna. "First Russian National exhibition dedicated to hygiene and public health, 1893." Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta. Seria XXIII. Antropologia), no. 2 (May 22, 2023): 113–22. http://dx.doi.org/10.32521/2074-8132.2023.1.113-122.

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Introduction. Since 1820s, it became customary in the Russian Empire to hold various exhibitions - dedicated to manufacture and consequently industry; agricultural, local and national, as well as take part in international exhibitions. Towards the end of the nineteenth century, the number, scale and thematic diversity of such exhibitions grew significantly. Exhibitions related activities, which claimed such wide range and popularity, marked the change in public thought process about the new economic structures being established, and the understanding of the issues and risks associated with the

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Stillwell, Joana. "Art Museum Exhibitions in the Library." International Journal of Librarianship 9, no. 2 (2024): 103–7. http://dx.doi.org/10.23974/ijol.2024.vol9.2.376.

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Typically, museums are seen as the primary venue for exhibitions. However, an interest in library exhibitions has been growing as indicated by increased literature in the library field, albeit with a large focus on academic libraries. On a broader scale, library exhibitions continue to be under-researched as indicated by the continuing lack of library exhibition evaluation standards, library exhibition reviews, and exhibition-related professional training for librarians. In this 2021 study, interviews were conducted at eight Washington, DC-based art museum libraries: The National Gallery of Ar

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