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1

National Endowment for the Arts. Arts Corps: The first three years. s.n., 1994.

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2

W, Batchelor A., and Stachowiak Grazyna, eds. Experimental methods in tribology. Elsevier, 2004.

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3

Preservation, radicalism, and the avant-garde canon. Palgrave Macmillan, 2016.

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4

Doble, Rick. Experimental digital photography. Lark Books, 2009.

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5

Experimental digital photography. Lark Books, 2010.

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6

Betina, Müller, ed. Experimental design: Visual methods and systematic play. Niggli Publishing, 2015.

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7

Jeffrey, Kastner, Paglen Trevor, Independent Curators International, et al., eds. Experimental geography. Melville House, 2008.

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8

Constructing an Avant-Garde: Art in Brazil, 1949-1979. MIT Press, 2013.

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9

Anca, Arghir, Arghir Vlad, and Șerban Alina 1978-, eds. Geta Brătescu: Atelierul = The studio. Sternberg Press, 2013.

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10

Cherubini, Laura, writer of added commentary and Mauri Fabio 1926-2009, eds. Fabio Mauri: Ideologia e memoria. Bollati Boringhieri, 2012.

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11

Kandinsky, Wassily. Du Théâtre =: Über das Theater. Société Kandinsky, 1998.

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12

Mead, R. Statistical methods in agriculture and experimental biology. 3rd ed. Chapman & Hall/CRC, 2002.

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13

N, Curnow R., and Hasted A. M, eds. Statistical methods in agriculture and experimental biology. 2nd ed. Chapman & Hall, 1993.

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14

N, Curnow R., and Hasted A. M, eds. Statistical methods in agriculture and experimental biology. 3rd ed. Chapman & Hall/CRC, 2003.

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15

Poniž, Denis. Die Literarischen Neoavantgarden in Slowenien: Aus dem Slowenischen von Johann Strutz. Universitätsverlag Carinthia, 1987.

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16

Berry, Kathleen S. The dramatic arts and cultural studies: Acting against the grain. Falmer Press, 2000.

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17

École supérieure d'art de l'agglomération d'Annecy, ed. In actu: De l'expérimental dans l'art. Presses du réel, 2009.

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18

editor, Zambianchi Claudio, Gallo Francesca 1969 editor, and Bordini Silvia honouree, eds. L'immagine tra materiale e virtuale: Contributi in onore di Silvia Bordini. Campisano editore, 2013.

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19

Roma, Museo d'arte contemporanea, ed. Macroradici del contemporaneo: L'Attico di Fabio Sargentini, 1966-1978. MACRO, 2010.

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20

Roma, Museo d'arte contemporanea, ed. Macroradici del contemporaneo: A Roma, la nostra era avanguardia. Electa, 2010.

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21

Caruso, Luciano. Sperimentalismo a Napoli: Interventi 1966-1990. Belforte, 1991.

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22

Murayama Tomoyoshi, gekiteki sentan. Shinwasha, 2012.

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23

Assis, Paulo de. Experimental Affinities in Music. Leuven University Press, 2015.

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24

Johann, Arbocz, and Weller T, eds. Buckling experiments: Experimental methods in buckling of thin-walled structures. Wiley, 1998.

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25

Volkova, P. S. Vzaimodeĭstvie iskusstv: Metodologii︠a︡, teorii︠a︡, gumanitarnoe obrazovanie : materialy nauchno-prakticheskoĭ konferent︠s︡ii, 25-29 avgusta 1997 g. Departament obshchego i professionalʹnogo obrazovanii︠a︡ Administrat︠s︡ii Astrakhanskoĭ oblasti, 1997.

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26

Lallo, Lino Di. Quo lapis?: Inventare una scuola colorata. Einaudi, 1994.

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27

Inc, ebrary, ed. Learning for keeps: Teaching the strategies essential for creating independent learners. ASCD, 2010.

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28

Bühnenkompositionen und Gedichte von Wassily Kandinsky: Im Kontext eschatologischer Lehren seiner Zeit 1896-1914. P. Lang, 1998.

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29

service), SpringerLink (Online, ed. Artists-in-Labs Networking in the Margins. Springer-Verlag / Wien, 2010.

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30

When writers read. Heinemann, 1987.

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31

Hansen, Jane. When writers read. Heinemann, 1987.

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32

Franklin Furnace and the spirit of the avant-garde: A history of the future. Intellect, 2011.

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33

Śniecikowska, Beata. Słowo--obraz--dźwięk: Literatura i sztuki wizualne w koncepcjach polskiej awangardy, 1918-1939. Universitas, 2005.

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34

Joanneum), Landesbildergalerie (Steiermärkisches Landesmuseum, and Zentrum für Kunst und Medientechnologie Karlsruhe, eds. A little known story about a movement, a magazine and the computer's arrival in art: New Tendencies and Bit international, 1961-1973. ZKM/Center for Art and Media, 2011.

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35

Khalil, Andrea. The Arab avant-garde: Experiments in North African art and literature. Praeger, 2003.

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36

Matthew, Lundquist, ed. Unscripted learning: Using improv activities across the K-8 curriculum. Teachers College, Columbia University, 2007.

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37

Collaborative-apprenticeship learning: Language and thinking across the curriculum, K-12. Mayfield Pub. Co., 1990.

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38

Ashton-Warner, Sylvia. Teacher. Simon & Schuster, 1986.

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39

Niebisch, Arndt. Media parasites in the early avant-garde: On the abuse of technology and communication. Palgrave Macmillan, 2012.

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40

Overcoming Textbook Fatigue: 21st Century Tools to Revitalize Teaching and Learning. ASCD, 2012.

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41

Esprit de corps: The art of the Parisian avant-garde and the First World War, 1914-1925. Princeton University Press, 1989.

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42

Silver, Kenneth E. Esprit de corps: The art of the Parisian avant-garde and the First World War, 1914-1925. Thames and Hudson, 1989.

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43

1953-, Reedy Chandra L., and Getty Conservation Institute, eds. Principles of experimental design for art conservation research. Stat/Consul, 1992.

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44

Wexler, Alice. Art education beyond the classroom: Pondering the outsider and other sites of learning. Palgrave Macmillan, 2012.

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45

Gazzotti, Melania, and Nicole Zanoletti. Alain Arias-Misson: The public poem extension program. Edizioni Fondazione Berardelli, 2011.

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46

Art education beyond the classroom: Pondering the outsider and other sites of learning. Palgrave Macmillan, 2012.

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47

Egido, Marián del, and David Juanes. La ciencia y el arte: Ciencias experimentales y conservación del patrimonio histórico. Ministerio de la Cultura, Secretaría general técnica, Subdirección General de Publicaciones, Información y Documentación, 2010.

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48

artists), Camel Collective (Group of. The Second World Congress of Free Artists: In three acts. Kunsthal Aarhus, 2013.

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49

Seminario sobre Restauración de Bienes Culturales (2nd 2006 Aguilar de Campóo, Spain). Aportaciones teóricas y experimentales en problemas de conservación. Fundación Santa María La Real-C.E.R., 2007.

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50

1961-, Cohassey John, ed. American cultural rebels: Avant-garde and bohemian artists, writers, and musicians from the 1850s through the 1960s. McFarland & Co., 2008.

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